Review: The Walking Dead S2E5 “Chupacabra”


“If I knew the world was ending I would’ve brought better books.” – Dale

[spoilers within]

There’s been a growing complaint from fans of the show that this second season of The Walking Dead has been meandering and walking in place instead of dynamically moving forward and killing lots and lots of zombies along the way. I will admit that the show has lingered on too much on the”Sophia is missing angle” for far too long. The writers seems to be using the search for her as the reasoning for Rick and his group to continue on staying on the Greene Farm. I will however disagree that the show hasn’t had enough zombie action to justify the show’s premise of a world experiencing the zombie apocalypse.

The Walking Dead the tv series was always going to be a show which focused on the characters and how they’re managing to adapt or not adapt to the new world around them. If there was ever a reason why fans of the books became fans it was that very thing. I try not to compare the show to the books, but if there was ever a similarity between the two it’s how the zombies remain on the background as a looming threat which would actively make their presence known not every issue but when readers least suspect them. The show has done a good job in trying to convey this aspect of the books and at the same time taken more effort to make the characters on the show more fully-realized.

This season has done more in expanding the characters than the truncated first season, but it also meant it had to sacrifice some of the more gruesome and zombie action some fans have been clamoring for. The previous episode, “Cherokee Rose”, typified the complaints some fans have been having with this season. It went too heavy on dialogue some of which were pretty good and some which didn’t seem to do anything but just expound on the main themes for the season.

“Chupacabra” makes the fifth episode into the second season and it manages to balance the zombie action and the character interaction. First off, we still haven’t found Sophia in one shape or another. Even one of the characters on the show second-guesses the need to continue searching for the missing girl if it meant constantly putting the group in danger. While the search for Sophia only amounts to finding a discarded doll by the creek during the search it does mark one of the stronger part of this episode. An episode which continues to make a character created for the show and not in the books one of the highlights of the series in it’s 11-episode history to date.

But before we move onto why Daryl Dixon remains the badass and fan favorite of the series I must point out that the series does another great cold opening. This time it’s a flashback to the chaotic days of Shane, Lori and Carl trying to make it to the refugee center in Atlanta. We see them stuck in the very same type of highway gridlock which began this new season. This scene shows Sophia still safe and playing with Carl as we see a bit more of the abusive relationship between Carol and her husband. The highlight of this scene is seeing the event of Atlanta being napalmed and dashing the hopes of Shane and Lori that a safe haven could be found there. Like the cold opening from season 1 where we see Shane back in the hospital with a comatose Rick, this episode’s opening does a great job of showing how things just fell apart while Rick was under.

This opening would be followed up with Daryl going off on his own to continue looking for Sophia and getting into more trouble than he anticipated. If anyone ever doubted how much of a badass Daryl Dixon has turned out to be then this episode should erase such doubts. Not only did he survive falling off a horse, down a steep incline into the river and get an arrow stuck to his side for his troubles, but he survives even worst things as the day wore on. We even see the return of Daryl’s brother, Merle Dixon, in this episode but in such a way that fans of the show probably didn’t expect.

When the episode wasn’t focusing on Daryl’s troubles it brought it back into the Greene Farm where we continue to see a growing rift between Hershel and Rick. Hershel is starting to turn from the kindly, country doctor and into a patriarchal autocrat who expects his orders to be obeyed or else. In the case of Rick and his group the or else would be them being told to leave the safety of the farm for the outside world. It doesn’t help that Shane’s growing pragmatism and survival at all cost mentality has turned to questioning Rick’s judgement as the group’s leader. Even their good-natured conversation about their respective love life during their high school days shows that the two really are quite polar opposites when it comes to their personalities and how they view things around them.

It’s these type of scenes which some fans have considered as too soap opera-ish and boring. How it detracts from the horror of a show about the zombie apocalypse. It’s these scenes which actually makes a point in showing just how much horror awaits those who have survived, so far. All the reminiscing of their past lives just reinforces the fact to these people that their lives have irrevocably changed and not for the better. It also shows how much the new world they live in now have begun to change all of them and not for the better. For some these changes have been easier to accept while some still try to cling to the ways of the old world in an attempt to not just survive but live.

Even the title of the episode just reinforces the premise of the show and how everyone in it must learn on the go to live and survive. In a world where the dead have come back to life to devour those still left alive then everything and anything is possible. Whether those still left will find a way to stay human in order to survive is the ultimate focus of this show. The zombies will always be waiting to greet these characters which makes these “peaceful” moments that much more bittersweet for everyone involved.

Notes

  • As a huge fan of apocalyptic fiction the cold opening of the highway gridlock was well-staged. From everyone seeming to have packed haphazardly to Carol’s husband acting like their quest for a refuge was a military operation.
  • The scene of Atlanta being napalmed as the horrified refugees looked on in the distance is really something we rarely see in zombie fiction. Zombie apocalypse stories usually occur with the world already gone to hell or the setting is more intimate and smaller scale. Rarely do we see just how epic in scope the event truly is (w/ exception to Max Brooks’ World War Z and, to a certain extent, 28 Weeks Later)
  • It was good to see Carol not moping around and feeling all useless. Her volunteering to cook for the group and the Greene family was a nice touch in trying to bring her back from the brink.
  • Leave it up to Glenn to figure out Lori’s secret and as we see later on in the episode it won’t be the only one he will have to try and keep to himself.
  • Speaking of Glenn, his growing relationship with Maggie was such fun and nice addition to a show that’s all about doom and gloom. The fact that they were acting like high school kids who were in lust with each other put a smile on my face.
  • The fact that the barn finally becomes a major component to the current story-arc wasn’t a surprise, but how the writers were able to finally show why Hershel wanted Rick and his group to stay away from the barn should make the next episode something to look forward to.
  • Maggie’s expression of glee at another rendezvous with Glenn suddenly turning into utter horror continues another strong performance from Lauren Cohan in the role. She has definitely made the Maggie Greene much more well-rounded this early on in the show when compared to the books.
  • I was surprised at how Merle’s return was treated and I must admit that it was done in away that made sense.
  • Always wear steel-toed boots when the zombie apocalypse hits.
  • Andrea is finally on her way back from being useless and constantly harping on Dale and everyone. Unfortunately, her first attempt to show just how useful she can be ends up turning into a friendly fire situation.
  • Daryl’s “encounter” with his big brother Merle may not be to Rick and the group’s benefit. Going to be interesting what the writers plan to do with this turn of events and whether fans of the character will like or hate it.
  • Two more very inventive zombie kills from the make-up wizards of KNB EFX.

Song of the Day: Lisa Says (by Lou Reed)


In honor of Lisa Day the latest “Song of the Day” definitely fits the Lisa-theme chosen for today.

“Lisa Says” was originally released in 1969 by the rock band Velvet Underground. The song got another release in 1972 as part of Lou Reed’s (who was part of Velvet Underground) solo debut album in 1972. The song definitely has a slow, bluesy sound which is barely above the level that would make it a ballad. Instead it ends up sounding like a Valentine card to all Lisa’s everywhere.

Without further ado…“Lisa Says”.

Lisa Says

Lisa says, on a night like this
it’d be so nice, if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says
Lisa says
Lisa says, oh, no
Lisa says

Lisa says, honey, you must think –
– I’m some kind of California fool
the way you treat me just like some kind of tool
Lisa says, hey baby, if you stick your tongue in my ear
then the scene around here will become very clear

Lisa says, oh no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Hey, if you’re looking for a good time Charlie
well, that’s not really what I am
You know, some good time Charlie
always out, having his fun

But if you’re looking for some good, good lovin’
then sit yourself right over here
You know that those good, those good times
they just seem to pass me by, just like pie in the sky

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, hey baby, for just one little smile
I’ll sing and play for you for the longest while
let me hear you now

Lisa says, oh, no, no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Why am I so shy
Why am I so shy, Gee, you know those
good good times, they just seem to pass me by
Why am I so shy

First time I saw you I was talking to myself
I said, hey, you got such pretty, pretty eyes
(that pretty eyes)

Now that you’re next to me I just get so upset
And Lisa, will you tell me, why am I so shy

Why am I so shy
Why am I so shy, well, you know that those
good, good times, they just seem to pass me by
Why am I so shy

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says, oh, no, now
Lisa says, hey don’t you be a little baby
Lisa says, oh, no
Lisa says

Quickie Review: Hellboy: Blood and Iron


Guillermo Del Toro will forever be one of the heroes of comic book fans everywhere due to his bringing Mike Mignola’s Hellboy comic book franchise from the printed page to the silver screen. He first brought the Big Red Guy with the 2004 film adaptation of the same name. The film was a modest success and brought the titular character to a whole new group of fans. In 2008, Del Toro came out with the bigger and more epic sequel, Hellboy II: The Golden Army. What some fans of the character sometimes forget or didn’t even realize was that in-between these two films were two direct-to-dvd releases of the animated variety. The first to come out was Hellboy: Sword of Storms in 2006. While I enjoyed that animated film it would be the follow-up dvd release, Hellboy: Blood and Iron which truly captured the essence of the comic books even moreso than the two live-action films.

Hellboy: Blood and Iron would combine parallel storylines about Hellboy and his surrogate father’s, Trevor Bruttenholm, encounter with one Erzsebet Ondrushko also known in occult circles as Elizabeth Bathory the Blood Countess. According to the film, Erzsebet would bathe in the blood of innocent, young girls. The film also makes Erzsebet a follower and disciple of the Mediterranean goddess of witchcraft and sorcery, Hecate.

One storyline would play out in reverse chronological order and take place in 1939 as a much younger Trevor Bruttenholm travels to Eastern Europe to investigate a series of murders that locals have attributed to the return of the Blood Countess. The other storyline moves to the present as Hellboy and his teammates from the B.P.R.D. (Bureau for Paranormal Research and Defense) investigate the supposed hauntings of the estate of a wealthy businessman. This would be an estate that would be the center piece of a sort of haunted amusement park with the Blood Countess and the legends surrounding her as the main attraction.

Hellboy: Blood and Iron does a great job of mixing action, horror and the occult without one or the other overshadowing the rest. The film takes some of it’s ideas from Mike Mignola’s (creator of the Hellboy franchise) Hellboy graphic novel, Wake the Devil, and screenwriter Kevin Hopps does a good job of taking those ideas and creating something new yet similar as well. The film also benefited from the return of the cast of the live-action Hellboy films to voice their respective characters in this animated film. There’s Ron Perlman in his gruff and sardonic best as the title character. Selma Blair returns to voice Hellboy’s closest friend in the redheaded pyrokine Liz Sherman with Doug Jones and John Hurt rounding it out as Abe Sapien and Trevor Bruttenholm.

The animation is not the highest level but for a direct-to-dvd affair it more than holds up and really captures the look and feel of the comic books it was based on. Yet, while an animated film this one wouldn’t be appropriate for little kids to watch. For a “cartoon” it’s quite violent with themes of witchcraft, vampirism and blood sacrifice prevalent from beginning to end. It’s actually quite scary in certain sections especially whenever the resurrected Erzsebet appeared. I don’t think most animated films ever involved a sequence of a tub full of fresh, hot blood waiting to be used as bathwater.

For those willing to learn more and understand the appeal of the Hellboy comic books to legions of fans this animated film was a good example. Hellboy: Blood and Iron was great from beginning to end especially how it interwove not just the vampiric and pagan legends surrounding Erzebet Ondrushko, but also little tidbits of information and character development which added to the backstory of not just Hellboy but those closest to him. Plus, this animated film had two character’s whose names were variants of the name Lisa.

Trailer: Shame (dir. Steve McQueen)


Every year sees a few films which dares to push the boundaries of film storytelling. This year already had the exemplary film Drive from Danish filmmaker Nicolas Winding Refn and now with the year on it’s final two months we have another in Shame by the British filmmaker Steve McQueen.

Shame is an erotic drama starring Michael Fassbender and Carey Mulligan and has been making the international film festival circuit with the film and Fassbender earning accolades for best picture and best actor. The film was already gathering some steam not just through the performances and McQueen’s direction, but for it’s producers stance on not appealing the MPAA giving the film the dreaded NC-17 rating. The film will be shown to the audience uncut and as it was meant to be instead of being re-edited for a much more business-friendly R-rating.

I, for one, applaud the filmmakers sticking to their guns about showing it in it’s NC-17 form. Now, the rest of the film-going world will finally get to see what all the hype and hoopla about this film when it gets a limited release this December 2, 2011 in the United States and on January 13, 2012 over in the UK.

Trailer: Modern Warfare 3 “The Vet and The n00b”


Well, the time that seems to arrive once every year around November has finally arrived. The latest iteration of the Call of Duty first-person shooter franchise from Activision will see a midnight release starting 12:01 am on November 8, 2011. Already there are lines numbering in the hundreds in major cities. Parties being held at stores such as Best Buy and Gamestop as hundreds of thousands, if not, millions of gamers flock to get the game in their hands. This game is Call of Duty: Modern Warfare 3 and it’s one of those rare video games which actually lowers work productivity the week of it’s release. It will be safe to assume that the morning of November 8, 2011 will see a high amount of sick calls and last minute PTO requests.

I won’t be one of them but I will still get this game in a week or two. Until then I’ll just continue to watch this funny and creative trailer for the game starring Jonah Hill, Sam Worthington and Dwight Howard.

Review: The Walking Dead S2E4 “Cherokee Rose”


“Some fathers never earn their sons’ love” – Hershel Greene

[some spoilers within]

The first three episodes of this new season of The Walking Dead has for the most part been very good about keeping the story focused on what transpired in the beginning of the new season. The group is still looking for Sophia (a subplot that is definitely getting to become boring, if not a liability) who ran off during a zombie attack on the group. During the search we saw Carl end up accidentally getting shot by Otis, the hapless and helpful ranch hand of the Greene Farm. Every piece of plot thread in the three episodes had their origins from that initial premiere episode.

The previous episode took the two plot threads of the two kids in the group and the danger they were in and tried to resolve them. Carl’s predicament was resolved in horrific fashion as Shane had to make a calculating decision to wound Otis and make him become a living bait to the zombies on their tail. This plot and character development was one for the books as it put Shane on the dark path to losing his humanity as he begins to embrace the necessary cold-hearted decisions to survive.

One would think that with a third episode and still no sign of Sophia that the show would finally try to resolve this storyline in the fourth episode. The answer to that would be a yes and no. Yes, the episode has made some strides in the search for Sophia as Daryl comes across some signs of someone alive during his search of an abandoned home in the woods. Whether this was a sign that Sophia was still alive didn’t get resolved. This storyline thread has had quite the mileage to it and not for the betterment of the show.

“Cherokee Rose” wasn’t all bad despite what I’ve mentioned above. The episode was mostly acting like the calm before the storm. We see the episode begin with the Greenes, Patricia (Otis’ wife) and the Rick’s group holding a brief ceremony for our dear departed Otis. Shane doesn’t look well in this opening especially when Patricia begged him to say a few words and tell everyone Otis’ final moments. Shane’s words and how things played out definitely didn’t match up, but no one was the wiser and took Shane’s discomfort as his attempt to grieve. To say that Shane looked like a man holding onto that last strand of sanity would be an understatement. It was another great moment for Jon Bernthal which this season has had a lot of.

The rest of the episode was actually pretty peaceful as everyone went about trying to find Sophia in an organized manner, go out into town for supplies (Glenn and Maggie) and just contemplate once again the new world they now inhabit. I’m sure there will be many cries and complaints that the show was becoming too soap opera-ish. These people wouldn’t be too far off, but I also think that non-stop zombies would make this show become too one-note.

The scenes with Rick and Hershel as they briefly talked of God and their differing attitudes concerning the Creator were really interesting as were the scenes of Andrea finally making some strides in her attempt to move on from Amy’ death during season one. These scenes between Andrea and Shane as she pesters the deputy to teach her more about gun safety and how to protect herself was a good start in finally moving Andrea the character towards the badass that she’s destined to become. Andrea’s not fully there but this episode was a good start.

Another fun development in this episode had to be between Glenn and Maggie Greene as the two continued their flirty ways as they ventured into the nearby town to scavenge for more supplies. For fans of the book the relationship which begins between these two characters have become one of the few nice moments in a story that’s all about danger, dread and depression. Even how the two finally end up hooking up wasn’t born out of sentimentality but out of two lonely people and their current predicament allowing for something to brew. The fact that their brief tryst in the town market came out a very awkward situation Maggie found Glenn in was funny, touching and really something the show needed after all the doom and gloom of the first three episodes.

Even Daryl Dixon (becoming the fan favorite of everyone) got to show some of his softer side as he tries to comfort Carol about her missing Sophia. His little monologue about the white flower he found outside the abandoned home that might’ve been where Sophia was hiding explains this episode’s title but also showed much more about how much Daryl has started to see this group as his own little family even though his brusque outward appearance and attitude may not always say so.

“Cherokee Rose” wasn’t one of this season’s good episodes, but I wouldn’t call it one of it’s bad ones. Despite no resolution to the Sophia question the episode still made some good strides in developing some of the characters. The episode also continues this season’s habit of ending things either on a cliffhanger or on a surprising (at least for those who haven’t read the comic book) development. Tonight wasn’t a cliffhanger, but instead we have Lori finding out that she is pregnant. Now whether the baby is Shane’s or Rick’s will be a question that show will not be able to answer for quite awhile yet but still another wrinkle in the growing love triangle that is Rick-Lori-Shane.

Notes

  • For the first time since we were introduced to Hershel Greene there’s now a bit of tension occurring between Rick and his gracious host. Now that Carl is safe and on his way back to recovery the show looks to be setting up something big between Rick’s group and those of the Greene’s.
  • The episode did many lingering camera shots of the Greene’s barn.
  • I know that many will think the scene with the well zombie was mostly filler and not needed I wouldn’t be a zombie fan if I didn’t admit that it was still a cool scene. Plus, it more than filled tonight’s gross quotient as the water-logged zombie literally turned into a bloody pinata.
  • Maggie’s reaction as T-Dog put to rest the well zombie was an interesting one. It seemed like that was the very first time she ever saw a zombie killed.
  • Once again, outside of Daryl, it would be up to Glenn to always do the hard lifting on the show. He’s not just the group’s expert “going into town” guy, but now he’s also it’s best zombie wrangler and live bait.
  • While it differed from how it played out in the book, how Maggie and Glenn finally got together was a nice and funny scene. Love Maggie’s incredulous reaction to Glenn’s questioning of her proposition. Lauren Cohan as Maggie was a really nice choice by the casting director for the show.
  • One final Glenn moment would be his huge grin as he and Maggie rode into the farm with supplies in hand and how his glee was just as quickly shot down as Maggie went all business once again. Poor Glenn.
  • If female fans of this show wasn’t already in love with Daryl they are now after his awkward, but heartfelt speech about the Cherokee Rose he just gave Carol.

Song of the Day: Princes of the Universe (by Queen)


The latest “Song of the Day” is from one of the biggest bands of the 70’s and 80’s. When one spoke about epic arena-style rock concerts then one couldn’t say anything unless they mentioned Queen. If there was ever a song which fully sold me on Queen it was the song they produced for the 80’s fantasy action film Highlander.

“Princes of the Universe” remains one of the best fantasy anthems. Part of why it’s so great is part Freddie Mercury’s performance and part how it perfectly fits the sword-and-fantasy film it was made for. It’s really difficult to watch anything Highlander and not have this song to be in the forefront. In fact, I would say that the song has aged much better than the franchise that gave birth to it.

Princes of the Universe

Here we are, born to be kings
We’re the princes of the universe
Here we belong, fighting to survive
In a world with the darkest powers, heh
And here we are, we’re the princes of the universe
Here we belong, fighting for survival
We’ve come to be the rulers of you all

I am immortal, I have inside me blood of kings – yeah – yeah
I have no rival, no man can be my equal
Take me to the future of you all

Born to be kings, princes of the universe
Fighting and free
Got your world in my hand
I’m here for your love and I’ll make my stand
We were born to be princes of the universe

No man could understand
My power is in my own hand
Ooh, ooh, ooh, ooh, people talk about you
People say you’ve had your day
I’m a man that will go far
Fly the moon and reach for the stars
With my sword and head held high
Got to pass the test first time – yeah
I know that people talk about me – I hear it every day
But I can prove them wrong ‘cos I’m right first time
Yeah, yeah, alright, let’s go, let’s go, ha haa
Yeah, watch this man fly, wooh
Bring on the girls – c’mon – c’mon – c’mon
Here we are – here we are
Born to be kings, we’re the princes of the universe
Here we belong
Born to be kings, princes of the universe
Fighting and free, got your world in my hand
I’m here for your love and I’ll make my stand
We were born to be princes of the universe of the universe of the universe
Of the universe of the universe

Scenes I Love: Maniac


With news that the remake of Maniac has finally gotten it’s Frank Zito in the form of Elijah Wood I thought it was high time that I shared my favorite scene from the original film by William Lustig. it’s this scene that I hope will make it intact and with little to no CGI to make it happen in as glorious a fashion as the original scene.

The latest “Scenes I Love” comes courtesy of the make-up FX magic by Tom Savini. In fact, this scene actually has him doing double-duty roles as not just the make-up FX artist but as an actor in the scene. This particular scene has been dubbed the “Disco Boy” scene and Savini ably stands in for the role of Disco Boy. We have him and his Disco Girl making out in their car when suddenly we see Frank Zito peeping in like some sort of Son of Sam copycat. Well, Disco Girl freaks out and Disco Boy attempts to act cool and protective. Little does Disco Boy know that he will soon be immortalized in a few seconds of blood and gore that goes down as one of the best “kills” ever put on film.

News: “Maniac” Remake Gets A Killer Wood


If there was ever a film that many people who hate grindhouse and exploitation films always like to point out as a perfect example of films that should never have been made it would be William Lustig’s classic 80’s splatter film, Maniac. This film has been called depraved, misogynistic, obscene and those are just the tame labels heaped on this horror film.

There had been talks down the years to make a direct sequel to the film, but the many plans to do so always never got past the development stage. In late 2010, the remake rights to Maniac was obtained by a French company and it looks like the world will soon be seeing a new take on this controversial film hitting the theaters in a year or so.

The film will be produced by the kings of horror remakes, Alexandre Aja and Grégory Levasseur, with Franck Khalfoun (director of the underrated P2) set to helm the project. It’s the role of the serial killer Frank which has been much discussed by fans of the film who either hate or love that a remake was being of it. While names such as Tom Sizemore has been discussed the role finally landed on the lap of a very unexpected choice: Elijah Wood.

Elijah Wood would be the last pick many fans of the original film would make, but I think this pick is interesting in many ways. For one thing, Wood can definitely pull off the serial killer look, just not the beefy way Joe Spinell did. Wood already has done the serial killer role as the mute and creepy Kevin in Sin City. Wood’s casting as Frank can also go a long way in making sure this remake puts it’s own stamp on the character and story. Finally, Wood has the boy next door look that goes against the stereotypical film serial killer.

While I’m still hoping that Aja would do more original film projects instead of remaking past horror films, I am impressed at how he has done with past horror remakes like The Hills Have Eyes and Piranha. Even though he’s producing and not directing I hope he still brings the sort of manic glee to the production that the two previously mentioned films seemed to have which translated to the screen.

My opinion is that if this remake recreates the Disco Boy scene in all its glory then the remake will be the greatest ever.

So, grindhouse fans what do you think of this remake and the casting?

Source: Bloody Disgusting

Trailer: 21 Jump Street (Red Band)


Ok, I have to admit that I was a huge fan of the Fox Network early 90’s cop show 21 Jump Street. What can I say other than it was a show about cops who looked like teenagers so using TV logic they go undercover in high school as students to catch bad guys. I mean the show gave birth to Depp and Grieco, nuff said.

It’s been twenty years since that show first first premiered and now we have the long-awaited, much-anticipated film adaptation of said show set for spring of 2012. It’s going to be an action-comedy but still using the same premise as the show, but instead of taking the original characters from the show and just having new actors play them the film just returns to the 21 Jump Street program with a new batch of recruits. So, instead of Johnny Depp and Richard Grieco we get Channing Tataum and Jonah Hill instead. I did read that Depp will appear in this film in a major cameo. Now, here’s to hoping they’re keeping Grieco’s appearance as a major secret.

The first trailer has been released and it’s in glorious red band. So, as I look at the trailer I will assume that this film will either be a very hard PG-13 or a soft R rating.

21 Jump Street has a release date of March 16, 2012.