Music Video of the Day: Movies by Alien Ant Farm (2001, dir. Marc Klasfeld)

We’ve reached the end of February, and the last version of Movies by Alien Ant Farm. This is the one most people know. Unfortunately, I sat down late to write this, so let’s keep it simple.

The music video starts off with lead-singer Dryden Mitchell apparently confused by a hotdog jumping around onscreen next to a bun when his just sits in his hand.


It must be because that’s not supposed to happen without John Travolta around to sing about Olivia Newton-John.

Grease (1978, dir. Randal Kleiser)

Grease (1978, dir. Randal Kleiser)

He decides to jump into the screen in order to work in a reference to Last Action Hero (1993). The rest of the band decides to follow suit, and are instantly replaced by every alt-rock band from the time-period.


Once inside, they notice that the movie magic is now dead.


Now they remind us of how big a fan they are of Michael Jackson–in case we didn’t get that from them covering Smooth Criminal–by referencing Captain EO (1986).


However, their reference to Captain EO also features the Italian evil-eye thing that ignorant people think has something to do with Satan, and it pisses of the local Sammi Curr.


Trick Or Treat (1986, dir. Charles Martin Smith)

Trick Or Treat (1986, dir. Charles Martin Smith)

It doesn’t matter that he now dresses more like Axl Rose. Sammi thinks that he is the only rocker that has the right to reach into or out of a screen. He did it in Trick Or Treat to kill Ozzy Osbourne.

Trick Or Treat (1986, dir. Charles Martin Smith)

Trick Or Treat (1986, dir. Charles Martin Smith)

Luckily the band turns into the Ghostbusters in order to deal with Sammi Curr. I’m sure it was also a way of taking a shot at critics of their brand of hard rock/heavy metal.


The band performs as themselves for awhile, and brings more stuff out of the screen to remind us of the early-80s 3D craze before turning into Oompa Loompas.


Veruca Salt is the audience. She is promptly turned into a giant blue M&M.


Now the band goes into Karate Kid mode, but Mitchell is down!


That’s no problem though because Pat Morita shows up to heal him through the power of movie magic.


This causes them to flash to an Asian guy in the audience before moving on.


The video decides it’s time to go into the 90s with Edward Scissorhands (1990) .


Edward spots a guy sporting an afro in the audience and decides to update him for the times by giving him the Coolio.


It also spells out AAF just in case we forgot what band we were watching. At this point, the audience decides it’s time for them all to jump into the screen.


That is except for the usher…


who disappears in the far shot…


but reappears when the camera cuts back to the front of the theater.


The music video was directed by Marc Klasfeld who you might know from any number of places, including:

Friday Night (T.G.I.F.) by Katy Perry

Friday Night (T.G.I.F.) by Katy Perry

He’s directed over 100 of them. He also shot around 20 of them.

Emilie Sennebogen produced the video. I can only find two music video credits for Sennebogen.

Scott Free was the stylist on the video. He appears to have done around 10 music videos.

Jeff Judd worked on make-up. I can only find two music video credits for him.

Ben Oswald was the production manager. He’s worked as a producer, production manager, and as an associate producer on music videos.


Music Video of the Day: Movies by Alien Ant Farm (2001, dir. Marcos Siega)

That sure is another version of Movies. It probably looks familiar even if you’ve never seen it before. That’s because a lot of videos by bands like Alien Ant Farm had essentially the same music video at the time.

Used For Glue by Rival Schools

Used For Glue by Rival Schools

Waffle by Sevendust

Waffle by Sevendust

Moment of Weakness by Bif Naked

Moment of Weakness by Bif Naked

Promise by Eve 6

Promise by Eve 6

Last Resort by Papa Roach

Last Resort by Papa Roach

Crawling In The Dark by Hoobastank

Crawling In The Dark by Hoobastank

Chop Suey! by System Of A Down

Chop Suey! by System Of A Down

Satellite by P.O.D.

Satellite by P.O.D.

Fat Lip by Sum 41

Fat Lip by Sum 41

If you’re thinking all those music video were directed by Marcos Siega, then you’d actually be wrong. Fat Lip was directed by Marc Klasfeld who directed the jumping-into-the-theater-screen version of Movies. All the rest of those were directed by Marcos Siega.

I’m of course not bad-mouthing Marcos Siega. Siega also did other tropes of these kinds of videos such as fetishizing the bass player, close-ups of each of the members of the band, cutaways to what people would say are lost youth, and showing the music these bands were raised on. He also did some different stuff like Murder by The Crystal Method and Thorn In My Side by Quicksand. But it’s telling that I could lump Fat Lip in there, and it’s easy to believe that it was done by Siega. I could have also thrown My Friends Over You by New Found Glory in, and it would have fit in as well despite having been directed by the Malloys. Even Kevin Kerslake of Nirvana and Sonic Youth fame would get in on this with the video for Come Original by 311. Point is, I get why they shot another video that while still using a lot of the familiar tropes, such as the big audience, is much more interesting and memorable.

Something tells me that Siega was more than happy to do different things, but was told he had to follow this formula because all late-90s/early-2000s Nu-Metal and Punk-ish music must be shot this way. We’ll get to Klasfeld tomorrow.

Siega has since gone on to direct TV shows, such as Dexter and The Vampire Diaries. However, his main thing now seems to be producing. In particular, all 45 episodes of The Following.

Ramsey Nickell shot this music video. He seems to have shot around 20 music videos. He’s also shot some TV movies, among other things.


Music Video of the Day: Movies by Alien Ant Farm (2001, dir. Tamra Davis)

But I thought that the music video for Movies by Alien Ant Farm had the band jumping into a theater screen? They did. It just took them three videos to get there. Yes, there are three versions of this music video. Why? I know that the third one was shot after the success of Smooth Criminal. That makes sense. Why was this one was replaced? Maybe because it looks like it is in bad taste, cheap, and generic. Just a guess. It could also have had something to do with this part:








Sure, we get that the point is supposed to be that, like the other girls, there’s something monsterish about her. In her case, she grows male muscles when she is turned on. Still, if mvdbase is to be believed, they shot another one that aired in March of 2001, which would coincide with the release of the album the song is on. Maybe that bit bothered people, so they made a new one. Maybe they wanted a more modern look. I don’t know.

Obviously I’m doing this music video today because of the Oscars. I honestly didn’t know that there were three versions of this video. I guess this will finish out February.

Now I have to sort out a little conflicting information. There seems to be no disagreement between IMVDb, mvdbase, and Wikipedia when it comes to the version we all know where they jump into a theater screen. That one was directed Marc Klasfeld who also did Smooth Criminal, and a few other videos for the band. The disagreement is over whether this version, or the next version, was done by Tamra Davis rather than Marcos Siega.


That’s from the second version. M. Siega is director Marcos Siega and R. Nickell is cinematographer Ramsey Nickell. You can see the date as well.

Another way I’m sure this is the first version is that this video fits with the origin of the name of the band. According to guitarist Terry Corso in a Reddit AMA:

“Oh that was just my daydream about planet seeding by entities from other dimensions. bored at work stuff”

The women are the aliens who have come to where they are performing and each member of the band daydreams about each of them turning out to be an alien that tries to have sex with them. It makes sense to me that this was the first version unless someone comes along with additional information.

According to mvdbase, this was Tamra Davis’ last music video. It’s funny to note that while Davis didn’t do the jumping-into-the-theater-screen version, that one does feature the character of Veruca Salt, and she did direct a video for the band Veruca Salt.

Jeff Selis edited this music video. He also did Dragula for Rob Zombie. He’s edited well over 100 music videos, so we’ll see plenty more of his work in the future.