Retro Television Review: Miami Vice 2.9 “Bushido”

Posted on April 8, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, a man from the past returns to haunt Castillo.

Episode 2.9 “Bushido”

(Dir by Edward James Olmos, originally aired on November 22nd, 1985)

This week’s episode opens with yet another intricately plotted drug bust going awry. This time, a dealer ends up dead, a DEA Agent ends up knocked out and tied up in a bathroom, and $50,000 goes missing. Watching the tapes of the bust, Castillo is shocked to spot a familiar face on the scene. Castillo says that Jack Gretsky (Dean Stockwell) was his partner when he was working for the CIA in Vietnam. Gretsky has long been thought dead but there he is, on tape and ruining Castillo’s bust.

Realizing that Gretsky was sending him a message, Castillo decides to deal with the situation personally. After visiting two CIA agents (Jerry Hardin and Tom Bower) who work out of an adult novelty shop, Castillo tracks Gretsky down to a Buddhist temple. The two of them talk. Gretsky reveals that he’s married to a Russian woman and that he has a son. He asks Castillo to watch over them if anything happens to him. The stoic Castillo agrees and then gives Gretsky a hug. Castillo says that he has to arrest Gretsky. Gretsky says he knows and then pulls a machine gun, forcing Castillo to kill him. The CIA agents are happy to no longer have to deal with Gretsky.

A day later, the coroner’s office calls Vice and says that Gretsky was terminally ill with cancer and probably only had a few days left to live. When Crockett and Tubbs go to tell Castillo, they find his badge and a note sitting in the office. Castillo is fulfilling Gretsky’s final wish and protecting his wife (Natasha Schneider) and his son, Marty (Robin Kaputsin). Castillo sees it as being a part of the samurai code by which he lives his life. Meanwhile, a rogue CIA agent named Surf (David Rasche, giving a wonderfully unhinged performance) is working with the KGB to track down Gretsky’s family.

Directed by Edward James Olmos, Bushido is a wonderfully odd episode. With a combination of skewed camera angles and deliberately eccentric performances from Dean Stockwell and David Rasche, this episode plays out with the relentless intensity of a fever dream. (The opening drug bust even features Zito burying himself in the sand and using a straw to breathe until its time to emerge and knock out one of the bad guys. It’s weird but it’s great.) Olmos contrasts Castillo’s trademark stoicism with the more verbose characters played by Stockwell and Rasche and, as a result, Castillo emerges as an honorable man who hides his emotions because he knows that’s the only way to survive in his world. To fall in love like Jack or to get cocky like Surf can only lead to one’s downfall.

After a few uneven episodes, Bushido is a nice reminder of what Miami Vice was capable of at its best.

Retro Television Review: Miami Vice 2.8 “Tale of the Goat”

Posted on April 1, 2024 by Lisa Marie Bowman

This week, things get weird.

Episode 2.8 “Tale of the Goat”

(Dir by Michael O’Herlihy, originally aired on November 15th, 1985)

It’s hard to know where to begin with this one.

Legba (Clarence Williams III) is a drug lord that Sonny has been trying to take down for three years. While hiding out in Haiti, Legba reportedly dies. When his body is flown back to Miami, Crockett and Tubbs are waiting in the airport so that Crockett can snap a picture of Legba in his casket. Legba does indeed appear to be dead. But, at his voodoo-themed funeral, a man on a motorcycle riddles the casket with bullets. When Crockett and Tubbs (who were staking out the ceremony) open up the casket, they discover only a dead goat.

“Zombie!” a priest exclaims.

Legba has come back, though not as a member of the undead. Instead, while in Haiti, he ingested a toxin that put him in a 48-hour coma. Unlike a lot of people who take the toxin, Legba survives. However, when he is revived, he has suffered brain damage and is now walking and talking slowly. That doesn’t stop Legba from getting his old gang back together (including a dwarf who carries a pickaxe) and going after everyone who he feels has betrayed him. This includes his former lieutenant (Mykelti Williamson) and an obnoxious money launderer (Ray Sharkey) who owns a used car lot.

Tubbs doesn’t believe in voodoo, despite Crockett warning him of the dangers. Tubbs is more interested in Marie (Denise Thompson), Legba’s ex-girlfriend. Looking to keep Marie safe from Legba, Tubbs attempts to infiltrate a voodoo ceremony. You might think this would give Tubbs the perfect excuse to trot out the fake Caribbean accent that he occasionally used during the first season but instead, Tubbs is captured before he can even utter a word. He’s injected with the toxin and spends 48 hours in a coma, haunted by visions of Legba staring at him!

Eventually, Tubbs does come out of his coma and, amazingly, it takes him about five minutes to fully recover. The episode ends with another raid on a yacht. This time, Tubbs manages to kill the villain, shooting him in the back! In Tubbs’s defense, he was still having visions and he thought Legba was facing him. Legba dies and Marie is found in a coma but alive.

This was a weird episode, one that had enough plot for a two-parter. As it is, the story felt rather rushed. No sooner had Mykleti Williamson and Ray Sharkey made their appearances as criminals then Legba was doing away with them. No sooner had Marie stepped onto Crockett’s boat then she was being kidnapped by Legba’s men. No sooner had Tubbs decided to infiltrate Legba’s cult then he was getting injected with the voodoo toxin. And no sooner had Tubbs woken up from his coma then he was preparing to raid the yacht. Add to that, Clarence Williams III gave a performance that was without a hint of subtlety, speaking in accent that was impossible to describe. This wasn’t really a good episode but it was so weird that it was undeniably entertaining.

Next week, Dean Stockwell appears as an old friend of Castillo’s! Hopefully, he won’t be a voodoo priest.

Retro Television Review: Miami Vice 2.7 “Junk Love”

Posted on March 25, 2024 by Lisa Marie Bowman

This week, Sonny and Rico somehow still manage to work undercover.

Episode 2.7 “Junk Love”

(Dir by Michael O’Herlihy, originally aired on November 8th, 1985)

“What’s a four letter word for dirt?” Switek asks, while on a stakeout.

“Mud,” Zito offers before correcting himself, “I mean …. sand!”

However, according to Switek, the correct answer is Vice!

And indeed, there’s a lot of dirt to be found in this week’s rather sordid episode of Miami Vice. A raid on a brothel leads the Vice Squad to arrest a notorious smuggler and pimp named Ivory Jones (legendary Jazz musician, Miles Davis) and one of Ivory’s girls, a strung-out junkie named Rosella (Ely Pouget). When they find out that Rosella is apparently the girlfriend of a notorious dealer named Juan Carlos Silva (Jose Perez), they decide to use her and Ivory to take Silva down. While Tubbs is convinced that Rosella will say anything get her next fix, Crockett is convinced that Rosella is someone who truly wants to change her life. Hmmm …. isn’t Crockett usually the cynical one?

Silva is sexually obsessed with Rosella, to the extent that he’ll even kill the members of his own organization if he thinks they’re interested in her. The episode’s twist comes towards the end, when Gina does some research and discovers that Silva is not only Rosella’s lover but also her …. ick! …. father! Ewwwww! As with so many episodes of Miami Vice, Junk Love ends with Sonny watching helplessly as a victimized woman throws away her freedom so that she can shoot her tormenter. Miami Vice was a show that always managed to be downbeat, even when the bad guys met a deserved end.

This episode felt like an attempt to recreate the emotional drama of the season one episode that featured Bruce Willis as an arms dealer with an abused wife. Both episodes even feature the same basic ending, just with the setting moved from the courthouse steps to a yacht. Unfortunately, this episode doesn’t work anywhere half as well as any of the episodes that aired during the first season. Jose Perez may be playing an evil character but he simply does not have an intimidating enough screen presence to be convincing in the role. Miles Davis, meanwhile, delivers his lines convincingly enough but his character disappears in such a way that it almost feels as if he left the set before all of his scenes were filmed.

The main thing that I found myself thinking about, as I watched this episode, was how could Sonny Crockett and Rico Tubbs still convincingly go undercover after two years of busting drug kingpin after drug kingpin. You would think the entire Miami underworld would be on the lookout for them. Instead, Sonny is still somehow convincing everyone that he’s actually “Sonny Burnett,” aspiring drug dealer. I’m starting to think the criminals in Miami might not be that smart.

Retro Television Review: Miami Vice 2.6 “Buddies”

Posted on March 18, 2024 by Lisa Marie Bowman

This week, Crockett discovers that one of his oldest friends has a secret.

Episode 2.6 “Buddies”

(Dir by Henry Mastrogeorge, originally aired on November 1st, 1985)

When sleazy stand-up comedian Morty Price (a youngish Nathan Lane) attempts to sexually assault a cocktail waitress named Dorothy (Eszter Balint), he ends up getting fatally stabbed with a steak knife. Dorothy flees from the crime scene, taking her baby and grabbing a bunch of random papers that, unknown to her, prove that Morty Price was placing illegal bets with mobster Frank Doss (Frankie Valli). This information could keep Doss from being able to get a casino license in Florida.

Because Doss and his partner, Johnny Cannata (Tom Signorelli), are mob-connected, Castillo and Vice take over the investigation of Price’s murder. Sonny and Tubbs learn, from an informant (Karla Tamburrelli), that Price took Dorothy up to his room before he was murdered. While Crockett and Tubbs search for Dorothy to find out what happened with Price, Doss and Cannata send their men to track down Dorothy and keep the papers from reaching the police.

During the investigation, Sonny is stunned to come across security footage of one of his oldest friends, Robbie Cann (James Remar), meeting with Doss and Cannata. Robbie not only served in Vietnam with Sonny but he has also recently asked Sonny to be his son’s godfather. Robbie has just opened up a club and, as he explains to Sonny, he finally feels like he’s something more than just a loser. When Sonny confronts Robbie about meeting with the gangsters, Robbie admits that he borrowed money from them to start the club but he insists that he doesn’t have any other type of relationship with them. However, when Sonny attends the christening of Robbie’s son, he discovers that Robbie’s name is actually Robert Cannata. He is Johnny Cannata’s son! Robbie insists that he has nothing to do with his father’s business but Sonny is forced to ask just how much he can trust one of his closest friends.

This episode is a bit of a mess. On the plus side, fans of character actors will enjoy this episode. James Remar’s nervy performance keeps you guessing and it’s undeniably interesting to see Nathan Lane playing someone that sleazy. Frankie Valli and Tom Signorelli make for convincing gangsters. It’s also the first episode of the series to really feature Sonny talking about what it was like to serve in Vietnam and it deserves some credit for attempting to explore the difficulty that many veterans face when trying to adjust back to civilian life. Robbie has not had an easy life after returning to the U.S. but now, he finally has a wife, a child, and a business. Sonny may feel betrayed by Robbie but he’s also aware that his investigation is going to potentially ruin Robbie’s life.

On the other hand, the episode attempts to take on so much that it stretches itself a bit then. It requires a real suspension of disbelief to accept that Sonny would just happen to be assigned to an investigation that would involve his best friend. I mean, what are the chances? The episode also can’t seem to decide if it wants to focus on Robbie or if it wants to focus on Dorothy and her child. As a result, neither story really feels as if it gets all of the attention that it deserves.

Next week, the Vice Squad investigates jazz legend Miles Davis!

Retro Television Review: Miami Vice 2.5 “The Dutch Oven”

Posted on March 11, 2024 by Lisa Marie Bowman

Well, this sucks! Tubi is no longer streaming Miami Vice. Hopefully, the show will soon have a new streaming home. As for the episode that I reviewed below, I had to buy it on Prime. It cost next to nothing but still, there’s a larger issue, namely my desire to watch stuff for free.

Episode 2.4 “The Dutch Oven”

(Dir by Abel Ferrara, originally aired on October 25th, 1985)

This week’s episode of Miami Vice opens with a typical Vice situation. Trudy is undercover as a prostitute. Tubbs is undercover as a drug buyer. When the dealers try to rip Tubbs off, it leads to an exciting and well-shot car chase that ends in an alley. One of the dealers points his gun at Sonny and Trudy and, four shots later, he’s lying dead on the ground.

For once, though, it’s not Sonny who did the shooting. Instead, all four shots were fired by Trudy. This time, it’s Trudy who is shaken by taking someone’s life and it’s Trudy who finds herself being harassed by Internal Affairs. Feeling lost, Trudy goes to a party hosted by her ex-boyfriend, David (Cleavant Derricks). Soon, Trudy and David are back together but, when Trudy discovers that someone is dealing drugs at David’s parties, she is forced to confront the fact that her boyfriend might not be an innocent bystander.

A young Giancarlo Esposito appears in this episode, playing an up-and-coming dealer named Adonis. Adonis is an old friend of David’s and he’s also the one who is responsible for selling the drugs at the parties. (It turns out that David actually is innocent.) Sonny, realizing that Trudy is too close to the case and still emotionally shaken by the earlier shooting, goes undercover to take Adonis down. Of course, Adonis doesn’t surrender easily and the episode ends with him literally daring Trudy to shoot him. Trudy hesitates so Sonny sends Adonis to the ground with one punch. As far as endings go, it doesn’t quite feel like a Miami Vice ending. Season one, for instance, had no hesitation about ending with gunshots. Gina shot Burt Young in cold blood. Pam Grier killed several drug dealers and apparently got away with it. Bruce Willis’s wife shot him on the courthouse steps. Dennis Farina was shot in his car at the end of Lombard. This episode, though, ends with Sonny demonstrating that he can make arrests without killing people and with Trudy still not having to deal with her fear of using her weapon. It feels a bit wishy-washy, to be honest.

On the plus side, Abel Ferrara does a good job directing this episode. The opening action scene is genuinely exciting and the entire episode is permeated with a melancholy atmosphere. This episode deserves some credit for acknowledging that the Vice detectives spend a lot of time investigating and arresting people with whom they’ve become friends. And it’s good that, after spending so much time in the background, Trudy finally got a showcase episode and Olivia Brown got a chance to prove she could carry a story. This is an effective episode, even if it never quite becomes a classic.

Retro Television Review: Miami Vice 2.4 “Out Where The Buses Don’t Run”

Posted on February 26, 2024 by Lisa Marie Bowman

This week, we learn the cost of working Vice.

Episode 2.4 “Out Where The Buses Don’t Run”

(Dir by Jim Johnston, originally aired on October 18th, 1985)

This is it. This is the episode that is regularly cited as being one of the best, if not the best, episodes that Miami Vice ever aired. Out Where The Buses Don’t Run takes a look at the psychological costs of spending one’s life obsessing on crime and justice. What starts out as a comedy turns into the bleakest episode of the show so far.

Things get off to a great start, with Crockett and Tubbs pursuing a drug dealer on the beach. While The Who’s Baba O’Riley plays on the soundtrack, the dealer roller skates down a sidewalk and a preacher (played by Little Richard) sends his young congregation out to collect money. As Crockett and Tubbs wait for their chance to arrest the dealer, someone watches them from a nearby window and takes pictures. Crockett asks Tubbs if he ever gets the feeling that he’s being watched.

The man taking the pictures turns out to be Hank Weldon (Bruce McGill), a former Vice cop who quit the force six years prior when a case that he had spent three years making fell apart and a drug lord was set free on a technicality. The drug lord vanished after the case against him was thrown out and it’s assumed that he was murdered by his associates. Hank, however, insists that the drug lord is still alive and he’s returned to Miami. He wants Crockett and Tubbs to help him finally catch the criminal that evaded him all those years before.

A quick check with Weldon’s former partner, Marty Lang (David Strathairn), reveals that Weldon left the force after he had a nervous breakdown and he’s spent the past few years in a mental facility. The loud and flamboyant Weldon is obviously still unstable but Crockett and Tubbs cannot shake the feeling that he might know what he’s talking about.

And, as is revealed at this end of this episode, they’re right …. kind of. Weldon does know where the missing drug lord is. The drug lord is walled up in an abandoned building. He’s been there since 1979. At the end of episode, with Tubbs, Crockett, Castillo, and Lang watching, Weldon tears down the wall and reveals the decayed skeleton of the drug lord. Weldon announces that he murdered him and walled him up. Lang then reveals that he helped.

“He was my partner,” Lang says, “Understand?”

Crockett understands and the audience understands as well. When Weldon’s obsession drove him crazy, Lang was the only one to whom he could turn. And Lang, being his partner, was the only one who understood how he felt. Lang may have been a cop but his number one loyalty was to his partner, just as Crockett’s number one loyalty will always be to Tubbs.

As played by Bruce McGill, Hank Weldon goes from being a cheerful eccentric to a bitter and paranoid lunatic to, finally, a man who can no longer stand to hide what he’s done. It’s an excellent performance that keeps the audience guessing. He may be a murderer and he’s obviously still unstable but your heart can’t help but break for him. The combination of Jim Johnston’s moody direction, a perfect collection of songs on the soundtrack, and the performances of Bruce McGill and David Strathairn really do come together to make this an excellent episode. In the end, it’s hard not to feel that Crockett and Tubbs are both one step away from becoming Weldon and Lang themselves.

Retro Television Review: Miami Vice 2.3 “Whatever Works”

Posted on February 19, 2024 by Lisa Marie Bowman

This week, we learn how Sonny affords all of those wonderful toys.

Episode 2.3 “Whatever Works”

(Dir by John Nicolella, originally aired on October 4th, 1985)

Have you ever wondered how Sonny Crockett afford that nice Ferrari on just a cop’s salary? To be honest, it hadn’t really occurred to me. I just assumed that everyone in the 80s owned a Ferrari. I’ve been more concerned with how Sonny manages to maintain his undercover identity despite the fact that he spends almost all of his time hanging out with his fellow cops. I mean, surely, someone in the Miami underworld has noticed that “Sonny Burnett” sure does seem to have a lot of friends who worked Vice.

Regardless, in this episode, we learn that Sonny doesn’t actually own the Ferrari. Instead, it’s a vehicle that the department loans to Sonny so that he can maintain his cover. Apparently, the Ferrari once belonged to an actual drug dealer. Unfortunately, the Miami Police Department desperately needs to make some money at their next police auction so Maxwell Dierks (Robert Trebor), a weaselly bureaucrat, decides to repossess Sonny’s Ferrari and auction it off.

Sonny spends most of this episode obsessing on his car. While the rest of the Vice Squad laughs at Sonny’s misfortune, local informant Izzy Moreno tries to trick Dierks into giving him the car so that he can return it to Sonny. I hope Sonny appreciates who his true friends are. Anyway, Castillo eventually pulls some strings to save Sonny’s car. Maybe Sonny should have gone to him in the first place but, then again, Castillo is kind of intimidating. He literally never smiles.

While Sonny is obsessing on his car, someone is killing cops and leaving behind Santeria charms. Despite having grown up in Florida and being a veteran vice detective, it appears that Sonny has never before heard of Santeria. However, Castillo and Tubbs know all about it. Castillo is even friends with a Santeria priestess (Eartha Kitt) who explains that the killers did not view the cops as being policemen but instead as being fellow criminals.

It turns out that there’s a group of cops who have been shaking down drug dealers and now, they’re being killed one-by-one. For all the talk of Santeria, the solution to the problem is actually pretty straight forward. The Vice squad tracks down the people doing the killing and, after a shoot-out, the bad guys surrender. And that’s the end of that.

Oh, this episode. It had potential but it just fell flat. The Santeria stuff felt tacked on and it was pretty obvious that the episode’s writers were more interested in Sonny trying to get his car back than in the episode’s main storyline. Even the Eartha Kitt cameo felt a bit perfunctory.

On the plus side, this episode did feature a band singing Bang A Gong in the middle of a bar fight. That was pretty cool. The band was called Power Station and apparently, it was an off-shoot of Duran Duran. What’s interesting is that the members of the band are portrayed as being old friends of Sonny, to the extent that they applaud him as he beats up a bad cop. It brings a real “The name is Dalton” energy to the scene.

This week’s episode was a bit disappointing but next week’s episode is apparently a classic. I look forward to watching and reviewing Out Where The Buses Don’t Run.

Retro Television Reviews: Miami Vice 2.1 and 2.2 “The Prodigal Son”

Posted on February 12, 2024 by Lisa Marie Bowman

This week, the second season with a two-hour long premiere! Crockett and Tubbs are going to New York!

Episode 2.1 and 2.2 “The Prodigal Son”

(Dir by Paul Michael Glaser, originally aired on September 27th, 1985)

The second season premiere of Miami Vice opens with a series of set pieces.

In Panama, Crockett and Tubbs visit a secret military base in the jungle and are disgusted to learn how the Panamanian military gets information about drug smugglers. Tubbs and Crockett find one horribly tortured man in a tent. Tubbs gives him a drink of water and gets what information he can from the man. Crockett and Tubbs leave the tent. A gunshot rings out as the involuntary informant is executed. When the shot rings out, both Crockett and Tubbs turn back to the tent in slow motion, stunned by the brutality of their allies in the Drug War. Indeed, it’s hard not to compare the scene to the famous photograph of a South Vietnamese general executing a communist during the Vietnam War.

The Vietnam analogy continues with the next scene. In the Everglades, Crockett, Tubbs, and the entire Vice Squad work with the DEA to ambush the Revilla cousins as they bring drugs into the U.S. Sitting in the swamp, Crockett compares the experience to Vietnam, suggesting that the war on the drugs is just as futile and as costly. And indeed, it’s hard not to notice that every drug dealer that Crockett and Tubbs has taken down over the course of this show has immediately been replaced by another. The Revillas are just another in a long line of people getting rich off of other people’s addictions.

After the bust goes down, Crockett and Tubbs arrives at a celebratory party, just to discover that almost of all of the undercover DEA agents have been murdered and Gina has been seriously wounded. There is something very haunting about this scene, with Crockett and Tubbs rushing through a penthouse and seeing a dead body in almost every room.

At a meeting in a stark office, the head DEA agent explains that his agency has been compromised and all of his undercover agents have been unmasked. Someone has to go to New York and work undercover to take down the Revillas but it can’t be any of his people. Since the Revillas are smuggling their stuff in through Miami, Miami Vice has jurisdiction. Paging Crockett and Tubbs!

Working undercover as Burnett and Cooper, Crockett and Tubbs visit a low-level drug dealer (played by Gene Simmons) who lives on a yacht and who gives them the name of a connection in New York City.

From there, Miami Vice moves to New York City, where Crockett and Tubbs meet a low-level criminal named Jimmy Borges (played by an almost impossibly young Penn Jillette) and they try to infiltrate the Revilla organization. Along the way, Tubbs meets up with Valerie (Pam Grier) and discovers that she has apparently lost herself working undercover. Meanwhile, Crockett has a brief — and kind of weird — romance with a photographer named Margaret (Susan Hess).

(“I like guns,” she says when Crockett demands to know why she stole his.)

With Crockett and Tubbs leaving Miami for New York in order to get revenge for a colleague who was wounded during an operation, The Prodigal Son almost feels like the pilot in reverse. Also, much like the pilot, the exact details of The Prodigal Son‘s story are often less important than how the story is told. This episode is full of moody shots of our heroes walking through New York while songs like You Belong To The City play on the soundtrack. (There’s also a song from Phil Collins, undoubtedly included to bring back memories of the In The Air Tonight scene from the pilot.) It’s all very entertaining to watch, even if the story itself doesn’t always make total sense. Indeed, you really do have to wonder how all of these criminals keep falling for Sonny’s undercover identity as Sonny Burnett. You would think that someone would eventually notice that anyone who buys from Sonny Burnett seems to get busted the very next day.

Stylish as the storytelling may be, this episode actually does have something on its mind. Those lines comparing the War on Drugs to the Vietnam Conflict was not just throwaways. Towards the end of the episode, Crockett and Tubbs follow a lead to the offices of J.J. Johnston (Julian Beck, the ghost preacher from Poltergeist II). The skeletal Johnston is an investor of some sort. He has no problem admitting that he’s involved in the drug trade, presumably because he knows that there’s nothing Crockett and Tubbs can do to touch him. Upon meeting the two cops, he immediately tells them exactly how much money they have in their checking accounts. He points out that they’re poor and they’re fighting a losing war whereas he’s rich and he’s making money off of a losing war. Beck gives a wonderfully smug performance as Johnston and it should be noted that, of all of the episode’s villains, he’s the only one who is not brought to any sort of justice. Val almost loses herself. Tubbs and Crockett don’t even get a thank you for their hard work. The somewhat sympathetic Jimmy Borges ends up dead while the Revillas were undoubtedly been replaced by even more viscous dealers. Meanwhile, J.J. Johnston relaxes in his office and counts his money. This is the No Country For Old Men of Miami Vice episodes.

This episode is also full of familiar faces. Charles S. Dutton, Kevin Anderson, Anthony Heald, Miguel Pinero, James Russo, Bill Smtirovich, Zoe Tamerlis, Paul Calderon, and Louis Guzman, they all show up in small roles and add to show’s rather surreal atmosphere. This is Miami Vice at its most dream-like, full of people you think you might know despite the fact that they’re doing things of which you don’t want to be a part.

As for the title, The Prodigal Son is Tubbs and he is tempted to stay in New York City. But, in the end, he joins Crockett on that flight back to Miami. It’s his home.

Retro Television Reviews: Miami Vice 1.22 “Lombard”

Posted on February 5, 2024 by Lisa Marie Bowman

The 21st episode of Miami Vice is Evan. It’s regularly listed as being one of the best episodes of the show and it’s not available to stream online. Apparently, this is due to someone referring to another character as being a “faggot.” Yes, it’s a dirty word but I’m an adult and I do think that I could handle hearing the word and figuring out the context of why it was used. Censorship sucks so shame on Prime, Tubi, NBC, and everyone else who is involved in not streaming Evan.

With Evan not available to be viewed, I moved on to the first season finale.

Episode 1.22 “Lombard”

(Dir by John Nicollela, originally aired on May 10th, 1985)

The first season of Miami Vice comes to an end with a rather simple story. Lombard (Dennis Farina) is a crime lord, a first-generation Italian-American whose father lived an honest life and who died poor as a result. Lombard did what he had to do to get ahead and, as a result, he’s now a very rich man who lives on a boat.

He’s also being targeted by both rival gangsters and the law. When Lombard agrees to testify against the Mafia in return for immunity, Crockett and Tubbs are assigned to babysit him until the trial. Crockett and Tubbs are both weary of Lombard but Lombard turns out to be a charming guy with a sense of ethics. He cooks them a big Italian dinner. He entertain them with stories. Crockett and Tubbs start to like the guy, even if guarding him means that they get involved in a few mob shootouts.

However, when it comes time to testify, Lombard refuses. Under the immunity deal, he’s no longer qualified to plead the fifth but Lombard does just that. Repeatedly, he pleads the fifth and, as a result, he gets enough contempt citations that he’s probably looking at least a decade in jail, regardless of the fact that he didn’t admit to any of the major crimes that he committed.

Sonny and Tubbs are impressed. Lombard may be a criminal but he has a sense of honor. He doesn’t snitch. He’s not a rat. Of course, that doesn’t make a difference to the criminals who apparently gun him down in the episode’s final ambiguous freeze frame.

The story was simple and, to be honest, it wasn’t anything that Miami Vice hadn’t already done. But the episode works, because of Dennis Farina’s charismatic performance as Lombard and John Nicolella’s stylish and moody direction. The first season of Miami Vice ends much as it began, with ambiguity and defeat. Lombard scores a moral victory but is gunned down minutes afterwards. Crockett and Tubbs keep Lombard alive just long enough for him to double-cross the authorities. In the end, the ruthless gangster turns out to have more honor than the people prosecuting him and Crockett and Tubbs are again forced to consider that there’s not a lot of difference between them and the people that they’re chasing.

Next week …. it’s time for Season 2!

Retro Television Reviews: Miami Vice 1.20 “Nobody Lives Forever”

Posted on January 29, 2024 by Lisa Marie Bowman

Sorry, it’s been a busy day and I’m a little bit medicated and, as a result, this review is posting later than expected. Fortunately, this week’s episode is also about someone struggling to keep up with their schedule. Read on!

Episode 1.20 “Nobody Lives Forever”

(Dir by Jim Johnston, originally aired on March 29th, 1985)

Nobody lives forever, the title tells us. That’s certainly true in 1980s Miami.

Three teenage punks have gone on a crime spree, killing innocent civilians and criminals alike. The punks (who are played by Frank Military, Michael Carmine, and Lionel Chute) are initially easy to laugh off because of how over the top they are. When they decide to go to the beach and rob a bookie, they start chanting, “Bookie! Bookie!” But, just because they’re ludicrous, that doesn’t make them any less dangerous. From the very first scene, they’re shooting at people and laughing like maniacs. As informant Izzy Moreno puts it, these are three guys who know that “they’re already dead.” They’ve got both the police and the mob (represented by Peter Friedman and a young Giancarlo Esposito) after them. They might as well go out in a blaze of glory.

What else would you expect from three people who drive this car?

Vice is after the teenagers but, for once, Sonny Crockett has got other things on his mind. Sonny is dating a wealthy architect named Brenda (Kim Greist) and he’s spending all of his free time at her mansion. Even when he’s working the streets, Sonny is thinking about Brenda. He misses a chance to capture the three teens because he is too busy talking to Brenda on the phone. Later, Tubbs gets severely beaten up because Brenda allowed Sonny to oversleep and Tubbs had to go on a stakeout alone.

Brenda asks Sonny if it’s true that a cop partnership is like a marriage and this episode certainly suggests it is and an obsessive one at that. All of the members of the Vice Squad get annoyed with Sonny for finding happiness off the grubby streets of Miami. Castillo doesn’t think Sonny is focused. Tubbs thinks that Sonny is losing his edge. Gina is upset that Sonny led her on earlier in the season. Switek and Zito …. well, they’re too busy reading comic books to really care much about Sonny’s problems.

There are several artfully composed shots of Sonny and Brenda floating in her pool and discussing how Sonny can go from having a gun pulled on him to relaxing at home without missing a beat. Don Johnson and Kim Greist had a lot of chemistry and it’s impossible not to feel bad when Sonny realizes that he can either be Brenda’s lover or he can be a cop but he can’t be both.

In the end, the punks end up getting gunned down by Vice and Sonny ends the best relationship he’s ever had. And Tubbs? He sits on the beach and plays his saxophone.