But still, the former governor of California has been getting some unexpectedly good buzz for his performance in the upcoming film zombie film Maggie. In a role that reportedly emphasizes honest emotion over crowd-pleasing action, Schwarzenegger plays a small-town farmer whose daughter (Abigail Breslin) has been infected with a zombie virus. The trailer, which was released today, seems to hint that Maggie is going to be a bit more thoughtful than your average Arnold Schwarzenegger zombie film.
Maggie is scheduled to be released on May 8th and, hopefully, it won’t be too overshadowed by the 2nd weekend of Avengers: Age of Ultron.
Well, it’s that time of year when I look at the list of the films that I’ve seen over the past 12 months and I realize that there’s quite a few that I haven’t gotten around to reviewing yet. Here are my thoughts on six of them.
The Call (dir by Brad Anderson)
Abigail Breslin is kidnapped by a serial killer. While trapped in the trunk of the killer’s car, Breslin manages to call 911. Breslin’s call is answered by Halle Berry, a veteran operator who is recovering from a trauma that — by an amazing and totally implausible coincidence — was caused by the same guy who has just kidnapped Breslin.
Before it became a feature film, The Call was originally developed as a weekly TV series and, as I watched, it was easy to imagine weekly episodes that would all feature a different guest star calling 911 and needing help. For the first hour or so, The Call is well-made and acted but undistinguished. However, during the final 30 minutes, the entire film suddenly goes crazy with Breslin running around in her bra, Berry turning into a blood thirsty vigilante, and the killer suddenly getting very verbose. However, those 30 minutes of pure insanity were just what The Call needed to be memorable. There are some films that definitely benefit from going over-the-top and The Call is one of them.
Copperhead (dir by Ronald Maxwell)
Copperhead is a historical drama that takes place during the Civil War. In upstate New York, farmer Abner Breech (Billy Campbell) is ardently opposed to both the Civil War and the union cause. In most movies, this would make Abner the villain but, in Copperhead, he’s portrayed as being a man of principle who, by refusing to compromise on his views, is ostracized and ultimately persecuted by the rest of his village. Abner’s views also bring him into conflict with his own son, who is pro-Union.
Copperhead is a slow-moving film that features some rather good performances along with some fairly bad ones. However, I’m a history nerd so I enjoyed it. It certainly tells a different story from what we’ve come to expect from American films about the Civil War.
It’s A Disaster (dir by Todd Berger)
Of the six films reviewed in this post, It’s A Disaster is the one to see. In this darker than dark comedy, Julia Stiles brings her new boyfriend (David Cross) to Sunday brunch with 6 of her closest friends. During the brunch, terrorists explode a dirty bomb in the city. With everyone trapped inside the house and waiting for the world to either end or somehow revert back to normal, long-simmering resentments come to the forefront.
To say anything else about It’s a Disaster would be unfair so I’ll just say that it’s a very funny film, featuring excellent work from both Stiles and Cross. If Jean-Paul Sartre was alive and writing today, he would probably end up writing something very similar to It’s a Disaster.
See Girl Run (dir by Nate Meyer)
Bleh! That’s probably the best description I can give you of this film. It’s just a whole lot of bleh.
Emmie (Robin Tunney) is unhappy with her boring marriage so she runs back to her Maine hometown, stops wearing makeup and washing her hair, and pines for her high school boyfriend, Jason (Adam Scott), who works at a sea food restaurant. Jason also happens to be friends with Emmie’s depressed brother, Brandon (Jeremy Strong). It’s the same basic plot as Young Adult, just with no humor and a lot more talking. In Young Adult, it was hard not to admire Charlize Theron’s wonderfully misguided character. In See Girl Run, you just want to tell Robin Tunny to take a shower, put on some clothes that don’t look like they were stolen from a hospital storage closet, and stop whining all the time.
It’s difficult to put into words just how much I hated this movie. This is one of those films that critics tend to describe as being “a film for adults.” I have to agree — this is a movie for really boring, depressing adults who like to talk and talk about how their lives haven’t worked out. If See Girl Run is what being an adult is like, I’ll just continue to be an immature brat, thank you very much.
UnHung Hero (dir by Brian Spitz)
So, this is not only the worst documentary of 2013 but it’s also quite probably one of the worst documentaries ever made. The film opens with footage of Patrick Moote (who claims to be a comedian) asking his girlfriend to marry him. As Moote goes on (and on) to tell us, she turns down his proposal and then dumps him because, according to her, his penis is too small. Moote spends the rest of the film talking to various people and asking them whether size really matters.
Well, he could have just asked me and saved a lot of time. I’m sorry if this endangers any fragile male egos but yes, size does matter. If Moote’s penis really is as tiny as he claims it is, I probably would have turned down his proposal as well. Then again, Moote could be hung like Jamie Foxx and I’d probably still refuse to marry him because, quite frankly, he’s the whiniest and most annoying person that I’ve ever seen. He’s like an even less charming version of Morgan Spurlock. What Patrick Moote never seems to understand is that size matters but personality matters even more.
Would You Rather (dir by David Guy Levy)
Would you rather have a root canal or sit through this piece of crap? Having seen Would You Rather, I can tell you that it’s not an easy question to answer.
Jeffrey Combs plays a sadistic millionaire who invited a bunch of strangers (including Brittany Snow, John Heard, June Squibb, and Sasha Grey) to his mansion and forces them to play an elaborate and deadly game of Would You Rather. Unfortunately, none of the characters are interesting, the film’s sadism is more boring than shocking, and talented actor Combs is totally wasted as the one-note villain.
It’s finally going to happen. A film adaptation of Orson Scott Card’s sci-fi novel Ender’s Game is going to be on the bigscreen. This was a property that was often talked about becoming a film, but years upon years of talk never amounted to much other than fan casting and never getting past the concept stage.
I knew that the film adaptation had gotten the greenlight over a year ago, but I just assumed that something will derail it once again and leave Ender’s Game as another case of film vaporware. The fact that there’s now a trailer released by Summit Entertainment means that the film will come out. Now whether the film adaptation satisfies the book’s legion of fans and still entertain those who never read a word of Card’s novels still to be determined.
Ender’s Game is set for a November 1, 2013 release date.
It’s an animated feature that isn’t in 3D. It caters as much to adults as it does to kids, and doesn’t seem to try to lower itself to be “shiny” in that way. There are a number of scary images that I think would frighten younger kids, but overall, the film is very well done. It’s a fantastic homage to the Wild West, though it does get a little weird at times. I’ll admit that I walked in expecting something like Tangled. It reminds me more of George Miller’s Happy Feet, in how serious at times the story gets. And it does all this under the Nickelodeon banner. Wow, this is a big jump from Spongebob and Rugrats.
It ironic and feels right that Gore Verbinski – who gave us the Budweiser Frogs commercial so long ago and The Mexican – takes on an animated tale. He teams up with his Pirates of the Caribbean stars Johnny Depp and Bill Nighy again, and the results are worth it. Depp brings a spark of funny weirdness to the character of Rango, and the film has a number of pop culture references (including one for Fear and Loathing in Las Vegas). The supporting cast is okay, Isla Fisher (Confessions of a Shopaholic) makes for a quirky female lead trying to hold on to her land and Abigail Breslin (Zombieland)didn’t seem like she was used enough. Ned Beatty and Nighy in particular are the other vocal standouts here, along with Harry Dean Stanton (Big Love) as the the head of a mole family of outlaws. Timothy Olyphant (Justified) has a great cameo as well.
Rango is a chameleon who wishes to be the star of his own story. After an accident leaves him stranded in the desert, he finds is way through the blistering sun to the tiny town of Dirt. The townspeople of Dirt are a diverse lot, and it all has a real Mos Eisley in Star Wars to it. The currency of the town is water, which is pretty hard to come by these days. When he’s asked who he is, Rango takes the moment to be the character he envisioned. After he amazes the town with a display that adds fuel to the fire, the townsfolk end up making him the Sheriff of Dirt and charge him with finding a solution to their money/water issues.
Visually, Rango is a feast for the eyes despite how ugly the main character is. Fur moves, whiskers twitch and the open desert looks wonderful (especially when riding). Sunsets are colorful and Industrial Light and Magic really did some interesting work here. Honestly, I wouldn’t mind seeing this in 3D, but it’s actually nice that it isn’t in that format. Musically speaking, Hans Zimmer’s score adds a nice touch to the film, especially during one key scene involving a chase. I ended up getting the score shortly after seeing the movie.
If Rango suffers from any problems, it would be that it slows down a little in the middle, as if it’s not entirely sure of where it wants to go at one point. It quickly picks up, but the lull may be a little much for younger viewers looking for cartoon action throughout the film. I don’t believe adults will mind this, though.
But what about the Kid Factor?
It’s a Nickelodeon film. It’s designed for kids, and my audience (made up of parents and kids) appeared to really love it. The lessons to learn are that you truly are the center of your own story and growth comes through dealing with struggles. You can’t have a Protagonist without an Antagonist, and a story has to have conflict for it to go anywhere. You can take your kids to see Rango, but Parental Guidance is suggested. There’s a nude top half of a Barbie doll, no biggie there. Nighy’s Rattlesnake Jack brought up a lot of murmurs and gasps from the kids in my audience, so that might be something to be concerned about. There’s also shooting – it is the Wild West, after all – so there are characters that will die. If that doesn’t bother you, then you’ll have tons of fun with Rango. It’s definitely worth seeing.
Through the Shattered Lens 