TV Review: Pam & Tommy 1.6 “Pamela in Wonderland” (dir by Hannah Fidell)


Yes, I’m still reviewing this.

If the earlier episodes of Pam & Tommy seemed to owe a huge debt to the aesthetic of Ryan Murphy, the latest episode feels more indebted to the style of Aaron Sorkin.  The entire episode centered around Pam testifying at a deposition.  While being asked increasingly intrusive and sexist questions about her career as a model and how she and Tommy came to make the infamous the sex tape, Pam flashed back to her past.  We saw how she was discovered at a Canadian Football game and how she eventually ended up up posing for Playboy.  Hugh Hefner (played by Mike Seely) showed up, wearing his stupid red robe, and puffing away on his pipe.  In typical Sorkin rip-off fashion, the episode featured the attorneys asking a lot of questions and the only person of color to be seen was the unnamed court stenographer whose only line of dialogue was to briefly give Pam some encouragement.

Compared to the other episodes of Pam & Tommy, Pam In Wonderland actually worked fairly well.  It helped that it largely focused on Lily James, whose performance as Pam is probably the strongest thing that this show has going for it.  This is the second episode in a row not to feature the character of Reed Gauthier and the show was definitely better off without his presence and the attempts to somehow convince us that there’s any reason to portray him as being a sympathetic character.  With no Reed and Tommy reduced to appearing in flashbacks, this was the first episode that was fully told from Pam’s point of view and, when the attorneys suggested that Pam was somehow to blame for what had happened because of her past as a model or just the fact that she allowed herself to be filmed in the first place, every woman watching could relate to what Pam was going through because we’ve all heard the same condescending tone and we’ve all been told that somehow, the bad things that happen to us are actually our fault.  Lily James did a wonderful job of portraying Pam’s struggle to keep smiling and just get through the worst day of her life.  I knew what she was going through.  Again, Lily James is the best thing that this show has going for it.

And yet, I have to be honest that I still found myself wondering just what exactly the overall point of the show is.  For all of the episode’s strong points, it’s still hard to see why this story needs to be told as an 8-hour miniseries as opposed to a 90-minute film on FX.  The first three episodes did a good job of fitting this story into the early days of the Internet and the culture of the late 90s.  But the subsequent episodes haven’t added much to that initial impression.  It’s also worth noting that Pam herself has repeatedly distanced herself from the program and said, even before the show started shooting, that she didn’t want anything to do with it.  One could argue that, as a show, Pam & Tommy is as intrusive and exploitive as the attorneys at the disposition.  With each new episode, it become difficult to deny that this is a show that seeks to exploit the very same thing that it claims to be condemning.

One final thought on this episode and culture in general: how did people not realize that Hugh Hefner was creepy as Hell before he died?  Today, of course, A&E is airing an entire TV series dedicated to exploring what an asshole Hugh Hefner actually was.  But, just 11 years ago, Hefner was still being portrayed as some lovable old lothario in a sailor’s cap.  NBC even tried to air a Mad Men-style show about how great life was at The Playboy Club.  Remember that?  Creepy old Hef even provided the narration at the start of the first episode.  Last night’s episode of Pam & Tommy presented Hef as being essentially a benevolent (if manipulative) father figure.  It felt oddly tone deaf, though that may indeed be how Pam herself saw the old man.

Seriously, though …. did no one ever tell him how stupid he looked in those red pajamas?

Moments in Television History #17: Charles Rocket Nearly Ends SNL


On this day, 41 years ago, Saturday Night Live was nearly canceled.

In 1981, Saturday Night Live was in its 6th season and things weren’t going so well.  Lorne Michaels had left the program and he had taken what was left of the original cast with him.  The new producer, Jean Doumanian, had hired an entirely new group of writers and performers.  Doumanian felt that her biggest star would be a former news anchorman-turned-comedian named Charles Rocket.  In order to prop up Rocket, she surrounded him with a cast that included Gilbert Gottfried, Denny Dillon, and Joe Piscopo.  (Among those who auditioned but were not selected: Jim Carrey, John Goodman and Paul Reubens.)  Seeking a black comedian who could take over the roles that were previously played by Garrett Morris, Doumanian tried to recruit a performer named Charlie Barnett.  When Barnett skipped his second audition, she then considered hiring Robert Townsend before she finally settled on a 19 year-old stand-up comedian named Eddie Murphy.

To no one’s surprise, the initial reviews of the new Saturday Night Live were brutal.  Everyone knew it would be difficult, at first, to win over the critics who were used to Bill Murray, Gilda Radner, Belushi, Aykroyd, and Lorne Michaels.  What no one expected was that the reviews would never get better and that, instead of Charles Rocket, it would be Eddie Murphy and Joe Piscopo who would emerge as the new fan favorites.  Reportedly, a few of the cast members resented Murphy and Piscopo’s success.  No one was happy with the way Doumanian was running the show.  It didn’t take long until Season 6 was better known for its backstage tension than for it comedy.  As ratings plunged, there were even rumors that the show might not be renewed.

On February 21st, 1981, those tensions went from being backstage to being on thousands of televisions.  The night’s episode was hosted by Charlene Tilton, a cast member of what was then the most popular show in prime time, Dallas.  Everyone in the country was debating who had shot J.R. Ewing.  Saturday Night Live decided to do its own tak on the phenomenon by asking, “Who shot Charles Rocket?”  Over the course of the show, Rocket was shown having a conflict with every member of the cast.  Finally, towards the end of the episode, Rocket was shot.  During the traditional goodbyes, Rocket appeared sitting in a wheelchair and smoking a cigarette.  With the rest of the cast surrounding him, Tilton asked him how he was feeling.

Here’s what happened:

“Oh, man.” Rocket said, “I’ve never been shot before.  I wish I knew who the fuck did it.”  It can be difficult to hear him in the video above but you can tell from the reactions of the cast that everyone immediately knew what Rocket had said.

This may not seem like a big deal today but this happened in 1981.  This was before HBO started producing their own shows.  This was before anyone had ever heard of a streaming service.  This was when there was only three major networks and they were all closely watched by the FCC.  Dropping an F-bomb on live television, with no tape delay or chance to bleep it out, was a big deal.

Later, Charles Rocket would say that he didn’t even realize what he had said.  That could have been true but the look on his face after he said it suggests that Rocket was aware of what he was saying.  Before Rocket said it, there had been reports that NBC was planning on firing the entire cast at the end of the season.  Did Rocket make an honest mistake (one that has since been made a few more times by cast members and guests on SNL) or was he going out with a bang?  Was this Rocket’s way of getting back at a network that didn’t appreciate him?

The reports about NBC planning to make changes were true, to an extent.  The plan was to fire Doumanian and replace her with Dick Ebersol.  Most of the cast was going to be fired but NBC was specifically planning on keeping the three performers who it was felt were the strongest members of the ensemble: Eddie Murphy, Joe Piscopo, and Charles Rocket!  Needless to say, after Rocket’s bit of improvisation, NBC changed its mind.

At first, it seemed like the show itself might also get canceled as a result.  In1981, the networks had to deal with people like Jerry Falwell leading crusades to cleans up network television.  Just as Fredric Wertham once blamed juvenile delinquency on comic books, all sorts of problems were being blamed on television.  Jean Doumanian was fired after one more episode, along with Charles Rocket, Gilbert Gottfried, and cast member Ann Risley.  Tragically, Charles Rocket’s career never recovered from this moment.  Today, it probably wouldn’t be as big a deal.  NBC would get hit by a fine but the moment itself would go viral and lead to even bigger ratings.  But in 1981, saying the F-word on national television was a career killer.  Rocket did appear in several movies, usually playing smarmy villains.  But he never reached the stardom that had been predicted for him and ended up taking his own life in 2005.

In the end, the only thing that saved Saturday Night Live was that the Writers Guild went on strike and production on every NBC show shut down.  By the time the strike was settled, the season was over and Dick Ebersol had managed to convince NBC to let him keep the series going by focusing on Eddie Murphy and Joe Piscopo.  When Saturday Night Live returned for its seventh season, Murphy was the undisputed center of the show.  He achieved the stardom that had originally been predicted for Charles Rocket.

Previous Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra
  12. NBC Airs Their First Football Game
  13. The A-Team Premieres
  14. The Birth of Dr. Johnny Fever
  15. The Second NFL Pro Bowl Is Broadcast
  16. Maude Flanders Gets Hit By A T-Shirt Cannon

The Tomorrow War, Review by Case Wright


I loved this movie and really loved live tweeting it with Lisa Bowman. There are some critics (killjoys) who want to pick on the movie because it doesn’t “make sense.” No one said this was being made for the Science Channel; so, just cool it and enjoy! Do I think that time travel is a bunch of nonsense? Yes, but so what?! I don’t believe in “Letters of Transit,” Facehuggers, or the Force.

I can relate to the hero A LOT; he’s a Veteran with Daddy issues who is trying to get a career going in STEM and he has a young daughter. The film opens with us learning he is teaching high school science and can’t get a private sector job. He feels like he’s meant for more, but can’t get there. He and his wife are hosting a Christmas party and watching soccer. Dan, I know that times are tough, but why bring soccer into it? I don’t think that people watch soccer on purpose. How could they? Why make your life harder? Our future-selves appear and ask for help in fighting aliens who are turning us into snacks. We agree to help and mobilize a global draft.

This is where most critics get worked up. Why help fight a battle that is already lost? I’ll tell you! The movie makes more sense than people think. Why send Dan Forester (Chris Pratt) and millions of other people from our time to fight aliens from the future? They needed cannon fodder while they protected researchers who created a toxin to kill the male and female aliens. Without that toxin, Dan would not have been able to defeat the alien queen. Take that! The whole plan is to get the toxin finished and have Dan go back and kill all the aliens with it. Without it, she would’ve eaten him. Yes, we needed the cannon fodder. If Dan succeeds, wouldn’t that bring all the draftees back to life? Yeah, maybe? Einstein didn’t really didn’t have to deal with too many aliens and wormholes. I would put that in the column of …. relax.

Back to the movie, Dan gets drafted and his wife wants him to get his estranged father to help him remove his draft tracking device. Dan’s father abandoned him and his mother; so, Dan gets angry at his father and decides to honor his draft commitment and fight aliens. He goes to the future with no training, fights aliens, and retrieves the toxin. Way to go, Dan.

These monsters are gross and good adversaries. They’re fast, they shoot spikes, the eat you, they have natural armor, and can coordinate attacks. We are doomed. After he gets the toxin, he meets his grown daughter Muri who is the head of the resistance. We learn Dan fell into a depression because he couldn’t live a bigger life and he abandons his family just like his father did. This is why Muri drafted Dan: She wanted him to be his best self and to be the special person that he needed to be after his military life was over. She gives her father a chance to be a hero again. When Muri finishes the toxin, he goes back to save the future or the past …it’s kinda confusing.

I have given quite a bit of the film away, but it’s still amazing. I appreciate the critique that Charlie (Sam Richardson) brought too much humor to the film. I actually liked it, but I could’ve lived without it as well. Instead of the endless jokes, I would’ve liked more development of Dorian (Edwin Hodge). His lines popped more and brought more seriousness to the film. Were Charlie’s jokes funny? Yes, but while the jokes went on, I thought- I really wish I could hear more from Dorian interacting with Dan.

The direction was very well done. I love a well choreographed action movie without a lot of cutaways. This delivered. I was surprised to learn that Chris McKay’s filmography was heavily in animation. I hope he gets more opportunities for live action. The final battle scene was a lot of fun. I liked that the female characters had depth, kicked ass, and had real arcs. Because of that, my daughters love watching the movie with me. I can only write that we haven’t seen the movie six times.

Lisa Marie’s Week In Television — 2/13/22 — 2/19/22


This week stated with my watching the Super Bowl, which I imagine will be the last football game that I ever pay attention to in my life.  (Seriously, football’s depressing.  I hate it when the losing team starts crying.)  It’s ending with my thoroughly disgusted by the Olympic Games.  This has not been a great week for sporting events.  Except, of course, for karate.  I finally watched the fourth season of Cobra Kai.  Miyagi Fang is definitely the philosophy to follow.

Anyway, here’s what I watched this week:

Allo Allo (Sunday Night, PBS)

An odd episode.  Having stolen several bars of Gold from the Germans, Rene hid the gold in his cuckoo clock, which led to the clock making a weird noise every few minute but, for some reason, no one but Rene ever seemed to notice.  Somehow, this led to Rene and his staff disguising themselves as a musical group so that they could infiltrate the general’s chateau and search for the stolen painting, as well as the famous Enigma machine which, if smuggled out of France, would give the British the ability to translate Germany’s secret code.  Eventually, Crabtree sang a song in his mangled version of French.  This was silly humor that I could appreciate.

The Amazing Race (Wednesday Night, CBS)

I wrote about the latest episode of The Amazing Race here!  We’re down to the top four now.  Somehow, Arun and Natalia have survived.  This has been a weird season because of the COVID lockdowns and a few really strong teams were forced to drop out of the race.  As a result, Kim & Penn have pretty much dominated things, despite neither one having much of a personality.  I have a feeling this will continue through the finale.

Celebrity Big Brother (CBS and Paramount Plus)

I wrote about Celebrity Big Brother over at the Big Brother Blog.  Celebrity Big Brother is almost over and, to be honest, I won’t miss it.

Cobra Kai (Netflix)

On Tuesday night, Jeff and I finally got a chance to start in on season 4 of Cobra Kai.  We watched the first three episodes of the season and we were both immediately sucked back into the hyperemotional and somewhat silly, yet always affecting world of Cobra Kai.  My heart broke for Kenny, the new kid who found himself being bullied by Daniel’s son and I was worried when I saw that Kenny was being drawn towards the Cobra Kai dojo.  I enjoyed Thomas Ian Griffith’s surprisingly contemplative performance as Terry Silver and his explanation that his over-the-top behavior in Karate Kid III was due to a cocaine addiction.  (Really, it’s the only explanation that makes sense.)  I enjoyed the complex portrayals of characters like Robby and Torry.  And, of course, I loved the uneasy friendship of Johnny Lawrence and Daniel LaRusso.

We watched the next three episodes on Wednesday.  Terry confronted Daniel!  Daniel and Johnny fought to a draw!  The Karate tournament changed their rules!  Johnny returned to his old high school and creeped out the entire track team!  It was all good.  I liked the fact that Cobra Kai embraces both the silliness of the later Karate Kid films while also managing to sneak in some truly touching moments.  The show manages to maintain an almost perfect balance between satire and drama.

We watched episode 7 and 8 on Thursday.  Daniel learned that his son was a bully and Kenny learned how to take advantage of his opponent’s overconfidence.  This was followed by the return of Paul Walter Hauser’s Stingray, who attempted to rejoin Cobra Kai and eventually ended up getting beaten up by Terry Silver for his trouble.  The school held their prom, Johnny and Carmen revealed their relationship to Miguel, and Robby and Torry got to show off their dance moves!

Early Saturday morning, we watched the final two episodes of the 4th season of Cobra Kai.  The All-Valley Tournament dominated both episodes, with Johnny and Daniel making peace, Robby realizing that the Cobra Kai way was not his way, Miguel leaving to find his father, and Torry winning a fixed match against Sam.  In the end, Terry framed Kreese for beating up Stingray.  Kreese was taken to prison while Daniel realized that he would have to go against his promise to abandon Miyagi Do (or Miyagi Fang as it was renamed during the tournament) if he was going to stop Cobra Kai.  It was an exciting conclusion, full of drama, tears, and some enjoyable self-parody.  Bring on season 5!

King of the Hill (Weekday Afternoon, FXX)

I watched a few episodes on Tuesday afternoon.  Joseph was recruited by a private school and Dale nearly had to fake his death to get out of a financial debt.  (This happened quite frequently with Dale).  Peggy had a memorable birthday party on train.  This was followed by one of my favorite episodes, the one in which Hank accidentally stole a man’s wallet and the man interpreted Hank’s efforts to return it as being Hank threatening him.  (At the same time this was going on, Dale found himself working at the show’s version of Hooter’s.  Dale had applied for a job, expecting to be turned down because he was a skinny, bald guy.  Dale figured he could then sue the restaurant.  The restaurant’s manager decided to call his bluff.)  This was followed by Hank getting scared by a bat hanging out in his garage, Louanne’s father returning from the oil rig (which, it turned out, was actually federal prison), and Bill finding himself temporarily confined to a wheelchair.

King of the Hill was a good show, though I’m biased because the show is based on my hometown and it’s all about Texas.  A part of me does worry about the proposed revival, just because I don’t know if I’m prepared to hear what Hank thinks of twitter.  If there is a revival, they better give Boomhauer a podcast.

Inventing Anna (Netflix)

Starring Anna Chlumsky and Julia Garner, Inventing Anna is a limited series about Anna Delvey, a Russian con artist who managed to fool some of the leading members of New York high society.  Julia Garner plays Anna while Anna Chlumsky plays a fictionalized version of the reporter who interviewed Anna during her trial.

I watched the first two episodes on Thursday.  From the minute I saw the Shondaland logo, I knew what I was getting into.  The first two episodes were occasionally intriguing but largely superficial, with no consistent tone and too many superfluous scenes.  Julia Garner gave a good performance as Anna, though, smirking her way through the interview and intentionally changing up her accent in order to keep everyone off-balance.

The Office (All week, Comedy Central)

On Saturday afternoon, I rewatched The Michael Scott Paper Company arc.  I loved Pam trying to establish an identity outside of answering the phones at Dunder Mifflin, Jim trying to play soccer and Michael unsuccessfully trying to convince his grandmother to invest in his company.  It’s kind of unfortunate that Pam turned out to be terrible at sales but I could relate.  I doubt I could sell paper either.  I’m stunned that anyone on The Office was able to make a career out of it.

Open All Hours (Sunday Night, PBS)

Granville shot a man just to watch him die.  Arkwright was too busy pining for Nurse Gladys Emmnauel to notice.

Pam and Tommy (Hulu)

Pam and Tommy is one Nathan Lane cameo away from turning into a Ryan Murphy production.  I wrote about the latest episode here.

Silk Stalkings (Tubi)

On Monday morning, I got back to binging Silk Stalkings on Tubi.  Though I hadn’t really been keeping track up until this week, a quick check with Wikipedia confirmed that I am currently watching episodes from the second season of the show.  There’s 8 seasons in total so I’ve still got quite a bit to watch as far as this stylish and enjoyably silly series is concerned.

Anyway, the first episode that I watched on Monday was called Scorpio Killer.  I’m a Scorpio so I appreciated the title!  The show dealt with a man who murdered his mistress’s husband.  It was a fun episode.  The thing I like about Chris and Rita is, as played by Rob Estes and Mitzi Kapture, they seemed to be aware that they were characters in a somewhat sordid television series and, as such, they never had any problem winking at their audience and basically saying, “Can you believe this plot?”  This was followed by an episode in which Chris and Rita investigated the death of a tennis pro’s stepfather.  It featured a lot of slow motion tennis action and overheated locker room talk.

On Tuesday, I got things started with an episode in which Chris and Rita investigated a murder that occurred at a rather tacky beauty pageant.  They solved the case but the highlight of the show was Rita’s attempts to buy fish for her aquarium.  Needless to say, Chis was convinced that all of Rita’s fish were going to die and Chris was probably right since the aquarium was nowhere to be seen during the next episode.  That episode found Chris and Rita investigating a murder that was connected to a high-profile divorce.  It was a typical Chris-and-Rita-Smirk-At-Dumb-Rich-People episode.  Seriously, don’t commit a murder in Palm Springs because Chris and Rita will definitely judge you.

On Thursday, I started off with a pretty good episode called Jasmine.  Directed by Rob Estes, Jasmine featured Rita investigating a decades-old cold case and having plenty of surreal dreams in the process.  Of course, the main reason Rita was investigating the case was to help her deal with the guilt that she felt after the murder of one of her friends.  It was a well-directed episode and also well-acted by Mitzi Kapture.  The next episode was an enjoyably trashy one, in which Chris and Rita tracked down a cocky teenager who was seducing both his classmates and their stepmothers.

Silk Stalking is a lot of fun.  I like forward to continuing the binge next week.

Super Bowl (Sunday Night, NBC)

The Super Bowl?  Does anyone remember the Super Bowl?  It was played last Sunday and …. well, someone won.  I don’t remember who won.  I watched it for the commercials, which kind of disappointed me this year.

Super Bowl Pre-Show (Sunday Afternoon, NBC)

Yes, I even watched the big show before the game, just in case they showed any interesting commercials.  They didn’t but it was still kind of nice to see how excited everyone was before the game started.  I don’t know if it was really necessary to include an interview with President Biden, though.  That gave the whole thing kind of a weird feel.  Like why do we need the President’s permission to enjoy the game?  At least he didn’t do that creepy whispering thing.

The Winter Games (All Week, Every Channel)

On Sunday morning, as I got ready for a day of watching Super Bowl commercials, I watched a bit of NBC’s coverage of the games. It was a little bit of skiing with some speed skating and some figure skating tossed in as well.  I didn’t really pay that much attention.

On Wednesday night, I watched the USA take on Canada in hockey.  Usually, when it comes to hockey, I support Canada because I know hockey is an important part of Canadian culture.  This year, I was Team USA because Justin Trudeau annoys me.  Canada still won, though, so I guess my cheering powers were not as powerful as I thought they were.

On Thursday night, I watched some skiing and then I watched the figure skating, which has been quite controversial this year.  What I saw pretty much turned me off of watching any more of the Beijing Games.  Though I didn’t agree with the decision to let her skate, I still felt bad for Kamila Valieva, the Russian skater who has essentially been villainized due to doping allegations.  No one should be put under that type of pressure and scrutiny when they’re only 15 years old, especially when it’s quite probable that any drugs that she took were forced on her by the adults who are supposed to be looking out for her best interests.  Not surprisingly, given all the stress she was under, Kamila did not do as well as she had done in the past.  She ended up finishing in fourth place and started crying.  This, of course, overshadowed the accomplishments of the talented women who did win medals but what really struck me was that none of the members of Kamila’s coaching entourage — the people who should have been acting as her “support team” — appears to offer any words of comfort or encouragement.  (Later, I learned that her coach had demanded to know, “Why did you give up!?”)  And we wonder why so many young athletes burn themselves out or grow up to have personal troubles once they can no longer compete.  Meanwhile, the skater who came in second screamed in anger over having to settle for a silver medal while the gold medal winner sat alone, holding a teddy bear. It was not one of the better moments of the Winter Games.  In fact, it was so disturbing to watch that it pretty much turned me off of the idea of watching what little was left of the Olympics.

TV Review: Pam & Tommy 1.5 “Uncle Jim & Aunt Susie in Duluth” (dir by Gwyneth Horder-Payton)


This week’s episode of Pam & Tommy was a definite improvement on last week’s, largely because it didn’t feature Seth Rogen wandering around with a “poor me” expression on his face.  Last week, far too much time was devoted to Rogen’s sad sack portrayal of Reed Gauthier, who the show insists on trying to make a sympathetic character even though he was essentially just a thief who tried to make a lot of money by stealing and then selling someone else’s private sex tape.

Reed was nowhere to be found in this week’s episode.  Instead, the narrative focused on how Pam and Tommy’s sex tape became a national story.  Not surprisingly, it all turned out to be Tommy Lee’s fault.  When the show opens, Jay Leno won’t make jokes about the sex tape because it’s not something that Uncle Jim and Aunt Susie in Duluth have heard about.  The LA Times won’t run a story on it because the editor says that it’s not real news.  With Pam preparing for the opening of Barb Wire and Tommy working on his new album (and very much aware that his label no longer views him or the band as being a top priority), it appears that there’s a chance that Pam and Tommy can ride this out.

But then Bob Guccione the publisher of Penthouse, gets his hands on the tape and Tommy and a bunch of lawyers decide to file a lawsuit to keep him for publishing stills.  Pam has her doubts but Tommy and the lawyers do what they want.  Guccione responds by saying that he had a first amendment right to publish pictures from the sex tape.  The L.A. Times discovers, from the court filings, that the sex tape was stolen from Pam and Tommy and that it’s being sold without their permission.  With the story going national, Jay Leno realizes that Duluth now know all about it.  On top of all that, Pam learns how to use a search engine!

It was a busy episode.  And, in contrast to the nearly hour-long episodes that proceeded it, it was only 32 minutes long.  A half hour is the perfect amount of time to spend with Pam & Tommy.  Spending more than half an hour with them means dealing with the fact that Tommy’s a moron and Pam really does seem to think that she’s going to win an Oscar for Barb Wire.  Spending just 30 minute with them means that both characters get a chance to present their cases without wearing out their welcome.  Sebastian Stan and Lily James both gave good performances in this week’s episode, with Stan portraying Tommy as being a manchild who is in deep denial about the fact that the 80s are over while Lily James captured Pam’s need to try to keep everyone happy.  It’s Pam who instinctively knows the right way to deal with Guccione but she’s ignored by Tommy and his team of lawyers.  As Pam’s publicist puts it, women are taught from an early age to always say yes and to agree with men, even when they know that the men doesn’t have the slightest idea what they’re talking about.

That said, Pam & Tommy is still definitely a flawed vehicle.  For every moment that works, there’s a moment or a line of dialogue that just tries too hard.  Particularly in the scenes with Jay Leno, Pam & Tommy felt like it was one Nathan Lane cameo away from turning into a Ryan Murphy production.  Five episodes in and the main problem remains that Pam & Tommy continues to struggle to convince the audience that it’s telling a story that needs to be stretched out of over 8 episodes.  If ever a true story was meant to a 90-minute TBS production, this is it.

 

Lisa Marie’s Top 6 Super Bowl Ads


As I’ve said many times on this very site, the Super Bowl is pretty much all about the commercials for me.  This year, there was a few commercials that I liked but, for the most part, the selection was pretty bland.  Usually, I pick anywhere between 8 to 10 favorite Super Bowl Ads.  This year, there’s only six that really made much of an impression on me.

And here they are:

6. Frito Lay — Push It!

Sloths are so cute!

5. Amazon — Mind Reader

Why is Alexa trying to destroy Scarlett Johansson’s marriage!?

4. All-Electric Chevy Silverado — New Generation

To be honest, I got kind of sick of all of the electric vehicle commercials that aired this year.  Most of them felt …. a little insincere.  But I did like this one, just because it reunited The Sopranos’s Meadow and Tony. Jr.  It’s good to see that they’re still with us, regardless of what happened to Tony at the end of the series.  I’m not sure how Tony would feel about his daughter driving an electric truck, though.  “Gary Cooper didn’t need no charging station.”

3. Planet Fitness — What’s Gotten Into Lindsay?

Of course, if anything bad happens to Lindsay, we know who to blame.

2. Budweiser — A Clydesdale’s Journey

The horse survived!  I had tears in my mismatched eyes.

  1. Salesforce — “The New Frontier”

I’m not sure what exactly Matthew McConaughey is selling here but he’s one of the few people who can pull off lecturing from a hot air balloon.  As I watched this commercial, I considered that if McConaughey had run for governor, he could have floated around the state, campaigning from his balloon.  Instead, we’re stuck with Beto and his skateboard.  Oh well.  Miss opportunities.

Great Moments In Television History #16: Maude Flanders Gets Hit By A T-Shirt Cannon


Twenty-two years ago, on this very date, this happened on The Simpsons:

Today, it is easy to forget what an impact the death of Maude Flanders had on viewers.  We are now used to semi-regular characters dying on TV shows and, of course, no one really cares that much about The Simpsons any more.

In 2000, though, this was a big deal.  There were weeks of speculation over which Simpsons character would die, though most of us figured that it would be Maude Flanders early on.  Maude had never been a major character, as Rev. Lovejoy pointed out in his eulogy.  Plus, the actress that voice Maude, Maggie Roswell, had left the show.  (Roswell later returned.)  At the time, killing Maude was a controversial move, especially as she died as a result of Homer acting like a jerk.  (Then again, everything that ever happened in Springfield was a result of Homer acting like a jerk.)  Some critics complained that the show treated her death too cavalierly and that such morbid subject matter did not belong on a show like The Simpsons.  But, as the show’s producers pointed out, the death of Maude also opened the door for new storylines involving Ned Flanders and, as a result, Ned became one of the few characters on the show to actually grow as a person.

Even though Ned was invented to act as a foil to Homer and he’s been the victim of some lazy writing (especially in the more recent season), Ned Flanders has a dedicated fan base and a lot it is due to him being one of the few people in Springfield to actually show any sort of decency on a consistent basis.  That Homer is incapable of understanding that Ned is the only person (outside of the family) that he can depend on is one of the show’s best and longest-running jokes.  As a character, Ned was at his best when he was coming to terms with Maude’s death, learning how to date again, and even forgiving Homer for the role he played in the tragedy.  (Homer never really seemed to realize that it was all his fault.  Typical Homer.)  The show deserved more than a little credit for how it handled the fallout of Maude’s death, from Rod and Todd’s sadness to Ned’s very temporary loss of faith.  Over the upcoming years, Ned Flanders went to marry Edna Krapapple and, after the passing of Carol Wallace, became a widower for a second time.

One final note: Marvin Monroe later turned out to be alive so I wonder who was buried in his grave at teh cemetery.

Previous Great Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra
  12. NBC Airs Their First Football Game
  13. The A-Team Premieres
  14. The Birth of Dr. Johnny Fever
  15. The Second NFL Pro Bowl Is Broadcast

Lisa Marie’s Week In Television: 2/6/22 — 2/13/22


It’s been quite a week.  The Oscar nominations were announced.  The creepiest Winter Games ever have been playing out in China.  South Park revealed that some people apparently didn’t understand that Tolkein was named after the author of The Hobibt and Lord of the Rings.  (Like, seriously, you guys…..)  And the z-list celebs on Celebrity Big Brother revealed themselves to be taking the show way too seriously.

Here’s a few thoughts on what I watched this week:

Allo Allo (Sunday Night, PBS)

Chaos on a train!  Rene thought he and Yvette were going to elope on the Geneva Express but unfortunately, his wife Edith found Rene’s note and thought that it was meant for her.  While Rene wandered the train, trying to hook up with his two mistresses without his wife noticing, Herr Flick, Lt. Gruber, and a host of others wandered the train in search for the valuable original copy of the painting known as The Fallen Madonna With The Big Boobies.  Things got a bit chaotic on the train and they were even more chaotic back at the Cafe, where Officer Crabtree and his mangled French offered up very little in the way of help.  I laughed, I always do.

The Amazing Race (Wednesday Night, CBS)

I wrote about the latest episode of The Amazing Race here.  The Amazing Race has been a bit odd this season.  Due to the COVID lockdowns, two of the strongest teams ended up dropping out of the race.  As a result, we are late into the race and there are currently three strong teams and then two teams that basically can’t even read a road map.  The two weaker teams would never have lasted this long in a normal season.  I’m going to laugh and laugh if one of them somehow manages to win.  As of right now, though, it seems as if the oddly robotic but hyper competent team of Kim & Penn have to be considered the favorites.

BBC World News (Tuesday Morning, BBC)

I watched the Oscar nomination announcements on the BBC because, unlike ABC, the BBC actually showed all of the categories instead of just showing the major nominees.  (Add to that, why would anyone want to watch Oscar analysis from George Stephanopoulos?)  I have to admit that I enjoyed the BBC’s take on the nominations, which basically amounted to, “Quite a few nominations for Belfast, that’s a win for our side.”

Celebrity Big Brother (CBS and Paramount Plus)

I wrote about Celebrity Big Brother for the Big Brother Blog.  I have to admit that I’m not a huge fan of celebrity reality competition shows to begin with and Celebrity Big Brother tends to be the worst of them all.  Since celebrities really don’t have much at stake in these games, most of them just leave the House when things get too intense, like Chris Kattan did earlier this week.  As for the remaining celebrity houseguests, Todd Bridges is an idiot and Toddrick Hall seems to be taking this whole thing just a little bit too seriously.  Don’t ruin your brand just to give Julie Chen something to talk about.

King of the Hill (Weekday Afternoon, FXX)

Among the episodes I watched on Monday afternoon, there was one where Hank got to carry the Olympic flame and Dale got a chance to use the flame to light his cigarette.  Go, Hank!  Go, Dale!  That was back when the Olympics were something special.

On Thursday, after getting disgusted with all of the propaganda at the Winter Games, I again turned over to FXX and watched a few episodes of King of the Hill.  I watched five episodes, from Lucky trying to sue Dale to Launne getting married to Boomhauer surfing at Corpus Christi.  It was fun and took my mind off what Boomhauer would call “the dang ol’ enormity of it all.”

 The Love Boat (MeTV, Sunday Afternoon)

Yay!  It was a 70s Valentine’s cruise!  Love was in the air and cocaine was probably backstage.  Sailing on the Love Boat were Patty Duke, Frankie Avalon, Barbie Benton, Denny Evans, Jamie Farr, Ricky Nelson, and Carole White!  A computer program that was designed to link everyone to their ideal Valentine’s Day partner caused havoc on the boat but everything worked out in the end.  That’s the important thing.

Pam & Tommy (Hulu)

Because I have the world’s worst martyr complex, I wrote about the latest episode of Pam & Tommy here.

South Park (Wednesday Night, Comedy Central)

For the record, I always knew his name was Tolkien.  I don’t know what the Hell was wrong with the rest of you.

The Winter Olympics (All Week, NBC and Other Stations)

On Sunday night, I watched figure skating.  Even though I’m not as into the Olympics this year as I’ve been in previous years, there’s still no way that I would miss figure skating, curling, yeti hunting, and that weird sport where they ski and shoot a rifle.

On Monday morning, I watched that very sport, with the skiing and the rifle shooting.  It still seemed like a strange sport to me but, as I watched, I also realized that it was probably the only Olympic event that James Bond would have enjoyed (and, by that, I mean Roger Moore’s joyful Bond as opposed to Daniel Craig’s whiny Bond) and I was happy about that.  Later, I watched some curling and I seriously think I could do well with that sport.  I know how to work a broom.

On Wednesday, I watched some skiing and that totally freaked me out, just because I’ve heard so many stories about people slamming into trees.  Agck!  Then, on Thursday, I watched a bit more curling and that definitely left me less freaked out than the skiing.  You can’t hurt anyone with a broom, unless you’re Jackie Chan in an 80s movie.

Saturday morning, I watched some figure skating, which I loved.  I also watched some ski jumping and I marveled at how fake the snow looked.  Apparently, they’ve been using fake snow for the Winter Olympics because it’s not actually that cold or snowy in Beijing.  That’s weird and strange and yet somehow appropriate for these uniquely uninspiring games.

WKRP In Cincinnati (MeTV, Sunday Afternoon)

Radio DJ Johnny Fever got a job hosting a television dance show and sold out his soul to play disco music.  Fortunately, Johnny was able to vanquish his evil Rip Tide identity at the end of the episode.  At one point, Johnny’s TV boss said that she loved the 60s and would love to “get mellow and listen to the Dead” after the show and I was like, “Oh my God, they allowed people talk about weed on TV back then?”  You learn something new every day.

*Spoilers* Reacher, S1 Ep3, “Spoonful”, Review By Case Wright, (Dir: Stephen Surjik)


We need to create a list of people in this show who don’t want to kill Jack Reacher. I can think of three people… Oscar, Roscoe, and maybe….Jasper. Jasper could snap. How many times can you dig testicles out of a dead man’s stomach before you go homicidal… twice… three times?! Not many more (see below).

Jasper desperately groping for his mental Happy Place.

We learn from BRIEF exposition that Jack’s estranged brother Joe was in the Secret Service and high up boss: Director of special investigations – anti-counterfeiting. Somehow Margrave is involved in counterfeiting?! What’s special about Reacher is that at its heart it’s a Whodunnit. It’s a mystery with so much action, but it’s a mystery show like if Sherlock Holmes traded in his opium for LOTS of freeweights. Jasper identifies the latest murder victim as a trucker who worked for Kliner. This trucker got into a jam and got a high priced lawyer somehow to get him out of it.

They develop a plan: Oscar will search a crooked prison guard’s home and Reacher goes to the lawyer posing as a prospective client. Both end with severe beatings. Oscar gets beaten and arrested by redneck cops who mistake him for a burglar and Reacher just plain beats up the lawyer until he gives up information. Obviously, they are planning on taking this case to court.

The next plan is to confront KIiner at his office. Why? This did not make sense, but it enabled Oscar to show some more emotions. With their hand tipped, EVERYONE has to go into quasi-hiding. This town really sucks. Roscoe has a run-in with the world’s most obvious sociopath- KJ- Kliner’s horrible kid. KJ tries to drive a wedge in Roscoe and Reacher’s relationship by accusing him of being a war criminal. We all hate KJ. Oscar goes to Atlanta to find some intel on Hubble the accountant. Hubble stopped coming to the Atlanta office for work a year ago. What was he doing? Well, money laundering. So…. Ok, I guess Oscar just really wanted to hangout in Atlanta. Yes, there’s a lot going on.

Reacher goes back to crooked prison guard’s bar to find him. He doesn’t, but he does get to beat the Hell out of several people. The crooked prison guard skipped town. Once again, Reacher is tailed by two South American Hitmen who try really really hard to kill him, but Reacher beats them to the punch and shoots them dead. Reacher discovers the crooked prison guard is dead in their trunk. I really need to get a body count on this show; we have to be edging into Total Recall territory.

This is a fun episode and it really forces all the heroes to understand that there will be no arrests. This is the wild west and it’s murder and vengeance every single day.