Tag Archives: Adam Pearson

Anora Wins In Michigan

Posted on by Lisa Marie Bowman

The Michigan Movie Critics Guild have announced their picks for the best of 2024!

(The winners are listed in bold.)

Best Picture
Anora
The Brutalist
Dune: Part Two
The Substance
Wicked

Best Director
Sean Baker – Anora
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance

Best Actress
Amy Adams – Nightbitch
Cynthia Erivo – Wicked
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

Best Actor
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Hugh Grant – Heretic

Best Supporting Actress
Ariana Grande-Butera – Wicked
Felicity Jones – The Brutalist
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez

Best Supporting Actor
Yura Burisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Denzel Washington – Gladiator II

Best Animated Film
Flow
Inside Out 2
Piece By Piece
Transformers One
The Wild Robot

Best Documentary
Daughters
Music By John Williams
No Other Land
Piece By Piece
Super/Man: The Christopher Reeve Story
Will & Harper

Best Ensemble
Conclave
Dune: Part Two
Nosferatu
Saturday Night
Wicked

Best Screenplay (Adapted or Original)
Anora
The Brutalist
Challengers
Nosferatu
The Substance
Wicked

Breakthrough Award
Mikey Madison – Actress for Anora
Giovanni Ribisi – Cinematographer for Strange Darling
Jane Schoenbrun – Director for I Saw the TV Glow
Maisy Stella – Actress for My Old Ass
Zelda Williams – Director for Lisa Frankenstein

Stunts
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man
Road House

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member, etc., who has Michigan ties or to a film made or set in Michigan)
The Fire Inside (Set in Flint, and lead actress Ryan Destiny is a Detroit native)
Francis Ford Coppola (Writer/Director of Megalopolis)
Hundreds of Beavers (Partially filmed in Michigan)
Keegan-Michael Key (Actor in IF, Transformers One & Dear Santa)
J.K. Simmons (Actor in Saturday Night, Red One and Juror #2)

Anora Wins In Los Angeles!

Posted on by Lisa Marie Bowman

The Los Angeles Film Critics Association has announced their picks for the best of 2024!  Anora has picked up its first major precursor victory.

Here are the winners in LA:

Best Film
Winner: ANORA
Runner-Up: THE BRUTALIST

Best Film Not In The English Language
Winner: ALL WE IMAGINE AS LIGHT
Runner-Up: THE SEED OF THE SACRED FIG

Best Director
Winner: Mohammad Rasoulof – THE SEED OF THE SACRED FIG
Runner-Up: Sean Baker – ANORA

Best Documentary Film
Winner: NO OTHER LAND
Runner-Up: DAHOMEY

Best Screenplay
Winner: Jesse Eisenberg – A REAL PAIN
Runner-Up: Sean Baker – ANORA

Best Leading Performance
Winners: Marianne Jean-Baptiste – HARD TRUTHS & Mikey Madison – ANORA
Runners-Up: Demi Moore – THE SUBSTANCE & Fernanda Torres – I’M STILL HERE

Best Supporting Performer
Winners: Yura Borisov – ANORA & Kieran Culkin – A REAL PAIN
Runners-Up: Clarence Maclin – SING SING & Adam Pearson – A DIFFERENT MAN

Best Animated Film
Winner: FLOW
Runner-Up: CHICKEN FOR LINDA!

Best Editing
Winners: Nicholas Monsour – NICKEL BOYS & Hansjörg Weißbrich – SEPTEMBER 5 (TIE)

Best Production Design
Winner: Judy Becker – THE BRUTALIST
​Runner-Up: Adam Stockhausen – BLITZ

Best Music/Score
Winner: Trent Reznor & Atticus Ross – CHALLENGERS
Runner-Up: Eiko Ishibashi – EVIL DOES NOT EXIST

Best Cinematography
Winner: Jomo Fray – NICKEL BOYS
Runner-Up: Lol Crawley – THE BRUTALIST

New Generation
Vera Drew for THE PEOPLE’S JOKER

Douglas Edwards Experimental Film
THE HUMAN SURGE 3

Here Are The 2024 Nominations of the Michigan Movie Critics Guild!

Posted on by Lisa Marie Bowman

The Michigan Movie Critics Guild have announced their nominations for the best of 2024.  The winners will be announced on December 9th!

Best Picture
Anora
The Brutalist
Dune: Part Two
The Substance
Wicked

Best Director
Sean Baker – Anora
Jon M. Chu – Wicked
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance

Best Actress
Amy Adams – Nightbitch
Cynthia Erivo – Wicked
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

Best Actor
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Hugh Grant – Heretic

Best Supporting Actress
Ariana Grande-Butera – Wicked
Felicity Jones – The Brutalist
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez

Best Supporting Actor
Yura Burisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Denzel Washington – Gladiator II

Best Animated Film
Flow
Inside Out 2
Piece By Piece
Transformers One
The Wild Robot

Best Documentary
Daughters
Music By John Williams
No Other Land
Piece By Piece
Super/Man: The Christopher Reeve Story
Will & Harper

Best Ensemble
Conclave
Dune: Part Two
Nosferatu
Saturday Night
Wicked

Best Screenplay (Adapted or Original)
Anora
The Brutalist
Challengers
Nosferatu
The Substance
Wicked

Breakthrough Award
Mikey Madison – Actress for Anora
Giovanni Ribisi – Cinematographer for Strange Darling
Jane Schoenbrun – Director for I Saw the TV Glow
Maisy Stella – Actress for My Old Ass
Zelda Williams – Director for Lisa Frankenstein

Stunts
Deadpool & Wolverine
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man
Road House

The MMCG Award for Film Excellence (presented to a filmmaker, writer, actor, crew member, etc., who has Michigan ties or to a film made or set in Michigan)
The Fire Inside (Set in Flint, and lead actress Ryan Destiny is a Detroit native)
Francis Ford Coppola (Writer/Director of Megalopolis)
Hundreds of Beavers (Partially filmed in Michigan)
Keegan-Michael Key (Actor in IF, Transformers One & Dear Santa)
J.K. Simmons (Actor in Saturday Night, Red One and Juror #2)

Here Are The Independent Spirit Nominations!

Posted on by Lisa Marie Bowman

Today, most awards watchers will be devoting most of their attention to the National Board of Review and the American Film Institute.  That said, the Independent Spirit nominations were still announced earlier today and Anora had a strong showing.  Meanwhile, The Brutalist, which did so well with the New York Film Critics Circle, picked up a nomination for Best Director but not Best Picture.

Here are the Spirit Nominations.  While looking at the nominations, keep in mind that a lot of potential Oscar nominees were not eligible for a nomination.  As a result, the Spirit nominations aren’t exactly the strongest predictive tool when it comes to guessing what will eventually be nominated by the Academy.

Still, it never hurts to be mentioned!

Best Feature

Anora
Producers: Sean Baker, Alex Coco, Samantha Quan

I Saw the TV Glow
Producers: Ali Herting, Sam Intili, Dave McCary, Emma Stone, Sarah Winshall

Nickel Boys
Producers: Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine

Sing Sing
Producers: Clint Bentley, Greg Kwedar, Monique Walton

The Substance
Producers: Tim Bevan, Coralie Fargeat, Eric Fellner

Best First Feature

Dìdi
Director/Producer: Sean Wang
Producers: Valerie Bush, Carlos López Estrada, Josh Peters

In the Summers

Director: Alessandra Lacorazza Samudio
Producers: Janek Ambros, Lynette Coll, Alexander Dinelaris, Cynthia Fernandez De La Cruz, Cristóbal Güell, Sergio Alberto Lira, Rob Quadrino, Jan Suter, Daniel Tantalean, Nando Vila, Slava Vladimirov, Stephanie Yankwitt

Janet Planet
Director/Producer: Annie Baker
Producers: Andrew Goldman, Dan Janvey, Derrick Tseng

The Piano Lesson
Director: Malcolm Washington
Producers: Todd Black, Denzel Washington

Problemista
Director/Producer: Julio Torres
Producers: Ali Herting, Dave McCary, Emma Stone

John Cassavetes Award

Given to the best feature made for under $1,000,000

Big Boys
Writer/Director/Producer: Corey Sherman
Producer: Allison Tate

Ghostlight
Writer/Director: Kelly O’Sullivan
Director/Producer: Alex Thompson
Producers: Pierce Cravens, Ian Keiser, Chelsea Krant, Eddie Linker, Alex Wilson

Girls Will Be Girls
Writer/Director/Producer: Shuchi Talati
Producers: Richa Chadha, Claire Chassagne

Jazzy
Writer/Director/Producer: Morrisa Maltz
Writer/Producer: Lainey Shangreaux
Writers: Andrew Hajek, Vanara Taing
Producers: Miranda Bailey, Tommy Heitkamp, John Way, Natalie Whalen, Elliott Whitton

The People’s Joker
Writer/Director: Vera Drew
Writer: Bri LeRose
Producer: Joey Lyons

BEST DIRECTOR

Ali Abbasi
The Apprentice

Sean Baker
Anora

Brady Corbet
The Brutalist

Alonso Ruizpalacios
La Cocina

Jane Schoenbrun
I Saw the TV Glow

BEST SCREENPLAY

Scott Beck, Bryan Woods
Heretic

Jesse Eisenberg
A Real Pain

Megan Park
My Old Ass

Aaron Schimberg
A Different Man

Jane Schoenbrun
I Saw the TV Glow

BEST FIRST SCREENPLAY

Joanna Arnow
The Feeling That the Time for Doing Something Has Passed

Annie Baker
Janet Planet

India Donaldson
Good One

Julio Torres
Problemista

Sean Wang
Dìdi

BEST LEAD PERFORMANCE

Amy Adams
Nightbitch

Ryan Destiny
The Fire Inside

Colman Domingo
Sing Sing

Keith Kupferer
Ghostlight

Mikey Madison
Anora

Demi Moore
The Substance

Hunter Schafer
Cuckoo

Justice Smith
I Saw the TV Glow

June Squibb
Thelma

Sebastian Stan
The Apprentice

BEST SUPPORTING PERFORMANCE

Yura Borisov
Anora

Joan Chen
Dìdi

Kieran Culkin
A Real Pain

Danielle Deadwyler
The Piano Lesson

Carol Kane
Between the Temples

Karren Karagulian
Anora

Kani Kusruti
Girls Will Be Girls

Brigette Lundy-Paine
I Saw the TV Glow

Clarence “Divine Eye” Maclin
Sing Sing

Adam Pearson
A Different Man

BEST BREAKTHROUGH PERFORMANCE

Isaac Krasner
Big Boys

Katy O’Brian
Love Lies Bleeding

Mason Alexander Park
National Anthem

René Pérez Joglar
In the Summers

Maisy Stella
My Old Ass

BEST CINEMATOGRAPHY

Dinh Duy Hung
Inside the Yellow Cocoon Shell

Jomo Fray
Nickel Boys

Maria von Hausswolff
Janet Planet

Juan Pablo Ramírez
La Cocina

Rina Yang
The Fire Inside

 BEST EDITING

Laura Colwell, Vanara Taing
Jazzy

Olivier Bugge Coutté, Olivia Neergaard-Holm
The Apprentice

Anne McCabe
Nightbitch

Hansjörg Weissbrich
September 5

Arielle Zakowski
Dìdi

ROBERT ALTMAN AWARD – Given to one film’s director, casting director, and ensemble cast

His Three Daughters
Director: Azazel Jacobs
Casting Director: Nicole Arbusto
Ensemble Cast: Jovan Adepo, Jasmine Bracey, Carrie Coon, Jose Febus, Rudy Galvan, Natasha Lyonne, Elizabeth Olsen, Randy Ramos Jr., Jay O. Sanders

BEST DOCUMENTARY (Award given to the director and producer)

Gaucho Gaucho
Directors/Producers: Michael Dweck, Gregory Kershaw
Producers: Christos Konstantakopoulos, Cameron O’Reilly, Matthew Perniciaro

Hummingbirds
Directors: Silvia Del Carmen Castaños, Estefanía “Beba” Contreras
Co-Directors/Producers: Miguel Drake-McLaughlin, Diane Ng, Ana Rodriguez-Falco, Jillian Schlesinger
Producers: Leslie Benavides, Rivkah Beth Medow

No Other Land
Directors/Producers: Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor
Producers: Fabien Greenberg, Bård Kjøge Rønning

Patrice: The Movie
Director: Ted Passon
Producers: Kyla Harris, Innbo Shim, Emily Spivack

Soundtrack to a Coup d’Etat
Director: Johan Grimonprez
Producers: Rémi Grellety, Daan Milius

 BEST INTERNATIONAL FILM (Award given to the director)

All We Imagine as Light
France, India, Netherlands, Luxembourg
Director: Payal Kapadia

Black Dog
China
Director: Guan Hu

Flow
Latvia, France, Belgium
Director: Gints Zilbalodis

Green Border
Poland, France, Czech Republic, Belgium
Director: Agnieszka Holland

Hard Truths
United Kingdom
Director: Mike Leigh

PRODUCERS AWARD  presented by Bulleit Frontier Whiskey – The Producers Award, now in its 28th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity, and vision required to produce quality independent films.

Alex Coco

Sarah Winshall

Zoë Worth

 SOMEONE TO WATCH AWARD  – The Someone to Watch Award, now in its 31st year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.

Nicholas Colia
Director of Griffin in Summer

Sarah Friedland
Director of Familiar Touch

Pham Thien An
Director of Inside the Yellow Cocoon Shell

TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 30th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.

Julian Brave NoiseCat, Emily Kassie
Directors of Sugarcane

Carla Gutiérrez
Director of Frida

Rachel Elizabeth Seed
Director of A Photographic Memory

Here Are The 2024 Gotham Nominations

Posted on by Lisa Marie Bowman

Awards season began this morning, with the announcement of the Gotham nominations!

Now, to be clear, the Gotham Awards are not exactly the best precursor when it comes to predicting the Oscars.  The Gothams are designed to honor independent films and, as a result, a lot of Oscar contenders are not even eligible for the Gothams.  Dune 2, for instance, is definitely not a Gotham film.

That said, every little bit helps and, since we’ve got a whole month before the rest of precursors start weighing in, the producers of Anora have to be happy that today’s headlines have all basically been a variation of “ANORA LEADS THE GOTHAMS.”  If you’re going to build momentum on the way to the Oscars, it’s important to stay in the conversation.  Today, Anora is dominating that conversation.

Here are the Gotham nominations!

Best Feature

Anora
Sean Baker, director; Sean Baker, Alex Coco, Samantha Quan, producers (NEON)

Babygirl
Halina Reijn, director; David Hinojosa, Julia Oh, Halina Reijn, producers (A24)

Challengers
Luca Guadagnino, director; Luca Guadagnino, Rachel O’Connor, Amy Pascal, Zendaya, producers (Amazon MGM Studios)

A Different Man
Aaron Schimberg, director; Gabriel Mayers, Vanessa McDonnell, Christine Vachon, producers (A24)

Nickel Boys
RaMell Ross, director; Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine, producers (Orion Pictures/Amazon MGM Studios)

Best International Feature

All We Imagine as Light
Payal Kapadia, director; Julien Graff, Thomas Hakim, producers (Sideshow and Janus Films)

Green Border
Agnieszka Holland, director; Fred Bernstein, Agnieszka Holland, Marcin Wierzchoslawski, producers (Kino Lorber)

Hard Truths
Mike Leigh, director; Georgina Lowe, producer (Bleecker Street)

Inside the Yellow Cocoon Shell
Thien An Pham, director; Jeremy Chua, Tran Van Thi, producers (Kino Lorber)

Vermiglio
Maura Delpero, director; Francesca Andreoli, Maura Delpero, Santiago Fondevila Sance, Leonardo Guerra Seràgnoli, producers (Sideshow and Janus Films)

Best Documentary Feature

Dahomey
Mati Diop, director; Mati Diop, Judith Lou Lévy, Eve Robin, producers (MUBI)

Intercepted
Oksana Karpovych, director; Darya Bassel, Olha Beskhmelnytsina, Rocío B. Fuentes, Giacomo Nudi, Lucie Rego Pauline Tran Van Lieu, producers (Grasshopper Film)

No Other Land
Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor, directors; Fabien Greenberg, Bård Kjøge Rønning, producers (Antipode Films)

Soundtrack to a Coup d’Etat
Johan Grimonprez, director; Rémi Grellety, Daan Milius, producers (Kino Lorber)

Sugarcane
Julian Brave NoiseCat, Emily Kassie, directors; Emily Kassie, Kellen Quinn, producers (National Geographic Documentary Films)

Union
Stephen Maing, Brett Story, directors; Samantha Curley, Mars Verrone, producers (Self-Distributed)

Best Director

Payal Kapadia, All We Imagine as Light (Sideshow and Janus Films)
Sean Baker, Anora (NEON)
Guan Hu, Black Dog (The Forge)
Jane Schoenbrun, I Saw the TV Glow (A24)
RaMell Ross, Nickel Boys (Orion Pictures/Amazon MGM Studios)

Best Screenplay

Between the Temples, Nathan Silver, C. Mason Wells (Sony Pictures Classics)
Evil Does Not Exist, Ryûsuke Hamaguchi (Sideshow and Janus Films)
Femme, Sam H. Freeman, Ng Choon Ping (Utopia)
His Three Daughters, Azazel Jacobs (Netflix)
Janet Planet, Annie Baker (A24)

Breakthrough Director

Shuchi Talati, Girls Will Be Girls (Juno Films, Inc)
India Donaldson, Good One (Metrograph Pictures)
Alessandra Lacorazza, In the Summers (Music Box Films)
Vera Drew, The People’s Joker (Altered Innocence)
Mahdi Fleifel, To a Land Unknown (Watermelon Pictures)

Outstanding Lead Performance

Pamela Anderson, The Last Showgirl (Roadside Attractions)
Adrien Brody, The Brutalist (A24)
Colman Domingo, Sing Sing (A24)
Marianne Jean-Baptiste, Hard Truths (Bleecker Street)
Nicole Kidman, Babygirl (A24)
Keith Kupferer, Ghostlight (IFC Films)
Mikey Madison, Anora (NEON)
Demi Moore, The Substance (MUBI)
Saoirse Ronan, Outrun (Sony Pictures Classics)
Justice Smith, I Saw the TV Glow (A24)

Outstanding Supporting Performance

Yura Borisov, Anora (NEON)
Kieran Culkin, A Real Pain (Searchlight Pictures)
Danielle Deadwyler, The Piano Lesson (Netflix)
Brigette Lundy-Paine, I Saw the TV Glow (A24)
Natasha Lyonne, His Three Daughters (Netflix)
Clarence Maclin, Sing Sing (A24)
Katy O’Brian, Love Lies Bleeding (A24)
Guy Pearce, The Brutalist (A24)
Adam Pearson, A Different Man (A24)
Brian Tyree Henry, The Fire Inside (Amazon MGM Studios)

Breakthrough Performer

Lily Collias, Good One (Metrograph Pictures)
Ryan Destiny, The Fire Inside (Amazon MGM Studios)
Maisy Stella, My Old Ass (Amazon MGM Studios)
Izaac Wang, Dìdi Y(Focus Features)
Brandon Wilson, Nickel Boys (Orion Pictures/Amazon MGM Studios)

For Your Consideration #9: Under the Skin (dir by Jonathan Glazer)

Posted on by Lisa Marie Bowman

http://www.youtube.com/watch?v=NoSWbyvdhHw

Under the Skin is one of the most brilliantly divisive films of the year.  To some, it’s a pretentious mess, a collection of seemingly random scenes and obscure themes.  To me, however, it is one of the most haunting films that I’ve ever seen.  It’s a film that’s full of mysteries and questions, one that often demands that we supply our own answers.  It’s one of the best films of the year and anyone who disagrees needs to rewatch it.

From the opening scene, Under the Skin is a dream of dark and disturbing things.

In Scotland, a silent motorcyclist (Jeremy McWilliams) finds a young woman’s dead body lying on the side of the road.  He picks up the body and puts it in the back of a van.  Inside the van, a naked woman (played by Scarlett Johansson) takes the dead woman’s clothes.  As soon becomes apparent, both the motorcyclist and the woman are not human.  They’re aliens and they’ve come to Earth on a mission that is deliberately left obscure.  Though they never speak to each other, the motorcyclist always seems to be nearby.

The woman drives the van across Scotland.  She stops men in the street and, after asking for directions, then attempts to coerce them into her van.  (What makes these scenes especially effective is that the majority of them actually feature Johansson talking to nonactors who just happened to be nearby when she drove up.)  The woman smiles and flirts and has little trouble convincing the majority of the men she meets to get into the van with her.

She drives them to an isolated building where the men follow her inside.  As they step into a pitch black room, both the woman and her latest man start to undress.  The naked man starts to walk towards the woman and is so hypnotized by the sight of her that he doesn’t even realize that the floor has become liquified and he’s sinking.  As Johansson watches coldly, each man eventually vanishes, leaving behind only his empty skin.

(Warning: The two scenes below are definitely NSFW.  Watch with caution.)

http://www.youtube.com/watch?v=i3upRSCiZK0

Detached from her surroundings, the woman can only watch as real human beings go about their lives.  When she sees a man unsuccessfully try to save a drowning couple on the beach, she reacts by striking the man on the head with a rock.  She drags the man away, leaving the couple’s terrified toddler on the beach.  When the motorcyclist later visits the beach, he too ignores the child.  (Perhaps no scene left me more disturbed and inspired more nightmares than this one.)

It’s only when the woman picks up a man with a severe facial disfigurement (a poignant performance from a nonactor named Adam Pearson) that she finally starts to show some emotion.  The man is as much of an outsider as she is, with the main difference being that he can’t hide who he really is under a disguise.  The woman feels sorry for him and this sudden shock of empathy causes her to reconsider her mission.

However, even as the woman attempts to flee to the Scottish highlands, the motorcyclist is never far behind.  And, unfortunately, neither are real humans…

Under the Skin is pure cinema, a collection of scenes that alternate between being naturalistic and surreal, disturbingly serious and darkly humorous.  Perhaps appropriately for a film about appearances, Under the Skin is a movie that is full of haunting images, the type that, 8 months after first being seen, remain vivid in your mind.  It’s up to the viewers to decide what those images mean.

(For all of the discussion that I’ve seen online about what Under the Skin is truly about, it seems pretty obvious to me that the main message of the film is that guys are so led by their penis that they’ll even allow themselves to sink into a liquid void if there’s a chance they might get laid beforehand.)

Under the Skin has been a player (albeit a minor one) in the precursors leading up the Oscars.  A few of the braver critical groups have nominated it for best picture and have also honored Scarlett Johansson for her wonderful work as an outsider who is both slowly discovering what it means to be human while also dealing with the reality that, try as she might, she will never truly belong in this world.  However, with all that in mind, Under the Skin is probably too divisive and unique a film to ever truly appeal to the Academy.

But that’s okay.

Under the Skin is also a film that we’ll still be discussing years from now.

Film Review Under the Skin