Review: The Walking Dead S2E6 “Secrets”


“Everything is food for something else.” – Carl Grimes

[spoilers within]

“Secrets” is the title for the sixth episode of the new season of The Walking Dead. It’s an episode that really should please not just fans of the gore and action, but also those who like some character and story development in their shows. The first five episodes of this second season has been hit or miss. Those episodes have reinforced some viewer complaints about how the show seems to go nowhere at times. Except for a couple moments of well-done script work involving Daryl Dixon (who happens to be the one character created for the show and absent from the comic book) the writing for this season continues last season’s uneven quality.

The last couple episodes were light on the zombie mayhem, but they were rife with character development and some forward momentum in the story (though Sophia still remains missing) with the discovery made by Glenn the big cliffhanger leading up to tonight’s episode. An episode which more than lives up to it’s title as secrets become known as others remain hidden.

With Glenn’s discovery one would think that the title of tonight’s episode meant Glenn and Maggie trying to keep the secret of the zombies in the barn kept from Rick and the rest of the group. The predicament Glenn finds himself in with Maggie begging him not to tell anyone about the barn then on another side Lori also begging him not to tell anyone that she’s pregnant. Glenn would be the first to tell both women how much he sucks at keeping secrets and the episode wasn’t even past the first ten minute mark when his resolve breaks under Dale’s epic eyebrows and fisherman’s hat.

The secrets which this episode focuses on doesn’t just include the barn and Lori’s pregnancy, but the secrets Shane has been trying to keep from everyone in camp. It’s during the aftermath of a very thrilling and eventful foray into the nearby housing association by Shane and his shooting apprentice in Andrea that Shane’s recent turn to the dark side comes to light with none other than the show’s elder busybody. Everyone in the show seems to tip-toe around the topic of Shane and his behavior, but not Dale who sees danger in Andrea learning from the one person who’s agenda may not lie in the group’s overall safety.

Like the show’s own troubled off-season, the show seems to have made a turn with the last couple episodes into something that seemed to balance well zombie action with the show’s more expositional side. This may not be too much of a surprise since Darabont as show-runner was supposed to have been fired around the filming of episode 4. Could his departure from the show and the promotion of a veteran tv writer and show-runner in Glen Mazzara finally put the show on a much more focused path. It’s a possibility and it could also have been part of Darabont’s plan for the season to have such a long slow-burn. I hate to admit it but as much as I love Darabont as a horror and genre fan I think his departure finally putting the show on the path to consistency on all creative fronts.

The secret about the barn and Lori’s pregnancy, not to mention Shane’s character becoming more and more dark, could’ve been strung along for the length of this season’s 13-episodes, but the last 2-3 episodes seem to dispute that. The show has begun to reveal it’s secrets into the open quite quickly and letting the characters deal with the ramifications and fall out. Already we see a much more spirited Rick react to Lori telling him of her pregnancy and what occurred between her and Shane. We get to see why in the end he’s the leader the group needs now and not Shane or Daryl or even Glenn (as Maggie suggested). He’s thinking of the group and trying to keep them sane in a new world hell-bent on driving all of them beyond the brink and past the breaking point. All that he has suspected since reuniting with his finally are now out in the open and while he’s angry he also looks to trying to work things out. How the knowledge that Shane and Lori got together bears out in future episode will make for some interesting thing times ahead especially for Rick.

This episode definitely put character conflict and drama into the forefront with very little wince-worthy moments. Everyone reacted in an organic way to everything suddenly coming out into the open. Even Andrea has begun to make the turn from helpless, suicidal to someone who may become the group’s most important protector. While the episode continues on last week’s high points it still had the Sophia issue which continues to plague the show. The writers will need to reward it’s viewers’ patience (and growing lack of in regards to the missing girl) and make sure the Sophia question gets an answer and soon.

There’s just one more episode left before the show goes on it’s mid-season break. From the look of things the show looks to be heading towards this break on a high note. It would be interesting to see how the Mazzara-led writing group deals with the ramifications of tonight’s episode with the mid-season finale.

Notes

  • For a kid who has been shot then operated on just days before (unless the show has skipped showing some days pass by) Carl looks to have recovered quite well.
  • Great to see Carl wearing Rick’s sheriff’s deputy hat. That look on Carl remains one of the comic book series’ most iconic image.
  • Seeing Carl learn how to shoot and do it well could be a sign that the show may soon start dealing with putting this show back on track in regards to the Rick-Lori-Shane triangle.
  • Steven Yeun’s role as Glenn continues to grow and he’s definitely got the awkward moments of the character done to a T.
  • I think T-Dog as a character either needs to grow or he needs to go. He’s been mostly absent from this season outside his fever-induced ranting to Dale a couple episodes back.
  • We finally get to see more and more how the Greene family sees the zombies and why they keep them cooped up in the barn. Some people will say what they’re doing is stupid. I think it’s a nice shout-out to the tenement scene in the beginning of Romero’s Dawn of the Dead where people kept their dead locked up because they still thought of them as loved ones who might still get cured or whose culture teaches them to respect the deceased.
  • Lauren Cohan as Maggie continues to be one of this season’s highlight. Her reaction once back on the farm toward’s Lori after her and Glenn have themselves a zombie encounter was very nice. Lori’s horrified reaction was great.
  • For those wondering what that piece of badass metal Glenn used to go aggro on the pharmacy zombie. It’s a Gerber Gator Machete Pro  and retails on Amazon for $41.63 with nylon sheath.
  • If Glenn wasn’t confused about how Maggie feels about him then tonight’s episode will drive him crazy. Still great to see that the show has one relationship born out of genuine interest and not out of necessity (though for Maggie it may have started as one it sure doesn’t seem to be that now).
  • I know there are people out there calling for support of Team Shane, but I think everyone should get behind Team Glenn. He seems to be the one out of everyone in the group to be the most level-headed one notwithstanding the awkward with girls and not being able to keep a secret routine.
  • I know that there are many out there who hate Andrea because of the past 4-5 episodes going back to last season’s finale, but tonight definitely saw her go from victim to survivor and do so with a bang. Love the moment out in the middle of that suburban street as a calmness washes over her face and every shot begins to land true.
  • Dale gets to use those epic eyebrows of his and say how it really is when it comes to Shane.
  • Finally, the show’s cold opening of Patricia breaking the chickens’ legs before dumping them into the group of zombies in the barn should not be pleasing PETA and this show probably not in PETA’s must-see list since the pilot episode.

Trailer: Mass Effect 3 – N7 Collector’s Edition Details


BioWare’s Mass Effect scifi rpg series has been a hit right from the start. The first two titles in the planned trilogy for the series (some have been calling it the Cmdr. Shepard Trilogy) have been received with a near universal acclaim for gameplay and it’s unique way of storytelling. In my opinion, this series has been one of the few which has begun to bridge the gap between gaming and storytelling where both have become integral part in making the series a success.

The third game has been one of the most-anticipated titles by gaming fans everywhere and just months away from release. The trailer above shows all the cool extras for those who pre-order the very limited N7 Collector’s Edition which will ship with the regular version of Mass Effect 3. Some of the extras mentioned seem more like fun fluff, but the classified extra character and the mission attached to them will be one of the highlights not to mention the robotic Geth-looking dog and the extra exclusive weapons.

Mass Effect 3: N7 Collector’s Edition is set for a March 9, 2012 release date with a price of $80.00.

You can be damned skippy sure that I’ve gotten my pre-order all confirmed and paid off.

Song of the Day: Song of the Dragonborn from Elder Scrolls V: Skyrim (by Jeremy Soule)


The latest “Song of the Day” comes from my latest obsession that should take up much free time I have when not blogging or working. It’s the main theme from the latest entry in the Elder Scrolls rpg franchise from Bethesda, Elder Scrolls V: Skyrim. The theme has been unofficially called “Song of the Dragonborn” and I’m more than fine with that unofficial title.

“Song of the Dragonborn” was written and composed by this franchise’s longtime music composer in Jeremy Soule. He has done the orchestral score in this series’ previous two titles and this latest one looks to continue the quality work he’s done in the past. The song is a combination of Wagnerian-style orchestral music with the martial chanting by the male chorus. The chorus itself is from the fictional language of the Nord (the Viking like race in the game) created just for this game.

All I can say is that this song has been on constant repeat since I started playing this game and it’s such a great backdrop to slaying people and things in the game with my Nord Warrior, Berek Thunderfist.

Song of the Dragonborn

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fod nust hon zindro zaan,

Dovahkiin, fah hin kogaan mu draal!

Huzrah nu, kul do od, wah aan bok lingrah vod,

Ahrk fin tey, boziik fun, do fin gein!

Wo lost fron wah ney dov, ahrk fin reyliik do jul,

Voth aan suleyk wah ronit faal krein!

Ahrk fin zul, rok drey kod, nau tol morokei frod,

Rul lot Taazokaan motaad voth kein!

Sahrot Thu’um, med aan tuz, vey zeim hokoron pah,

Ol fin Dovahkiin komeyt ok rein!

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fod nust hon zindro zaan,

Dovahkiin, fah hin kogaan mu draal!

Ahrk fin Kel lost prodah, do ved viing ko fin krah,

Tol fod zeymah win kein meyz fundein!

Alduin, feyn do jun, kruziik vokun staadnau,

Voth aan bahlok wah diivon fin lein!

Nuz aan sul, fent alok, fod fin vul dovah nok,

Fen kos nahlot mahfaeraak ahrk ruz!

Paaz Keizaal fen kos stin nol bein Alduin jot,

Dovahkiin kos fin saviik do muz!

(Chorus)

Dovahkiin, Dovahkiin, naal ok zin los vahriin,

Wah dein vokul mahfaeraak ahst vaal!

Ahrk fin norok paal graan fodnust vok zin dro zaan,

Dovahkiin, fah hin kogaan mu draal!

*     *     *     *     *

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

Hearken now, sons of snow, to an age, long ago,

And the tale, boldly told, of the one!

Who was kin to both wyrm, and the races of man,

With a power to rival the sun!

And the voice, he did wield, on that glorious field,

When great Tamriel shuddered with war!

Mighty Thu’um, like a blade, cut through enemies all,

As the Dragonborn issued his roar!

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

And the Scrolls have foretold, of black wings in the cold,

That when brothers wage war come unfurled!

Alduin, Bane of Kings, ancient shadow unbound,

With a hunger to swallow the world!

But a day, shall arise, when the dark dragon’s lies,

Will be silenced forever and then!

Fair Skyrim will be free from foul Alduin’s maw,

Dragonborn be the savior of men!

(Chorus)

Dragonborn, Dragonborn, by his honor is sworn,

To keep evil forever at bay!

And the fiercest foes rout when they hear triumph’s shout,

Dragonborn, for your blessing we pray!

Review: The Walking Dead S2E5 “Chupacabra”


“If I knew the world was ending I would’ve brought better books.” – Dale

[spoilers within]

There’s been a growing complaint from fans of the show that this second season of The Walking Dead has been meandering and walking in place instead of dynamically moving forward and killing lots and lots of zombies along the way. I will admit that the show has lingered on too much on the”Sophia is missing angle” for far too long. The writers seems to be using the search for her as the reasoning for Rick and his group to continue on staying on the Greene Farm. I will however disagree that the show hasn’t had enough zombie action to justify the show’s premise of a world experiencing the zombie apocalypse.

The Walking Dead the tv series was always going to be a show which focused on the characters and how they’re managing to adapt or not adapt to the new world around them. If there was ever a reason why fans of the books became fans it was that very thing. I try not to compare the show to the books, but if there was ever a similarity between the two it’s how the zombies remain on the background as a looming threat which would actively make their presence known not every issue but when readers least suspect them. The show has done a good job in trying to convey this aspect of the books and at the same time taken more effort to make the characters on the show more fully-realized.

This season has done more in expanding the characters than the truncated first season, but it also meant it had to sacrifice some of the more gruesome and zombie action some fans have been clamoring for. The previous episode, “Cherokee Rose”, typified the complaints some fans have been having with this season. It went too heavy on dialogue some of which were pretty good and some which didn’t seem to do anything but just expound on the main themes for the season.

“Chupacabra” makes the fifth episode into the second season and it manages to balance the zombie action and the character interaction. First off, we still haven’t found Sophia in one shape or another. Even one of the characters on the show second-guesses the need to continue searching for the missing girl if it meant constantly putting the group in danger. While the search for Sophia only amounts to finding a discarded doll by the creek during the search it does mark one of the stronger part of this episode. An episode which continues to make a character created for the show and not in the books one of the highlights of the series in it’s 11-episode history to date.

But before we move onto why Daryl Dixon remains the badass and fan favorite of the series I must point out that the series does another great cold opening. This time it’s a flashback to the chaotic days of Shane, Lori and Carl trying to make it to the refugee center in Atlanta. We see them stuck in the very same type of highway gridlock which began this new season. This scene shows Sophia still safe and playing with Carl as we see a bit more of the abusive relationship between Carol and her husband. The highlight of this scene is seeing the event of Atlanta being napalmed and dashing the hopes of Shane and Lori that a safe haven could be found there. Like the cold opening from season 1 where we see Shane back in the hospital with a comatose Rick, this episode’s opening does a great job of showing how things just fell apart while Rick was under.

This opening would be followed up with Daryl going off on his own to continue looking for Sophia and getting into more trouble than he anticipated. If anyone ever doubted how much of a badass Daryl Dixon has turned out to be then this episode should erase such doubts. Not only did he survive falling off a horse, down a steep incline into the river and get an arrow stuck to his side for his troubles, but he survives even worst things as the day wore on. We even see the return of Daryl’s brother, Merle Dixon, in this episode but in such a way that fans of the show probably didn’t expect.

When the episode wasn’t focusing on Daryl’s troubles it brought it back into the Greene Farm where we continue to see a growing rift between Hershel and Rick. Hershel is starting to turn from the kindly, country doctor and into a patriarchal autocrat who expects his orders to be obeyed or else. In the case of Rick and his group the or else would be them being told to leave the safety of the farm for the outside world. It doesn’t help that Shane’s growing pragmatism and survival at all cost mentality has turned to questioning Rick’s judgement as the group’s leader. Even their good-natured conversation about their respective love life during their high school days shows that the two really are quite polar opposites when it comes to their personalities and how they view things around them.

It’s these type of scenes which some fans have considered as too soap opera-ish and boring. How it detracts from the horror of a show about the zombie apocalypse. It’s these scenes which actually makes a point in showing just how much horror awaits those who have survived, so far. All the reminiscing of their past lives just reinforces the fact to these people that their lives have irrevocably changed and not for the better. It also shows how much the new world they live in now have begun to change all of them and not for the better. For some these changes have been easier to accept while some still try to cling to the ways of the old world in an attempt to not just survive but live.

Even the title of the episode just reinforces the premise of the show and how everyone in it must learn on the go to live and survive. In a world where the dead have come back to life to devour those still left alive then everything and anything is possible. Whether those still left will find a way to stay human in order to survive is the ultimate focus of this show. The zombies will always be waiting to greet these characters which makes these “peaceful” moments that much more bittersweet for everyone involved.

Notes

  • As a huge fan of apocalyptic fiction the cold opening of the highway gridlock was well-staged. From everyone seeming to have packed haphazardly to Carol’s husband acting like their quest for a refuge was a military operation.
  • The scene of Atlanta being napalmed as the horrified refugees looked on in the distance is really something we rarely see in zombie fiction. Zombie apocalypse stories usually occur with the world already gone to hell or the setting is more intimate and smaller scale. Rarely do we see just how epic in scope the event truly is (w/ exception to Max Brooks’ World War Z and, to a certain extent, 28 Weeks Later)
  • It was good to see Carol not moping around and feeling all useless. Her volunteering to cook for the group and the Greene family was a nice touch in trying to bring her back from the brink.
  • Leave it up to Glenn to figure out Lori’s secret and as we see later on in the episode it won’t be the only one he will have to try and keep to himself.
  • Speaking of Glenn, his growing relationship with Maggie was such fun and nice addition to a show that’s all about doom and gloom. The fact that they were acting like high school kids who were in lust with each other put a smile on my face.
  • The fact that the barn finally becomes a major component to the current story-arc wasn’t a surprise, but how the writers were able to finally show why Hershel wanted Rick and his group to stay away from the barn should make the next episode something to look forward to.
  • Maggie’s expression of glee at another rendezvous with Glenn suddenly turning into utter horror continues another strong performance from Lauren Cohan in the role. She has definitely made the Maggie Greene much more well-rounded this early on in the show when compared to the books.
  • I was surprised at how Merle’s return was treated and I must admit that it was done in away that made sense.
  • Always wear steel-toed boots when the zombie apocalypse hits.
  • Andrea is finally on her way back from being useless and constantly harping on Dale and everyone. Unfortunately, her first attempt to show just how useful she can be ends up turning into a friendly fire situation.
  • Daryl’s “encounter” with his big brother Merle may not be to Rick and the group’s benefit. Going to be interesting what the writers plan to do with this turn of events and whether fans of the character will like or hate it.
  • Two more very inventive zombie kills from the make-up wizards of KNB EFX.

Song of the Day: Lisa Says (by Lou Reed)


In honor of Lisa Day the latest “Song of the Day” definitely fits the Lisa-theme chosen for today.

“Lisa Says” was originally released in 1969 by the rock band Velvet Underground. The song got another release in 1972 as part of Lou Reed’s (who was part of Velvet Underground) solo debut album in 1972. The song definitely has a slow, bluesy sound which is barely above the level that would make it a ballad. Instead it ends up sounding like a Valentine card to all Lisa’s everywhere.

Without further ado…“Lisa Says”.

Lisa Says

Lisa says, on a night like this
it’d be so nice, if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says
Lisa says
Lisa says, oh, no
Lisa says

Lisa says, honey, you must think –
– I’m some kind of California fool
the way you treat me just like some kind of tool
Lisa says, hey baby, if you stick your tongue in my ear
then the scene around here will become very clear

Lisa says, oh no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Hey, if you’re looking for a good time Charlie
well, that’s not really what I am
You know, some good time Charlie
always out, having his fun

But if you’re looking for some good, good lovin’
then sit yourself right over here
You know that those good, those good times
they just seem to pass me by, just like pie in the sky

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, hey baby, for just one little smile
I’ll sing and play for you for the longest while
let me hear you now

Lisa says, oh, no, no
Lisa says, hey, don’t you be a little baby
Lisa says, oh, no
Lisa says

Why am I so shy
Why am I so shy, Gee, you know those
good good times, they just seem to pass me by
Why am I so shy

First time I saw you I was talking to myself
I said, hey, you got such pretty, pretty eyes
(that pretty eyes)

Now that you’re next to me I just get so upset
And Lisa, will you tell me, why am I so shy

Why am I so shy
Why am I so shy, well, you know that those
good, good times, they just seem to pass me by
Why am I so shy

And Lisa says, on a night like this
it’d be so nice if you gave me a great big kiss
And Lisa says, honey, for just one little smile
I’ll sing and play for you for the longest while

Lisa says, oh, no, now
Lisa says, hey don’t you be a little baby
Lisa says, oh, no
Lisa says

Quickie Review: Hellboy: Blood and Iron


Guillermo Del Toro will forever be one of the heroes of comic book fans everywhere due to his bringing Mike Mignola’s Hellboy comic book franchise from the printed page to the silver screen. He first brought the Big Red Guy with the 2004 film adaptation of the same name. The film was a modest success and brought the titular character to a whole new group of fans. In 2008, Del Toro came out with the bigger and more epic sequel, Hellboy II: The Golden Army. What some fans of the character sometimes forget or didn’t even realize was that in-between these two films were two direct-to-dvd releases of the animated variety. The first to come out was Hellboy: Sword of Storms in 2006. While I enjoyed that animated film it would be the follow-up dvd release, Hellboy: Blood and Iron which truly captured the essence of the comic books even moreso than the two live-action films.

Hellboy: Blood and Iron would combine parallel storylines about Hellboy and his surrogate father’s, Trevor Bruttenholm, encounter with one Erzsebet Ondrushko also known in occult circles as Elizabeth Bathory the Blood Countess. According to the film, Erzsebet would bathe in the blood of innocent, young girls. The film also makes Erzsebet a follower and disciple of the Mediterranean goddess of witchcraft and sorcery, Hecate.

One storyline would play out in reverse chronological order and take place in 1939 as a much younger Trevor Bruttenholm travels to Eastern Europe to investigate a series of murders that locals have attributed to the return of the Blood Countess. The other storyline moves to the present as Hellboy and his teammates from the B.P.R.D. (Bureau for Paranormal Research and Defense) investigate the supposed hauntings of the estate of a wealthy businessman. This would be an estate that would be the center piece of a sort of haunted amusement park with the Blood Countess and the legends surrounding her as the main attraction.

Hellboy: Blood and Iron does a great job of mixing action, horror and the occult without one or the other overshadowing the rest. The film takes some of it’s ideas from Mike Mignola’s (creator of the Hellboy franchise) Hellboy graphic novel, Wake the Devil, and screenwriter Kevin Hopps does a good job of taking those ideas and creating something new yet similar as well. The film also benefited from the return of the cast of the live-action Hellboy films to voice their respective characters in this animated film. There’s Ron Perlman in his gruff and sardonic best as the title character. Selma Blair returns to voice Hellboy’s closest friend in the redheaded pyrokine Liz Sherman with Doug Jones and John Hurt rounding it out as Abe Sapien and Trevor Bruttenholm.

The animation is not the highest level but for a direct-to-dvd affair it more than holds up and really captures the look and feel of the comic books it was based on. Yet, while an animated film this one wouldn’t be appropriate for little kids to watch. For a “cartoon” it’s quite violent with themes of witchcraft, vampirism and blood sacrifice prevalent from beginning to end. It’s actually quite scary in certain sections especially whenever the resurrected Erzsebet appeared. I don’t think most animated films ever involved a sequence of a tub full of fresh, hot blood waiting to be used as bathwater.

For those willing to learn more and understand the appeal of the Hellboy comic books to legions of fans this animated film was a good example. Hellboy: Blood and Iron was great from beginning to end especially how it interwove not just the vampiric and pagan legends surrounding Erzebet Ondrushko, but also little tidbits of information and character development which added to the backstory of not just Hellboy but those closest to him. Plus, this animated film had two character’s whose names were variants of the name Lisa.

Trailer: Shame (dir. Steve McQueen)


Every year sees a few films which dares to push the boundaries of film storytelling. This year already had the exemplary film Drive from Danish filmmaker Nicolas Winding Refn and now with the year on it’s final two months we have another in Shame by the British filmmaker Steve McQueen.

Shame is an erotic drama starring Michael Fassbender and Carey Mulligan and has been making the international film festival circuit with the film and Fassbender earning accolades for best picture and best actor. The film was already gathering some steam not just through the performances and McQueen’s direction, but for it’s producers stance on not appealing the MPAA giving the film the dreaded NC-17 rating. The film will be shown to the audience uncut and as it was meant to be instead of being re-edited for a much more business-friendly R-rating.

I, for one, applaud the filmmakers sticking to their guns about showing it in it’s NC-17 form. Now, the rest of the film-going world will finally get to see what all the hype and hoopla about this film when it gets a limited release this December 2, 2011 in the United States and on January 13, 2012 over in the UK.

Trailer: Modern Warfare 3 “The Vet and The n00b”


Well, the time that seems to arrive once every year around November has finally arrived. The latest iteration of the Call of Duty first-person shooter franchise from Activision will see a midnight release starting 12:01 am on November 8, 2011. Already there are lines numbering in the hundreds in major cities. Parties being held at stores such as Best Buy and Gamestop as hundreds of thousands, if not, millions of gamers flock to get the game in their hands. This game is Call of Duty: Modern Warfare 3 and it’s one of those rare video games which actually lowers work productivity the week of it’s release. It will be safe to assume that the morning of November 8, 2011 will see a high amount of sick calls and last minute PTO requests.

I won’t be one of them but I will still get this game in a week or two. Until then I’ll just continue to watch this funny and creative trailer for the game starring Jonah Hill, Sam Worthington and Dwight Howard.

Review: The Walking Dead S2E4 “Cherokee Rose”


“Some fathers never earn their sons’ love” – Hershel Greene

[some spoilers within]

The first three episodes of this new season of The Walking Dead has for the most part been very good about keeping the story focused on what transpired in the beginning of the new season. The group is still looking for Sophia (a subplot that is definitely getting to become boring, if not a liability) who ran off during a zombie attack on the group. During the search we saw Carl end up accidentally getting shot by Otis, the hapless and helpful ranch hand of the Greene Farm. Every piece of plot thread in the three episodes had their origins from that initial premiere episode.

The previous episode took the two plot threads of the two kids in the group and the danger they were in and tried to resolve them. Carl’s predicament was resolved in horrific fashion as Shane had to make a calculating decision to wound Otis and make him become a living bait to the zombies on their tail. This plot and character development was one for the books as it put Shane on the dark path to losing his humanity as he begins to embrace the necessary cold-hearted decisions to survive.

One would think that with a third episode and still no sign of Sophia that the show would finally try to resolve this storyline in the fourth episode. The answer to that would be a yes and no. Yes, the episode has made some strides in the search for Sophia as Daryl comes across some signs of someone alive during his search of an abandoned home in the woods. Whether this was a sign that Sophia was still alive didn’t get resolved. This storyline thread has had quite the mileage to it and not for the betterment of the show.

“Cherokee Rose” wasn’t all bad despite what I’ve mentioned above. The episode was mostly acting like the calm before the storm. We see the episode begin with the Greenes, Patricia (Otis’ wife) and the Rick’s group holding a brief ceremony for our dear departed Otis. Shane doesn’t look well in this opening especially when Patricia begged him to say a few words and tell everyone Otis’ final moments. Shane’s words and how things played out definitely didn’t match up, but no one was the wiser and took Shane’s discomfort as his attempt to grieve. To say that Shane looked like a man holding onto that last strand of sanity would be an understatement. It was another great moment for Jon Bernthal which this season has had a lot of.

The rest of the episode was actually pretty peaceful as everyone went about trying to find Sophia in an organized manner, go out into town for supplies (Glenn and Maggie) and just contemplate once again the new world they now inhabit. I’m sure there will be many cries and complaints that the show was becoming too soap opera-ish. These people wouldn’t be too far off, but I also think that non-stop zombies would make this show become too one-note.

The scenes with Rick and Hershel as they briefly talked of God and their differing attitudes concerning the Creator were really interesting as were the scenes of Andrea finally making some strides in her attempt to move on from Amy’ death during season one. These scenes between Andrea and Shane as she pesters the deputy to teach her more about gun safety and how to protect herself was a good start in finally moving Andrea the character towards the badass that she’s destined to become. Andrea’s not fully there but this episode was a good start.

Another fun development in this episode had to be between Glenn and Maggie Greene as the two continued their flirty ways as they ventured into the nearby town to scavenge for more supplies. For fans of the book the relationship which begins between these two characters have become one of the few nice moments in a story that’s all about danger, dread and depression. Even how the two finally end up hooking up wasn’t born out of sentimentality but out of two lonely people and their current predicament allowing for something to brew. The fact that their brief tryst in the town market came out a very awkward situation Maggie found Glenn in was funny, touching and really something the show needed after all the doom and gloom of the first three episodes.

Even Daryl Dixon (becoming the fan favorite of everyone) got to show some of his softer side as he tries to comfort Carol about her missing Sophia. His little monologue about the white flower he found outside the abandoned home that might’ve been where Sophia was hiding explains this episode’s title but also showed much more about how much Daryl has started to see this group as his own little family even though his brusque outward appearance and attitude may not always say so.

“Cherokee Rose” wasn’t one of this season’s good episodes, but I wouldn’t call it one of it’s bad ones. Despite no resolution to the Sophia question the episode still made some good strides in developing some of the characters. The episode also continues this season’s habit of ending things either on a cliffhanger or on a surprising (at least for those who haven’t read the comic book) development. Tonight wasn’t a cliffhanger, but instead we have Lori finding out that she is pregnant. Now whether the baby is Shane’s or Rick’s will be a question that show will not be able to answer for quite awhile yet but still another wrinkle in the growing love triangle that is Rick-Lori-Shane.

Notes

  • For the first time since we were introduced to Hershel Greene there’s now a bit of tension occurring between Rick and his gracious host. Now that Carl is safe and on his way back to recovery the show looks to be setting up something big between Rick’s group and those of the Greene’s.
  • The episode did many lingering camera shots of the Greene’s barn.
  • I know that many will think the scene with the well zombie was mostly filler and not needed I wouldn’t be a zombie fan if I didn’t admit that it was still a cool scene. Plus, it more than filled tonight’s gross quotient as the water-logged zombie literally turned into a bloody pinata.
  • Maggie’s reaction as T-Dog put to rest the well zombie was an interesting one. It seemed like that was the very first time she ever saw a zombie killed.
  • Once again, outside of Daryl, it would be up to Glenn to always do the hard lifting on the show. He’s not just the group’s expert “going into town” guy, but now he’s also it’s best zombie wrangler and live bait.
  • While it differed from how it played out in the book, how Maggie and Glenn finally got together was a nice and funny scene. Love Maggie’s incredulous reaction to Glenn’s questioning of her proposition. Lauren Cohan as Maggie was a really nice choice by the casting director for the show.
  • One final Glenn moment would be his huge grin as he and Maggie rode into the farm with supplies in hand and how his glee was just as quickly shot down as Maggie went all business once again. Poor Glenn.
  • If female fans of this show wasn’t already in love with Daryl they are now after his awkward, but heartfelt speech about the Cherokee Rose he just gave Carol.

Song of the Day: Princes of the Universe (by Queen)


The latest “Song of the Day” is from one of the biggest bands of the 70’s and 80’s. When one spoke about epic arena-style rock concerts then one couldn’t say anything unless they mentioned Queen. If there was ever a song which fully sold me on Queen it was the song they produced for the 80’s fantasy action film Highlander.

“Princes of the Universe” remains one of the best fantasy anthems. Part of why it’s so great is part Freddie Mercury’s performance and part how it perfectly fits the sword-and-fantasy film it was made for. It’s really difficult to watch anything Highlander and not have this song to be in the forefront. In fact, I would say that the song has aged much better than the franchise that gave birth to it.

Princes of the Universe

Here we are, born to be kings
We’re the princes of the universe
Here we belong, fighting to survive
In a world with the darkest powers, heh
And here we are, we’re the princes of the universe
Here we belong, fighting for survival
We’ve come to be the rulers of you all

I am immortal, I have inside me blood of kings – yeah – yeah
I have no rival, no man can be my equal
Take me to the future of you all

Born to be kings, princes of the universe
Fighting and free
Got your world in my hand
I’m here for your love and I’ll make my stand
We were born to be princes of the universe

No man could understand
My power is in my own hand
Ooh, ooh, ooh, ooh, people talk about you
People say you’ve had your day
I’m a man that will go far
Fly the moon and reach for the stars
With my sword and head held high
Got to pass the test first time – yeah
I know that people talk about me – I hear it every day
But I can prove them wrong ‘cos I’m right first time
Yeah, yeah, alright, let’s go, let’s go, ha haa
Yeah, watch this man fly, wooh
Bring on the girls – c’mon – c’mon – c’mon
Here we are – here we are
Born to be kings, we’re the princes of the universe
Here we belong
Born to be kings, princes of the universe
Fighting and free, got your world in my hand
I’m here for your love and I’ll make my stand
We were born to be princes of the universe of the universe of the universe
Of the universe of the universe