Tonight was the penultimate episode of Kurt Sutter’s Sons of Anarchy on FX. It was an episode that truly earned it’s label of being a modern Shakespearean tragedy (a label many shows have been given but rarely live up to). It also unfolded like some of the best Coppola and Scorsese gangland epics with accounts being settled in disturbing, bloody fashion.
SAMCRO was a group that for some reason legion of fans have taken a ride with and despite the man downs the show took with it’s many highs people didn’t get off the ride (or couldn’t). They wanted to see how this outlaw band of brothers and their loved ones will survive (or who will survive) to the end.
We now know that three more names have been struck off the show’s ledger. With one more episode left in the series it’s either going to go out in a blaze of glory or end in a whimper.
To make tonight’s episode even more memorable we got to listen to Ed Sheeran drop his latest song that perfectly encapsulates the events of Sons of Anarchy tonight and all the way back to the beginning.
Make It Rain
When the sins of my father Weigh down in my soul And the pain of my mother Will not let me go
Well I know there can come fire from the sky To purify pure as the canes Even though I know this fire brings me pain Even so And just the same
Make it rain Make it rain down low Just make it rain Make it rain
Make it rain Make it rain down low Just make it rain Make it rain
And the seed needs the water Before it grows out of the ground But it just keeps on getting hotter And the hunger more profound
Well I know there can come tears from their eyes But they may as well be in vain Even though I know these tears bring me pain Even so And just the same
Make it rain Make it rain down low Just make it rain Make it rain
Make it rain Make it rain down low Just make it rain Make it rain
Make it rain x8
And the seas are full of water That stop by the shore Just like the riches of grandeur That never reach the port
So let the claps fill with thunderous applause And let thy death be the veins And fill the sky With all that they can drop When it’s time To make a change
Make it rain Make it rain down low Just make it rain Make it rain
Make it rain Make it rain down low Just make it rain Make it rain
Make it rain x4
Make it rain Make it rain down low Just make it rain Make it rain
It’s been 13 years since the first film in what will ultimately become Peter Jackson’s Middle-Earth Saga and now we’re in the stretch run. The Hobbit: The Battle of the Five Armies is set to arrive in North America this December 17. The film premiered in London on December 1, 2014.
Kids who first saw The Fellowship of the Ring in 2001 are now young adults. For adults who have returned time and time again to the world Peter Jackson built for over a decade of limitless imagination and hard work of thousands this final film will be the culmination of watching what many in years past have called unfilmable.
So, it’s with both joy and sadness that the book finally closes on Peter Jackson’s Middle-Earth journey and what better way than the final end credits song “The Last Goodbye” written and recorded by Peregrin Took himself, Billy Boyd.
The video itself mixes in scenes from both The Battle of the Five Armies and the previous five films. We also get some behind-the-scenes footage of the cast making their final farewells as filming closes to an end.
Damn people cutting onions.
The Last Goodbye
I saw the light fade from the sky On the wind I heard a sigh As the snowflakes cover my fallen brothers I will say this last goodbye
Night is now falling So ends this day The road is now calling And I must away Over hill and under tree Through lands where never light has shone By silver streams that run down to the sea
Under cloud, beneath the stars Over snow one winter’s morn I turn at last to paths that lead home And though where the road then takes me I cannot tell We came all this way But now comes the day To bid you farewell Many places I have been Many sorrows I have seen But I don’t regret Nor will I forget All who took the road with me
Night is now falling So ends this day The road is now calling And I must away Over hill and under tree Through lands where never light has shone By silver streams that run down to the sea
To these memories I will hold With your blessing I will go To turn at last to paths that lead home And though where the road then takes me I cannot tell We came all this way But now comes the day To bid you farewell
“You’ve all been out here too long.” — Ofc. Bob Lamson
[spoilers]
We’ve finally reached the mid-season finale of the fifth season of The Walking Dead. It has been a strong first-half that showed some major improvements in terms of strong narrative structure and pacing. The first-half also saw growth in the Beth Greene character which we saw hints of in the second-half of season 4. We didn’t get much of the so-called ‘wheel-spinning” episodes which literally went nowhere. The long existential philosophizing monologues were kept to a minimum and when we did get them they were essential to the scene and the episode (example: Gareth’s final monologue before dying all the way back in Episode 3: “Four Walls and a Roof”).
Last week’s episode could be considered the weakest of the first-half episodes as it focused more on setting up the the many different groups. All the groups eventually leading up to reuniting in one way or another with tonight’s mid-season finale. A finale that we’ve been told would see the death of a major character.
The guessing games have had Carol as being the one to die in tonight’s episode. It’s not a bad guess considering how much the show’s writers have been foreshadowing her death as something akin to a hero’s tragic end. She was the character who literally came out of nowhere from being one of the useless and weakest in the bunch to one of it’s strengths. The show and it’s writers have been notorious for removing very popular characters from the playing field and it wouldn’t have been surprising if that was the case with Carol with tonight’s episode.
“Coda” follows through on the full-speed ahead style Gimple and his writers have adopted this season by using a cold opening that occurs literally right after last week’s cliffhanger. We see Agent Sitwe…I mean Officer Lamson still fleeing from the Rick group with his hands tied behind his back. In the past, Lamson would make it back to Grady Memorial and we would have a major stand-off between Rick and Dawn. Not this season and too bad for Lamson. Rick chases him down with scary efficiency that gives us more hints that he’s starting to travel deep down the dark path that the Governor, Gareth and Joe saw themselves go down and not make it back out.
Rick doesn’t brook second-chances when it comes to new people (which might just mean bad news for Father Gabriel who put Baby Judith in harm’s way trying to confirm Bob’s story about Gareth and his Hunters). Past seasons would see Rick agonize over killing another human being. Not season 5 Rick who has seen how indecision has cost him his wife and many friends since he awoke from his coma. He has learned to compartmentalize that part of him which still sees the good in people. He has become pragmatic about the new world he finds himself in and in doing so could be losing that very humanity which has made him a leader everyone seems to gravitate to.
While Rick hasn’t gone full-on Shane he definitely would understand some of the dark things that Shane was capable of doing and had done in order to survive. We see this with how calmly he shoots Lamson in the head. He could’ve done it to save Lamson the horror and pain of being devoured by the approaching zombies since Rick’s driving broke his back. Or he could’ve done it just to shut him up from continuing his talk about how Rick has been out in this world too long and how it has affected him. Just like fans and critics of the show itself, Rick seems to have gotten tired of everyone telling him that he’s losing his mind and/or his humanity. If Rick has lost it at least we know that he still has his people’s well-being and survival in mind. As for anyone new coming into the group that would be a question that would have to wait.
Yet, despite how Rick has become hardened to this new world he still finds himself affected by the death of someone close to him.
Beth’s death (not Carol’s as many have been guessing) wasn’t as surprising, but still a shock at how it happened so close to her finally being reunited with her sister Maggie. Her death marks a further erosion of that innocence and hope the show has been trying to keep a hold onto since season 1. Like her character or not, Beth Greene remained optimistic despite all that this new world threw at her. She had taken over her father’s role as the show’s moral center and just like in season’s past it’s a role that continues to spell doom on whoever takes on it.
Tonight’s episode wasn’t as strong as past mid-season finales. While it had the requisite shocking moment it was still too similar to last week’s episode where the episode juggled too many groups in too little time (AMC’s getting ridiculous with its commercial breaks). There’s an understanding that seeing the different groups reuniting in the end would make for a much more dramatic conclusion to the first-half, but too little time was spent on the rescue itself that the writers were almost hoping the audience would make the necessary leaps in storytelling to excuse why the end happened the way it did.
It’s not a bad episode or even an average one, it was a good enough entry in this first-half that we get a definite conclusion to the final hanging plot-thread from season 4. Beth has been found and just when they (and us as an audience) was finally getting a stronger and more confident young woman the show yanks that hope away and we find the show much darker.
Beth’s death should reverberate through the second-half of this season (or it would’ve been for naught) and should affect many of the characters left in Rick’s group. Rick might blame himself for her death. Maggie has now lost the last remaining family member she had despite having a new one with Rick and the others. Daryl lost that bright, hopeful link that has made him less a lone wolf and more of a well-rounded badass.
As a character Beth Greene started out as weak, one-note and barely there with season 2. She became a running joke as the bard of this merry band of zombie apocalypse survivors in season 3 with her penchant for singing. Something turned with season 4 as Scott M. Gimple took over as showrunner. She became a rough gem that the show’s writers were attempting to smooth out and find the true character underneath. This season finally revealed that character. A character that continued to be hopeful despite the despair all-around. A character that learned how not to be a victim and became stronger as she remained separated from the rest of the group.
Even in the end, as she and Dawn had their final exchange that showed how she and not Dawn was the true survivor, Beth did what she did in order to try and save a friend who she had faith would come back for her. Beth went out the only way she knew how and that’s helping others.
“Coda” was an appropriate title for tonight’s episode. A musical passage that brings an end to a musical piece. Beth was the music to Rick and his group of survivors and tonight was her coda.
Notes
“Coda” was written by Angela Kang and directed by Ernest Dickerson.
Just like in Captain America: The Winter Soldier, Maximiliano Hernández’s character on The Walking Dead meets his demise after getting hit by a moving vehicle. Though in tonight’s episode it was a contributing factor.
This particular sequence is similar to a scene in the comic books which occurred earlier in the story and the character who gets run over is Martinez who was fleeing back to Woodbury to tell the Governor where the prison was located.
Probably only interesting to me, but the Atlanta PD at Grady Memorial Hospital using Smith & Wesson MP .40 which means the zombie apocalypse occurred before 2013 which was when the department began switching to the Glock 22 Gen 4.
Father Gabriel’s actions was very frustrating yet fitting in with the way the character has been adapted from the comics. This is a man who is just beginning to learn that not everyone who has survived out in the world will be as kind and forgiving as he expects them to be. It will be interesting to see whether the writers develop Gabriel’s psychological issues of survivor’s remorse further in the second-half of this season.
Noah’s character may end up being the key to Rick’s group heading up north and towards the Alexandria community which will lead into one of the longest-running story-arcs in the comics: War between Rick and his people against Negan and his.
Interesting how the Grady Memorial haven is now the second survivor group Rick and his people have come across since the show began. Will they survive the death of Dawn and now having five less police officers protecting them or will they end up like the Vatos and the nursing home group which we find out in a season 2 deleted scene that they were ultimately overrun.
The first-half of season 5 ends the way it began with the premiere and finale episodes featuring Morgan coming across the aftermath of Rick’s group passing through: lots of destroyed zombies. Will Morgan be a boon for Rick and his people if and when he finally catches up to them?
Tonight’s guests on the Talking Dead are Keegan Michael-Key (Key & Peele), series creator Robert Kirkman and, Beth Greene herself, Emily Kinney.
“So we whisper a dream here in the darkness Watching the stars til they’re gone And when even the memories have all faded away These days go on and on”
We’ve finally reached the end of 27 Days of Old School and I think it appropriate that I choose a heartwarming and life-affirming song from 1994 by the incomparable Vanessa Williams.
While Madonna courted controversy on the other side of the ledger was the classic beauty and soulful talent that was Vanessa Williams. She may not have had the mega-success that Madonna had in the music business, but she still left quite a mark on her own terms.
She’s been on top of the charts as an R&B and pop singer. She really hit her stride with her second full-length album which includes the memorable ballad “Save The Best For Last”. She would follow this ballad with “The Sweetest Days” which is also the name of her third album.
While she hasn’t been making music these past years she has branched out into becoming a successful actress both on the big and small screen and even doing some time on Broadway.
So, for those who feel down and out and who think the world is crashing down around and on them I recommend they sit down, relax and listen to this song. It might just help lift things up even if just a bit.
“‘Cause I know in my heart That my life ends and starts with you”
It took almost til the end but we finally get some New Edition in here.
Yes, it’s hard to talk about old school music without mentioning the premiere boy band (though pretty much grown ass men by the time of this song) of the 1980’s right up to the start of the 90’s.
Whether it was their first album when they were actually teens to their follow-up when they replaced Bobby Brown with Johnny Gill right up to the time of this song when the band brought Bobby Brown back to make it a six-man group, the group has always been the go-to R&B group. For those younger generation who grew up on One Direction and earlier than that with Backstreet Boys and ‘N Sync, this group was our version of that and they were real and spectacular.
“I’m Still In Love With You” was sort of their last major hit which came out in 1995. A year that I’ve arbitrarily picked as the end of the Golden Age of Old School music (hey, it’s my list so there). It’s an R&B pop ballad that’s classic New Edition.
“Well, I’m standing next to a mountain, chop it down with the edge of my hand”
To close out the night we have Stevie Ray Vaughan at #25 with his excellent cover of the classic Hendrix track, “Voodoo Chile (Slight Return)”.
The blues wasn’t a genre of music that I had much experience growing up during the 80’s. It was during a senior retreat that I was introduced to one of the blues rising stars during that era of my life. He was Stevie Ray Vaughan and I only got to know him after he had already passed into legend after he died in a helicopter crash.
Since then I’ve become not just a major listener of blues and blues rock music, but I would say I’ve become a connoisseur.
While I’ve since listened to Jimi Hendrix’s original of the song and consider it the best version, I will always have a special place in my musical library for the one and only SRV.
“One look in your eyes and there I see Just what you mean to me”
Those opening lyrics are instantly recognizable to anyone who grew up during the late 80’s. Whether one was in junior high, high school, college or already settled down. It’s a song with not a single cynical bone in its making.
“Here and Now” was the song that introduced the velvet-voiced crooner Luther Vandross to the general public. He was already a favorite singer for those who followed the R&B and soul music scene, but for the rest of the world he was an unknown. After the release of “Here and Now” in 1989 he was not an unknown to the rest of the world.
It’s a song that’s become a staple at proms and formal dances. The song soon became at weddings and continues to this day.
The Spierig Brothers have been two filmmakers whose work has been coming in under the radar since their cult-favorite horror film Undead came out in 2003. They followed this up seven years later with the vampire dystopian film Daybreakers.
Both films have their moments but (IMO) failed to reach the level of the filmmakers’ ambitions for both films.
It’s now been four years since Daybreakers and the brothers have a new film out and it’s another ambitions project that tackles the themes of time paradox and predestination hence the title of the film.
Predestination made it’s premiere at this year’s SXSW festival is Austin, Texas. It has since made a limited run in the US since late August.
“Just like Mohammad Ali, they called him Cassius Watch me bash this “
This song came out in early 1991 and went through like wildfire through pretty much the final half of my senior. One must realize that LL Cool J was a major presence in the rap I listened to growing up during the 1980’s. But as wont kids then and now, we listened to what was big at that time and it was mostly gangsta rap that dominated booming systems in the late 80’s.
LL Cool J was beginning to fade into the background as N.W.A. and Ice Cube and the rest of the West Coast gangsta rap scene was ascending. Yet, it was foolish to count out LL who people should’ve learned by then as a survivor of the rap game and he came out hard and strong the single off of the album of the same name: “Mama Said Knock You Out”.
In anime, there’s a character trope called “gar”. It’s a term reserved for anime characters so manly that they eclipse all males for as far as the horizon. This song was just that. It made LL Cool J reach the level of “gar” and the accompanying video helped in making it so. It was a shot to the new rap youngbloods and old-standing rivals (song was literally taking shots at Kool Moe Dee). The song also shoots down critics who have been calling LL as washed-up and a has-been. He sure told them all in the hardest way possible.
So, coming in at #23 and starting the stretch run to #27 is LL Cool J coming in so “gar” with “Mama Said Knock You Out.”
“The things that we do they’re worth it.” — Michonne
[spoilers]
We’re now nearing the mid-point of season 5 for The Walking Dead. For a show that has had some major ups and downs throughout it’s four season (both creatively and behind-the-scenes) it looks like the show might be hitting it’s stride with this fifth. The first six episodes of this new season has ranged from excellent to very good. It’s a streak of consistency that we only saw glimpses of in the previous four seasons.
“Crossed” falls somewhere between very good to good. It’s not the best episode of the season and, for the moment, could be seen as it’s weakest. This is due to the format of the episode itself. Where the episodes prior to tonight’s concentrated on either the group as a whole in one place (Terminus and the church) or on particular characters, tonight saw the story jump back and forth between three groups. The main one being Rick’s rescue team headed into Atlanta to get back Beth and Carol. Then we have the smaller group left back in the church. To finish up this three-legged horse of an episode was the Abraham group soon after Eugene’s revelation.
There’s only so much one could do with three diverging story-lines in less than an hour’s time (AMC has been getting worse and worse with it’s commercial time for it’s most popular show). One could almost see how tonight’s episode was setting up for a much bigger and dramatic mid-season finale. Yes, there was much setting the table and pieces with “Crossed” and it made the episode feel abrupt in how things unfolded.
At times, we could almost sense an action beat about to let hell loose (maybe people this season has been spoiled by the season premiere), but then it’s only a tease. This happens with Rick and his group ambushing Agent Sitwell (HAIL HYDRA!)…I mean Sgt. Bob Lamson and his partner using Noah as bait. Their success was short-lived as they’re soon the victim of the very first drive-by on The Walking Dead. The same happens moments later between Daryl and Officer McBaldy (Licari on imdb) before Rick conveniently steps in to get things in hand. Tonight’s episode has been all about teases, but little to no pay-off until the very end and that one wasn’t too much a surprise.
We do get several good character moments from the show’s lead cast.
There were moments that show Rick balanced precariously over the edge of turning from pragmatic survivor into full-blown Governor or Joe. The first was when planning their assault to rescue Beth and Carol with his plan more about using surprise to kill Dawn and the rest of the Atlanta cops. His plan doesn’t have anything to do with minimizing casualties for the other side (which earlier Rick would have accounted for). He’s become so pragmatic in how he does things this season that killing seems to be getting easier and easier for our intrepid leader. The second time was when he saves Daryl from Ofc. Licari and there’s a moment when he has the cop in his sights where we don’t know if he’ll spare the man or shoot him in cold-blood. It’s some fine acting using nothing but his eyes done by Andrew Lincoln in this scene.
The rest of the episode sees both the church and Abraham group trying to deal with having to wait for Rick to get back or Abraham to come out of his near-catatonia. The former gives us a bit more work on Father Gabriel who seems to see his saviors as scary as the zombies who ate his congregation. Audiences will definitely react with incredulity at his actions to secretly flee the church despite knowing he has no idea how to survive out in the world. This behavior adds further insight as to Gabriel’s state of mind. He’s definitely not thinking clearly and it will be interesting to see if he becomes a bigger liability to the group as the season goes along.
The situation with Abraham and the rest of the D.C. was a bit more problematic in that they literally went nowhere. Sure, we saw some bonding moments between Glenn, Tara and Rosita (who is becoming more and more a person than just background). But Abraham doing nothing but going aggro or kneeling in silence made whatever momentum gained by the episode through the Rick group grind to a screeching halt.
Yet, tonight’s episode still manages to move the season forward in small bits and pieces. The title itself foreshadows what could be one of the season’s themes in that these people left alive have crossed some major moral lines to survive this far. They’ve had to do things that has been about surviving for another day even if it meant killing others or towards a mission that has cost lives which now means nothing. We see how all the things Rick has had to do since he awoke from his coma has been affecting him both in a good way and, also in a manner, slowly corrupting him. Abraham now feels useless now that the D.C. mission has turned to naught. Even Gabriel’s fleeing the church and those who have saved him continues his denial of this new world and what it has done to those he had shepherded.
So, while “Crossed” might not have been on par as the previous six episodes of this new season it was still something that moved the show to another mid-season finale that could change the cast dynamics once again. The question that will continue tonight and even after next week’s finale will be whether the writers will be able to keep up the consistent quality in the remaining episode or will they start to lose steam (like the second half of season 3) or meander along (like last season’s second half). Time will tell if Gimple and his writers will be up to the task.
Notes
“Crossed” was written by Seth Hoffman and directed by Billy Gierhart.
The pistol and suppressor used by Rick in tonight’s episode is a Heckler & Koch Mk 23 .45 with an Osprey Suppressor. We see him use this for the first time all the way in this season’s third episode, “Four Walls and a Roof”, to ambush Gareth and the rest of the Hunters.
Tonight was the first time we see the entire cast throughout the episode. Beth wasn’t in the first three.
People need to learn never to trust HYDRA and Sasha definitely learned this lesson the hard way.
It was very suprising and more than just a tad disconcerting to see SHIELD/HYDRA Agent Stillwell as an Atlanta cop in tonight’s episode. His heel turn in the episode’s end wasn’t surprising at all.
The episodes in Atlanta showed only glimpses of the firebombing that took place in the early days of the zombie outbreak, but we see for the first time the after-effects of the napalm runs on the city with the half-melted zombies near the former FEMA truck.
Some very gnarly practical and make-up effects work by the gore wizards at KNB EFX with the napalmed zombies.
Tonight’s guests on the Talking Dead are comedian Paul F. Tompkins and Christian Serratos and Sonequa Martin-Green (Rosita and Sasha of The Walking Dead)
Through the Shattered Lens 