Music Video Of The Day: The Chemical Brothers featuring k-os — Get Yourself High (2003, dir by Joseph Kahn)


This music video features digitally enhanced footage from a 1980 film called 2 Champions of Shaolin.  According to Wikipedia, here’s what the video’s director, Joseph Kahn, had to say about it:

“I edited this on a laptop on a plane to Chicago. I rearranged the time sequencing of the actual movie. The bad guy with the big boombox is actually a minor henchman who dies in the first 30 minutes, but in my visual remix he’s the ultimate antagonist. The lip syncing was motion captured, then applied to 3D models of jaws. I didn’t know 100% if the technology was achievable with the time and money, nor did I know if we could actually get rights to a Chinese kung fu flick. It was a risky venture, but Carole gave me a check and then left me alone. She had some major balls.”

(And if it’s on Wikipedia, it has to be true!)

Anyway, I really love this video and the song.  The only unfortunate thing is that the Get Yourself High clown doesn’t make an appearance.  Who is the Get Yourself High Clown?  If you’ve seen The Chemical Brothers live, there’s a good chance you’ve seen him.  Check him out in this footage from their 2007 performance at Glastonbury:

Enjoy!

Music Video of the Day: The Chemical Brothers — Hey Boy Hey Girl (1999, dir by Dom & Nic)


Hi, everyone!  Lisa here.

So, as you know if you’ve been following the site, Val is currently having a hospital procedure done so she’s going to be gone for a few days.  Since I love Val’s music video of the day posts, I’m going to share a few picks of my own until she returns!

Hey Boy Hey Girl is not only one of my favorite songs from The Chemical Brothers, it’s also one of my favorite videos.  Admittedly, I could do without the saliva at the start of the film but that’s just because I have a thing about visible saliva.  It doesn’t appeal to me.  But otherwise, I absolutely love this video!

(Whenever I watch this video, I end up staring at my reflection and visualizing what my skeleton looks like.  Usually, I’m impressed.)

This video was one of the many directed by Dom & Nic.  Other videos that they’ve done for The Chemical Brothers: Wide Open, Midnight Madness, Salmon Dance, Believe, The Test, and Setting Sun.

Not a day goes by that I don’t see those dancing skeleton recreated in GIF form.  I guess that’s because I hang out on a lot of horror-themed web sites.

Enjoy!

50 Years Ago Today: The Beatles’ SGT. PEPPER’S LONELY HEARTS CLUB BAND (Capitol Records 1967)


gary loggins's avatarcracked rear viewer

June 2, 1967. The beginning of the so-called “Summer of Love”. The underground hippie culture was grooving toward the mainstream. And those four loveable mop tops, The Beatles , released their eighth album, “Sgt. Pepper’s Lonely Hearts Club Band”, on America’s shores, ushering in the concept of “concept albums” that still reverberates in music today. The Fab Four were Fab no more, but genuine artists, with a little help from their friend, producer George Martin.

The Beatles had stopped touring  the previous year, tired of the grind and the hysterical screaming that drowned their music out. They had done some experimenting in the studio with “Revolver”, their previous LP, but “Sgt. Pepper” was something different. Martin and the band members, influenced by both The Beach Boys’ “Pet Sounds” and Frank Zappa’s “Freak Out!” discs, utilized then cutting edge studio techniques (tape loops, sound effects, varying speeds) and instrumentations (sitar, harmonium, Mellotron, tubular bells, even…

View original post 651 more words

In Memory of Gregg Allman


gary loggins's avatarcracked rear viewer

RestThe music world lost another giant yesterday when Southern rocker Gregg Allman died at age 69. This wasn’t exactly unexpected, as the hard-living Allman suffered from health problems brought on by years of hard partying.

Born in Richmond Hill, GA in 1947, Gregg and his older sibling Duane were more interested in music and girls than school. They formed bands (Hour Glass, Allman Joys), toured the south and Midwest, and did some recordings, without much success. Returning to their Georgia roots, the band signed with Phil Walden’s Macon-based Capricorn Records, a label specializing in the burgeoning Southern Rock movement (Marshall Tucker Band, The Outlaws, Wet Willie, Delbert McClinton, etc). Their third release, the double LP LIVE AT FILLMORE EAST, put them on the map as a major band:

Tragedy struck the band when Duane died in a 1971 motorcycle accident, followed the next year by another crash taking bassist Berry Oakley…

View original post 207 more words

Music Video Of The Day: Clocks by Coldplay (2003, directed by Dominic Leung)


For the longest time, I’ve had a fantasy about the collapse of civilization.

It goes something like this: The Left and the Right in America have finally realized that their true enemy is the deeply entrenched, deeply authoritarian, nonideological government.  The people have finally risen up.  Rioters are in the street, attacking both each other and their oppressors.  With the police proving either incapable or unwilling to try to control the riots, the National Guard has been called in.  Tanks roll down Main Street.  Helicopters hover above burning building.  Disembodied voices announce that anyone caught violating curfew will be shot.  It started with a burning city but now the entire country is on fire.

I see all of this as I sit in back of the limo that is carrying me and a few of my loved ones to the airport.  At first, I feel sad that America is collapsing but, as we get closer to the airport, that sadness is replaced by hope.  As bad as things are, at least we’ve got somewhere else to go.  At least we can start again, hopefully without any of the bullshit that led to the collapse of civilization in the first place.

There’s a private plane waiting for us.  We take our seats.  As the plane takes off, I look out the window and I can see that the tanks and the rioters have just arrived at the airport.  Our plane is the last one to take off.  We are the last ones to escape.  As the plane flies us to our new home (sometimes it’s Ireland, sometimes it’s Italy, sometimes it’s Spain, sometimes it’s an island off in the middle of nowhere), I looked out the window and I see the city burning below.

And, during all of this, Clocks is the song that’s playing in the background.  Seriously, it’s great escaping music!

As for the video above, it was filmed in London, at the Docklands Excel Building.  The audience was largely made up of local college students.  It’s actually a rather simple video but that’s okay.  It’s perfect for the song.

Enjoy!

(Val should be back and handling music video duties tomorrow!)

Music Video of the Day: Only Happy When It Rains (1995, dir by Samuel Bayer)


I’ve been told by more than one person that this song basically is me.  At first, I assumed they were just saying that because both Shirley Manson and I have red hair and people always tend to assume that all redheads are alike.  But then I actually listened to the song and I was like, “I’m only happy when it rains?  I’m only happy when it’s complicated?  My comfort is the night gone black?  Yeah, I guess that does kinda sound like me…”

And then I watched the video, which is basically Shirley singing and dancing in a dilapidated warehouse while the other members of the band destroy stuff in the background and I immediately had flashbacks to when I was going to college and me and my friends would spend the occasional weekend exploring an abandoned and/or condemned building.  And I was like, “I guess this song basically is me!”

This video was directed by Samuel Bayer.  Bayer has directed close to a 100 videos, for everyone from Maroon 5 to P!nk to Nirvana.  Bayer directed Nirvana’s famous Smells Like Teen Spirit video.  And, just by doing quick check, I see that Val has actually reviewed two other videos directed by Bayer: Zombie by the Cranberries and No Rain by Blind Melon.

Enjoy!

Music Video of the Day: Won’t Look Back by Duke Dumont (2014, directed by Tim Main)


Y’all are going to have to forgive me.  I am absolutely exhausted as I write this so I’m not going to say as much about this wonderful video as I possibly should.

One the one hand, this video is a pitch perfect takeoff of almost every heist film released since the mid-90s.  From the masks to the guns to the thrilling escape and subsequent chase, Won’t Look Back gets everything right.  Of course, what sets Won’t Look Back apart from other action homages is that it replaces fast cars with pogo sticks and segways.  It’s terrifically amusing and it all works a thousand times better than it has any right to.

This video was directed by Tim Main and edited by Sam Jones.  Pat Scola is credited as director of photography.  All three did an excellent job and have a lot to be proud of with this video.

Enjoy!

Music Video Of The Day: Midnight Madness by The Chemical Brothers (2008, directed by Dom & Nic)


Did you know that apparently there are goblins living in London trash bins and that these goblins just love to dance?  Well, if you’ve watched the video for The Chemical Brothers’s Midnight Madness, you do!

I have to admit that I was disappointed to learn that this video did not feature an actual goblin.  Instead, it’s just a man in a goblin costume.  (Oh well.  I guess real goblins are camera shy.)  When we first see the goblin, he’s played by Daniel Ilabaca.  When the goblin starts dancing on stage, he’s played by the Algerian dancer Lilou, a member of Pockemon Crew. Speaking for myself, regardless of who is playing him from scene-to-scene, I just love how happy the goblin is.

This video was directed by Dom & Nic, who have been directing music videos since the early 90s.

Enjoy!

One Hit Wonders #2: “One Tin Solder (Theme from BILLY JACK)” by Coven (1973)


gary loggins's avatarcracked rear viewer

The theme song from Tom Laughlin’s BILLY JACK has quite a history behind it. First recorded by Canadian band The Original Caste in 1969, it became a #1 hit… in Canada! When Laughlin was making his picture, the song was re-recorded in 1971 by singer Jinx Dawson of the psychedelic occult-themed proto-metal group Coven. The Dennis Lambert/Brian Potter penned tune made it to #26 on the U.S. charts, but the film itself was poorly  distributed. Warner Bothers picked it up two years later, then Jinx and the band re-re-recorded the song, reaching #79 in 1973:

Coven made their debut with the 1969 LP “Witchcraft Destroys Minds and Reaps Souls”, featuring songs like “For Unlawful Carnal Knowledge”, “Dignitaries of Hell”, and the 13-minute opus “Satanic Mass”, which consists of ominous chanting and prayers to Satan in Latin! Coven is credited with introducing the “devil’s horns” sign to rock, later appropriated by virtually every heavy metal musician ever…

View original post 31 more words