Retro Television Reviews: Half Nelson 1.3 “The Deadly Vase”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The pilot for Half Nelson was pretty good!  Now, let’s see if this rest of the show lived up to its promise.

Episode 1.3 “The Deadly Vase”

(Directed by Alan Cooke, originally aired on March 29th, 1985)

I cannot escape Robert Reed.

Seriously!  Robert Reed is one of those actors who seems to show up every week in my retro television reviews.  If he wasn’t starring in The Brady Bunch Hour, he was guesting on The Love Boat or Fantasy Island.  And now, he’s the guest villain in this week’s episode of Half Nelson!

Reed, with his graying perm and his aging porn star mustache, plays Seymour Griffith.  Griffith is a fabulously wealthy Beverly Hills attorney who is planning on becoming even more wealthy by stealing a valuable vase and selling it to a crooked antiques dealer named Morgan (Cesar Romero).  Unfortunately, while stealing the vase, Griffith kills the owner.  (Griffith is also having an affair with the dead man’s wife.)  Somewhat inconveniently, for Griffith, the dead man was a client of the Beverly Hills Patrol!  Rocky Nelson is on the case, both because he’s romantically pursuing the dead man’s daughter (Michelle Johnson) and also because Rocky believes in justice.

This week’s villains

The tone of The Vase is notably different from the pilot that preceded it.  The Pilot had its comedic elements (such as Rocky continually borrowing famous cars from the studio) but it was ultimately fairly serious and it even ended on something of a down note, with Police Chief Parsons (George Kennedy) committing suicide rather than face justice for the murders that he committed.  In the pilot, Rocky was definitely out-of-place as a New Yorker in Los Angeles but, at the same time, he was finding his way around his new town and learning how to fit in.

The Deadly Vase, on the other hand, reimagines Rocky as a short, Italian version of Eddie Murphy’s Axel Foley from Beverly Hills Cop.  Chester (Fred Williamson), who was a supportive boss in the pilot, is suddenly a bit uptight about Rocky investigating a crime in Beverly Hills.  He even sends his newest recruits, Kurt and Beau (played by Bubba Smith and Hang Time‘s Dick Butkus), to follow Rocky around Beverly Hills and make sure that Rocky doesn’t offend any rich people with his New York attitude.  This episode pretty much just duplicates the plot of Beverly Hills Cop.  During one car chase, The Heat Is On plays on the soundtrack and it’s hard not to notice that the other musical cues are almost identical to the ones heard in Beverly Hills Cop.

Smith and Butkus aren’t the only new members of the cast.  Dependable character actor Gary Grubbs joins the show as Detective Hamill, who is far less a fan of Rocky’s than Parsons was.  Hamill shows up long enough to order Rocky to stay off the case and to get growled at by Rocky’s pit bull.  Hamill also gets to have a conversation with Dean Martin about whether or not Frank and Sammy and Shirley MacClaine would be willing to do a benefit for the Beverly Hills police department.  Dean is only onscreen for a few minutes but it’s still nice to see him there.

Joe Pesci, who was so strong in the pilot, spends most of this episode looking more than a little annoyed so I’m going to guess that he may not have been happy with the show’s new direction.  About the only time Pesci seems to be having fun is when Rocky is hired to play a hot dog in a commercial.  The director of the commercial is played by Donald O’Connor and yes, Pesci does wear a hot dog costume.

Joe Pesci getting dressed up like a hot dog pretty much saved this episode as the mystery itself was fairly bland and Robert Reed never really felt like a worthy opponent to Rocky.  Hopefully, next week’s episode will be a bit of an improvement …. or, at least, let’s hope the show finds another excuse to put Joe Pesci in a hot dog costume.

Retro Television Reviews: Half Nelson Episodes 1 & 2 “The Pilot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The year was 1985 and actor/singer Joe Pesci was at an interesting place in his film career.

In 1980, Joe Pesci was nominated for Best Supporting Actor for his performance as Robert De Niro’s brother in Raging BullRaging Bull was Pesci’s second film and he earned critical acclaim for his performance as the second most angry member of the LaMotta family.  In the years immediately following his first Oscar nomination, Pesci went on to play character roles in a handful of other films, including Dear Mr. Wonderful, Easy Money, Once Upon A Time In America, and Eureka.  While no one could deny Pesci’s talent or his unique screen presence, it was also obvious that Hollywood wasn’t quite sure what to do with him.  While Pesci was apparently high on everyone’s list when it came to playing gangsters with hair-trigger tempers, no one was willing to give Pesci a starring role.

Fortunately, television always has room for an Oscar nominee and, in 1985, Half Nelson came calling.  Created by veteran television producers Glen A. Larson and Lou Shaw, Half Nelson was a detective show.  Joe Pesci starred as Rocky Nelson, a tough New York cop who relocated to Los Angeles to pursue his acting career.  While waiting for his big break, Rocky worked for Beverly Hills Security and lived in Dean Martin’s guest room.  And when I say that Rocky was living in Dean Martin’s guest house, what I mean is that Dean Martin actually appeared on the show, playing himself.

NBC liked the idea enough to air the pilot film and then schedule the show as a mid-season replacement.  Audiences were a bit less interested in the show and Half Nelson was canceled after only 8 weeks.  Pesci went on to win an Oscar for Goodfellas and he never starred in another television show.  Half Nelson would probably be forgotten if not for the fact that someone recently came across the opening credits on YouTube.  When shared on Twitter, this video went viral as “the most 80s thing” ever created.

After I watched that video, I knew I simply had to review Half Nelson as soon as I finished up The Brady Bunch Hour.  Fortunately, almost all of the episodes have been uploaded to YouTube so, for the next few weeks, I’ll be taking a look at Half Nelson, starring Joe Pesci!

Episodes 1 & 2 “The Pilot”

(Dir by Bruce Bilson, originally aired on March 24th, 1985)

Half Nelson begins in New York City, with NYPD’s finest, Detective Rocky Nelson (Joe Pesci), disguising himself as a waiter and sneaking into a mafia-owned restaurant.  After punching out two guards, Rocky enters a backroom and discovers a group of guys with a lot of heroin.  Rocky arrests them and becomes a hero.  As Rocky explains in a voice-over, it’s the biggest drug bust in history.  When Hollywood asks for the rights to the story, Rocky insists that he be allowed to audition for the lead role.  Rocky quits the NYPD and heads out to Los Angeles.  Rocky’s going to be a star!

And, at first, it seems like Rocky’s dream might actually come true.  The film’s director (played by the veteran TV character actor, George Wyner) watches Rocky’s audition and announces that Rocky has the screen presence and talent of Al Pacino.  Unfortunately, Rocky is also only 5’3.  “You’re too short to play Rocky Nelson,” the director explains.

“But I am Rocky Nelson!” Rocky exclaims.

Despite the fact that Rocky’s telling the truth, it doesn’t matter.  A tall British actor is cast in the film.  As a dejected Rocky leaves the audition, he’s approached by a security guard who offers Rocky a job with Beverly Hills Patrol, a private security firm.  Rocky’s skeptical until the security guard mentions that Rocky will get to live in Dean Martin’s guest house.

We jump forward six months.  Rocky is now a trusted employee of Beverly Hills Patrol.  When he’s not working as a bodyguard, he’s auditioning for roles.  At the office, his boss is Chester (Fred Williamson) and the office manager is Annie O’Hara (Victoria Jackson).  Chester is cool and all-business.  Annie is flighty and has an obvious crush on Rocky.  She also gives Rocky a pit bull named Hunk.  Hunk is very loyal but also very quick to attack anyone who isn’t Rocky.  I don’t know if a show could get away with a comic relief pit bull today but whatever.  Hunk is a cute dog with a ferocious bark.

In just six months, Rocky has become surprisingly well-known in L.A.  Some of that might be because he lives with Dean Martin.  Martin appears in three scenes of the pilot and, to be honest, he definitely looks and sounds a bit worse for wear.  Half Nelson was Dean’s final acting role.  (He died ten years after the show was canceled.)  But even though Dean was clearly not in the best shape when he appeared in the pilot, his natural charisma still shines through and there’s a lot of pleasure to be found in his scenes with Joe Pesci.  For one thing, Pesci himself seems to be genuinely excited about acting opposite Martin.

Along with becoming friends with Dean Martin, Rocky has also befriended Parsons (George Kennedy), a Los Angeles police chief who is eager for Rocky to quit the Beverly Hills Patrol and to join the LAPD.  Rocky turns down the offer, however.  Rocky is done with police work.  He’s going to be a star!

Of course, he’ll also find time to solve some crimes along the way.

For instance, in the pilot, Rocky investigates the death of his best friend and co-worker, Jerry (Nicholas Surovy).  Parsons insists that all the evidence shows that Jerry murdered his girlfriend, Monika (Morgan Brittany), and then shot himself.  However, Rocky doesn’t think Jerry would do something like that.  When Jerry’s father (veteran screen actor Rory Calhoun) asks Rocky to find the people who killed his son, Rocky doesn’t have to be asked twice.

It turns out that Jerry and Monika were taking money from a tabloid magazine publisher (Terry Kiser).  They had a video tape that would have been very embarrassing to some prominent Angelinos, including a businessman (Rod Taylor), a restauranter (Tony Curtis), a general (Mills Watson), an astronaut (Gary Lockwood), and a television executive (Bernie Kopell).  Rocky assumes that the people on the tape ordered the murders but then he learns that, while the general did send two government agents to find the tape, he also made clear that no one was supposed to be killed.  Instead, someone else who wanted the tapes committed the murders on his own.

Searching for the killer means that Rocky will have to assume many disguises and show off his acting skills.  As an actor, he’s able to wander into the local movie studio and not only raid their wardrobe department but also borrow their cars.  Over the course of the film, Rocky disguses himself as both a cowboy and a traffic cop.  He also drives a Ferrari, a Cadillac, a jeep, a motorcycle, and KITT, the talking car from Knight Rider.  (KITT, unfortunately, does not talk in Half Nelson.)  On the one hand, the use of disguises is a little bit silly because Joe Pesci is always going to be Joe Pesci regardless of what costume he is wearing.  The pilot’s silliest scene involves Rocky dressed up like a cop to confront two men who have been following him.  Somehow, they fail to pick up on the fact that the 5’3 cop with the New York accent is the same 5’3 New Yorker who they’ve been tailing for the last few days.  And yet, it’s one of those things that’s so ludicrous that you can’t help but think that the show was showing a bit of self-awareness and commenting on just how ludicrous most television shows tend to be.

Eventually, Rocky figures out that the killer is …. SPOILER ALERT …. Parsons!  That’s right.  The same police chief who kept offering Rocky a job with the LAPD turned out to be the murderer for whom Rocky was looking.  What’s interesting is that, after realizing that Parsons is the killers, Rocky doesn’t arrest Parsons or attack him or do any of the other things that a typical TV detective might.  And Parsons doesn’t try to flee or fight.  Instead, the two men take a leisurely drive and talk about life, morality, and regret.  Parsons talks about how he was once an honest cop but Los Angeles corrupted him.  Rocky expresses some sympathy and says that he hates that he discovered that Parsons was the murderer.  It’s a well-acted and surprisingly well-written scene.  When Rocky asks Parsons about the murders, Parsons replies, “I had to empty my gun, just to drown out their screams.”  (Yikes!)  Parsons lets Rocky out of the car and tells him, “Don’t let them get to you, kid.”  Parsons then drives the car over a cliff as Roberta and Chester (who have been tailing Parsons) run up to Rocky.

“Hard to believe that a man like that would kill himself!” Roberta says.

“That’s just the funeral,” Rocky replies as Parsons car explodes, “He died a long time ago.”

Wow, that’s dark!  Fortunately, the mood is lightened during the show’s final scene, in which Rocky’s pit bull attacks boxer Larry Holmes.

The pilot for Half Nelson was nicely done.  It set up the series and it gave us an introduction to the characters, which is exactly what a pilot is supposed to do.  The cast showed off their chemistry and the final scene between Parsons and Rocky indicated that the show had the potential to be something more than just another mid-80s detective show.  The pilot’s greatest strength, not surprisingly, was Joe Pesci.  Pesci has played so many mobsters and crooked lawyers that it’s easy to forget what a likable actor he can be.  The pilot featured Pesci at his most amiable and it also gave him a chance to show off his comedic timing.  All-in-all, the pilot was a success and I could understand why NBC would have ordered more episodes after watching it.

But what about the series?  Would the series live up to the promise of the pilot or would it just become another generic detective show?  We’ll find out over the next 8 weeks!

Cannonball Run II (1984, directed by Hal Needham)


In 1981, director Hal Needham and star Burt Reynolds had a surprise hit with The Cannonball Run.  Critics hated the film about a race from one end of America to the other but audiences flocked to watch Burt and a group of familiar faces ham it up while cars crashed all around them.  The original Cannonball Run is a goofy and gloriously stupid movie and it can still be fun to watch.  The sequel, on the other hand…

When the sequel begins, the Cannonball Run has been discontinued.  The film never explains why the race is no longer being run but then again, there’s a lot that the sequel doesn’t explain.  King Abdul ben Falafel (Ricardo Montalban, following up The Wrath of Khan with this) wants his son, The Sheik (Jamie Farr, returning from the first film) to win the Cannonball so he puts up a million dollars and announces that the race is back on.  Problem solved.

With the notable exceptions of Farrah Fawcett, Roger Moore, and Adrienne Barbeau, almost everyone from the first film returns to take another shot at the race.  Burt Reynolds and Dom DeLuise are back.  Jack Elam returns as the crazy doctor, though he’s riding with the Sheik this time.  Jackie Chan returns, riding with Richard “Jaws” Kiel.  Dean Martin and Sammy Davis, Jr. return, playing barely disguised versions of themselves.  They’re joined by the surviving members of the Rat Pack.  Yes, Frank Sinatra is in this thing.  He plays himself and, from the way his scenes are shot, it’s obvious they were all filmed in a day and all the shots of people reacting to his presence were shot on another day.  Shirley MacClaine also shows up, fresh from having won an Oscar.  She plays a fake nun who rides with Burt and Dom.  Burt, of course, had a previous chance to co-star with Shirley but he turned down Terms of Endearment so he could star in Stroker AceCannonball Run II finally gave the two a chance to act opposite each other, though no one would be winning any Oscars for appearing in this film.

Say what you will about Hal Needham as a director, he was obviously someone who cultivated a lot of friendships in Hollywood because this film is jam-packed with people who I guess didn’t have anything better to do that weekend.  Telly Savalas, Michael V. Gazzo, Henry Silva, Abe Vigoda, and Henry Silva all play gangsters.  Jim Nabors plays Homer Lyle, a country-fried soldier who is still only a private despite being in his 50s.  Catherine Bach and Susan Anton replace Adrienne Barbeau and Tara Buckman as the two racers who break traffic laws and hearts with impunity.  Tim Conway, Don Knotts, Foster Brooks, Sid Caesar, Arte Johnson, Mel Tillis, Doug McClure, George “Goober” Lindsey, and more; Needham found room for all of them in this movie.  He even found roles for Tony Danza and an orangutan.  (Marilu Henner is also in the movie so I guess Needham was watching both Taxi and Every Which Way But Loose while casting the film.)  Needham also came up with a role for Charles Nelson Reilly, who is cast as a mafia don in Cannonball Run II.  His name is also Don so everyone refers to him as being “Don Don.”  That’s just a typical example of the humor that runs throughout Cannonball Run II.  If you thought the humor of It’s A Mad, Mad, Mad, Mad World was too subtle and cerebral, Cannonball Run II might be right up your alley.

The main problem with Cannonball Run II is that there’s not much time spent on the race, which is strange because that’s the main reason why anyone would want to watch this movie.  The race itself doesn’t start until 45 minutes into this 108 minute film and all the racers are quickly distracted by a subplot about the Mafia trying to kidnap the Sheik.  Everyone stops racing so that Dean Martin and Sammy Davis, Jr. can disguise themselves as belly dancers to help rescue the Sheik.  By the time that’s all been taken care of, there’s only 10 minutes left for everyone to race across the country.  After a montage of driving scenes and a cartoon of an arrow stretching across the nation (the cartoon was animated by Ralph Bakshi!), we discover who won the Cannonball and then it’s time for a montage of Burt and Dom blowing their lines and giggling.  Needham always ended his films with a montage of everyone screwing up a take and it’s probably one of his most lasting cinematic contributions.  Every blooper reel that’s ever been included as a DVD or Blu-ray extra owes a debt of gratitude to Hal Needham.  Watching people blow their lines can be fun if you’ve just watched a fun movie but watching Burt and Dom amuse themselves after sitting through Cannonball Run II is just adding insult to injury.  It feels less like they’re laughing at themselves and more like they’re laughing at you for being stupid enough to sit through a movie featuring Tony Danza and an orangutan.

The dumb charm of the first Cannonball Run is nowhere to be found in this sequel and, though the film made a profit, the box office numbers were still considered to be a disappointment when compared to the other films that Reynolds and Needham collaborated on.  Along with Stroker Ace, this is considered to be one of the films that ended Reynolds’s reign as a top box office attraction.  Cannonball Run II was also the final feature film to feature Dean Martin and Frank Sinatra.  This could be considered the final Rat Pack film, though I wouldn’t say that too loudly.

Cannonball Run II is a disappointment on so many levels.  It’s hard to believe that the same director who did Smokey and the Bandit and Hooper could be responsible for the anemic stunts and chases found in this movie.  The cast may have had a good time but the audience is left bored.  Stick with the first Cannonball Run.

 

The Day the Clowns All Cried: RIP Jerry Lewis


gary loggins's avatarcracked rear viewer

Jerry Lewis is an acquired taste for many. His unique comic persona isn’t everyone’s cup of tea, especially among the highbrow set (except in France, where for decades he’s been hailed as a genius). He was zany, manic, childlike, and the last of the great slapstick comedians, his career spanning over eighty years. He was a comic, writer, director, actor, singer, businessman, innovator, and philanthropist. Jerry Lewis is a true American icon, and the embodiment of the American  dream.

Joseph Levitch was one of those “born in a trunk” kids referenced in many a classic movie. His father was a vaudevillean, his mom a piano player, and by the time he was five Lewis was appearing with his parents onstage at Catskill Mountain resorts. A high school dropout, Lewis did what was known as a “record act” as a teen, where he’d lipsynch popular tunes of the day with comic results. During…

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Rat Pack – 3 = FOUR FOR TEXAS (Warner Brothers 1963)


gary loggins's avatarcracked rear viewer

The wait is finally over, my new DirecTV receiver has arrived and is all hooked up! Unfortunately, all my DVR’d movies have vanished. And since it was filled to about 70% capacity, that’s a lot of movies! Needless to say, I’ve got to load up the ol’ DVR again. Thanks to TCM, I re-recorded one of my old favorites the other day, FOUR FOR TEXAS, an action-packed Western comedy I’ve seen about 100 times already (ok, that’s a slight exaggeration). This combines the two leaders of the Rat Pack, Frank Sinatra and Dean Martin , with the talents of director Robert Aldrich. The result is an all-star, slam-bang entertainment that is loads of fun for film fans.

The pre-credits sequence looks like we’re about to watch a traditional Western, with a gang of outlaws led by Charles Bronson   riding out to ambush a stagecoach. But wait, that’s Frankie and Dino…

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A Movie A Day #63: Showdown (1973, directed by George Seaton)


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Stop me if you’ve heard this one before.

The time and the place is the old west.  Growing up, Chuck Jarvis (Rock Hudson) and Billy Massey (Dean Martin) were best friends.  When the lovely Kate (Susan Clark) chose Chuck over Billy, the two of them go their separate ways.  Billy becomes a notorious train robber.  Chuck becomes the sheriff of their hometown.  After Billy returns home, it is up to Chuck to not only capture him but to also protect him from not only his former partners but a gang of vigilantes as well.

There’s nothing surprising about Showdown, a strictly by the numbers western that, if not for a few bloody gunshot wounds and some dialogue about cattle “humping,” could have just as easily been released in 1953 as 1973.  The only thing that makes Showdown special is that it was the last western made by both Rock Hudson and Dean Martin.  Dino is his usual fun-loving, half-soused self but Rock Hudson looks absolutely miserable here.  If Rock’s role had been played by Frank Sinatra (or even Peter Lawford), Showdown would probably be remembered as a minor classic.  As it is, it’s for Dean Martin completists only.

 

The Party’s Over: Dean Martin in MR. RICCO (MGM 1975)


gary loggins's avatarcracked rear viewer

ric1

It’s an older, more world-weary Dean Martin we see in MR. RICCO, a fairly gritty but ultimately unfulfilling 70’s flick that would’ve made a decent pilot for a TV series (maybe in the NBC MYSTERY MOVIE rotation with Columbo and McCloud), but as a feature was best suited for the bottom half of a double bill. This was Dino’s last starring role, though he did appear in two more movies (THE CANNONBALL RUN and it’s sequel), and this attempt to change his image from footloose swinger to a more *gasp!* sober Martin doesn’t really cut it.

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Dean’s a defense lawyer, a “lily white liberal” who gets black militant Frankie Steele (Thalmus Rasulala ) off a murder rap. When two cops are blown away in an ambush, the witness provides a description of Steele, causing friction between Ricco and the police, especially his friend Detective Captain Cronyn (Eugene Roche, an underrated character actor who’s really good here). The…

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A Movie A Day #6: The Cannonball Run (1981, directed by Hal Needham)


cannonball_runA legendary Hollywood stuntman, Hal Needham moved into directing in the 1970s and proved that all he required to make a successful film were willing stuntmen, fast cars, Coors beer, and Burt Reynolds.  Following that logic, The Cannonball Run may very well be the ultimate Hal Needham movie.

The Cannonball Run follows several teams of racers as they compete to see who can be the first to reach California from Connecticut.  Trying to stop them is Arthur J.  Foyt (George Furth), who represents the Safety Enforcement Unit and who believes that cars are a menace.  However, Foyt is no match for these racers, who include:

  • J.J. (Burt Reynolds), who is racing in memory of his father, and his mechanic Victor (Dom DeLuise), who turns into Captain Choas whenever he is feeling threatened.  J.J. and Victor are driving an ambulance and are accompanied by crazy Dr. Van Helsing (Jack Elam) and a fake “patient” (Farrah Fawcett),
  • Bradford Compton (Bert Convy) who is riding a motorcycle and who, because of the weight of his mechanic, has to pop a wheelie for the entire race,
  • An Arab oil sheik (Jamie Farr) who is racing for “the glory of Islam” and who would probably not be in the movie if it were made today,
  • Sidney Goldfarb (Roger Moore), the heir to a mattress fortune who has had extensive plastic surgery to make himself look like Roger Moore,
  • Jackie Chan and Michael Hui, called “The Japanese team” even though they both speak Cantonese throughout the entire movie,
  • Terry Bradsahw and Mel Tillis because why the Hell not?,
  • Marcie (Adrienne Barbeau) and Jill (Tara Buckman), using their cleavage to get out of speeding tickets, or at least they do until they’re pulled over by Valerie Perrine,
  • And Dean Martin and Sammy Davis, Jr., pretending to be priests and apparently drunk throughout filming.

Based on a real life (and very illegal) cross-country race that was held four times in the 1970s, The Cannonball Run is profoundly stupid movie that, if you’re in the right mood for it, is also profoundly fun.  It’s a movie that really has no plot but it does have a lot of cars, a lot of stunts, a lot of cleavage, and a lot of politically incorrect humor, some of which has not aged well.  Despite being hated by the critics, The Cannonball Run was a huge box office hit and it still remains a nostalgic guilty pleasure for a lot of people, myself included.  One person who did not like The Cannonball Run was Burt Reynolds who, in an interview with the New York Times, once said, “”I did that film for all the wrong reasons.  I never liked it. I did it to help out a friend of mine, Hal Needham. And I also felt it was immoral to turn down that kind of money. I suppose I sold out so I couldn’t really object to what people wrote about me.”

Burt has a point but, in defense of The Cannonball Run, what other movie actually features Jackie Chan beating up Peter Fonda?

chan-fonda-cannoball-run

Or Roger Moore playing someone who thinks that he’s Roger Moore?

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Or Jack Elam playing a mad scientist?

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Or Sammy and Dino, phoning it in one last time?

sammy-and-dean

Or Captain Chaos?

captain-chaos

Like most of Hal Needham’s films, The Cannonball Run ends with outtakes of Burt Reynolds blowing his lines and hitting people.

Tomorrow’s movie a day will be a film that Burt Reynolds is presumably much more proud of, Sharky’s Machine.

Enjoy Christmas With The Dean Martin Christmas Show!


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I was doing a search on YouTube for Christmas specials, Christmas songs, and Christmas scenes when I came across The Dean Martin Christmas Show, which originally aired on December 21st, 1967.  It’s a Christmas show starring Dean Martin, Frank Sinatra, and their respective families.  Sure, some of the jokes may be corny but c’mon — it’s Frank and Dino!

Now, the video is occasionally a little rough.  I assume that this was copied from a VHS tape.  But no matter!  Not only does this special serve as a time capsule but it also serves as a valuable reminder that Christmas is even better when it features a little Rat Pack swagger!