Join #MondayMania For Lethal Seduction!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for Lethal Seduction, starring Dina Meyer!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Brad’s 2nd “Scene of the Day” – Harmonica arrives in ONCE UPON A TIME IN THE WEST (1968)! Happy Birthday, Charlie!!


On the precipice of becoming an international superstar, director Sergio Leone gave Charles Bronson one of the coolest introduction scenes in film history in ONCE UPON A TIME IN THE WEST. Enjoy my friends!

Anime You Should Be Watching: Space Battleship Yamato (Uchū Senkan Yamato)


 “Duty calls us to give more than our lives; it calls us to give our very souls.” — Capt. Juuzo Okita

Space Battleship Yamato, which aired from 1974 to 1975, is a monumental anime series that shaped the medium’s evolution and continues to resonate deeply with audiences today. Directed by Leiji Matsumoto and produced by Yoshinobu Nishizaki, this 26-episode space opera follows the crew of the Yamato—a resurrected World War II battleship transformed into a spacefaring vessel—on a desperate mission to save an irradiated Earth.

Set in the late 22nd century, Earth has been devastated by radiation from relentless attacks by the alien Gamilas. The surface is inhospitable, and humanity is forced underground. Salvation arrives in the form of a message from the distant planet Iscandar, promising a technology that can cleanse Earth’s radiation. The Yamato, captained by Juuzo Okita and crewed by a band of determined officers including the impetuous but brave Susumu Kodai, must make a perilous journey through hostile space to retrieve this salvation device. Along the way, they face not just merciless enemies but internal struggles, moral dilemmas, and the constant pressure of a ticking clock: the Earth will perish within a year if they fail.

In many ways, Yamato broke the mold for 1970s anime. At a time when most shows were episodic and targeted mainly at children, this series presented serialized storytelling with a complex, continuous narrative arc. This format created genuine dramatic tension and emotional stakes that kept viewers invested episode after episode. While some parts drag with melodrama or technical exposition, the story steadily builds toward a moving climax filled with sacrifice, hope, and bittersweet heroism.

Animation-wise, the series shows its age, with occasionally stiff character movements and production shortcuts like reused backgrounds—typical of 1970s TV budgets. Yet, Leiji Matsumoto’s designs and the Yamato ship itself remain iconic, blending Japan’s wartime history with futuristic sci-fi technology in a compelling aesthetic. The space battles are sweeping and cinematic for the era, supported by Hiroshi Miyagawa’s rousing and emotional musical score, which perfectly balances military pride and somber reflection.

The characters inhabit archetypal but evolving roles. Captain Okita embodies the bushido spirit—noble, self-sacrificing, and burdened by duty—while Kodai matures from impulsive youth to responsible leader molded by loss. Supporting characters bring warmth and conflict, though the presence of women like Yuki Mori reflects dated 1970s gender norms, often limiting them to stereotypical and occasionally objectified roles, which jars against the show’s mature themes.

Beneath its sci-fi veneer, Yamato is a profound meditation on postwar Japanese identity. The revival of the WW2 Yamato as a vessel of salvation symbolizes a desire to transform defeat and shame into hope and renewal. The series navigates the duality of glorifying martial courage while confronting war’s tragic costs. The alien Gamilas are also complex antagonists, featuring honorable figures as well as villains, introducing a nuanced moral landscape rare for its time.

The influence of Space Battleship Yamato on anime is immense and multifaceted. It essentially invented what became the “serious,” serialized sci-fi anime format, making way for legends like Mobile Suit Gundam, which took the treatment of war, politics, and character drama to new levels, and Macross, which played with themes of enemies-turned-allies. Notably, Hideaki Anno, creator of the psychologically rich Neon Genesis Evangelion, cites Yamato as a formative influence, incorporating its emotional and philosophical themes. The series also impacted video games, with elements of its design and story inspiring creators well beyond animation.

The Yamato universe has expanded through numerous sequels, side stories, spin-offs, and remakes. The modern reboot Space Battleship Yamato 2199 is a fan favorite, refreshing the original plot with updated animation and added depth, proving the story’s continued resonance. Other adaptations include OVAs, manga expansions, and a live-action movie, each exploring various facets of the original mythos while bringing Yamato to new audiences.

On the international stage, the series’ English-dubbed adaptation, Star Blazers, was among the first serialized anime to reach Western audiences, planting early seeds for global fandom. Its mature storytelling, serialized arcs, and emotional depth influenced how anime was perceived outside Japan, paving the way for wider acceptance of anime as serious storytelling.

Though the animation style and representations may feel dated now, Yamato’s strengths remain powerful: its epic storytelling, rich themes of sacrifice and renewal, unforgettable characters, and visionary world-building. The show exemplifies how anime can weave thrilling adventure with meaningful thematic exploration, laying groundwork that countless series have followed.

Space Battleship Yamato (1974-1975) stands as a cornerstone of anime history. It transcended its era to become a storytelling template and cultural touchstone whose legacy endures through its influence, spin-offs, and remakes. For fans of sci-fi, anime enthusiasts, and cultural historians alike, it remains an essential watch—a stirring saga of resilience, hope, and the human spirit against cosmic odds.

Monday Live Tweet Alert: Join Us for Excessive Force 2: Force on Force!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Excessive Force 2: Force on Force!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Excessive Force 2: Force on Force on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

Brad’s “Scene of the Day” – Charles Bronson & Alan Ladd in DRUM BEAT (1954)! Happy Birthday, Charlie!!


Until 1954’s DRUM BEAT, Charles Bronson had been billed on screen as Charles Buchinsky. He then proceeded to steal the film right out from under star Alan Ladd. Bronson’s powerful performance as renegade Modoc indian Captain Jack is an early sign of Bronson’s immense talent and charisma.

Enjoy this action-packed clip from Delmer Davis’ excellent western, and happy 104th birthday, Charles Bronson!

6 Bronsonrific Trailers


Today is Charles Bronson’s birthday!  I sent the trailer kitties out to gather the trailers for this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers with one mission in mind.  Make it Bronsonriffic!  Let’s see how they did!

1) Once Upon A Time In The West (1968)

2) Someone Behind The Door (1970)

3) Death Wish (1974)

4) From Noon Till Three (1976)

5) Telfon (1977)

6) 10 to Midnight (1983)

What do you think, Trailer Kitty?

Music Video of the Day: Once Upon A Time In The West, performed by The Danish National Symphony Orchestra & Tuva Semmingsen (2018, dir by ????)


It’s Charles Bronson’s birthday so it only makes sense that today’s music video should be for a performance of the Ennio Morricone-composed theme of one of his best films.

Enjoy!

Late Night Retro Television Review: Degrassi: The Next Genreation 1.12 “Wannabe”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, we get a peek into Degrassi’s future.

Episode 1.12 “Wannabe”

(Dir by Laurie Lynd, originally aired on June 10th, 2002)

This week’s episode is a good example of Emma Nelson being the worst person possible.

Paige and Hazel (Andrea Lewis) are planning on relaunching the Degrassi Spirit Squad, with help of Oskar (Fielding Horan), a character who I’m pretty sure was never seen again after this season.  Manny, a trained gymnast, wants to join the Spirit Squad and does a cartwheel in the school hallway for her audition.  It looks like Manny is finally going find a life outside of being Emma’s supportive friend and….

Uh-oh, Emma looks mad.

Yes, Emma is angry again.  She writes an editorial for the school newspaper, calling the Spirit Squad a sexist relic and saying that the only people interested in it are bimbos.  For some reason, the newspaper runs the editorial, which leads me to suspect that they have no faculty sponsor.

Paige, Manny, and Hazel responds by grabbing every issue of the paper and ripping out Emma’s editorial.  That is some of the funniest and most realistic high school behavior ever.  However, the show expects for us to be as upset as Emma.  No, I’m sorry.  Emma’s editorial was out-of-line and was clearly written by someone who had a personal issue with Paige.  (Never mind that Paige was the one who came to Emma’s rescue when Emma got her first period while wearing a white skirt….)  A responsible editor wouldn’t have published it.  If I said to Arleigh, “Hey, you know that former film blogger in Canada with whom I had that extremely petty argument 15 years ago?  I’m going to write a surprise, 1,000-word post calling him a loser just because I’m in a bad mood,” Arleigh would rightfully suggest that I reconsider.  Add to that, every editorial that Emma has written has sounded like scoldy crap but, during the first season at least, Emma was such a creator’s pet that we weren’t supposed to notice.

Mr. Simpson confronts Paige and Manny about vandalizing the Degrassi Grapevine.  Paige says that she saw Hazel doing it.  Manny realizes that Paige cannot be trusted!  Paige tells Manny that she’ll be lucky to make the Spirit Squad unless she adjusts her attitude.

Of course, those of us who have seen Degrassi knew the future.  Despite Emma’s whining, The Spirit Squad is going to become one of the show’s mainstays.  Manny is going to make the squad and become friends with Paige.  Meanwhile, Hazel is eventually going to be retconned into a Somalian refugee who ends up dating Jimmy until he gets shot in the back.  Meanwhile, Emma will marry Spinner and….

Oh yeah, Spinner!  Poor Spinner!  In this episode, Spinner gets stuck in one of the lamest Degrassi storylines ever.  Toby, JT, and Liberty think that they have a Pringles can that will win them a million dollars in some weird Canadian Pringles sweepstakes.  Spinner decides that he wants some of the money as well and J.T. and Toby say sure because they’re like 4’11 and Spinner is like 5’10.  But it turns out that JT had the wrong can so no one wins anything.  Yes, it’s just that dumb.

Again, it’s good to know the future when watching the Pringles subplot.  J.T. will never become rich because he’s going to be brutally murdered during his senior year.  Before he dies, J.T. will manage to impregnant Liberty and Liberty will give the child up for adoption.  Meanwhile, Toby will end up hosting a Canadian robotics competition.  (Yeah, I don’t quite understand it myself….)  And Spinner will end up flunking three times before graduating at the age of 21.  And even then, he still hung out around the school until he was like 30.  Never underestimate how far this show would go to keep a popular character around.

This episode was pretty lame but historically, it was very important.  Not only was it the first episode to feature Spirit Squad drama but it was also one of the first episodes to suggest (albeit unintentionally) that Emma was essentially a sociopath who couldn’t stand to see her friends happy.  This episode was a harbinger of Degrassi’s future.

Happy Birthday to Katharine Isabelle who starred with Charles Bronson on YES VIRGINIA, THERE IS A SANTA CLAUS!


Charles Bronson came back to the world of movies after his wife Jill Ireland passed away with the sweet 1991 TV movie YES VIRGINIA, THERE IS A SANTA CLAUS. I’m wishing a happy birthday to Kartharine Isabelle who was so good as Virginia!