Cannonball Run II (1984, directed by Hal Needham)


In 1981, director Hal Needham and star Burt Reynolds had a surprise hit with The Cannonball Run.  Critics hated the film about a race from one end of America to the other but audiences flocked to watch Burt and a group of familiar faces ham it up while cars crashed all around them.  The original Cannonball Run is a goofy and gloriously stupid movie and it can still be fun to watch.  The sequel, on the other hand…

When the sequel begins, the Cannonball Run has been discontinued.  The film never explains why the race is no longer being run but then again, there’s a lot that the sequel doesn’t explain.  King Abdul ben Falafel (Ricardo Montalban, following up The Wrath of Khan with this) wants his son, The Sheik (Jamie Farr, returning from the first film) to win the Cannonball so he puts up a million dollars and announces that the race is back on.  Problem solved.

With the notable exceptions of Farrah Fawcett, Roger Moore, and Adrienne Barbeau, almost everyone from the first film returns to take another shot at the race.  Burt Reynolds and Dom DeLuise are back.  Jack Elam returns as the crazy doctor, though he’s riding with the Sheik this time.  Jackie Chan returns, riding with Richard “Jaws” Kiel.  Dean Martin and Sammy Davis, Jr. return, playing barely disguised versions of themselves.  They’re joined by the surviving members of the Rat Pack.  Yes, Frank Sinatra is in this thing.  He plays himself and, from the way his scenes are shot, it’s obvious they were all filmed in a day and all the shots of people reacting to his presence were shot on another day.  Shirley MacClaine also shows up, fresh from having won an Oscar.  She plays a fake nun who rides with Burt and Dom.  Burt, of course, had a previous chance to co-star with Shirley but he turned down Terms of Endearment so he could star in Stroker AceCannonball Run II finally gave the two a chance to act opposite each other, though no one would be winning any Oscars for appearing in this film.

Say what you will about Hal Needham as a director, he was obviously someone who cultivated a lot of friendships in Hollywood because this film is jam-packed with people who I guess didn’t have anything better to do that weekend.  Telly Savalas, Michael V. Gazzo, Henry Silva, Abe Vigoda, and Henry Silva all play gangsters.  Jim Nabors plays Homer Lyle, a country-fried soldier who is still only a private despite being in his 50s.  Catherine Bach and Susan Anton replace Adrienne Barbeau and Tara Buckman as the two racers who break traffic laws and hearts with impunity.  Tim Conway, Don Knotts, Foster Brooks, Sid Caesar, Arte Johnson, Mel Tillis, Doug McClure, George “Goober” Lindsey, and more; Needham found room for all of them in this movie.  He even found roles for Tony Danza and an orangutan.  (Marilu Henner is also in the movie so I guess Needham was watching both Taxi and Every Which Way But Loose while casting the film.)  Needham also came up with a role for Charles Nelson Reilly, who is cast as a mafia don in Cannonball Run II.  His name is also Don so everyone refers to him as being “Don Don.”  That’s just a typical example of the humor that runs throughout Cannonball Run II.  If you thought the humor of It’s A Mad, Mad, Mad, Mad World was too subtle and cerebral, Cannonball Run II might be right up your alley.

The main problem with Cannonball Run II is that there’s not much time spent on the race, which is strange because that’s the main reason why anyone would want to watch this movie.  The race itself doesn’t start until 45 minutes into this 108 minute film and all the racers are quickly distracted by a subplot about the Mafia trying to kidnap the Sheik.  Everyone stops racing so that Dean Martin and Sammy Davis, Jr. can disguise themselves as belly dancers to help rescue the Sheik.  By the time that’s all been taken care of, there’s only 10 minutes left for everyone to race across the country.  After a montage of driving scenes and a cartoon of an arrow stretching across the nation (the cartoon was animated by Ralph Bakshi!), we discover who won the Cannonball and then it’s time for a montage of Burt and Dom blowing their lines and giggling.  Needham always ended his films with a montage of everyone screwing up a take and it’s probably one of his most lasting cinematic contributions.  Every blooper reel that’s ever been included as a DVD or Blu-ray extra owes a debt of gratitude to Hal Needham.  Watching people blow their lines can be fun if you’ve just watched a fun movie but watching Burt and Dom amuse themselves after sitting through Cannonball Run II is just adding insult to injury.  It feels less like they’re laughing at themselves and more like they’re laughing at you for being stupid enough to sit through a movie featuring Tony Danza and an orangutan.

The dumb charm of the first Cannonball Run is nowhere to be found in this sequel and, though the film made a profit, the box office numbers were still considered to be a disappointment when compared to the other films that Reynolds and Needham collaborated on.  Along with Stroker Ace, this is considered to be one of the films that ended Reynolds’s reign as a top box office attraction.  Cannonball Run II was also the final feature film to feature Dean Martin and Frank Sinatra.  This could be considered the final Rat Pack film, though I wouldn’t say that too loudly.

Cannonball Run II is a disappointment on so many levels.  It’s hard to believe that the same director who did Smokey and the Bandit and Hooper could be responsible for the anemic stunts and chases found in this movie.  The cast may have had a good time but the audience is left bored.  Stick with the first Cannonball Run.

 

The Day the Clowns All Cried: RIP Jerry Lewis


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Jerry Lewis is an acquired taste for many. His unique comic persona isn’t everyone’s cup of tea, especially among the highbrow set (except in France, where for decades he’s been hailed as a genius). He was zany, manic, childlike, and the last of the great slapstick comedians, his career spanning over eighty years. He was a comic, writer, director, actor, singer, businessman, innovator, and philanthropist. Jerry Lewis is a true American icon, and the embodiment of the American  dream.

Joseph Levitch was one of those “born in a trunk” kids referenced in many a classic movie. His father was a vaudevillean, his mom a piano player, and by the time he was five Lewis was appearing with his parents onstage at Catskill Mountain resorts. A high school dropout, Lewis did what was known as a “record act” as a teen, where he’d lipsynch popular tunes of the day with comic results. During…

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Rat Pack – 3 = FOUR FOR TEXAS (Warner Brothers 1963)


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The wait is finally over, my new DirecTV receiver has arrived and is all hooked up! Unfortunately, all my DVR’d movies have vanished. And since it was filled to about 70% capacity, that’s a lot of movies! Needless to say, I’ve got to load up the ol’ DVR again. Thanks to TCM, I re-recorded one of my old favorites the other day, FOUR FOR TEXAS, an action-packed Western comedy I’ve seen about 100 times already (ok, that’s a slight exaggeration). This combines the two leaders of the Rat Pack, Frank Sinatra and Dean Martin , with the talents of director Robert Aldrich. The result is an all-star, slam-bang entertainment that is loads of fun for film fans.

The pre-credits sequence looks like we’re about to watch a traditional Western, with a gang of outlaws led by Charles Bronson   riding out to ambush a stagecoach. But wait, that’s Frankie and Dino…

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A Movie A Day #63: Showdown (1973, directed by George Seaton)


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Stop me if you’ve heard this one before.

The time and the place is the old west.  Growing up, Chuck Jarvis (Rock Hudson) and Billy Massey (Dean Martin) were best friends.  When the lovely Kate (Susan Clark) chose Chuck over Billy, the two of them go their separate ways.  Billy becomes a notorious train robber.  Chuck becomes the sheriff of their hometown.  After Billy returns home, it is up to Chuck to not only capture him but to also protect him from not only his former partners but a gang of vigilantes as well.

There’s nothing surprising about Showdown, a strictly by the numbers western that, if not for a few bloody gunshot wounds and some dialogue about cattle “humping,” could have just as easily been released in 1953 as 1973.  The only thing that makes Showdown special is that it was the last western made by both Rock Hudson and Dean Martin.  Dino is his usual fun-loving, half-soused self but Rock Hudson looks absolutely miserable here.  If Rock’s role had been played by Frank Sinatra (or even Peter Lawford), Showdown would probably be remembered as a minor classic.  As it is, it’s for Dean Martin completists only.

 

The Party’s Over: Dean Martin in MR. RICCO (MGM 1975)


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It’s an older, more world-weary Dean Martin we see in MR. RICCO, a fairly gritty but ultimately unfulfilling 70’s flick that would’ve made a decent pilot for a TV series (maybe in the NBC MYSTERY MOVIE rotation with Columbo and McCloud), but as a feature was best suited for the bottom half of a double bill. This was Dino’s last starring role, though he did appear in two more movies (THE CANNONBALL RUN and it’s sequel), and this attempt to change his image from footloose swinger to a more *gasp!* sober Martin doesn’t really cut it.

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Dean’s a defense lawyer, a “lily white liberal” who gets black militant Frankie Steele (Thalmus Rasulala ) off a murder rap. When two cops are blown away in an ambush, the witness provides a description of Steele, causing friction between Ricco and the police, especially his friend Detective Captain Cronyn (Eugene Roche, an underrated character actor who’s really good here). The…

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A Movie A Day #6: The Cannonball Run (1981, directed by Hal Needham)


cannonball_runA legendary Hollywood stuntman, Hal Needham moved into directing in the 1970s and proved that all he required to make a successful film were willing stuntmen, fast cars, Coors beer, and Burt Reynolds.  Following that logic, The Cannonball Run may very well be the ultimate Hal Needham movie.

The Cannonball Run follows several teams of racers as they compete to see who can be the first to reach California from Connecticut.  Trying to stop them is Arthur J.  Foyt (George Furth), who represents the Safety Enforcement Unit and who believes that cars are a menace.  However, Foyt is no match for these racers, who include:

  • J.J. (Burt Reynolds), who is racing in memory of his father, and his mechanic Victor (Dom DeLuise), who turns into Captain Choas whenever he is feeling threatened.  J.J. and Victor are driving an ambulance and are accompanied by crazy Dr. Van Helsing (Jack Elam) and a fake “patient” (Farrah Fawcett),
  • Bradford Compton (Bert Convy) who is riding a motorcycle and who, because of the weight of his mechanic, has to pop a wheelie for the entire race,
  • An Arab oil sheik (Jamie Farr) who is racing for “the glory of Islam” and who would probably not be in the movie if it were made today,
  • Sidney Goldfarb (Roger Moore), the heir to a mattress fortune who has had extensive plastic surgery to make himself look like Roger Moore,
  • Jackie Chan and Michael Hui, called “The Japanese team” even though they both speak Cantonese throughout the entire movie,
  • Terry Bradsahw and Mel Tillis because why the Hell not?,
  • Marcie (Adrienne Barbeau) and Jill (Tara Buckman), using their cleavage to get out of speeding tickets, or at least they do until they’re pulled over by Valerie Perrine,
  • And Dean Martin and Sammy Davis, Jr., pretending to be priests and apparently drunk throughout filming.

Based on a real life (and very illegal) cross-country race that was held four times in the 1970s, The Cannonball Run is profoundly stupid movie that, if you’re in the right mood for it, is also profoundly fun.  It’s a movie that really has no plot but it does have a lot of cars, a lot of stunts, a lot of cleavage, and a lot of politically incorrect humor, some of which has not aged well.  Despite being hated by the critics, The Cannonball Run was a huge box office hit and it still remains a nostalgic guilty pleasure for a lot of people, myself included.  One person who did not like The Cannonball Run was Burt Reynolds who, in an interview with the New York Times, once said, “”I did that film for all the wrong reasons.  I never liked it. I did it to help out a friend of mine, Hal Needham. And I also felt it was immoral to turn down that kind of money. I suppose I sold out so I couldn’t really object to what people wrote about me.”

Burt has a point but, in defense of The Cannonball Run, what other movie actually features Jackie Chan beating up Peter Fonda?

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Or Roger Moore playing someone who thinks that he’s Roger Moore?

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Or Jack Elam playing a mad scientist?

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Or Sammy and Dino, phoning it in one last time?

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Or Captain Chaos?

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Like most of Hal Needham’s films, The Cannonball Run ends with outtakes of Burt Reynolds blowing his lines and hitting people.

Tomorrow’s movie a day will be a film that Burt Reynolds is presumably much more proud of, Sharky’s Machine.

Enjoy Christmas With The Dean Martin Christmas Show!


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I was doing a search on YouTube for Christmas specials, Christmas songs, and Christmas scenes when I came across The Dean Martin Christmas Show, which originally aired on December 21st, 1967.  It’s a Christmas show starring Dean Martin, Frank Sinatra, and their respective families.  Sure, some of the jokes may be corny but c’mon — it’s Frank and Dino!

Now, the video is occasionally a little rough.  I assume that this was copied from a VHS tape.  But no matter!  Not only does this special serve as a time capsule but it also serves as a valuable reminder that Christmas is even better when it features a little Rat Pack swagger!

 

 

Secret Agent Double-O Dino: THE SILENCERS (Columbia 1966)


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Out of all the James Bond-inspired spy spoofs made in the Swingin’ 60’s, one of the most popular was Dean Martin’s Matt Helm series. Based on the novels of Donald Hamilton, the films bore little resemblance to their literary counterparts, instead relying on Dino’s Booze & Girlies Rat Pack Vegas persona. First up was 1966’s THE SILENCERS, chock full of gadgets, karate chops, and beautiful babes, with sexual innuendoes by the truckload.

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Our Man Matt is a semi-retired agent of ICE (Intelligence and Counter-Espionage) living in a Playboy Mansion-style pad, and working as a globe-trotting photographer. He’s luxuriating in his bubble bath pool with sexy secretary Lovey Kravezit (“Lovey Kravezit? Oh that’s some kinda name!”) when former boss Mac Donald calls. Evil spy organization Big O (Bureau for International Government and Order) is once again plotting world domination, and the reluctant Helm is pulled back into service.

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Matt is teamed with his former partner Tina…

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Bravo for RIO BRAVO (Warner Brothers 1959)


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If there’s such a thing as the quintessential “John Wayne Movie”, RIO BRAVO may very well be it. Producer/director Howard Hawks created the perfect blend of action and humor, leading an all-star cast through this tale of a stand-off between the good guys and the bad guys. RIO BRAVO’s theme has been done over many times, most notably by John Carpenter in 1976’s ASSAULT ON PRECINCT 13. Hawks himself remade the film, with Wayne again starring, as EL DORADO and RIO LOBO, but the original remains the best of the bunch.

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The plot itself is pretty basic. When disgraced deputy Dude (called Borrachon, Spanish for ‘big drunk’) walks into a saloon looking for booze, no-good Joe Burdette tosses a silver dollar into a spittoon for kicks. Sheriff John T. Chance stops Dude from embarrassing himself, only to receive a whack in the head for his efforts. Dude goes after Joe and a fight breaks out, and Joe kills…

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