Freefall: Flight 174 (1995, directed by Jorge Montesi)


During a routine flight from Montreal to Edmonton, the two pilots (played by William Devane and Scott Hylands) discover that they do not have enough fuel to make it to their destination.  Their aircraft was one of the first in the fleet to use the metric system but a conversion era led to the ground crew measuring the plane’s fuel in pounds instead of kilograms.  With the help of an air  traffic controller (Nicholas Turturro), the pilots try to land their plane before it falls out of the sky.

Based on a true story, Freefall is one of the many airflight disaster films that were made for television in the 80s and 90s.  (Not surprisingly, the genre became less popular after 9-11.)  The emphasis is on the pilots and ground control remaining calm and professional in the face of seemingly insurmountable odds.  While Devane and Hylands look for a place to land, flight attendant Shelley Hack keeps the passengers from panicking.  In typical disaster movie style, the passengers have their own dramas that are wrapped up as they wait for the plane to either land or crash.  It’s a low-budget movie but the cast does a good job.  William Devane is one of those actors who just looks credible flying an airplane.

The movie’s main lesson?  Don’t use the Metric System unless you absolutely have to,

 

10 Films For The Weekend (6/20/25)


Hail To The King, Baby

This Sunday is Bruce Campbell’s birthday.  Our own Case Writes will be reviewing Bruce’s two autobiographies on that day.  Here’s a few films you can watch while celebrating.

Sadly, the first three Evil Dead films are not streaming anywhere for free this weekend.  However, Bubba Ho-Tep (2002), which features Bruce as a nursing home resident who may or may not actually be Elvis Presley, is available on Tubi.  This is definitely Bruce’s best non-Ash performance and there’s actually something very touching about the idea of an elderly and forgotten Elvis teaming up with John F. Kennedy (Ossie Davis) to battle an ancient mummy.  There’s a lot of humor to be found in this film but there’s also a definite strain of melancholy and Bruce gives a truly moving performance as someone who you’ll want to believe in.  The film is on Tubi.

Maniac Cop (1988) is nowhere near as good as the Evil Dead films or Bubba Ho-Tep but it does give audiences a chance to see Bruce giving a relatively “serious” performance as a policeman who is accused of a murder that was actually committed by a hulking zombie cop.  Not only does this film feature Bruce Campbell but it’s also got Tom Atkins, William Smith, Richard Roundtree, and Robert Z’Dar.  If nothing else, this film is a tribute to exploitation canniness.  Director William Lustig and screenwriter Larry Cohen understood that the idea of dangerous cop would remain compelling one long after the film’s initial release and, as such, Maniac Cop retains a definite cult appeal.  The film is on Tubi.

Sadly, Bruce Campbell is killed off rather early in Maniac Cop 2 (1990).  That’s a shame because the second film is a lot better than the first one.  Robert Davi plays the detective who won’t be pushed around while Robert Z’Dar takes the maniac cop’s search for revenge to a whole other level.  Leo Rossi is memorably unhinged.  Personally, I would have liked to have seen Bruce try to take a chainsaw to the Maniac Cop but it was not be.  Maniac Cop 2 can be viewed on Tubi.

Finally, The Woods (2006) is a sadly underrated horror film, one the features Bruce in a supporting role as a loving dad.  Agnes Bruckner give a wonderful performance in the lead role, investigating her mysterious school and taking way too much abuse just because she has red hair.  Hey, I’ve been there!  I’m just happy that “fire crotch” didn’t catch on the way that “Gingers have no soul” did. (Seriously, the redheads have no soul thing was funny when South Park did it but everyone else needs to shut up about it.)  The Woods is an atmospheric horror film from Lucky McKee and one that I would recommend even if it wasn’t Bruce Campbell’s birthday.  View it on Tubi.

Pleasures, Guilty And Otherwise

Seriously, if I had to suggest one non-Bruce Campbell movie to you for this weekend, it would be my favorite Lifetime film, True Confessions of a Go-Go Girl (2008).  Chelsea Hobbs plays a recent college graduate who realizes that she can either waste more of her life in law school or she can just make a bunch of money by being a …. GO-GO GIRL!  The use of the anachronistic term “go-go girl” really does get to the charm of this movie, which manages to be both enjoyably trashy and quaintly old-fashioned at the same time.  Hobbs discovers that she loves to dance and that men love to watch her dance.  Her wimpy boyfriend freaks out when Hobbs goes from being a meek “good” girl to an aggressive temptress.  The film is at its best when its embracing the decadence and the melodrama.  On stage, Hobbs is empowered and I was all about that.  Of course, Hobbs has to using hard drugs and learn a lesson because that’s the way these films go.  Still, this one is a lot of fun and it features Corbin Bernsen doing his somewhat sleazy father figure thing.  Find this film on Prime.

The Perfect Teacher (2010) is also available on Prime and you need to watch it because it features my favorite line of all time.  “I can be your dream …. or I can be your NIGHTMARE!”  This is another perfect Lifetime film and it can be viewed here!

The Wrong Cheerleader (2019) is one of the best of Lifetime’s wonderfully over-the-top “Wrong” film, featuring Degrassi’s Cristine Prosperi and, of course, Vivica A. Fox.  “Looks like he messed with the wrong cheerleader.”  Hell yeah!  It’s on YouTube.  (I have a feeling that if I ever hire someone incompetent, Vivica A. Fox will show up at my door and say, “Girl, looks like you hired the wrong landscaping crew.”)

The Babysitter’s Seduction (1996) was not originally made for Lifetime but it definitely found a home there.  Keri Russell is the innocent babysitter.  Stephen Collins is the handsome but sleazy guy who seduces her and then tries to frame her for killing his wife.  This film’s twists was probably more effective back when Stephen Collins was still best-known as Rev. Camden as opposed to being known for …. other things.  But it’s still a top-notch example of embracing the melodrama.   It can be viewed on Tubi.

From the best Lifetime films, let’s now consider the best SyFy films.  Jersey Shore Shark Attack (2010) not only features Tony Sirico, Paul Sorvino, and Jack Scalia but it also features characters with names like Nooki, TC, and Paulie Balzac dealing with killer sharks in New Jersey.  Joey Fatone appears as himself and is promptly eaten.  Of the many shark films to have been produced by the Asylum, this is definitely one of the best.  It’s on Tubi!

Directed by actor Bruce Davison, Bigfoot (2012) not only features the title character but it also includes Danny Bonaduce, Barry Williams, and Sherilyn Fenn amongst the cast.  Alice Cooper plays himself and meets a less-than-heroic end.  This Asylum film is a true classic.  It’s on Tubi!

(Click here for last week’s recommendations.)

Live Tweet Alert: Join #FridayNightFlix for TWIN DRAGONS (1992)!


This Friday, June 20th, at 9 pm CT, join my wife Sierra and I as we guest host for Lisa, and she continues to enjoy her vacation! We’ll be watching TWIN DRAGONS (1992), starring not just 1, but 2 Jackie Chans! It’s available on Prime!

I’ve included the trailer below!

4 Shots From 4 Films: Special Jaws Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is all about everyone’s favorite shark.

4 Shots From 4 Films: Special Jaws Edition

Jaws (1975, Dir. by Steven Spielberg)

Jaws 2 (1978, Dir. by Jeannot Szwarc)

Jaws 3D (1983, Dir. by Joe Alves)

Jaws: The Revenge (1987, Dir. by Joseph Sargent)

Brad’s “Scene of the Day” – The mudslide from ROMANCING THE STONE (1984)!


Happy 71st birthday to Kathleen Turner! The very first time I remember seeing her was with Michael Douglas in the jungle adventure film ROMANCING THE STONE! I just loved the movie and thought she was so beautiful. I also thought Michael Douglas was great as the rascally Jack Colton. A teenage me thought this mudslide scene was hilarious. I still do! Click on the link below and enjoy!  

A Baseball Scene That I Love: Roger Maris Breaks Babe Ruth’s Record In 61*


The Rangers are losing again so I’m going to treat my sorrows with a scene that I love from a baseball movie.  In this scene from 61*, Roger Maris gets his sixty-first homerun of the season and he breaks Babe Ruth’s record.

I love this scene because it’s what baseball is all about.

The Boys In Company C (1978, directed by Sidney J. Furie)


In 1967, a group of young men arrive at the Marie Corp. Recruit Depot in San Diego.  Tyrone Washington (Stan Shaw) is a drug dealer from Chicago who tells everyone not to mess with him and who soon emerges as a natural born leader.  Dave Brisbee (Craig Wasson) is a long-haired hippie who tried to feel to Canada and who shows up for induction in handcuffs.  Vinny Fazio (Michael Lembeck) is a cocky and streetwise kid from Brooklyn.  Billy Ray Pike (Andrew Stevens) is a country boy from Texas.  Alvin Foster (James Canning) is an aspiring writer who keeps a journal of his experiences.  Sgt. Loyce (R. Lee Ermey, making his film debut) molds them into a combat unit before they leave for Vietnam, where they discover that all of their training hasn’t prepared them for the reality of Vietnam.

The Boys In Company C has the same basic structure as Stanley Kubrick’s Full Metal Jacket, right down to R. Lee Ermey playing the tough drill sergeant.  The sharp discipline of basic training is compared to the chaos of Vietnam.  Ermey always said that he was playing a bad drill sergeant in Full Metal Jacket because he tore down the recruits but never bothered to build them back up.  In The Boys In Company C, Ermey plays a good drill sergeant, one who is tough but fair and who helps Washington reach his potential.  It doesn’t make any difference once the company arrives in Vietnam, though.  Both The Boys In Company C and Full Metal Jacket present the war in Vietnam as being run by a collection of incompetent officer who have no idea what it’s like for the soldiers who are expected to carry out their orders.

Of course, The Boys In Company C is nowhere near as good as Full Metal Jacket.  Full Metal Jacket was directed by Stanley Kubrick and it’s a chilling and relentless look at the horrors of combat.  The Boys In Company C was directed by Sidney J. Furie, a journeyman director who made a lot of movies without ever developing a signature style.  The basic training scenes are when the film is at its strongest.  When the company arrives in Vietnam, Furie struggles with the story’s episodic structure and it can sometimes be difficult to keep track of the large ensemble cast.  The Vietnam sequences are at their best when the emphasis is on the soldiers grumbling and bitching as their officers send them on one pointless mission after another.  The soccer game finale tries to duplicate the satire of the football game that ended Robert Altman’s M*A*S*H but it does so with middling results.  The Boys in Company C is a collection of strong moments that never manage to come together as a cohesive whole.

The movie is still important as one of the first major films to be made about the war in Vietnam.  However, it’s since been overshadowed by The Deer Hunter, Apocalypse Now, Platoon, and, of course, Full Metal Jacket.

 

4 Shots From 4 Beautiful Black-and-White Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Here are four shots in beautiful black-and-white!

4 Shots From 4 Beautiful Black-and-White Films

Rebecca (1940, Dir by Alfred Hitchcock)

The Grapes of Wrath (1940, Dir by John Ford)

The Southerner (1945, Dir by Jean Renoir)

Sunset Boulevard (1950, Dir by Billy Wilder)

Brad reviews 10 TO MIDNIGHT (1983), starring Charles Bronson!


Charles Bronson is Leo Kessler, a veteran detective who’s seen it all and has grown sick of a system of justice that he thinks favors criminals over their victims. When girls start getting murdered, he immediately suspects the arrogant Warren Stacy, played by Gene Davis in the best role of his career. When Kessler and his partner Paul McCann (Andrew Stevens) start putting the pressure on Stacy, the killer responds by going after Kessler’s daughter Laurie (Lisa Eilbacher). Needless to say, our hero will do anything to stop the madman, ANYTHING!

10 TO MIDNIGHT is a special movie in my house because it’s my wife’s favorite Charles Bronson film, even when she didn’t have any overall appreciation for Bronson as an actor. Luckily for her, she had me to introduce her to the rest of the iconic actor’s voluminous catalog of movies. I saw 10 TO MIDNIGHT myself when I was pretty young, probably 13 or so. I remember being scared that first night after I watched the movie when I was trying to go to sleep. My wife and I watched it today on my old VHS tape that I’ve owned going back to the late 1980’s. 

There are several elements that elevate 10 TO MIDNIGHT above the average cop / slasher thrillers of the 1980’s. First, it’s Charles Bronson in the lead role. Bronson has such a strong presence on screen that his presence alone elevates almost any material. He looks great in the film, and the role gives him some good opportunities, as both a mentor to the young cop, and even more importantly, as a dad who wants to do better for his daughter. It’s a solid role that seems to fit Bronson like a glove. Second, we know from the very beginning of the movie that Warren Stacy is in fact the killer. We also know that the law seems to be working in his favor. And because of that, we’re on Kessler’s side as he goes to extreme lengths to stop his reign of terror. Finally, the script and director J. Lee Thompson go all in on the sex and violence. Examples include Stacy killing his often naked victims while he himself is in the nude. There is much talk in the film about items of a sexual nature and Stacy even has a sexual release device that almost has to be seen to be believed. It definitely adds a decadent and voyeuristic feel to the proceedings. And I haven’t even mentioned yet that it has one of the very best endings of any Bronson film, second only to THE MECHANIC, in my humble opinion.

I highly recommend 10 TO MIDNIGHT!

For a more detailed review of 10 TO MIDNIGHT, check out Lisa’s review from a couple of years back below: