Here’s the Super Bowl Spot For Disclosure Day

Posted on by Lisa Marie Bowman

Disclosure Day is Steven Spielberg’s latest film.  We really don’t know much about it, beyond the fact that it appears to be science fiction and it stars Emily Blunt.

The Super Bowl spot is certainly intriguing.  I’m looking forward to unraveling this film’s mysteries.

Brad’s Most Meaningful Super Bowls!

Posted on by Bradley Crain

I’m one of the biggest fans of the San Francisco 49ers. In my 52 years on earth, I’ve been able to celebrate a lot of Super Bowl Sundays that have featured my team. We even won 5 of those Super Bowls. The problem is that all five of those victories came before I reached the age of 22. Over the last 30 years, we’ve reached another 3 Super Bowls and lost each one in heartbreaking fashion. I thought I’d share my main memories of each of those games today! 

Super Bowl XVI — January 24, 1982

The 49ers won their first Lombardi trophy when they edged the Cincinnati Bengals 26-21 in a gritty, hard-fought battle at the Pontiac Silverdome. This kicked off the 49ers ‘80’s dynasty where the would win four Super Bowls during the decade. For an eight year old Brad, what I remember the most personally during that year was not the Super Bowl, but rather the victory over the Dallas Cowboys in the NFC Championship, when Joe Montana threw the ball and Dwight Clark made “the catch!” It has justly retained its place over the years as one of the great plays in NFL history. 

Super Bowl XIX — January 20, 1985

San Francisco kicked the Miami Dolphins butts, 38–16, in their own backyard, showcasing a team firing on all cylinders and carving their name into NFL lore. My brother Donnie was a huge fan of the Dolphins back at this time. I was eleven years old and he was twelve, and I remember I didn’t want to rub it in, because I didn’t want to hurt his feelings. When I think of that game, I think of Montana throwing TD passes to recent Hall of Fame inductee Roger Craig!

Super Bowl XXIII — January 22, 1989

In a classic showdown in Miami, the 49ers rallied late to beat the Bengals 20–16, a game punctuated by clutch plays and a finish that echoed their championship pedigree. I had reached the age of 15 when the Niners beat the Bengals for a 2nd time in the decade. When I think of this game, I think of Jerry Rice being unstoppable, John Taylor catching the winning TD pass from Montana with 34 seconds to play, and I think of the story Montana told about John Candy as the last drive was about to start. It was awesome stuff! 

Super Bowl XXIV — January 28, 1990

San Francisco exploded in New Orleans, routing the Denver Broncos 55–10 in one of the most dominant performances in Super Bowl history… a statement that this franchise was at its peak. I was 16 years old when this game was played. I honestly don’t remember that much of the game itself, because I was making out with my girlfriend for most of the game. I do remember paying enough attention to know that we were kicking butt. Once our dominance was firmly established, most of my focus was elsewhere!

Super Bowl XXIX — January 29, 1995

In Miami, the 49ers put the exclamation point on their ‘90s success with a 49–26 victory over the San Diego Chargers, racking up points in every quarter and leaving no doubt who ruled that season. This was one of my favorite Super Bowls and my favorite team’s last win. I was 21 years old and had been married for less than a month. We had a Super Bowl party with friends, and Steve Young threw six TD passes, a record that still stands, as the Niners routed the Chargers. The grilled hamburgers tasted great that night as Young got the Montana legacy “monkey off of his back” and wrote his own Canton story. 

Super Bowl XLVII — February 3, 2013

After years away from football’s biggest stage, San Francisco returned but fell just short, losing a tight 31–34 to the Baltimore Ravens in a game defined by momentum swings and near misses. Eighteen years after the 49ers last Super Bowl, we finally made it back. Colin Kaepernick, Frank Gore, Michael Crabtree and Vernon Davis seemed unstoppable going into the Super Bowl, but Joe Flacco and the Ravens had other plans. After falling way behind, a stadium power outage wasn’t enough to save my team as we fell just short in the “Har-Bowl.” The youth group from our church was at our house that night, so I tried to be on my best behavior, but it wasn’t easy when the refs didn’t call a clear holding penalty on the Ravens near the end. This was also my first Super Bowl with my son who was 13 at the time. 

Super Bowl LIV — February 2, 2020

In Miami Gardens, the Chiefs outpaced the 49ers 31–20, capping a back-and-forth affair that saw San Francisco’s defense bend and an explosive Kansas City offense take control in the second half. Recently divorced, I watched this game with my 13 year old daughter at Buffalo Wild Wings. It was another heartbreaking loss, where we were ahead by 10 points in the fourth quarter before falling apart. I was trying to enjoy the time with my daughter, and for the most part I was successful, but it still hurt as we lost again. 

Super Bowl LVIII — February 11, 2024

In a heartbreaker at Allegiant Stadium, the 49ers fought Kansas City to the wire but fell 25–22 in overtime… a testament to grit even in defeat on football’s grandest stage. As a 50 year old man, this Super Bowl meant something different to me than any Super Bowl before. My wife and I went to my mom and dad’s house and watched the game. My son also joined us. I really just wanted to watch the 49ers win a Super Bowl with my dad and my son. My son, also a huge 49ers fan, had never seen them win the ultimate championship. I thought it would be the perfect night to celebrate. Unfortunately, Brock Purdy and the Niners came up just short against Patrick Mahomes again in overtime. It was another punch to the gut. 

With that said, however, and with a little time, that Super Bowl in 2024 is so meaningful to me. My dad, my son and I watched every play together in complete unison as we pulled for the Niners. The night may not have ended the way we wanted it to, but it was still a wonderful and special night. The picture I share here was from that night as the game was about to get started. Nothing that’s meaningful comes without a little bit of pain, and that night was one of the most meaningful of my last few years! 

Tonight, I’ll watch the Super Bowl, but I won’t be with my Dad or my son. Either the Seahawks or Patriots will win, but in a few days I won’t ever care again. It does give me some peace knowing that out there somewhere, Dads and sons will be living and dying on every play. That won’t be us tonight, but it wasn’t that long ago that it was! 

Retro Television Review: Homicide: Life On The Street 4.21 “Scene of the Crime”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, it’s another night in Baltimore.

Episode 4.21 “Scene of the Crime”

(Dir by Kathy Bates, originally aired on April 12th, 1996)

This week, three murders are committed in the projects of Baltimore.

The first murder occurs when a drug dealer is tossed off the roof of an apartment complex, “the towers.”  Making the Lewis and Kellerman’s investigation difficult is the fact that the city has given a security contract to the Black Muslims.  The Muslims have been patrolling the Towers for a year and, in that time, they’ve chased out most of the drug dealers that once terrorized the building’s residents.  Kellerman feels that the Muslims are racists.  Giardello says that the Muslims just caused the dealers to go to another block.  Lewis, however, is a bit more conflicted.  As he explains it to Kellerman, why should white neighborhoods by the only ones allowed to have their own private security force?

The second and third murders occur at another set of towers.  This time, two teenage drug dealers ended up shooting each other.  When Munch and Russert arrive at the scene, they are met by patrolman Stu Gharty (Peter Gerety).  Gharty walks them through the scene, shows how the two dealers ended up killing each other, and then excuses himself to wait for the medical examiner.  Munch is impressed with Gharty but Russert can’t help but note the thirty-minute time gap between when Gharty got the call about the shooting and when he called for homicide.  Gharty confesses that, when he first arrived, he didn’t immediately enter the building, despite hearing the gunshots.  Gharty was concerned for his safety.  Munch understands and, even more importantly, he doesn’t believe in getting other cops in trouble.  Russert, however, is angered, especially after it turns out that one of the teenagers bled to death while Gharty was waiting outside.

This was an excellent episode of Homicide, one that was smart enough to paint anyone as being all good or all bad.  Ishmael Al-Hadj (Victor Williams), the head of the Muslim security force, is an anti-white fanatic but Lewis has a point when he says that Ishmael and his men have largely kept peace in the Towers in a way that the police have not been able to do so.  In the end, Ishmael turns over the name of the murderer but only after he knows that the man is no longer in Baltimore.

As for Stu Gharty, Russert is absolutely correct when she says that he failed to do his duty but, largely due to Peter Gerety’s empathetic performance, it’s hard not to sympathize with Gharty.  As Russert herself admits, Gharty has been a good cop for years but, that one night, he allowed his fear to get the better of him.  Russert, who is still thinking like a captain despite being demoted, feels that one moment of weakness cannot be overlooked.  Just about everyone else disagrees.  Whereas Russert and Kay Howard sees someone who failed to do his job, a detective like Munch looks at Gharty and sees a 54 year-old cop who is just a few years away from getting reassigned a desk job on account of his age and who made one mistake because he didn’t want his family to get a call telling them that he was dead.  At one point, Gharty says he’s thinking of just taking retirement.  Of course, he didn’t.  Instead, he returned a few seasons later as a regular.

This episode also featured Munch preparing for the return of Bolander.  After calling Bolander multiple times, Munch finally got him to agree to drop by the Waterfront Bar.  Of course, Bolander never showed up.  And it makes sense, really.  After getting shot and nearly dying during the previous season, Bolander was obviously done with being a cop.  (And, of course, Ned Beatty was no longer on the show.)  Still, there was something rather poignant about Munch’s growing realization that his partner and his hero was no longer going to be around.

Next week, the season comes to an end!

 

So, I Watched WebCam Cheerleaders (2021, Dir. by Curtis Crawford)

Posted on by Dazzling Erin

After her sister falls off of the top her dorm, Maisy (Joelle Farrow) transfers to Vanderton University and takes her place on the cheerleading squad.  Maisy thinks her sister was murdered and is determined to find out why.  She discovers that several of the cheerleaders are also working as webcam girls, some of them against their will.

My main thought while watching this movie was that maybe if the squad had been any good, they wouldn’t have had to make extra money as webcam girls.  This movie had some of the worst cheer routines that I have ever seen and none of the cheerleaders seemed like they really had much spirit.  Their cheers were awful.  “Are you ready to play/G0 Sharks/It’s your big day!”  Whoever wrote that should be ashamed.  Hearing that’s not going to give the Sharks the extra encouragement they need to win!

When Maisy gets too close to the truth, another cheerleader spikes her water right before a big media event.  Drugged Maisy loses one of her pom-poms in the middle of a routine and she has to crawl across the floor to get it.  When I was cheering in high school, that happened to me in practice a few times and I wasn’t even drugged!  Afterwards, Maisy’s coach says that if Maisy is on drugs, they can’t kick her off the squad because that will make it appear as if the cheerleaders weren’t willing to help her.  I can’t think of a cheerleading coach in the world who would follow that logic.

Watching this movie made me glad that I stopped cheering after high school.  Cheerleading in high school was fun, even though I was always worried that the people in the stands would notice that I always had bruises from falling during practice.  Eventually, I figured out that no one in high school cared as long as you smiled and looked cute in the uniform.  In college, though, they make you become a webcam girl and throw you off a building if you refuse!  It’s a whole other world!

 

So, I Watched Choices (1981, Dir. by Silvio Narizzano)

Posted on by Dazzling Erin

John Carluccio (Paul Carafotes) is the star running back on his high school football team until the district’s new chief doctor (Dennis Patrick) rules that John can no longer play because he’s partially deaf and wears a hearing aid.  Coach Rizzo (Val Avery) protests but John is off the team.  John stops hanging out with his squeaky clean best friend (William R. Moses) and instead becomes friends with the school delinquent (Stephen Nichols).  John starts smoking pot and gets a bad attitude.  Whenever anyone tries to help him or suggests that he can live a productive life even without football, John gets angry.  Can his new girlfriend (Demi Moore) turn his life around?

I really wanted to feel bad for John and cheer him on as he fought to be allowed to play football but he was such a mopey character that it was hard.  He acted like the rest of the team should have refused to play until he was allowed to rejoin them.  It didn’t help that the new running back was just as good as John ever was.  Eventually, John discovered that he loved music and Demi Moore but even all of that felt like it came out of nowhere.  I know a lot of people who have had setbacks as bad as John’s who managed to get through them without treating everyone around them terribly.

Demi Moore is the big “name” here but she’s only in the movie for a few minutes.  I recognized a few of the other actors.  William R. Moses later played Ken Malansky in the Perry Mason movies and Stephen Nichols will always be Patch on Days of our Lives.

If you’re looking for football action, you won’t find it here.  My choice, if I could do it again?  Don’t watch.

The Blues Brothers (1980, directed by John Landis)

Posted on by Jedadiah Leland

The Blues Brothers!  They’re on a mission from God.

Jake (John Belushi) and Elwood Blues (Dan Aykroyd) are two Chicago orphans who love the blues and committing crime.  After Jake is paroled from Joliet Prison, he’s picked up by Elwood in an old police car.  Elwood traded the original Bluesmobile for a microphone.  Jake understands, even if he still doesn’t like being seen in a police car.  When they  visit the orphanage where they were raised, Sister Mary Stigmata (Kathleen Freeman) beats them with a ruler and tells them that the orphanage is going to close if she can’t pay a $5,000 tax bill.  Jake and Elwood set out to reform their band, raise $5,000, and save the orphanage.  Jake and Elwood may be two career criminals who never take off their dark glasses but they’re on a mission from God.

Along the way to putting the band together and raising $5,000, Jake and Elwood meet characters played by everyone from James Brown to Ray Charles to Aretha Franklin.  You never know when a big production number might break out.  Jake and Elwood also step on a few toes.  Soon, the Blues Brothers being chased by the police, the national guard, Jake’s parole officer (John Candy), Charles Napier’s country-western band, and a group of Illinois Nazis (led by Henry Gibson).  There’s also a mysterious woman (Carrie Fisher) who wants to kill them.  She has an impressive array of weapons but terrible aim.

The Blues Brothers was the first comedy to be based on a Saturday Night Live bit.  Unlike most other SNL movies, The Blue Brothers develops its plot far beyond what was originally seen on television.  Jake and Elwood get a full backstory and they also get personalities that go beyond the black suits and the dark eyewear. The Blues Brothers features Belushi at his most energetic but it’s also one of the few films to actually know what to do with Dan Aykroyd’s eccentric screen presence.  If Belushi’s Jake is all about earthly pleasures, Aykroyd’s Elwood almost seems like a visitor for another world.  Aykroyd’s performance of the Rawhide theme song is one of the film’s highlight.

The Blues Brothers has its share of funny lines and its famous for the amount of pointless destruction that it manages to fit into its storyline (with the “unnecessary violence” being authorized by the Chicago police to stop the Blues Brothers) but it’s also as surprisingly sincere tribute to the blues.  It’s a movie that can balance Ray Charles shooting at a shoplifter and a massively destructive car chase in a suburban mall with Cab Calloway playfully performing Minnie the Moocher and Aretha Franklin bringing down the house (or diner, as the case may be).  The movie can feature both a jump over an open drawbridge and Steven Spielberg as the clerk at the tax office.  It’s one of the strangest comedies ever made and it features all the excesses that would bring an end to 70s Hollywood but when Jake and Elwood say they’re on a mission from God, you believe them.