Review: Extraction 2 (dir. by Sam Hargrave)


“I will not stop.” — Tyler Rake

Extraction 2 drops you right into the thick of things, cranking the intensity way past the first film. To quickly recap, the original Extraction introduced Tyler Rake, a gritty mercenary with a troubled past played with undeniable grit by Chris Harmsworth. The story was simple but effective—a high-stakes rescue of a kidnapped boy in Dhaka, Bangladesh, filled with edge-of-your-seat action and those now-iconic, almost balletic long-take fight sequences. It was raw, realistic, and emotionally grounded. Harmsworth’s portrayal anchored the chaos in human vulnerability, helping the film stand out from the typical action fare.

Now, the sequel’s aim is clear—it wants to go bigger, bloodier, and more relentless, and it pulls that off in many ways. The standout here is definitely the action choreography. Sam Hargrave, the director, really flexes his muscle with several jaw-dropping sequences, especially a breathtaking 21-minute continuous take that makes you feel like you’re running alongside Rake, dodging bullets and throwing punches in real time. It’s an impressive technical feat but, more importantly, it’s incredibly immersive. The fights have that gritty realism where each blow counts, and the camera work lets you see every tense moment clearly instead of hiding behind shaky cuts.

Chris Hemsworth, once again, owns the role. This time around, you can see a bit more of the toll the mercenary life has taken on Rake. Hemsworth brings a subtle layer of weariness mixed with fierce determination. His physicality is on full display—he’s convincing in those brutal hand-to-hand combats without ever feeling like a stuntman stand-in. He does it all, and it’s clear he’s not just punching air; this is a man fighting for something beyond just survival. The emotional beats land a bit more naturally this time around, helped by Hemsworth’s grounded performance, which balances the nonstop action with moments of quiet reflection.

Visually, the film is a significant step up. The settings shift from humid, congested streets to icy, oppressive Georgia, and the cinematography makes the most of this change. The chilly, bleak palette fits perfectly with the film’s mood—harsh, unforgiving, and tense. The camera work is bold yet measured; it takes its time to show us the fights fully, letting the choreography breathe without rushing or confusing the viewer. This clarity turns the action scenes into mini-masterpieces, where every movement, every shot, and every punch feels deliberate and impactful.

That said, not everything clicks perfectly. The plot plays it safe with familiar revenge and rescue-mission beats, and the supporting characters don’t get much development beyond their utility to the story. Golshifteh Farahani steals a few scenes as Nik, adding fresh energy and complexity as a tough and capable ally, but others around her mainly exist to get the body count up. There’s a formulaic feel to the storyline—with plenty of high-stakes tension but little in the way of surprise. If you go in looking for deep storytelling or rich character arcs, you might be left wanting.

The film truly embraces the “bigger is better” mantra, and in many ways, it pays off spectacularly with larger, more intricate action sequences and expanded scale. This escalation brings a fuller, more thrilling spectacle that keeps you hooked from start to finish. However, this increase in scope leads to a trade-off: the narrative feels more convoluted and sometimes weighed down by its own ambition. The plot introduces multiple new characters and intersecting agendas, which lengthens the storyline unnecessarily and complicates what could have been a more straightforward mission. This convolution makes the story not only more formulaic but also harder to follow, detracting from the lean storytelling charm that made the first movie so effective.

Tone-wise, the movie trades some of the first film’s grounded grit for a flashier, more stylized look and feel. Some sequences stretch believability—Rake’s near-indestructibility and certain stunt setups can pull you out of the moment. Still, if you’re willing to accept that and enjoy the ride, the movie delivers on adrenaline and spectacle in full force.

One of the most refreshing things about Extraction 2 is how well it balances raw, physical combat with moments of emotional depth. Between the intense fight scenes, there are small windows into who Tyler Rake is and what drives him. These touches give the film a heartbeat beneath all the explosions and punches. Rake is no cookie-cutter action hero; he’s a broken man clawing his way toward redemption, and that gives the film a surprising amount of emotional weight for a movie mainly about violence and chaos.

Ultimately, Extraction 2 isn’t reinventing the wheel, but it doesn’t need to. It knows its audience and delivers exactly what it promises: high-octane, impeccably executed action sequences tied together by a thread of humanity. Hemsworth’s portrayal elevates it beyond just a flashy romp, lending it a gritty soul. The villains feel suitably menacing, and the stakes are convincingly high, which keeps the tension ticking throughout.

If you loved the first Extraction for its mix of brutal realism and emotional punch, the sequel will feel familiar but amplified—more intense, more expansive, and a bit louder. If you’re new to the series, Extraction 2 still stands solid on its own as a showcase of what well-choreographed action cinema looks like today—raw, precise, and emotionally resonant with just enough story to keep you invested without dragging you down.

In short, Extraction 2 is a wild, thrilling ride with a surprisingly human heart beating beneath all the chaos. It’s a film that knows how to entertain, showcasing Chris Harmsworth at his physical and emotional best and proving that action movies can still push creative boundaries while keeping viewers hooked. The movie brings bigger and bolder set pieces that truly live up to the “bigger is better” slogan, but this comes at the cost of making the plot more convoluted and overly complicated than it needed to be. While the intricate story layers may strain some viewers, the explosive action and solid performances make it a must-watch for any fan of visceral, edge-of-your-seat thrillers. If you want a no-nonsense blockbuster with a pulse, Extraction 2 delivers in spades.

Review: Extraction (dir. by Sam Hargrave)


“Move fast. Stay low.” — Tyler Rake

Extraction (2020) is an action film directed by Sam Hargrave and written by Joe Russo, centering on a high-stakes rescue mission led by Chris Hemsworth’s character, Tyler Rake. The story comes from the graphic novel Ciudad, following Rake, a hardened mercenary tasked with rescuing Ovi Mahajan—the kidnapped teenage son of a Mumbai drug lord—from a rival gang in Dhaka, Bangladesh.

The biggest highlight of the film is undoubtedly the action. Sam Hargrave’s background as a stuntman and stunt coordinator heavily shapes the film’s visceral, grounded fight scenes and chase sequences. Before directing Extraction, Hargrave worked extensively in Hollywood, doubling for Chris Evans as Captain America in several Marvel movies like Winter Soldier and Endgame, and choreographing stunts for The AvengersPirates of the Caribbean, and The Hunger Games. This experience shows in the film’s impressive physicality and well-structured action set pieces.

One of the film’s standout moments is a roughly 15-minute continuous shot that follows Rake through escalating fights, car chases, and shoots without cuts, putting the audience right in the middle of the chaos. Cinematographer Newton Thomas Sigel maintains great clarity during this complex sequence, making it easy to follow the action without losing tension or momentum.

Chris Hemsworth’s Tyler Rake is a mix of toughness and quiet emotion. While Rake is the typical stoic, skilled mercenary with a haunting past, Hemsworth brings enough charisma and subtlety to keep him interesting. Rudhraksh Jaiswal’s Ovi balances vulnerability and resilience, and their relationship adds some emotional depth to an otherwise action-heavy film.

The setting of Dhaka plays a significant role in creating tension. The crowded streets and claustrophobic urban spaces add a feeling of danger and urgency. The production design and score contribute to this gritty atmosphere, making the world feel lived-in and tense.

Violence in Extraction is brutal and unflinching, not shying away from the grim realities of its story. The R rating is earned through graphic fights, gun battles, and some harsh moments involving bystanders, including children. This unrelenting approach to violence adds a raw edge to the film but can also feel overwhelming at times.

However, the movie’s major drawback comes from its story and character development, which are fairly thin and formulaic. The plot is straightforward: a mercenary protecting a kidnapped kid while fighting off enemies. Most of the supporting characters are underdeveloped, with the villain Amir portrayed as a one-dimensional bad guy without much backstory or nuance. Although Randeep Hooda’s character Saju adds some tension and complexity, other roles feel functional rather than memorable.

The film attempts to add emotional weight through Rake and Ovi’s bond, but the effort sometimes falls flat. Key moments meant to build character feels like typical exposition, and some plot points are rushed or underexplored. A subplot involving David Harbour’s character feels tacked on and doesn’t quite fit into the narrative flow.

Pacing also hinders the film, especially in the middle act, where the story slows down and struggles to balance action with character moments. This section can feel tedious compared to the rest of the film’s adrenaline-fueled sequences.

The ending, while action-packed and satisfying in terms of spectacle, also features a somewhat questionable twist and a final shot that feels like a cheat, leaving some ambiguity that may frustrate viewers seeking clear resolution.

In summary, Extraction delivers on what fans of intense, well-executed action expect. It’s a showcase for Hargrave’s stunt expertise and Hemsworth’s physical performance but falls short when it comes to storytelling and character depth. The film is a gripping, high-energy ride with brutal, creative fight and chase scenes—but if you’re looking for a nuanced plot or fully fleshed-out characters, it’s lacking. Fans of pure action films like John Wick or The Raid will find much to enjoy here, but others may find the story too simplistic and the constant violence numbing over time.

Conclave Wins In North Carolina


The North Carolina Film Critics Association has announced its picks for the best of 2024!

BEST NARRATIVE FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance

BEST DOCUMENTARY FILM
Dahomey
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Transformers One
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine As Light
Emilia Pérez
Evil Does Not Exist
I’m Still Here
The Seed of the Sacred Fig

BEST DIRECTOR
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Maya Hawke – Inside Out 2
Pedro Pascal – The Wild Robot
Sarah Snook – Memoir of a Snail

BEST ACTING ENSEMBLE
Conclave

Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
A Different Man
Anora
The Brutalist
Challengers
The Substance

BEST ADAPTED SCREENPLAY
Conclave

Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing

BEST CINEMATOGRAPHY
Challengers
Dune: Part Two
Nickel Boys
Nosferatu
The Brutalist

BEST EDITING
Anora
Challengers
Conclave
Dune: Part Two
Nickel Boys

BEST COSTUME DESIGN
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST HAIR AND MAKEUP
A Different Man
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST SCORE
The Brutalist
Challengers
Conclave
Nosferatu
The Wild Robot

BEST ORIGINAL SONG
“Compress/Repress” – Challengers

“El Mal” – Emilia Pérez
“Harper and Will Go West” – Will & Harper
“Kiss the Sky” – The Wild Robot
“Like a Bird” – Sing Sing

BEST SOUND DESIGN
Challengers
Civil War
Dune: Part Two
Nosferatu
Wicked

BEST SPECIAL EFFECTS
Dune: Part Two

Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu
The Substance

BEST STUNT COORDINATION
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

DIRECTORIAL DEBUT
Vera Drew – The People’s Joker
Francis Galluppi – The Last Stop in Yuma County
Zoë Kravitz – Blink Twice
Josh Margolin – Thelma
Sean Wang – Dìdi (弟弟)
Malcolm Washington – The Piano Lesson

BREAKTHROUGH PERFORMANCE
Carlos Diehz – Conclave
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Adam Pearson – A Different Man

LIFETIME ACHIEVEMENT: Cinematography
Roger Deakins

Christopher Doyle
Greig Fraser
Emmanuel Lubezki
Hoyte van Hoytema

KEN HANKE MEMORIAL TAR HEEL AWARD
Stephen McKinley Henderson – Civil War
Jeff Nichols (Director) – The Bikeriders
Margaret Qualley – The Substance
Hunter Schafer – Cuckoo
Drew Starkey – Queer

The Substance Wins In Kansas City!


Yesterday, The Kansas City Film Critics Circle announced their picks for the best of 2024!

BEST FILM
Anora
Civil War
Conclave
Dune: Part Two
I Saw The TV Glow
Nickel Boys
A Real Pain
Sing Sing
The Substance
Wicked

ROBERT ALTMAN AWARD FOR BEST DIRECTOR
Sean Baker – Anora
Jon M. Chu – Wicked
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Timothée Chalamet – A Complete Unknown
Timothée Chalamet – Dune: Part Two
David Dastmalchian – Late Night with the Devil
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS (TIE)
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Mikey Madison – Anora
Demi Moore – The Substance
June Squibb – Thelma

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man
Jeremy Strong – The Apprentice
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Joan Chen – Didi
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Civil War
A Real Pain
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
The Wild Robot

BEST CINEMATOGRAPHY
The Brutalist
Civil War
Dune: Part Two
Gladiator II
Nickel Boys
Nosferatu
Wicked

BEST ORIGINAL SCORE
Challengers
Conclave
Dune: Part Two
The Substance
The Wild Robot

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez
Flow
I’m Still Here
Kneecap
Twilight of the Warriors: Walled In

BEST DOCUMENTARY
Dahomey
Look Into My Eyes
Seeking Mavis Beacon
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION/FANTASY/HORROR
Dune: Part Two
I Saw The TV Glow
Late Night with the Devil
Nosferatu
The Substance

TOM POE AWARD FOR BEST LGBTQ FILM
I Saw The TV Glow
Emilia Pérez
Love Lies Bleeding
My Old Ass
Will & Harper
Queer

BUSTER KEATON AWARD FOR BEST STUNT ENSEMBLE FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man

Catching Up With The Films of 2024: Furiosa: A Mad Max Saga (dir by George Miller)


Furiosa: A Mad Max Saga opens with the sound of nervous Australian citizens and commentators, narrating us through the collapse of civilization.  We hear about riots.  We hear about the breakdown of civilization.  We hear that people are literally running out of water.

It’s an effective opening but, for those of us who have seen the other movies set in the Mad Max universe, it also feels a bit redundant.  We already know the story of how our world came to an end.  Mad Max opened with society in its death throes.  The Road Warrior and Mad Max: Beyond Thunderdome both took place a few years after the apocalypse, with the majority of humanity reduced back to a feral existence of scrounging and fighting to survive.  Finally, Mad Max: Fury Road took place so far in the future that the only thing that really remained of the old ways were the cars and the guns that were obsessively cared for by the inhabitants of what was once Australia.  (Not even the collapse of civilization could halt car culture.)

Furiosa opens 45 years after the apocalypse, with young Furiosa (Alyla Brown) living in the Green Place, one of the few areas of Australia not to be reduced to a waterless desert.  When she’s kidnapped by Dementus (Chris Hemsworth) and the Biker Horde, she can only watch in horror as her mother (Charlee Fraser) is crucified by the Horde.  Dementus, who was driven mad by the death of his own family, adopts Furiosa as his own and spends years hoping that she will lead him to the Green Place.  Instead, Furiosa is eventually “traded” to Dementus’s rival, Immortan Joe (Lachy Hulme), and, under the tutelage of Praetorian Jack (Tom Burke), she eventually grows up to become both Anya Taylor-Joy and the fierce warrior who was at the center of Mad Max: Fury Road.

Like that opening montage of panicky voices describing the apocalypse, Furiosa is well-made but, narratively, it can feel a bit redundant.  There’s really nothing major about Furiosa’s backstory that wasn’t previously revealed in Mad Max: Fury Road.  Yes, we learn the exact circumstances of how she lost her arm and it’s a scene that definitely establishes Furiosa as a badass but it’s also reveals that she lost her arm in the way that I imagine 99% of Fury Road‘s audience assumed it happened the first place.  That’s the problem with both prequels and sequels.  If the first movie is effective, that usually means that the audience has been given all of the information that they needed to understand a character’s past and motivation.  As a result, prequels often feel narratively unnecessary.  Furiosa spends the majority of this movie plotting her escape from Immortan Joe but we already know that it’s not going to happen because Furiosa still has to be at the Citadel for Fury Road.

Compared to Fury Road (in which the action took place over a handful of days as opposed to the decade that is covered in the prequel), Furiosa can feel a little slow.  At times, it can even seem a bit draggy.  Furiosa devotes as much time to exploring post-apocalyptic society as it does to action sequences.  (It has more in common with Mad Max: Beyond Thunderdome than The Road Warrior.)  That said, there’s a lot about Furiosa that works wonderfully.  No one directs a chase or a battle as well as George Miller.  Chris Hemsworth gives a good performance as Dementus, playing him as a tyrant who learned how to lead from watching the Marvel movies that made Hemsworth famous.  Hemsworth is particularly strong in his final scene with Furiosa.   Dementus may be hateful but, in a strange way, he can be understood.  Having lost everything he once cherished in life, Dementus’s actions are as much about his own self-destructive impulses as his own thirst for pwoer.  Though she doesn’t take over the role until fairly late in the film, Anya Taylor-Joy gives a fierce performance as Furiosa.  Furiosa doesn’t speak much in the film but, when she does, both Anya Taylor-Joy and Alyla Brown make those words count.

Furiosa is an uneven film that falls victim to the same trap that has hindered many prequels.  But, ultimately, it’s still a watchable and frequently compelling vision of a disturbing future.

 

 

Here Are The 2024 Nominations of the Kansas City Film Critics Circle!


Yesterday, The Kansas City Film Critics Circle announced their nominations for the best of 2024!  The winners will be announced on January 4th!

BEST FILM
Anora
Civil War
Conclave
Dune: Part Two
I Saw The TV Glow
Nickel Boys
A Real Pain
Sing Sing
The Substance
Wicked

ROBERT ALTMAN AWARD FOR BEST DIRECTOR
Sean Baker – Anora
Jon M. Chu – Wicked
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Timothée Chalamet – A Complete Unknown
Timothée Chalamet – Dune: Part Two
David Dastmalchian – Late Night with the Devil
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Mikey Madison – Anora
Demi Moore – The Substance
June Squibb – Thelma

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man
Jeremy Strong – The Apprentice
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Joan Chen – Didi
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Civil War
A Real Pain
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
The Wild Robot

BEST CINEMATOGRAPHY
The Brutalist
Civil War
Dune: Part Two
Gladiator II
Nickel Boys
Nosferatu
Wicked

BEST ORIGINAL SCORE
Challengers
Conclave
Dune: Part Two
The Substance
The Wild Robot

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez
Flow
I’m Still Here
Kneecap
Twilight of the Warriors: Walled In

BEST DOCUMENTARY
Dahomey
Look Into My Eyes
Seeking Mavis Beacon
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION/FANTASY/HORROR
Dune: Part Two
I Saw The TV Glow
Late Night with the Devil
Nosferatu
The Substance

TOM POE AWARD FOR BEST LGBTQ FILM
I Saw The TV Glow
Emilia Pérez
Love Lies Bleeding
My Old Ass
Will & Harper
Queer

BUSTER KEATON AWARD FOR BEST STUNT ENSEMBLE FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man

Here Are The 2024 Nominations of The North Carolina Film Critics Association!


The North Carolina Film Critics Association has announced its nominees for the best of 2024.  The winners will be announced on January 3rd!

BEST NARRATIVE FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance

BEST DOCUMENTARY FILM
Dahomey
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Transformers One
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine As Light
Emilia Pérez
Evil Does Not Exist
I’m Still Here
The Seed of the Sacred Fig

BEST DIRECTOR
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Maya Hawke – Inside Out 2
Pedro Pascal – The Wild Robot
Sarah Snook – Memoir of a Snail

BEST ACTING ENSEMBLE
Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
A Different Man
Anora
The Brutalist
Challengers
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing

BEST CINEMATOGRAPHY
Challengers
Dune: Part Two
Nickel Boys
Nosferatu
The Brutalist

BEST EDITING
Anora
Challengers
Conclave
Dune: Part Two
Nickel Boys

BEST COSTUME DESIGN
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST HAIR AND MAKEUP
A Different Man
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST SCORE
The Brutalist
Challengers
Conclave
Nosferatu
The Wild Robot

BEST ORIGINAL SONG
“Compress/Repress” – Challengers
“El Mal” – Emilia Pérez
“Harper and Will Go West” – Will & Harper
“Kiss the Sky” – The Wild Robot
“Like a Bird” – Sing Sing

BEST SOUND DESIGN
Challengers
Civil War
Dune: Part Two
Nosferatu
Wicked

BEST SPECIAL EFFECTS
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu
The Substance

BEST STUNT COORDINATION
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

DIRECTORIAL DEBUT
Vera Drew – The People’s Joker
Francis Galluppi – The Last Stop in Yuma County
Zoë Kravitz – Blink Twice
Josh Margolin – Thelma
Sean Wang – Dìdi (弟弟)
Malcolm Washington – The Piano Lesson

BREAKTHROUGH PERFORMANCE
Carlos Diehz – Conclave
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Adam Pearson – A Different Man

LIFETIME ACHIEVEMENT: Cinematography
Roger Deakins
Christopher Doyle
Greig Fraser
Emmanuel Lubezki
Hoyte van Hoytema

KEN HANKE MEMORIAL TAR HEEL AWARD
Stephen McKinley Henderson – Civil War
Jeff Nichols (Director) – The Bikeriders
Margaret Qualley – The Substance
Hunter Schafer – Cuckoo
Drew Starkey – Queer

The Substance Wins In Seattle


The Seattle Film Critics Society has announced its picks for the best of 2024!

BEST PICTURE
Anora – Sean Baker
The Beast – Bertrand Bonello
The Brutalist – Brady Corbet
Challengers – Luca Guadagnino
Conclave – Edward Berger
Dune: Part Two – Denis Villeneuve
Furiosa: A Mad Max Saga – George Miller
I Saw the TV Glow – Jane Schoenbrun
Sing Sing – Greg Kwedar
The Substance – Coralie Fargeat

DIRECTOR
Sean Baker – Anora
Bertrand Bonello – The Beast
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two

LEAD ACTOR
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight
George MacKay – The Beast

LEAD ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast

SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Josh O’Connor – Challengers
Guy Pearce – The Brutalist

SUPPORTING ACTRESS
Joan Chen – Dìdi (弟弟)
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

ENSEMBLE
Anora – Sean Baker
Conclave – Nina Gold and Martin Ware
Dune: Part Two – Dixie Chassay and Francine Maisler
His Three Daughters – Nicole Arbusto
Sing Sing – Greg Kwedar

PACIFIC NORTHWEST FILM
All We Carry – Cady Voge
Fish War – Jeff Ostenson, Charles Atkinson, and Skylar Wagner
Gasoline Rainbow – Bill Ross IV and Turner Ross
Rainier: A Beer Odyssey – Isaac Olsen
Strange Darling – J.T. Mollner

INTERNATIONAL FILM
The Beast – Bertrand Bonello
Evil Does Not Exist – Ryûsuke Hamaguchi
Flow – Gints Zilbalodis
Red Rooms – Pascal Plante
The Seed of the Sacred Fig – Mohammad Rasoulof

DOCUMENTARY FILM
Dahomey – Mati Diop
No Other Land – Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Super/Man: The Christopher Reeve Story – Ian Bonhôte and Peter Ettedgui
Will & Harper – Josh Greenbaum

ANIMATED FILM
Flow – Gints Zilbalodis
Inside Out 2 – Kelsey Mann
Transformers One – Josh Cooley
Wallace & Gromit: Vengeance Most Fowl – Merlin Crossingham and Nick Park
The Wild Robot – Chris Sanders

CINEMATOGRAPHY
The Brutalist – Lol Crawley
Dune: Part Two – Greig Fraser
Furiosa: A Mad Max Saga – Simon Duggan
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Dune: Part Two – Joe Walker
Furiosa: A Mad Max Saga – Eliot Knapman and Margaret Sixel
The Substance – Coralie Fargeat, Jérôme Eltabet, and Valentin Feron

SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet and Mona Fastvold
Conclave – Peter Straughan
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat

PRODUCTION DESIGN
The Brutalist – Judy Becker (Production Design)
Conclave – Suzie Davies (Production Design) | Cynthia Sleiter (Set Decoration)
Dune: Part Two – Patrice Vermette (Production Design) | Shane Vieau (Set Decoration)
Furiosa: A Mad Max Saga – Colin Gibson (Production Design) | Katie Sharrock (Set Decoration)
Wicked – Nathan Crowley (Production Design) | Lee Sandales (Set Decoration)

COSTUME DESIGN
Conclave – Lisy Christl
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Nosferatu – Linda Muir
Wicked – Paul Tazewell

ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor and Atticus Ross
Conclave – Volker Bertelmann
Evil Does Not Exist – Eiko Ishibashi
The Wild Robot – Kris Bowers

ACTION CHOREOGRAPHY
Dune: Part Two – Lee Morrison (Stunt Coordinator) | Roger Yuan (Fight Choreographer)
The Fall Guy – Chris O’Hara and Keir Beck (Stunt Coordinator) | Jonathan Eusebio (Fight Choreographer)
Furiosa: A Mad Max Saga – Tim Wong (Stunt Coordinator) | Richard Norton (Fight Choreographer)
Monkey Man – Udeh Nans (Stunt Coordinator) | Brahim Achabbakhe (Fight Choreographer)
Twilight of the Warriors: Walled In – Kenji Tanigaki (Stunt Coordinator)

VISUAL EFFECTS
Dune: Part Two – Paul Lambert, Stephen James, and Rhys Salcombe
Furiosa: A Mad Max Saga – Andrew Jackson and Dan Bethell
Kingdom of the Planet of the Apes – Erik Winquist and Sean Noel Walker
The Substance – Bryan Jones and Guillaume Le Gouez
Wicked – Anthony Smith, Jonathan Fawkner, Pablo Helman, and Robert Weaver

YOUTH PERFORMANCE
Alyla Browne – Furiosa: A Mad Max Saga
Katherine Mallen Kupferer – Ghostlight
Izaac Wang – Dìdi (弟弟)
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet

VILLAIN OF THE YEAR
Count Orlok – Nosferatu (as portrayed by Bill Skarsgård)
Dementus – Furiosa: A Mad Max Saga (as portrayed by Chris Hemsworth)
Feyd-Rautha Harkonnen – Dune: Part Two (as portrayed by Austin Butler)
Longlegs – Longlegs (as portrayed by Nicolas Cage)
Macrinus – Gladiator II (as portrayed by Denzel Washington)

The Seattle Film Critics Society Announced Their Nominees For The Best of 2024


The Seattle Film Critics Society has announced their nominations for the best of 2024!  The winners will be announced on December 16th!

BEST PICTURE
Anora – Sean Baker
The Beast – Bertrand Bonello
The Brutalist – Brady Corbet
Challengers – Luca Guadagnino
Conclave – Edward Berger
Dune: Part Two – Denis Villeneuve
Furiosa: A Mad Max Saga – George Miller
I Saw the TV Glow – Jane Schoenbrun
Sing Sing – Greg Kwedar
The Substance – Coralie Fargeat

DIRECTOR
Sean Baker – Anora
Bertrand Bonello – The Beast
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two

LEAD ACTOR
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight
George MacKay – The Beast

LEAD ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast

SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Josh O’Connor – Challengers
Guy Pearce – The Brutalist

SUPPORTING ACTRESS
Joan Chen – Dìdi (弟弟)
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

ENSEMBLE
Anora – Sean Baker
Conclave – Nina Gold and Martin Ware
Dune: Part Two – Dixie Chassay and Francine Maisler
His Three Daughters – Nicole Arbusto
Sing Sing – Greg Kwedar

PACIFIC NORTHWEST FILM
All We Carry – Cady Voge
Fish War – Jeff Ostenson, Charles Atkinson, and Skylar Wagner
Gasoline Rainbow – Bill Ross IV and Turner Ross
Rainier: A Beer Odyssey – Isaac Olsen
Strange Darling – J.T. Mollner

INTERNATIONAL FILM
The Beast – Bertrand Bonello
Evil Does Not Exist – Ryûsuke Hamaguchi
Flow – Gints Zilbalodis
Red Rooms – Pascal Plante
The Seed of the Sacred Fig – Mohammad Rasoulof

DOCUMENTARY FILM
Dahomey – Mati Diop
No Other Land – Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Super/Man: The Christopher Reeve Story – Ian Bonhôte and Peter Ettedgui
Will & Harper – Josh Greenbaum

ANIMATED FILM
Flow – Gints Zilbalodis
Inside Out 2 – Kelsey Mann
Transformers One – Josh Cooley
Wallace & Gromit: Vengeance Most Fowl – Merlin Crossingham and Nick Park
The Wild Robot – Chris Sanders

CINEMATOGRAPHY
The Brutalist – Lol Crawley
Dune: Part Two – Greig Fraser
Furiosa: A Mad Max Saga – Simon Duggan
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Dune: Part Two – Joe Walker
Furiosa: A Mad Max Saga – Eliot Knapman and Margaret Sixel
The Substance – Coralie Fargeat, Jérôme Eltabet, and Valentin Feron

SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet and Mona Fastvold
Conclave – Peter Straughan
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat

PRODUCTION DESIGN
The Brutalist – Judy Becker (Production Design)
Conclave – Suzie Davies (Production Design) | Cynthia Sleiter (Set Decoration)
Dune: Part Two – Patrice Vermette (Production Design) | Shane Vieau (Set Decoration)
Furiosa: A Mad Max Saga – Colin Gibson (Production Design) | Katie Sharrock (Set Decoration)
Wicked – Nathan Crowley (Production Design) | Lee Sandales (Set Decoration)

COSTUME DESIGN
Conclave – Lisy Christl
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Nosferatu – Linda Muir
Wicked – Paul Tazewell

ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor and Atticus Ross
Conclave – Volker Bertelmann
Evil Does Not Exist – Eiko Ishibashi
The Wild Robot – Kris Bowers

ACTION CHOREOGRAPHY
Dune: Part Two – Lee Morrison (Stunt Coordinator) | Roger Yuan (Fight Choreographer)
The Fall Guy – Chris O’Hara and Keir Beck (Stunt Coordinator) | Jonathan Eusebio (Fight Choreographer)
Furiosa: A Mad Max Saga – Tim Wong (Stunt Coordinator) | Richard Norton (Fight Choreographer)
Monkey Man – Udeh Nans (Stunt Coordinator) | Brahim Achabbakhe (Fight Choreographer)
Twilight of the Warriors: Walled In – Kenji Tanigaki (Stunt Coordinator)

VISUAL EFFECTS
Dune: Part Two – Paul Lambert, Stephen James, and Rhys Salcombe
Furiosa: A Mad Max Saga – Andrew Jackson and Dan Bethell
Kingdom of the Planet of the Apes – Erik Winquist and Sean Noel Walker
The Substance – Bryan Jones and Guillaume Le Gouez
Wicked – Anthony Smith, Jonathan Fawkner, Pablo Helman, and Robert Weaver

YOUTH PERFORMANCE
Alyla Browne – Furiosa: A Mad Max Saga
Katherine Mallen Kupferer – Ghostlight
Izaac Wang – Dìdi (弟弟)
Alisha Weir – Abigail
Zoe Ziegler – Janet Planet

VILLAIN OF THE YEAR
Count Orlok – Nosferatu (as portrayed by Bill Skarsgård)
Dementus – Furiosa: A Mad Max Saga (as portrayed by Chris Hemsworth)
Feyd-Rautha Harkonnen – Dune: Part Two (as portrayed by Austin Butler)
Longlegs – Longlegs (as portrayed by Nicolas Cage)
Macrinus – Gladiator II (as portrayed by Denzel Washington)

Here’s The Teaser For Thor: Love and Thunder


Thor is one of the more remarkable success stories of the MCU.

He started out as the kind of boring super hero whose origin didn’t make much sense and who felt a bit out-of-place with the other Avengers.  (It was always funny to him how quickly they all were to accept the fact that Norse mythology was based on reality.)  But, thanks to director Taika Waititi and actor Chris Hemsworth, he’s been transformed into one of the most beloved characters in the MCU.  Waititi and Hemsworth both realized Thor was a ludicrous character and the best way to handle that would be to embrace the silliness of it all.

That was the approach that they took with Thor: Ragnarok and it appears to be the same approach they’ll be taking with Thor: Love and Thunder.  And, of course, Chris Pratt and the Guardians of the Galaxy are the perfect people to help them do that!

Here’s the teaser for Thor: Love and Thunder!