Film Review: Project Skyquake (dir by József Gallai)

Posted on November 7, 2022 by Lisa Marie Bowman

Project Skyquake, the latest film from director József Gallai, opens with a voice in the darkness. The voice belongs to Andrew Derrickson (Simon Bramford), the stepfather of a student journalist named Cassie. Andrew explains that Cassie and her friend Margot have been missing for a while. They are actually one of the many people who disappeared all in the same day, an event that changed the world.

As he speaks, we see scenes of empty roads, abandoned buildings, and ominous forests and we can’t help but notice that there does not seem to be many people around. We know that something big has happened but we don’t know what yet. However, when looking at these desolate images, it’s hard not to think about what the real world has gone through over the past two years. Due to the pandemic and lockdowns, many people did literally seem to disappear. They retreated into their homes and they locked their doors and some have yet to emerge. In the early days of the Pandemic, images of empty streets and deserted buildings were a regular feature on the news and online. Some news sources even took to referring to the pre-COVID days as being the “before time,” as if the expectation was that the world would just have to accept the new normal of a empty streets and missing faces. Project Skyquake, I should make clear, is not directly a COVID film but it is a film that resonates because of what most of humanity has just been through (and what many people are currently still experiencing). At a time when many are trying to memoryhole what it was like and pretend as if it really wasn’t as bad as all that, Project Skyquake is a film that reminds us of exactly what it felt like to feel as if one was witnessing the end of the world.

We watch footage of the days leading up to the disappearance of Cassie (Laura Ellen Wilson) and her friend Margot (Laura Saxon). Cassie is fascinated by “skyquakes,” a very real phenomena in which people have reported hearing explosions and trumpets coming from the sky. As Cassie explains it, some people think that the skyquakes are UFO-realted. Some blame the government. Some say it’s a natural occurrence with a scientific explanation. Others view the skyquakes as being the sound of heavenly trumpets announcing the start of the rapture and the end of the world. Cassie explains that the skyquakes could be holes in time and we are hearing the sounds of the future.

After receiving a video from Hank (Tom Sizemore), another skyquake researcher, Cassie and Margot drive out to a location where skyquakes have frequently been reported. They’re hoping to capture the phenomena on film. Instead, they find themselves driving further and further into what appears to be a deserted forest. Of course, the forest isn’t as deserted as it may appear and Cassie and Margot soon discover the truth about the skyquakes….

Project Skyquake is an enjoyably creepy found footage film. The film makes good use of its atmospheric locations, with the forest and the things found within growing significantly more threatening with each passing moment. (The shots of the abandoned buildings and the unwelcoming wilderness reminded me a bit of Jean Rollin’s The Night of the Hunted, with its portrayal of semi-deserted and dystopian Paris.) The film does a good job of capturing the frightening and powerless feeling of being lost, both physically and mentally. Laura Ellen Wilson and Laura Saxon are both immediately sympathetic as Cassie and Margot and, even more importantly, they’re believable as lifelong friends. The viewer really does care about what is going to happen to them.

The film also does a good job of portraying the underground network of paranormal investigators and hobbyists who are convinced that there is more to the world than what can be easily seen. Along with Tom Sizemore’s Hank. we also hear from Scott Carmichael (Robert LaSardo), an expert on the phenomena, and a Professor Stokkebø (Jon Vangdal Aamaas). They are people who come from different parts of the world and different backgrounds but what they all share in common is a belief that there is more out there than we know or have been told about.

Project Skyquake is a short but effective film about a real-world phenomena. It’ll make you listen to the sky a little more carefully then next time you’re standing underneath it.

Retro Television Reviews: The Seduction of Gina (dir by Jerrold Freedman)

Posted on November 6, 2022 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1984’s The Seduction of Gina. It can be viewed on Tubi!

Gina (played by Valerie Bertinelli) is bored.

She’s a 20 year-old newlywed who spends her days going to college and her nights sitting in a tiny apartment and waiting for her husband, David (Fredric Lehne), to come home. David is an intern at a hospital. He works the nightshift and, as a result, he’s usually exhausted and not particularly communicative. Unlike her husband, Gina comes from a wealthy family and she’s due to inherit a good deal of money as soon as she turns 21. However, David stubbornly refuses to use any of Gina’s money to make either of their lives better. He gets angry when Gina even mentions the possibility. He’s prepared to spend the next ten years living in a crummy apartment and working terrible hours. Once he establishes himself as a doctor, he says that he and Gina can start to think about starting a family. Are you getting the feeling that David has control issues? Because that’s definitely the feeling that I got from him.

Bored and frustrated, Gina turns to gambling. Who can blame her? Not only is it a way to make some money and bring some excitement into her life but it’s also something that she’s really good at! She starts out just putting bets on horse races. (The owner of a nearby bodega is also a bookie.) She uses the money to buy a new television set, which David totally freaks out about. Soon, Gina is sneaking off to Lake Tahoe. While David works at the hospital, Gina hits the blackjack table and spins the roulette wheel. She even attracts the eye of Keith Sindell (Michael Brandon), a handsome lawyer who loans her money and obviously has an interest in her that goes beyond card games. Every morning, she jumps in her car and rushes back to San Francisco, arriving at her apartment before David gets home and lying to David about what she’s been doing all night.

It starts out well but this wouldn’t be a TV movie if there wasn’t a bit of drama. Unfortunately, Gina’s luck starts to change and she soon finds herself in debt. The owner of that bodega is a lot less nice when he’s demanding his money. And Keith might be willing to cheat on his wife with her but he still expects her to pay back the money that he’s given her. The world of gambling turns out to be harsh and unforgiving. Gina is forced to find ways to get the money. If that means lying to her husband, her father (played by Ed Lauter), and her accountant, so be it. She might even have to — gasp! — get a job as a cocktail waitress!

It’s obvious from the start that Gina is going to get into trouble, or at least it’s obvious to everyone but Gina. And really, isn’t that the way life is sometimes? Usually, the only person who can’t see the walls closing in is the person who is about to get crushed. The Seduction of Gina is melodramatic and predictable but Valerie Bertinelli is likable in the role of Gina and the scenes in casino are enjoyably gaudy and a little bit sordid. It’s an entertaining movie, a Lifetime film that came out before Lifetime. The film’s message is not to gamble but The Seduction of Gina makes winning look like so much fun that it probably inspired more people to hit the casinos than to stay at home and balance the checkbook. In the classic DeMille fashion, this film offers both sin and a hint of salvation but it understands that sin is more entertaining to watch.

October Positivity: To Save A Life (dir by Brian Baugh)

Posted on October 31, 2022 by Lisa Marie Bowman

The 2009 film, To Save A Life, tells the story of two friends.

When they were children, Roger saved Jake’s life by pushing him out of the way of a car. Roger ended up with a permanent limp while Jake was able to continue playing basketball. By the time they start high school, Jake (now played by Randy Wayne) is a basketball star while Roger (Robert Bailey, Jr.) is an outcast. Jake and Roger start to drift apart, with Jake even abandoning Roger so that he can go to a party with his popular new girlfriend, Amy (Deja Kreutzberg). By the time that they’re seniors, Jake and Roger barely acknowledge each other’s existence. When Roger brings a gun to school and kills himself in front of his classmates, Jake is wracked with guilt. When Jake goes to Roger’s funeral, he discovers that he’s the only one of Roger’s classmates who bothered to show up.

Jake tries to go back to his normal life. He plays basketball. He dates Amy. He continues to be the school’s beer pong champion. He desperately seeks approval from his mother and his father, both of whom are too busy dealing with their own failing marriage to pay much attention to Jake. However, Jake cannot shake the feeling that he not only betrayed Roger but that his current life is empty.

To the shock of everyone, Jake starts to attend the meetings of a church youth group. Jake gets to know the other members of the group and discovers that quite a few of them are not particularly sincere in their faith. The local preacher’s kid, Danny (Bubba Lewis), tells Jake that the church’s youth pastor, Chris (Joshua Weigel), is only using him because he knows that Jake is a popular student and Chris believes that Jake will bring more members into the group. When Jake convinces Amy to attend church with him, she finds the whole experience to be weird and off-putting. When she tells Jake that he’s pushing her too hard to be a part of his new group, it’s hard not to feel that she has a point and, fortunately, Jake realizes that she has a point. Later, she reveals a secret that could change both her life and Jake’s life forever.

With the help of his friend Andrea (Kim Hidalgo), Jake starts to try to reach out to all the other students who, like Roger, believe themselves to be outcasts. For his efforts, he is shunned not only be his former friends but also by several members of the youth group. When Jake befriends troubled Johnny Garcia (Sean Michael Afable), Johnny is framed for a crime he didn’t commit….

I’ve reviewed several faith-based films this month, mostly because I felt it would serve as an interesting and occasionally humorous counterpoint to all of the horror reviews. For the most part, I’ve been fairly snarky in my reviews and I think that snark is justified. Faith-based films, no matter how sincere they may be, are often rather cringey to sit through. That said, I actually really liked To Save A Life, which is a generally well-acted, well-directed, and not particularly preachy film. Unlike a lot of other faith films, To Save A Life doesn’t idealize Jake’s experience. His problems don’t disappear once he starts going to church and the film makes clear that his guilt over Roger’s death is something that he will always carry with him. Instead, the film’s emphasis is less on preaching at people and more on just treating them decently and with respect. The film is willing to concede that Amy has a point when she says that the relentless positivity of the church youth group is all a bit much and that the members themselves can be just as judgmental and hypocritical as anyone else in the world. Indeed, the film stands out from other faith-based films by featuring a villain who largely hides his activities behind the fact that his father is a preacher. The film benefits from a cast who, for the most part, all give naturalistic performances. Randy Wayne and Kim Hidalgo especially do a good job of making their characters seem like actual human beings as opposed to idealized symbols.

To Save a Life is actually pretty good. And that’s a good note on which to end this October Positivity series.

Horror Film Review: Night of the Comet (dir by Thom Eberhardt)

Posted on October 31, 2022 by Lisa Marie Bowman

The 1984 film, Night of the Comet, begins with the end.

The end of the world, that is!

When the Earth passes through the tail of a comet, the end result is that the majority of the world’s population is reduced to red dust. Those who are exposed to the comet but not turned immediately into dust face an even worse fate. They are transformed into mindless zombies. Fortunately, 18 year-old Reggie (Catherine Mary Stewart) and her 16 year-old sister, Sam (Kelli Maroney), both managed to avoid getting exposed. Sam was in a steel shed, hiding from their abusive stepmother. Reggie was in a theater projection room with her boyfriend. When Reggie and Sam wake up in the morning to discover that they are two of the few people left alive on the planet, they do what anyone would do.

They go to the mall!

Which is probably the same thing that me and my sisters would have done if we had found ourselves in a similar situation. That’s one reason why Night of the Comet holds up so well. It’s one of the few films to be honest about how most people would probably react to the end of the world. Instead of giving a big dramatic monologue or having a breakdown or getting into a fight about who is to blame and what it all means, Reggie and Sam try to have a little fun. Of course, they also grab some guns while they’re at the mall. They’re not stupid. They know the situation is grim and they need to be prepared. But still, there’s no reason why they shouldn’t try on all the clothes that they previously would not have been able to afford. And why shouldn’t they treat the mall as their own personal playground? They’re young and they’ve survived the end of the world. They deserve to enjoy themselves.

Of course, just because Reggie and Sam survived, that doesn’t mean the world is a safe place. Along with the zombies, there’s also a crazed group of former stockboys who now view the mall as being their own personal kingdom. And then there’s the scientists, who claim that they’re benevolent but who are actually looking for healthy specimens on which they can experiment.

Night of the Comet is a terrifically fun horror movie, a real treat for anyone who has ever imagined what they would do if they were among the last people on Earth. Catherine Mary Stewart, Kelli Maroney, and Robert Beltran (who plays another survivor) brings a lot of energy to their likable roles while Mary Woronov and Geoffrey Lewis are properly menacing as the two main scientists. The zombies, with their crazed eyes and their decaying faces, are genuinely frightening. Director Thom Eberhardt wisely doesn’t overuse the zombies. Indeed, the whole point of the film is that the world is now nearly empty of people, whether they’re zombies or not. But because the zombies aren’t present all of the time, it makes it easy to forget about them and it also makes all the more frightening when they suddenly show up.

Night of the Comet is an enjoyable mix of horror and comedy, one that holds up well nearly 40 years after it was first released.

Horror Film Review: Killers From Space (dir by W. Lee Wilder)

Posted on October 31, 2022 by Lisa Marie Bowman

This is the one with the googly-eyed aliens.

Killers From Space was released in 1954 and, in many ways, it’s typical of the sci-fi B-movies that were released at the time. A nuclear scientist (Peter Graves) crashes the airplane that he’s flying. Everyone thinks that he’s dead but, a day later, he shows up at the army base. He says he can’t remember anything about the crash but once he’s put under hypnosis, he remembers being abducted by a bunch of aliens. No one believes his story but Graves knows what happened and he’s determined to thwart the aliens before they can sap away all of Earth’s energy. And by Earth, I mean America because this film is from 1954 and every character in the movie understands that there’s only one nation that matters!

With a running time of only 70 minutes, it’s a standard alien invasion flick. It’s perhaps a bit distinguished by the presence of Peter Graves, who handles his role with dignity. Graves was one of those actors who could deliver even the most ludicrous dialogue with a certain amount of gravitas and the film certainly gives him plenty of chances to do just that. Graves has the perfect deep, resonant establishment voice. Just the sound of it makes the viewer think of America. As such, there’s something undeniably fun about him deploying that voice for a film about an invasion of googly-eyed aliens. And the film is also somewhat notorious for being one of the many B-movie to be directed by Lee Wilder, the brother of Billy Wilder. Billy Wilder not only perfected the modern comedy but he also made some of the most important film noirs ever made. He was a master of every genre and someone who inspired countless filmmakers. He directed witty masterpieces like Double Indemnity and Sunset Boulevard and The Apartment. Billy Wilder made the first major film about alcoholism, The Lost Weekend. Billy Wilder won Oscars and competed at Cannes. Lee Wilder made movies like Killers From Space. The Cannes elitists never invited Lee Wilder to their festival and, watching his films, one gets the feeling that it was the festival’s lost. Ironically, both directors made films that continue to intrigue viewers, though for very different reasons. Billy Wilder gave us an amoral Hollywood screenwriter narrating a film from beyond the grave. Lee Wilder gave us googly-eyed aliens. And true film lovers love both of them for their entertaining contributions to world cinema.

With all that in mind, the main thing that people remember about Killers From Outer Space are the aliens and …. well, who can blame them? Seriously, look at them!

I mean, obviously they’re just big googly eyes and half the time, they don’t even fit correctly. You can probably buy eyes like that for yourself if you really wanted to. But still, the image of those big eyed aliens is undeniably creepy! You may quickly forget most of what happens in Killers From Space. It’s not that memorable of a film, to be honest. But you will never forget those eyes!

The TSL’s Horror Grindhouse: Survival of the Dead (dir by George Romero)

Posted on October 31, 2022 by Lisa Marie Bowman

Sitting off the coast of Delaware, Plum Island seems like the perfect place to live. The people are friendly. The town is small and quaint but definitely inviting. There are plenty of horses, for those who like to ride. The island’s one mailman is a welcome sight, dropping off mail everyday and giving everyone a friendly wave.

The only problem with Plum Island is that, as pretty as it may be, it is also the home to two feuding Irish families. Patrick O’Flynn (Kenneth Welsh) and Seamus Muldoon (Richard Fitzpatrick) have been enemies for as long as anyone can remember. Their feud has gone on for so long that its doubtful anyone even know what started it all. The two families have an uneasy peace up until the breakout of the zombie apocalypse. The O’Flynns want to kill every zombie that shows up on the island. The Muldoons, on the other hand, want to keep the zombies as pets and workers until a cure for their condition can be found. Eventually, Patrick O’Flynn turns out to be so reckless in his mission to destroy the undead that he’s exiled from the island. Even his own daughter, Janet (Kathleen Munroe), supports sending Patrick off to the mainland.

However, no sooner has Patrick been exiled then he hooks up with a bunch of AWOL National Guardsmen, who are weary of spending the rest of their days chasing the undead. Patrick leads them back to Plum Island, hoping to use them to destroy the the Muldoons forever.

Released in 2010, Survival of the Dead is both the final entry in George Romero’s Dead films (which started way back in 1968 with the classic Night of the Living Dead) and it was also Romero’s last completed film as a director. (Romero died in 2017, while in pre-production on a film called Road of the Dead.) Unfortunately, Survival of the Dead was not warmly greeted by critics or audiences, many of whom felt that Romero was simply rehashing concepts that he had already fully explored in the previous Dead films.

To a certain extent, those critics have a point. There are a lot of flaws with Romero’s final film, from the obviously low budget to the inconsistent performances. (Welsh, Fitzpatrick, and Munroe are all well-cast and give good performances but the National Guardsmen are all forgettable at best.) At the same time, there’s enough weird moments in Survival of the Dead to make it watchable. Plum Island is a memorably surreal location. The undead of Plum Island continue to exhibit the same behavior in death that they did in life. The mailman still tries to deliver mail. Another zombie continues to ride her horse across the island. It’s only when they sense the living amongst them that they turn deadly. As with all of Romero’s Dead films, the living dead may be dangerous and relentless but the truly scary characters in the film are the living humans who, even in the middle of the end of the world, cannot set aside their differences long enough to work together. The film’s final shot, which suggests that it takes more than death to end a blood feud, is so striking that it makes up for a lot of the weaker moments that came before it.

In the end, the most interesting thing about Survival of the Dead is that it’s more of a western than a traditional horror movie, featuring two warring families fighting on horseback and battling to control the land. Romero often said that he felt trapped by his reputation as a horror filmmaker and that he was actually interested in all genres of film. With Survival of the Dead, Romero finally got to make a Western. The end result is uneven but still has enough interesting moments to make it worth watching.

Horror Film Review: All The Kind Strangers (dir by Burt Kennedy)

Posted on October 31, 2022 by Lisa Marie Bowman

This 1974 made-for-television movie opens with photojournalist Jimmy Wheeler (Stacy Keach) driving down an isolated country road. He’s driving across America, heading towards California. However, when he sees a young child walking on the side of the road and struggling to carry two bags of groceries, Jimmy pulls over and offers the child a ride.

That’s a big mistake. As Jimmy soon discovers, the child lives on an isolated farmhouse in the middle of nowhere. He resides with his six brothers and sisters. The family is led by Peter (John Savage), the oldest sibling. Jimmy discover that there’s only one other adult on the farm. The children refer to her as being their mom and Carol Ann (Samantha Eggar) certainly does seem to be busy, cooking dinner and keeping the house clean. It’s only when the children leave the kitchen that Carol Ann finally tells Jimmy the truth. She’s not related to the children. Instead, she is someone who made the same mistake that Jimmy did. She gave one of the kids a ride home and she’s never been allowed to leave.

It turns out that the children’s parents died a few years ago but, because the family lives so far away from town, no one has ever noticed. Peter has been in charge of the family but he’s reaching the point where he no longer wants to spend his entire life on the farm. He wants to experience Mardi Gras and then visit California. So, Peter has been sending out the children to tempt random adults to come to the house, where Peter auditions them to see if they would be good parents. Peter has decided that Carol Ann can be the mother. Now, he just needs to find someone to serve as the father.

Jimmy seems like a good candidates, except for the fact that he doesn’t want to spend the rest of his life in the middle of nowhere and raising a bunch of odd children. Unfortunately, Jimmy soon discovers that it won’t be easy to escape. The farm is guarded by a pack of dogs and Peter has a way of taking care of all the kind strangers who fail their audition….

Even though it’s only 75 minutes long, All The Kind Strangers is a bit of a slow film and often, it seems like it can’t decide whether it wants to be a straight horror film or a family melodrama. Add to that, one of the kids is played Robby Benson, who showed up in a lot of 70s films, always playing awkward teenagers. Benson gives such a bizarrely over the top performance that it’s hard to take him or any situation in which he’s involved seriously. (Benson also sings the film’s easy listening theme song.) That said, the film still manages to create and maintain an effectively creepy atmosphere and Stacy Keach, Samantha Eggar, and John Savage all give good performances. The fact that the kids aren’t evil as much as they’re incapable of understanding the consequences of their actions actually serves to make them even creepier than the typical demented children who appear in films like this.

All The Kind Strangers has its moments, even if it doesn’t make a huge impression.

Horror Film Review: King of the Lost World (dir by Leigh Scott)

Posted on October 31, 2022 by Lisa Marie Bowman

Produced by the Asylum, this 2005 film opens with a plane crashing on a remote island. The plane splits apart on impact, leaving the back part of the plane on the beach and the cockpit lost somewhere in the jungle. With the reluctant help of the mysterious Lt. Challenger (Bruce Boxleitner), the survivors attempt to find the cockpit and a way to radio for help. What they discover is that the island is not only crawling with dinosaurs and giant bugs but there’s also a really big ape lumbering about. There are also natives, who want to sacrifice the survivors to the ape. Apparently, a sacrifice a day keeps the ape away, which is something that’s good to know if you ever find yourself stranded on an unchartered isle.

This may sound a lot like King Kong and, definitely, the film did borrow more than a little from both those films and Jurassic Park. However, King of the Lost World has even more in common with TV show Lost. The scenes of the survivors on the beach and often feel as if they were lifted from the show’s pilot. (And let’s not forget that a lot of the pilot’s action actually did center around trying to find where the plane’s cockpit had ended up.) Lt. Challenger, who carries a mysterious briefcase with him and who refuses to explain the full details of why he’s on the island, feels like he could have been one of the enigmatic Others. Technically, though, the film is actually an adaption of Arthur Conan Doyle’s The Lost World, which one of a series of novels that Doyle wrote about Professor Challenger and his adventures as an explorer. Prof, Challenger, it should be said, was a bit more of a sympathetic character than Lt. Challenger.

Unfortunately, King of the Lost World doesn’t really live up to any of its influences. The giant ape and the dinosaurs are all neat in their cheap but goofy way but they are also barely in the movie. Instead, the majority of the movie is about people wandering through the forest and arguing about whether or not they should go left or right. When the survivors get captured by the natives, there is a slightly fun sequence where two of them get hypnotized and “go native” but even that’s only interesting for a scene or two. If a movie promises a giant ape, it needs to deliver the giant ape for more than a minute at the start and five minutes at the end.

Usually, I am proud and not at all ashamed to defend the Asylum and their low-budget mockbusters but King of the Lost World is not one of their better films. The movie ended with a hint of a possible sequel but, as far as I know, it never happened. Fortunately, even if King of the Lost World didn’t lead to a franchise, the Asylum would go on to give us the Sharknado films and a lot of other fun movies as well.

Possession (dir. by Andrzej Zulawski)

Posted on October 31, 2022 by Leonard Wilson

After finally watching Warner Herzog’s Nosferatu some years ago, I got into an Isabelle Adjani kick. I found out about Andrzej Zulawski’s Possession via Twitter, and considered picking it up. However, the only copy available at the time on Amazon was the Mondo Vision Special Edition, which clocked in at almost $175 dollars. I haven’t seen a movie priced so high since my Aunt purchased the VHS version of Conan the Barbarian when it was first released at around $80.

Thankfully, Metrograph has the film on rotation in part of their movies at home service since last year. I’ve watched it a few times since it was made available, and perhaps it’s why Titane didn’t bother me as much is it did others. I felt truly uncomfortable with Possession, and it’s not an easy recommendation. I’m not sure I’d refer to it a horror film. It’s more of a supernatural drama, but by the end of it, you may find yourself wanting to wash your eyes out. I guess maybe the closest films I could compare Possession to are Marriage Story and Blue Valentine, but with some darker elements.

I should a moment to warn you now. Possession contains elements of nudity, abuse, creature sex and even a miscarriage. The film was originally banned in the United Kingdom as part of a movement to corral more extreme content in cinema. Films like Faces of Death, Tenebrae, The Evil Dead, Mother’s Day (which my older brother owned), Shogun Assassin and even Suspiria were once on a watch list to be seized if their videos were owned by anyone. This was done under the notion that the content of the films were either offensive or could corrupt the minds of anyone (children, in particular) watching it.

Possession is the story of Anna (Adjani) and Mark (Sam Neill, Thor: Ragnarok). Having recently arrived home from working abroad as an Operative, Mark suspects that Anna is cheating on him. She has found someone else, and it proves to be a major rift in their already damaged relationship. Add to this their son, Bob, and it just grows more complicated. When Mark confronts Heinrich (Heinz Bennent), one of Anna’s lovers, it doesn’t go well for Mark. Try as he might to make amends with Anna, she simply doesn’t feel anything for him anymore or rather, her new relationship is too much to let go. Mark’s attempts to reconcile aren’t exactly working in his favor, as he moves from constant questioning to outright violence in some cases. Mark isn’t exactly innocent either, considering that he’s grown fond of Helen, Bob’s school teacher (also played by Adjani) and reluctantly spends some quiet time with his annoying neighbor, Margit (Margit Carstensen, Martha).

Eventually, Mark hires an investigator (Carl Duering) to follow Anna and track down her lover. The detective manages to find Anna living in a run down building. He discovers who (and more importantly, what) she’s been sleeping with, which prompts Anna to kill him. As curiosity grows over Anna’s new relationship, Heinrich checks in on Anna, only to be attacked. Heinrich returns to Mark for assistance, which leads to some strange events in the last half hour.

Although the film is about 2 hours and 4 minutes, it does takes a while to get to where it needs to go. I’ll admit to having moments of wondering just what was going on, as the film felt like it was looping in circles. Mark wants Anna, Anna hates Mark. Mark loves Bob, so does Anna. Once the detective comes into the picture, things pick up a bit. There’s also a miscarriage sequence that was hard to watch. If you can handle it, so be it, but for me, it was definitely a “What the hell?” moment.

Possession‘s special effects were created by Carlo Rambaldi, who also went on to work on E.T. The Extra-Terrestrial. The creature in the movie is somewhat menacing in its various forms, with tentacles slithering. I would have loved to see the audience reaction to it on screen. Possession was a hard film to make for both Sam Neill and Isabell Adjani. Supposedly, the movie caused Adjani so much stress that it was rumored she attempted suicide. Neill also had issues working in the film and according to Wikipedia, he considered it one of the “most extreme film” he ever made. It truly shows throughout the movie. Both actors push at each other like an angry married couple, and the interactions between the two are the real shocking elements of Possession. You have thrown chairs, tons of screaming and fighting.

Overall, Possession is a film that isn’t a required watch, but I was curious about the ban behind it. It has some strong and wild performances by both Sam Neill and Isabelle Adjani. Adjani’s performance would win her the Best Actress at Cannes, and was well deserved. It’s almost an out of body experience, for the most part.

Horror Film Review: Terror at London Bridge (dir by E.W. Swackhamer)

Posted on October 31, 2022 by Lisa Marie Bowman

On a foggy London night in 1888, the shadowy killer known as Jack the Ripper is pursued by a combination of police and citizens. Cornered and facing certain execution if captured, Jack jumps off of London Bridge and disappears into the murky waters of the Thames.

Jump forward to the late 80s. London Bridge has been transported, brick-by-brick, to a town in Arizona and it now serves as a somewhat tacky tourist attraction. Unfortunately, it turns out that Jack the Ripper’s spirt is inside in the bricks and transporting the bridge has also transported Jack. Considering that Jack died in the Thames, I’m not really sure why his spirit will still be trapped in the bricks of the bridge. It seems like his spirit should still be in the river but whatever. Let’s just go with it. One tourist accidentally cuts her finger while walking across the bridge. Her blood hits the wrong brick and suddenly, Jack the Ripper is alive and killing in Arizona! Can the murders be stopped before they interfere with the tourist season!?

Only Detective Don Gregory (David “The Hoff” Hasselhoff) thinks that Jack the Ripper has returned to life. His captain (Clu Gulager) doesn’t believe him. The sleazy city councilamn (Lane Smith) doesn’t believe him. His potential girlfriend, Angie (Stepfanie Kramer), has doubts about Don’s theory. His own partner (Randolph Mantooth) doesn’t buy it. Even Angie’s best friend, a librarian named Lynn (Adrienne Barbeau), doesn’t think that there’s any connection between Jack the Ripper and the handsome Englishman (Paul Rossilli) who has recently been stopping by the library and flirting with her.

And really, why would anyone believe Don? His theory makes no sense, even if it does turn out to be true. Indeed, Don is remarkably quick to accept the idea of Jack the Ripper traveling through time. Of course, what also doesn’t make sense is the city council’s refusal to shut down the bridge until the killer’s been caught. It’s the tourist season but seriously, it seems like a serial killer — whether he’s Jack the Ripper or not — would be bad for business!

This 1985 movie was made for television. The premise is intriguing but the execution is a real let-down. It’s a 90 minute film and the Hoff doesn’t really seem to get serious about trying to hunt down Jack the Ripper until 60 minutes in. This is the odd Jack the Ripper film in which the Ripper is often treated as an afterthought. Instead, the majority of the film is taken up with Don flirting with Angie and trying to come to terms with an accidental shooting that occurred when Don was a cop in Chicago. The whole Jack the Ripper subplot is almost treated like a red herring, which is an odd way to treat a 19 century villain who can travel through time. I mean, sometimes, romance has to wait until the time-traveling serial killer has been taken care of. It’s all about priorities.

In the end, this one is for hardcore Hasselhoff fans only. Those who want to watch a Jack the Ripper time traveling movie would be better served by watching Time After Time, featuring David Warner as the Ripper and Malcolm McDowell as H.G. Wells.