27 Days of Old School: #20 “Whip Appeal” (by Babyface)


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“‘Cause you’ve got that whip appeal
So work it on me”

It would be impossible not to include one of the most popular old school ballads from my era.

“Whip Appeal” was the third single off of singer-producer Babyface’s second R&B album, Tender Lover. The single released in early 1990 just in time for the song to put it’s melodic hooks into everyone who heard it for the first time. I can confirm that this was a staple of all high school dances and proms from 1990 and onwards. It was one of the go-to ballads that would get couples and potential ones to get on the dance floor and just sway to the song.

Ballads like this are truly old school. When I say they don’t make them like this anymore there’s some truth in that. The lyrics themselves are quite risque, but definitely more subtle than what R&B artists nowadays put into their own form of ballads. There’s a classic soulful sound to the music that harkens back to the Motown sounds of the 60’s that have been lacking in most R&B today.

A song that’s 25 years old and yet still planting it’s soulful hooks into old and new listeners alike.

27 Days of Old School: #19 “You’ll See” (by Madonna)


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“I have truth on my side,
You only have deceit”

For #18 on the KTSL Old School charts I had Madonna’s “Take A Bow” and what better way to follow it up but with it’s sequel which arrived as a single for her 1995 compilation album, Something to Remember.

“You’ll See” is another ballad that brings to conclusion the story of the mistress (Madonna) from “Take A Bow” and the Spanish bullfighter (Emilio Muñoz) with the tables now turned as the former takes control of her life and moves on while the latter sees his mistakes though too late.

This song has a Spanish musical influence to it’s production from the use of a Spanish guitar that begins the track and returns throughout the length of the song. While “Take A Bow” strained Madonna’s vocal skills to their limits it is the opposite for “You’ll See” where the song’s composition works to take advantage of Madonna’s vocal range and not trying to go beyond what she’s capable of.

27 Days of Old School: #18 “Take A Bow” (by Madonna)


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“No more masquerade, you’re one lonely star”

Pushing the line of what constitutes old school for me would be when the 1990’s started to move into the mid-1990’s. I was still young enough to remember high school, but already a couple years from having graduated from it in 1994. One of the last few old school songs that made the cut for this list was the one song where I fully bought into Madonna as an artist and not just a great performer.

“Take A Bow” was a single off of her Bedtime Stories album and it couldn’t be more opposite from her previous work. For one thing, it was written by R&B producer extraordinaire Babyface.

The video for this song was a nice touch in using the bullring in Antequera, Spain as the set with Madonna channeling golden age glam. Definitely not the sort of look her fans have been used to for years before this album.

It works as a ballad and the video itself turned out to be a nice short film that help tell the story behind the lyrics.

27 Days of Old School: #17 “Take On Me” (by A-ha)


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“Say after me
It’s no better to be safe than sorry”

The 1980’s was a decade of excess in every sense of the word, but it was also the decade that gave birth to so many one-hit wonders. One such wonder was a song that I never failed not to like no matter that I grew older. Even now I would sing-along to this song whenever I come across it on-line or I find a mixtape of it.

“Take On Me” by the Norwegian synthpop band A-ha was a simple enough song, but when heard by way of it’s groundbreaking music video which combined live-action scenes with rotoscoped pencil sketching of the video it became an instant classic. The video was just like most music videos of the 1980’s in that it tried to wrap a story around the song though most of the time I had no idea what was going on.

Despite the video making little sense I still consider it a nostalgic favorite of mine from the days when MTV actually played music videos.

27 Days of Old School: #16 “Gimme All Your Lovin'” (by ZZ Top)


 

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“Gimme all your lovin’
All your hugs and kisses too,
Gimme all your lovin’
Don’t let up until we’re through.”

I didn’t know what blues and blues rock was when I first heard it on the radio and then watched it on MTV. I did know that they had a real unique sound that was very much like rock, but also had a sort of country vibe to it.

One of the first bands of blues rock that I really ended up being a fan of was ZZ Top and it was mainly due to their three videos for three singles off of their Eliminator album. The first one that I saw was for the track “Gimme All Your Lovin’“.

The video itself was just very cool. It had everything a young boy was curious about. Cars, girls and rock and roll. Well, mostly it was the girls and the video to this song introduced the “Three ZZ Girls”.

It was much, much later in high school that I went back to listening to ZZ Top and their songs and realize that they were pretty much singing about sex, sex and more sex to the tune of Texas boogie blues. I ended up loving the band even more then.

27 Days of Old School: #15 “You Shook Me All Night Long” (by AC/DC)


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“Taking More Than Her Share
Had Me Fighting For Air
She Told Me To Come But I Was Already There”

You shook me all night long! Yes, on the KTSL charts at No. 15 is just one of the greatest rock songs ever. Hyperbole and all that, but this song is just awesome times awesome equals awesome.

AC/DC’s “You Shook Me All Night Long” first appeared in their mega-blockbuster album in 1980, Back In Black. It wasn’t until 1986 when it was re-released as part of their Who Made Who album. It was during it’s re-release that I first heard and first saw the new video that accompanied the song. I think every teenage boy ended up glued to their TV’s whenever this video came on. They probably ended up taping the video for further repeat viewing.

As is their style, the song was just full of double entendres and the video itself just played up on the song’s lyrics. This video and song was just hard rock at it’s most 1980’s excess and debauchery and it was great.

27 Days of Old School: #14 “The Trooper” (by Iron Maiden)


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“The Bugle sounds and the charge begins”

I didn’t hear #14 the year it came out in 1983. I wasn’t too much into heavy metal at that age (still just 10). Now, once I got into high school and expanded my circle of friends (still not much but did include a couple who were into metal) I was finally introduced to heavy metal.

One of the first songs I really got into was Iron Maiden’s “The Trooper” from their Piece of Mind album. Even from the first time hearing the song I had an idea what the song about. I was already a huge hoarder of all things military history in my teen years and I knew the song was about the Charge of the Light Brigade during the Crimean War.

What I didn’t realize at that time was that the song itself was using a famous poem about said charge. So, in addition to getting me into heavy metal (which waxed and waned in the years since until meeting necromoonyeti online), I ended up learning about Tennyson and his poem about that fateful charge of British Light Cavalry against a well-defended and heavily-armed Russian artillery battery.

Also, seeing the cover for “The Trooper” with Eddie in full light cavalry regalia waving a cavalry saber and a bloodied, tattered Union Jack just hit me right in my wheelhouse.

27 Days of Old School: #13 “Alone” (by Heart)


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“How do I get you alone”

Early last year I posted one of my favorite songs from my youth and it was by the band Heart. That song was “These Dreams” and still continues to be a favorite of mine to this day. My second favorite from this band is their power ballad from their 1987 album Bad Animals.

“Alone” is actually an even better song but “These Dreams” was just the song that first introduced me to the Wilson Sisters, Ann and Nancy. Where the earlier song was more folksy in it execution with “Alone” we get a full out power ballad that includes Nancy doing a guitar solo near the end. Ann Wilson crushes this song and just reinforces the fact that she remains one of the best, if not the best, female rock vocalist to ever belt out a song.

Oh, I still have a major crush on Nancy Wilson right up to this day. She’s definitely the first lady of rock.

27 Days of Old School: #12 “If Wishes Came True” (by Sweet Sensation)


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“All alone silence fills my room
But in a memory, I hear you calling me”

Hitting the KTSL charts at No. 12 is the 1990 ballad from the Latin freestyle girl group Sweet Sensation.

“If Wishes Came True” makes this list because it is such an earnest love song that we don’t get much of anyway. This was a song made in a much simpler and less cynical age. While some of its continuing appeal seems to be based on the feeling of nostalgia it brings up for those who grew up during the time this song was released it doesn’t change the fact that it’s an uplifting and hopeful song.

The lyrics are sugary-sweet to the point of causing cavities, but they’re easy to sing-along to and, in the end, there’s nothing wrong with reminiscing about one’s memories.

27 Days of Old School: #11 “Seasons Change” (by Exposé)


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“Seasons change, people change….”

I’m not sure how much this song was played over and over by heartbroken teens during my high school years but I will guess that it would top a million easy.

“Seasons Change” by the group Exposé comes in at 11 on our “27 Days of Old School” countdown. The group itself was one of the big names during the freestyle and dance-pop scene during the 80’s, but surprisingly this song was their only No. 1 hit. It just goes to show the power of the ballad and this one became of the the go-to songs for teens (probably college age ones as well) during my days.

It’s actually a pretty downbeat song considering it’s about how couples break up not due to any one major falling out, but due to drifting apart because of time and changes.

For teens who fell in love with this song it became a sort of theme song whenever they broke up with their first, second and upteenth true love. I know that as much as school dances love their slow songs this was rarely played during.