Retro Television Review: Fantasy Island 5.20 “Forget-Me-Not/The Quizmasters”

Posted on December 3, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, Tattoo is still missing.

Episode 5.20 “Forget-Me-Not/The Quizmasters”

(Dir by Cliff Bole, originally aired on April 10th, 1982)

Amnesiac Ellen Layton (Jill St. John) comes to the Island in hopes of remembering who she was in her past life. Ever since she was tossed off a horse and struck her head, Ellen has not been able to recall a single detail of her old life. Roarke agrees to help, using another one of those magic plants that seem to grow in abundance on Fantasy Island. However, Roarke also shows Julie a hologram that reveals that, in her previous life, Ellen was a ruthless businesswoman who fired people at the drop of a hat.

As quickly becomes obvious, amnesiac Ellen is far happier than corporate Ellen. Afterall, amnesiac Ellen has all sorts of friends on the Island and she even has sleazy Mike Collins (Dan Gautier) pretending to be in love with her. (In what I believe is a Fantasy Island first, we hear the thoughts of Mike and several other men when they first learn that the wealthy and beautiful Ellen can’t remember anything about her past life.) But when Ellen’s real husband (Brett Halsey) comes to the Island looking for her, she has to decide if she wants to go back to who she used to be or if she wants to continue being the carefree amnesiac that she’s been for the last several months. Which will she choose?

You already know the answer to that one. Ellen’s fantasy really wasn’t that interesting. I preferred the first part of the show’s other fantasy. Two game show hosts (Gene Rayburn and Jan Murray), who are both in love with the same woman (Vikki Carr), come to the Island because they want to compete in the ultimate game show. Roarke actually sets up a game show for them, with himself as host and a studio audience. The two men are asked a question. The first man to answer correctly is given the choice of opening one of four doors. Three of the doors contain prizes, like love and money. The other door is the …. DOOR OF DEATH!

One of the joys of this episode is watching Ricardo Montalban play a game show host. He appears to be having a blast, especially when he gets to dramatically remind the two contestants about “the Door of Death!” And, while the two men do manage to open up two of the doors successfully (leading one contestant rescuing Vikki Carr from being burned at the stake as a witch and the other contestant robbing a 1920s bank), the third door that the two men open is THE DOOR OF DEATH!

Unfortunately, the Door of Death turns out to be a bit anticlimatic. The two men and the women they love have to survive in the wilderness while being pursued by an archer whose fantasy is to — *sigh* — hunt the most dangerous prey of all, man. The show just did a Most Dangerous Game knock-off just two episodes ago so why do it again? Fortunately, both of the game show hosts and the woman they’re fighting over survive. They leave the Island together, their love triangle unresolved.

The game show had a lot of potential but this episode was disappointing. Unfortunately, Tattoo was not in this episode and Julie served as Roarke’s assistant. Nothing against Julie but the whole game show thing seemed like it would have been a perfect set up for some Roarke/Tattoo banter. This show was definitely better with Tattoo than without him.

Late Night Retro Television Reviews: CHiPs 2.23 “The Greatest Adventures of CHiPs”

Posted on December 2, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, the second season of CHiPs comes to a close. Now, if you don’t remember much about what happened during the first two seasons of the show, don’t worry. This finale has got you covered. But first, let’s watch the opening credits and chair dance to the CHiPs theme song.

Episode 2.23 “The Greatest Adventures of CHiPs”

(Dir by Don Weis, originally aired on May 12th, 1979)

With Ponch and Baker absent from the morning briefing because they’ve gone to Bakersfield to teach a class, Sgt. Getraer announces to the assembled members of the High Patrol that they have been nominated for an award for going beyond the normal call of duty. Everyone’s totally excited for Ponch and Baker. Armed with a bulky 70s tape recorder, Grossie asks everyone for their favorite Ponch and Baker stories so that he can write a speech honoring them….

Yep, it’s a clip show.

It’s not just any clip show, either. It’s a 90-minute clip show. Of course, there’s only about fifteen minutes of new footage. The rest of it is made up of scenes of Baker yelling at motorists and Ponch smiling. Even when CHiPs attempts to show why both of them deserves a reward, it’s obvious that Baker does all the work and Ponch gets all the credit.

I understand the logic behind clip shows. They’re cheap and it allows almost everyone to have the weekend off. They’re not very entertaining to watch, though perhaps they carried more weight in the days before streaming and DVRs ensured that you could rewatch your favorite scenes whenever you wanted to. They are, however, very easy to review.

This clip show marks the end of the show’s second season. A clip show always seems like a weak way for a season (much less a show) to go out but again, I get it. Everyone’s tired. Everyone wants to head to Cabo for the summer. Get us out of here! CLIP SHOW!

(That said, this clip show does get some credit for including some pretty groovy disco footage! SOLID! Estrada gets to do his Travolta impersonation while everyone watches and claps.)

The second season of CHiPs was actually pretty entertaining, even if it is kind of silly just how much the show highlights Ponch over Baker. Technically, of the two of leads, Larry Wilcox was the better actor but Erik Estrada always seemed like he was having more fun. The second season had a few dud episodes but it also had its share of spectacular stunts and a lot of lovely California scenery. Sindy Cahill being perfect at everything got old pretty quickly but at least Arthur “Grossie” Grossman was around to provide some comic relief.

Well, that’s it. There’s not too much you can say about a clip show. Next week, we’ll start season three!

Retro Television Review: Miami Vice 3.10 “Streetwise”

Posted on December 2, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Bill Paxton and Wesley Snipes walk the streets of Miami!

Episode 3.10 “Streetwise”

(Dir by Fred Walton, originally aired on December 5th, 1986)

I was excited to see that this week’s episode of Miami Vice featured guest turns from not only Wesley Snipes but Bill Paxton as well! Then I remembered that guest stars never survive their episode and I felt a little bit sad. I know what was coming. Miami Vice is not a show that features happy endings. Anyone who gets involved in Miami’s vice trade is destined to end up dead, regardless of how innocent or guilty they may be. It’s a dark world in Miami.

Paxton plays Vic Romano, a vice cop from a neighboring precinct who is arrested during a prostitution bust. Romano has been having an affair with Carla Cappoletti (Alice Adair), an emotionally fragile prostitute who is abused by both her pimp, Silk (Wesley Snipes), and almost all of her clients. She knows that Vic is a cop and Vic knows that she’s a prostitute but neither one of them cares. As Vic puts it, they’re in love.

The Vice Squad is shocked to find that Carla is carrying cocaine that is almost totally pure. Trying to track down who is supplying Silk with the cocaine, the squad discovers that neither Carla nor Vic want to cooperate. While Vic tries to explain things to his wife, Tubbs goes undercover as a pimp. He bails Carla out of jail and tells her that she works for him now. When Silk shows up to object, Tubbs easily beats him up. Silk may talk tough but, without a gun to back him up, he’s not much of a fighter.

When Tubbs demands that Carla go to Silk and find out where he’s been getting his cocaine from, Carla refuses. Tubbs, still pretending to be a pimp, proceeds to yell at her and tear up a hotel room. A sobbing Carla begs Tubbs not to hurt her “too much,” and Tubbs realizes that he’s gone too far in trying to maintain his cover. He shows Carla his badge. It’s always kind of easy to laugh at the way that Tubbs trots out his fake Caribbean accent whenever he’s pretends to be Rico Cooper but Thomas does a really good job in this episode and he is genuinely frightening when he starts yelling at Carla. I found myself wondering just how far Tubbs actually would go to maintain his cover and I was actually relieved when he pulled out that badge.

It ends, as things often do with this show, in a shootout. Silk is gunned down by Crockett and Tubbs but not before Romano is shot by Silk. Romano dies in Carla’s arms and I felt a little teary-eyed. Bill Paxton was a wonderful actor and he gave a likable and sincere performance as Vic Romano. Watching the episode, I never once doubted Romano’s love for Carla. Both Snipes and Paxton were well-cast as their doomed characters. Neither one survived the hour but I doubt anyone who watched the show ever forgot them.

Lisa Marie’s Week In Television: 11/24/24 — 11/30/24

Posted on November 30, 2024 by Lisa Marie Bowman

Spending this Thanksgiving week with my sisters, I didn’t watch a lot of television. I did watch and review episodes of Homicide, Degrassi High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, and Monsters.

And, earlier today, I watched episodes of CHiPs, Degrassi High, Baywatch Nights, Monsters, Malibu CA, Check It Out, and Friday the 13th: The Series and I wrote up reviews that will post over the course of the upcoming week. It’s always nice to have a head start on all of that.

On Tuesday, Erin and I watched A Charlie Brown Thanksgiving. Charlie Brown really was way too nice about Peppermint Patty inviting herself over to his house and then getting upset over being served popcorn. Myself, I love the fact that Snoopy had a fully cooked turkey that he basically hid from everyone else until it was just him and Woodstock at the house.

On Wednesday, I watched the latest episode of Hell’s Kitchen. I was not surprised to see Lulu eliminated. I hope Brandon wins this season.

I watched bits of the Macy’s Thanksgiving Day Parade and also the four football games that were played on Thursday. My cousins were really into the football games. I said I thought it would be nice if everyone could win and I got booed and accused of being a commie. As for the parade, it just made me wish that I was in New York to see it in person. Maybe next year!

On Friday, I watched episodes of two old 90s shows — Rollergames and Happy Hour. They were both enjoyably dumb.

And that’s it for this week!

Late Night Retro Television Review: Monsters 2.24 “The Family Man”

Posted on November 27, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, the second season of Monsters reaches its conclusion!

Episode 2.24 “The Family Man”

(Dir by Michael Warren Powell, originally aired on June 3rd, 1990)

Neil (Calvin Armitage) is not happy. The young son of Angie (Annie Corley), Neil is upset that she is dating a condescending psychologist named Warren (Michael O’Gorman). Making things even worse is that Neil seems to be the only person who dislikes Warren. Even Neil’s older sister, Terri (Kelli Rabke), thinks that Warren is a great guy and would be a wonderful stepfather.

Adding to Neil’s problems is his terrible eyesight. He’s recently gotten new glasses, which he cannot stand. He would rather wear the glasses that once belonged to his late father. When Neil puts those old glasses on and looks at Warren, he is shocked to see that Warren is actually a lizard-like alien with sharp teeth. It doesn’t take long for Warren to figure out that Neil has seen through his human disguise but, as Warren explains it, no one is going to believe Neil. Instead, Warren is just going to drain the life forces of Angie, Neil, and Terri, killing them as he’s killed so many other humans.

At first, it looks like Warren is correct. Angie refuses to listen to Neil and she also refuses to put on the glasses. As for the glasses themselves, they are eventually shattered by Warren. What can Neil possibly do!? Luckily, the glasses were not the only thing that Neil’s father left behind….

The second season finale of Monsters owes a great deal to They Live, with the exception being that, instead of seeing how he’s being manipulated by the media, Neil uses his glasses to discovers that his potential stepfather is actually a murderous lizard person. I think that anyone who has ever watched in horror as their divorced or widowed mother dated a new weirdo will be able to relate to this episode. I remember, immediately after my parents got divorced, I tended to view almost every guy that my mom talked to as being a potential lizard person. Eventually, of course, I came to accept that not all strangers were alien beings. In fact, I don’t think I’ve ever met an actual alien or an actual lizard person. That’s good luck on my part, I suppose.

As for this episode, the lizard person makeup was effective and Michael O’Gorman certain gave a good performance as the manipulative Warren. Probably the most disturbing thing about Warren was the he didn’t seem to be particularly worried about Neil discovering his true identity because he knew there was no way anyone was going to believe a word that Neil said. That said, the episode really was a bit too much of a rip-off to be totally successful. Still, if you’re going to rip someone off, you might as well rip off the best.

The second season of Monsters ends on an above average note. The season itself was, overall, uneven. There was some very good episode and, unfortunately, there were also some very bad ones. I guess that’s to be expected with anthology shows.

Next week, we’ll begin the third and final season of Monsters!

Thanksgiving Memories From WKRP in Cincinnati

Posted on November 27, 2024 by Jedadiah Leland

“As God as my witness, I thought turkeys could fly.”

With those words, the Turkeys Away episode of WKRP in Cincinnati takes it place as a holiday classic, a rare Thanksgiving episode in a genre dominated by Christmas. In this episode, Arthur Carlson — the station manager of the perpetually low-rated and eponymous radio station — incorrectly assumes that turkeys can fly, turning his plans for the greatest radio promotion in history into something very different.

As with many of WKRP‘s wildest stories, this episode was based on something actually happened.. A radio station in Atlanta tried a similar promotion, with the station manager tossed the turkeys out of the back of a moving truck. Turkey still couldn’t fly or get out of the road fast enough. It’s not easy being a turkey in November.

While celebrating the holiday tomorrow, take a moment to enjoy this classic TV moment. Happy Thanksgiving!

Retro Television Review: The Love Boat 5.7 “The Lady from Laramie/Vicki Swings/Phantom Bride”

Posted on November 27, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

The Love Boat promises something for everyone!

Episode 5.7 “The Lady from Laramie/Vicki Swings/Phantom Bride”

(Dir by Jack Arnold, originally aired on November 14th, 1981)

As I did with this week’s episodes of Miami Vice, CHiPs, and Fantasy Island, I’m going to save time by doing this one bullet point style.

Before getting to the storylines, I want to point out that this week’s episode was directed by Jack Arnold. Jack Arnold may not be a household name but he directed some of this site’s favorite science fiction and monster movies, including Tarantula, The Incredible Shrinking Man, It Came From Outer Space, and The Creature From The Black Lagoon!
As always, this cruise presents us with three stories. One of the three stories definitely does benefit from Arnold’s macabre touch. Juliet Mills and Buddy Hackett play Kate and Julian Garfield, who are married psychic researchers. The board the boat in search of a ghost. Captain Stubing doesn’t believe in ghosts and good for him! (Neither do I!) However, Gopher is totally convinced and he’s soon wandering around the boat with a bunch of garlic hanging around his neck. Gopher, they’re looking for ghosts, not vampires!
At one point, Gopher is convinced that he’s managed to take a picture of a ghost but it’s actually just Kate looking through a porthole.
I have to admit that I groaned a bit when I saw that Juliet Mills was going to, once again, be a passenger on The Love Boat. But then I remembered that Hayley is the Mills sister that gets on my nerves. Juliet and Buddy Hackett had a surprising amount of chemistry. They were likable together.
It is kind of funny that there are certain guest stars — like Juliet Mills — who show up over and over again but who always play different characters. I’m always waiting for someone on the boat to be like, “Hey, weren’t you here last week?”
The least interesting story featured Nancy Dussault as a plain-spoken (or maybe just annoying) widow from Wyomin’ who fell in love with an Italian gigolo (Cesare Danova) who was on the boat with a rich socialite (Marti Stevens). Cesare Danova played the mob boss in Mean Streets and the mayor in Animal House. He did not look happy at all to be on The Love Boat.
Poor Vicki! In this episode, 14 year-old Vicki pretended to be 18 in an attempt to flirt with Todd Andrews (Patrick Labyroteaux), a teenager who was traveling by himself. The Captain grew very worried about Vicki, especially after he heard Todd suggesting that he and Vicki had fooled around late into the night. (Todd was lying and, oddly enough, everyone seemed to be strangely forgiving of Todd’s actions.)
At one point, The Captain tells Vicki that he wanted her to spend time with people her own age. Vicki replies that she was the only fourteen year-old on the ship. And, seriously, Vicki has a point.
Vicki living on the ship has always seemed kind of strange to me and I always appreciate the episodes that try to honestly deal with the situation. How can you not have mixed feelings about spending your teen years on a boat, largely surrounded by people who are quite a bit older than you? That said, Gavin MacLeod was always at his best when he was playing Stubing as a father and Jill Whelan was refreshingly non-cutesy in the role of Vicki. As a result, you couldn’t help but feel that, ultimately, the Captain and his daughter were right where they belonged.
This was an okay cruise. The ghost storyline was fun. MacLeod and Whelan tugged at the heartstrings. When it comes to good stories on The Love Boat, two out of three is not bad at all!

Next week — The Love Boat goes on a Thanksgiving cruise! (If only I had started reviewing The Love Boat a week earlier than I did, the timing would have been perfect.) ‘Til then, set a course for adventure, your mind on a new romance….

Late Night Retro Television Review: Baywatch Nights 2.20 “Hot Winds”

Posted on November 26, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!

This week, the world goes mad!

Episode 2.20 “Hot Winds”

(Dir by Parker Stevenson, originally aired on May 3rd, 1997)

A hot wind is blowing down from the hills and into Los Angeles.

People are going crazy in the streets. Strangers are attacking each other for no reason. Riots are breaking out. The world seems like it’s gone off its axis and no one knows how to react. Is the heat driving everyone mad or is it something else? Diamont Teague tells Mitch and Ryan that he suspects that something supernatural is happening. Mitch, as usual, argues that people in Los Angeles have always been crazy. Not like this! Diamont says.

Is Diamont correct? As he, Mitch, and Ryan leave the office, they run into an aggravated man who proceeds to beat on a brick wall until his hands are covered in blood. Mitch assumes that the man must be on drugs. Diamont says that they need to drive out to the desert so that they can find the source of the wind. Mitch is skeptical until he starts seeing a ghostly image of a robed man carrying a scythe.

It’s a long trip out to the desert, made even longer by the rioting and the madness all around. Mitch stops long enough to keep a woman from throwing her baby over a ledge. But, as soon as Mitch grabs away her baby, the woman jumps anyway. It’s quite a fall and somehow, the woman survives. Luckily, Mitch is there to render CPR while the crazed crowd watches. The world may going mad but Mitch is still a lifeguard, dammit.

Driving through the desert, Ryan wonders why she, Mitch, and Diamont aren’t going crazy like everyone else. It’s a good question. Seriously, last week was a lot of fun because it gave us a chance to watch the Hoff got possessed by a demon. It’s hard not to regret that he didn’t get a chance to go crazy in this episode.

In the desert, the robed man with the scythe dances. The scythe apparently is what sends down the hot air. If Mitch can get the scythe away from the man, the violence can stop. Who is the man? Apparently, he’s a devil worshipper. Ryan suspects that there might be hundreds of similar people out there. Maybe they’re the ones who are responsible for all the madness in the world! Has Ryan already forgotten that, a few episodes ago, it was established that the Knights Templar secretly controlled the world?

This episode was actually not bad. The scenes of people suddenly going mad were effective and the man in the desert was actually a pretty ominous image. Even the show’s overreliance on Dutch angles felt effective for once, drawing the audience into a world that was permanently off-balance. I enjoyed this episode and I’ll remember it the next time I see a stranger yelling on a street corner.

Retro Television Review: Fantasy Island 5.19 “Face of Love/Image of Celeste”

Posted on November 26, 2024 by Lisa Marie Bowman

This week …. hey, where’s Tattoo!?

Episode 5.19 “Face of Love/Image of Celeste”

(Dir by Don Chaffey, originally aired on March 20th, 1982)

Once again, as I did with Miami Vice and CHiPs, I am going to save time by doing this review bullet-point style. It’s the holidays, after all.

After two (or was it three) weeks of just Roarke and Tattoo, this episode features only Julie as Roarke’s assistant. Apparently, Tattoo has been busy helping a guest fulfill a “Cinderella fantasy” but things have gone wrong. The carriage turned back into a pumpkin. The horses turned back into mice and are now running all over the Island. Tattoo is not seen in this episode, which is a shame because the last few episodes (featuring only him and Roarke) really did feel like a throw-back to the first two seasons of the show.
It’s been kind of weird during this season, continually hearing that various fantasies are going wrong. That’s not the Fantasy Island that we all know. Fantasy Island has previously been portrayed as a place where Roarke would never allow anything to truly go wrong.
Julie doesn’t really do anything as Roarke’s assistant in this episode. Roarke tells her who each guest is and gives her the details of their fantasy but that’s pretty much it.
Laura Jensen (Erin Gray) has spent her life with a face that was scarred during a housefire. She’s grown up to be bitter and angry. She’s just gotten out of prison and she’s brought to the Island by her parole officer, Ron (Monte Markham). Ron’s fantasy is for Laura’s scars to go away so that Laura can let go of her anger and live a norma;l life.
Though initially weary, Laura is amazed when Roarke gives her a magical cream that causes her scars to temporarily vanish. In fact, Laura appears to be ready to get on with her life and accept that she and Ron are in love. But then Laura’s sleazy ex (Larry Manetti) shows up and tempts her back to her old ways. Don’t worry. It all works out in the end and Ron and Laura leave as a couple. However, I get the feeling that Ron’s going to lose his job as a parole officer. Falling in love with a parolee and taking a tropical vacation with her seems like something that would go against every rule in the book.
The other fantasy was slightly more interesting, if just because it featured Paul Gauguin. When Celeste Vallon (Joanne Pettet) discovers that Roarke owns a Gauguin portrait of a woman who looks just like her, Celeste requests to go back to the past and be that woman. Roarke agrees, even though he warns her that she will also have to make a very serious decision, one that could change history.
Right away, this fantasy ran into a major stumbling block. The Gauguin painting looked absolutely nothing like something that Gauguin, one of the great post-impressionists, would have painted. Instead, it’s a very conventional painting.
The second stumbling block is that the legendary and charismatic Gauguin is played by the handsome but mild-mannered Robert Goulet.
What Celeste discovers is that she is directly descended from the woman in Gauguin’s painting. The woman was Gauguin’s mistress and was engaged, against her will, to marry a soldier (Christopher Stone). If Celeste agrees to remain with Gauguin, then Gauguin will never paint another painting. If Celeste agrees to return to France, her ancestor will lose the love of her life but Gauguin will continue to paint.
Celeste chooses not to change history. Good for her! Of course, that’s kind of an easy decision to make when Celeste isn’t the one who is actually going to have to live the rest of her life in Paris, dreaming of returning to Tahiti and Gauguin.
I wanted to like this episode more than I did. The parole officer bringing one of his parolees to the Island felt strange to me and the Gauguin story would have worked if the painter had been anyone other than the Paul Gauguin. If they had come up with a fictional painter, perhaps Goulet would have seemed more appropriate in the role. As it was, this episode felt bland and miscast.
Herve Villechaize was an accomplished painter so it’s a shame he wasn’t present for the Gauguin story. It’s previously been established that Tattoo is quite a painter himself so this episode definitely feels like a missed opportunity.

Late Night Retro Television Review: CHiPs 2.22 “Ride the Whirlwind”

Posted on November 25, 2024 by Lisa Marie Bowman

This week, Baker takes charge!

Episode 2.22 “Ride The Whirlwind”

(Dir by Larry Wilcox, originally aired on March 10th, 1979)

Just as with the week’s episode of Miami Vice, I am going to do a bullet-point review of this week’s episode of CHiPs because, quite frankly, it’s the holidays and I’m pressed for time.

In order to combat a crime wave that has apparently broken out in the nearby California hills, Baker has suggested creating a three-person dirt-bike team. His hope is that the team will be made up of him, Ponch, and Sindy. However, when Sindy gets delayed while helping a stranding motorist and ends up missing the morning briefing, Baker is forced to pick Grossman (Paul Linke) instead.
“Yay!” you might be saying. Seriously, Grossman is a far more entertaining character than Sindy. However, Ponch, Baker, and Sindy are not happy about it. My personal feeling is that if riding a dirt bike was that damn important to Sindy, she should have arrived on time.
Ponch pays Grossman forty dollars to fake an injury so Sindy can take his place. Grossman takes the money and then explains that he would have done it for free, just because he can tell who much riding a dirt bike means to Sindy. If it meant so much to her, she could have showed up on time!
The dirt bike patrol is a huge success. One guy rides through an old woman’s lettuce patch on his bike. Baker tracks down the miscreant and not only gives him a ticket but also gets a date with the guy’s girlfriend.
Larry Wilcox also directed this episode, which perhaps explains why, for once, Baker’s the one who gets a date as opposed to Ponch.
Ponch busts a city councilman who later explains that he was just riding his bike recklessly because he was having a midlife crisis.
Sindy busts a punch of PCP dealers. It takes her two tries, however. The first time she chases them, she falls off her bike and sprains her ankle. The second time, she proves that she belongs on a bike.
That’s good because Getraer is in a total panic about putting a woman on any sort of motorcycle, even just a dirt bike. “If she gets injured,” Getraer warns Baker, it’ll be bad news for the entire department. Getraer, I guess, hasn’t noticed that the entire second season had pretty much centered on just how hyper-competent Sindy is.
The stars of this episode were the California scenery and the stunt people. The members of the dirt bike patrol all wear bulky uniforms and face-obscuring helmets, in order to disguise the fact that Larry Wilcox, Erik Estrada, and Brianne Leary are clearly not the ones who are actually riding the bikes.
Noted character actor Paul Koslo appears as one of the PCP dealers. He’s believably redneck-y.
This episode featured some impressive stunts, which is really the main thing that most people ask for when it comes to a show like this. That said, I do think the episode would have been more with Grossman as a member of the team.