Ever since Werner Herzog’s Bad Lieutenant: Port of Call New Orleans was first released in 2009, people have debated the symbolism of the iguanas on the coffee table. Are they just a sign that Nicolas Cage’s bad lieutenant is totally high or do they have a deeper meaning? Myself, I’m not even going to try to guess. All I know is that the lieutenant eventually came to appreciate their presence.
Category Archives: Film
4 Shots From 4 Films: Special Barbara Steele Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Happy birthday to the wonderful and iconic actress, Barbara Steele!
4 Shots From 4 Barbara Steele Films
Iowa Honors Hamnet
The Iowa Films Critics Association has announced its picks for the best of 2025 and, for once, One Battle After Another is nowhere to be found! Congratulations, Hamnet!
BEST FILM
Hamnet
BEST ANIMATED MOVIE
Zootopia 2
BEST DIRECTOR
Chloé Zhao – Hamnet
BEST ACTOR
Tom Hiddleston – The Life of Chuck
BEST ACTRESS
Jessie Buckley – Hamnet
BEST SUPPORTING ACTOR
Mark Hamill – The Life of Chuck & The Long Walk
BEST SUPPORTING ACTRESS
Ariana Grande – Wicked: For Good
BEST SONG
The Girl in the Bubble – Wicked: For Good
BEST INTERNATIONAL FILM
Sentimental Value
Brad reviews INTO THE WILD (2007), directed by Sean Penn!

This morning my wife told me she wanted to watch a movie based on a true story. After scrolling for a bit, I came across the film INTO THE WILD, which interested me for a couple of reasons. First, it was directed by Sean Penn, whose directorial debut, THE INDIAN RUNNER (1991), gave my favorite actor of all time, Charles Bronson, a late-career character performance that critics actually took seriously. I’ve followed his directing career ever since. Second, the movie stars Emile Hirsch, who my wife and I had the rare opportunity to watch up close this summer while he was filming a movie here in Central Arkansas… an awesomely surreal experience that’s had me revisiting the work of the actors I saw that day. As such, today seemed like the perfect time to hit play on INTO THE WILD!
INTO THE WILD is based on the true story of Christopher McCandless (Emile Hirsch), a bright, idealistic young man who graduates from college in the early 1990s and immediately walks away from the type of life everyone expects him to live. Chris donates his savings to charity, abandons his car, burns the cash in his wallet, reinvents himself as Alexander Supertramp, and sets off across America on a great Alaskan adventure. Along the way he comes across different people who impact his life in a variety of ways, from some free-spirited hippies, to a grizzled old widower, and even a beautiful young lady who takes an immediate liking to him. Each of these encounters offer Chris a chance to form meaningful relationships, but he always decides to keep moving on. When he does eventually make it to the wilds of Alaska, it’s everything he hoped for… at first. But as the months wear on, his loneliness and inexperience take their toll, and Chris is forced to face the ultimate consequence of his decisions.
I’ll start out by saying that INTO THE WILD is a truly beautiful film. Sean Penn and his cinematographer Eric Gautier capture so many amazing images, from the Grand Canyon and Lake Tahoe, to the Denali National Park in Alaska. We see an America that is awe-inspiring, and we can at least somewhat understand why Chris might want to escape to such a world of promise. I also liked the music, especially when Eddie Vedder’s voice emerges to punctuate a scene that seems perfectly in tune with Chris’ restless spirit.
I must admit that Chris McCandless, the person, is quite the frustrating subject. He’s intelligent and sincere, but he’s also painfully naive and self-righteous. It’s noble that he wants to find ultimate truth, but he goes about it by running away from the messy parts of his life, especially the parents, played here by William Hurt and Marcia Gay Harden, that he sees as horrible people. I guess my frustration with Chris’ decisions may be the point, and Director Sean Penn doesn’t turn him into either a saint or a fool. While watching the film, I was somewhat torn between admiring Chris for the way he rejects materialism and lives his life on his own terms, while also being disappointed as he continually walks away from any person who gets too close or tries to help him.
Emile Hirsch is incredible in the lead role as Chris McCandless. He captures his restless spirit, as well as his determination to make it completely on his own, that is, until he realizes that he overplayed his hand. The other performances that stood out to me came from Vince Vaughn as a farmer that Chris stops and works for, Catherine Keener as a hippie with her own set of issues, and especially Hal Holbrook as a lonely, but perceptive old man who sees in Chris the grandson he never had.
At the end of the day, I feel that INTO THE WILD is a powerful film, but not because of what ultimately happens to Chris. Rather, what lingers with me is his too-late realization that personal freedom without meaningful relationships is not satisfying. As beautiful as this movie is to look at, its strongest moments are Chris’ interactions with the caring people he meets along the way. I just wish one of them had been able to convince him to call his mom and dad.
The Films of 2025: The Roses (dir by Jay Roach)
The Roses is a marriage story.
When architect Theo (Benedict Cumberbatch) and aspiring chef Ivy (Olivia Colman) meet in London, it is love at first sight. Ivy wants to move to America so that she can pursue her dream of opening a restaurant. Theo impulsively decides that he wants to move with her. (Take that, Britain!) They marry and the film follows them as they settle in California and pursue success in their respective fields while raising precocious twins. At first, Theo has more success than Ivy but that changes when a freak storm causes one of Theo’s buildings to collapse on the same night that it also causes hundreds of stranded tourists to suddenly show up at Ivy’s restaurant. Ivy becomes a success while Theo, who is now basically unemployable, becomes a stay-at-home dad. Theo starts to resent Ivy’s success. Ivy starts to resent the amount of time that Theo spends with their daughters. Looking to fix their fraying marriage, Theo design an ultra-modern and chic home for them. Needless to say, by the end of the movie, Theo is being chased through the house by a gun-wielding Ivy.
Oh, Benedict Cumberbatch and Olivia Colman. They’re both good actors and I’ve appreciated many of their past performances but, watching them in The Roses, I do have to admit that I realized that I’ve started to get a bit bored with both of them. Their performances here all about technique. Cumberbatch does his barely repressed anger thing until eventually he explodes into a frantic fury. Colman does her cutting barb followed by a goofy smile thing. Neither performance really has much emotional depth and, even when they’re supposed to be happy, you don’t really buy them as a couple for a second. Even when they blow up at each other and fully embrace their growing hatred, it doesn’t have much of an emotional impact because they never really seemed to like each other to begin with. Every line that Colman delivers sounds like a sarcastic attempt at a bon mot, even she’s supposed to be sincere. There’s nothing shocking about either one of their cruel comments to each other. It just feels like two actors doing their thing.
At its heart, The Roses is meant to be a satire. Theo and Ivy grow to hate each other but neither one is willing to give up their rather tacky house. Unfortunately, Jay Roach is exactly the wrong director for this material. Roach has gone from directing broad but genuinely funny comedies to becoming something of a second-rate Adam McKay. Perhaps even more so than McKay, he’s a prime example of what happens when a director decides that he can’t just be happy making movies that people actually enjoy. (Trumbo and Bombshell may have gotten mildly good reviews from critics who are sympathetic to Roach’s liberal politics but, in the end, Austin Powers is the film for which audiences will remember Jay Roach.) There’s not a subtle moment to be found in The Roses and, as a result, there’s not really much genuine emotion to be found either. Towards the end of the film, we get a montage of Theo and Ivy escalating their attacks on one another. It’s one thing for Ivy to create an AI video of Theo smoking crack. It’s another thing for Theo to spike the food at Ivy’s restaurant with hallucinogenic shrooms, leading to an slow motion orgy involving a bunch of middle-aged tourists. It all becomes so cartoonish that the film loses sight of whatever it was trying to say about marriage.
Touted as an Oscar nominee before it was released and subsequently forgotten about, The Roses was one of the many disappointing films of 2025.
The Films of 2025: Shiver Me Timbers (dir by Paul Stephen Mann)
“Wow, that was crap!”
That my reaction to watching Shiver Me Timbers, one of three killer Popeye movies that came out in 2025. Online, there’s some debate over which of the three films is the worst. I’ve only seen two of them so I really can’t say. What I can tell you is that Shiver Me Timbers makes Popeye The Slayer Man look like a freaking masterpiece by comparison.
The film actually does start off with a vaguely clever premise. The year is 1986 and a group of friends are camping so that they can watch as Halley’s Comet crosses the night sky. Our main character is Olive (Amy Mackie), who isn’t sure whether or not she wants to go to M.I.T. I have to admit that I could relate to Olive, just because I wouldn’t want to go to college in Massachusetts either. Plus, Oliva wears all black and has a generally sarcastic attitude, which is pretty much the same way that I was when I was 18.
Anyway, a piece of a meteorite falls out of the sky and, after getting nearly burned up in the atmosphere, it falls into the pipe of a scrawny sailor who is fishing out at the lake. The sailor smokes the tiny meteorite and is immediately mutated into a hulking killer. He proceeds to kill all of Olive’s friends. The deaths are extremely bloody and go out of their way to shock but, oddly enough, they don’t make much of an impression. Part of the problem is that Olive’s friends aren’t that interesting and, as a result, you don’t really care that much about any of them getting killed. The film has this weird habit of featuring close-ups of decapitated heads still struggling to speak. I’m going to be charitable and assume that this was meant to be an homage to Werner Herzog’s Aguirre, the Wrath of God. Herzog, however, was smart enough to only have one decapitated head speaking.
For all the pain that the character go through as Popeye snaps their bones and removes their heads, the real pain is reserved for those watching the movie. The pacing is abysmal, the dialogue is terrible (and please, can we stop making slasher movies where the victims all keep talking about other slasher movies?), and the mutated Popeye looks so dumb that it’s hard to take him seriously as any sort of threat. (Popeye The Slayer Man at least had a vaguely credible killer Popeye.) The film ends with a shout-out to Evil Dead II and it actually would have been pretty cute if the film before it had been better. As it its, it feels like an unearned comparison.
On the plus side — because I hate to be totally negative about anything — the shots of the night sky were actually very effective. That may sound like almost a parody of faint praise and I guess maybe it is but seriously, there was some real beauty to shots of the stars moving across the sky.
Anyway, let’s stop turning public domain characters into murderers, shall we? Thanks!
Scenes That I Love: Nosferatu on the Ship
4 Shots From 4 Films: Special F.W. Murnau Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today was celebrate the visionary director, F.W. Murnau! Murnau was born 135 years ago today, in Germany. He went on to become a leading expressionist and one of the most influential filmmakers of all time. Needless to say, it’s time for….
4 Shots From 4 F.W. Murnau Films
Brad reviews BARBARIAN (2022)

My nephew told me that he liked the film BARBARIAN (2022) when we were hanging out at the family cabin for Christmas. This particular nephew loves movies and every time we get together we talk about our favorite films, and he knows his stuff. We didn’t really talk about what happens in this movie, but he just casually mentioned it was a film he thought was good. As such, the title caught my attention when I was scrolling through my Hulu app today. Knowing nothing about the plot of the film, my wife and I settled in for our initial viewing….
BARBARIAN’s setup feels quite ordinary. Tess (Georgina Campbell) arrives in Detroit for a job interview, only to discover her Airbnb has been double-booked with a stranger, Keith (Bill Skarsgård). Through a variety of circumstances, the two end up agreeing to share the house for the night. Needless to say, it takes a bit for the two to get comfortable with each other. Every polite smile, every offered cup of tea, or glass of wine for that matter, feels loaded with possibility. Is he harmless? Is she overreacting? What in the hell is about to happen? Director Zach Cregger milks these scenes beautifully, allowing the tension to build until they finally seem to find a reason to trust each other. And just when you think you’re starting to understand where the movie is going, it begins throwing curveballs at you by introducing new characters and new perspectives to everything that has been introduced thus far. Justin Long’s character of AJ McBride, the owner of the Airbnb who arrives about halfway through the film, is especially inspired as it provides both a break in the tension and another unique personality to the mix.
By the time BARBARIAN starts to come to its full conclusion, it has truly become the stuff that nightmares are made of, but it doesn’t feel completely evil. As outrageous as it all is, I actually understood why the characters behave the way they do, so there’s almost a sense of sadness under the horror. There’s real danger, but that danger is brought on by unimaginable cruelty and neglect. It’s ugly and gross, but it’s also somewhat realistic since the filmmakers have taken the time to set up both the hows and the whys of their horrific scenario.
At the end of the day, I enjoyed BARBARIAN. I’ve never been the kind of movie watcher who searches out horror movies. When I was a kid, I watched scary movies at sleepovers with friends. As an adult, I’ll watch them with my friends at #ScarySocial on X, or when they’re recommended to me as is the case here, but then I’ll seamlessly move back to my world of action or comedy films. Such is the case with BARBARIAN. With its freaky images and multiple jump scares, my wife and I were both glad that we watched the movie when it was still daylight. It’s one of those films that crawls under your skin and hangs out with you for a while even after the closing credits. I’ll have to watch some football or a Charles Bronson movie just to get my head straight!
One Battle After Another Wins In Georgia
The Georgia Film Critics Association has announced its picks for the best of 2025. The winners are listed in bold.
Best Picture
Black Bag
Hamnet
It Was Just an Accident
Marty Supreme
One Battle After Another (WINNER)
Sentimental Value
Sinners (RUNNER-UP)
Sorry, Baby
Train Dreams
Weapons
Best Director
Hamnet – Chloé Zhao
One Battle After Another – Paul Thomas Anderson (WINNER)
Sentimental Value – Joachim Trier
Sinners – Ryan Coogler (RUNNER-UP)
Train Dreams – Clint Bentley
Best Actor
Timothée Chalamet – Marty Supreme (WINNER)
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners (RUNNER-UP)
Best Actress
Jessie Buckley – Hamnet (WINNER)
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value (RUNNER-UP)
Eva Victor – Sorry, Baby
Best Supporting Actor
Benicio Del Toro – One Battle After Another (WINNER)
Jacob Elordi – Frankenstein (RUNNER-UP)
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value
Best Supporting Actress
Ariana Grande-Butera – Wicked: For Good
Regina Hall – One Battle After Another (RUNNER-UP)
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons (WINNER)
Teyana Taylor – One Battle After Another
Best Original Screenplay
If I Had Legs I’d Kick You
Marty Supreme
Sentimental Value (RUNNER-UP)
Sinners (WINNERS)
Sorry, Baby
Weapons
Best Adapted Screenplay
Frankenstein
Hamnet
No Other Choice
One Battle After Another (WINNER)
Train Dreams (RUNNER-UP)
Best Cinematography
F1
Frankenstein
One Battle After Another
Sinners (WINNER)
Train Dreams (RUNNER-UP)
Best Production Design
The Fantastic Four: First Steps
Frankenstein (WINNER)
Hamnet
Marty Supreme
Sinners (RUNNER-UP)
Best Original Score
F1 – Hans Zimmer
Hamnet – Max Richter
One Battle After Another – Jonny Greenwood
Sinners – Ludwig Göransson (WINNER)
Train Dreams – Bryce Dessner (RUNNER-UP)
Best Original Song
“Golden” – KPop Demon Hunters (RUNNER-UP)
“Highest 2 Lowest” – Highest 2 Lowest
“I Lied to You” – Sinners (WINNER)
“Last Time (I Seen the Sun)” – Sinners
“Train Dreams” – Train Dreams
Best Ensemble
Black Bag
Marty Supreme
One Battle After Another (WINNER)
Sentimental Value
Sinners (RUNNER-UP)
Breakthrough Award
Miles Caton (WINNER)
David Corenswet
Chase Infiniti (RUNNER-U)
Jacobi Jupe
Eva Victor
Best Animated Film
Arco (RUNNER-UP)
Elio
KPop Demon Hunters (WINNER)
Scarlet
Zootopia 2
Best Documentary
The Alabama Solution (WINNER)
The Librarians
My Mom Jayne
The Perfect Neighbor (RUNNER-UP)
Predators
Best International Film
It Was Just an Accident
No Other Choice (RUNNER-UP)
The Secret Agent
Sentimental Value (WINNER)
Sirāt
Oglethorpe Award for Excellence in Georgia Cinema
Bugonia (RUNNER-UP)
Meta Take One
The Naked Gun
Sister
Salad Days (Short)
Superman
Swimming Holes (Short)
Thunderbolts
Weapons (WINNER)
Withdrawl
Zora Head: The Life and Scholarship of Valerie Boyd (Short)












