4 Shots From 4 Films: Special John Woo Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to director John Woo.  It’s time for….

4 Shots From 4 John Woo Films

A Better Tomorrow (1986, dir by John Woo, DP: Wing-Hang Wong)

The Killer (1989, dir by John Woo, DP: Peter Pau, Wing-Hang Wong)

Broken Arrow (1996, dir by John Woo, DP: Peter Levy)

Face/Off (1997, dir by John Woo, DP: Oliver Wood)

Monday Live Tweet Alert: Join Us for Blind Fury!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Blind Fury!

If you want to join this watch party, just hop onto Mastodon, pull up Blind Fury on YouTube or Tubi, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Late Night Retro Television Review: Degrassi: The Next Generation 1.6 “The Mating Game”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, everyone’s thinking about sex!

Episode 1.6 “The Mating Game”

(Dir by Anthony Browne, originally aired on April 22nd, 2002)

Sex therpaist Dr. Sally (Sue Johanson, recreating her role from Degrassi Junior High) is coming to Degrassi and it’s not a minute to soon because everyone is thinking about sex.  Ashley and Jimmy’s 8-month reunion is approaching and, when Paige is cast as Juliet opposite Jimmy’s Romeo in a class assignment, Ashley starts to worry that Jimmy might not be happy with their sex-free relationship.  Of course, Jimmy is more than happy with his relationship with Ashley.  If anything, Spinner seems to be the one who is obsessed with when Ashley and Jimmy are going to “do it.”

Meanwhile, Toby has a crush on Emma but Emma has a crush on Sean.  Toby invites Emma to join him in watching a DVD about an endangered turtle.  Emma agrees because Emma is all about endangered animal documentaries.  But then she stands him up so that she can help Sean out with his school project.  Sean tells Emma about how he had to give up his pet dog when he moved in with his brother, Emma says. “Awwww!,” and Toby ends up heart-broken.  Emma, for her part, is shocked when Manny later tells her that Toby has a “huge crush” on her.

(Though I’m a huge Degrassi fan, I have to admit that I always forget how much time the first season of Degrassi: The Next Generation spent on storylines that were, more or less, abandoned in future seasons.  Toby’s crush on Emma is a good example.)

As for Ashley and Jimmy, they both do the right thing and buy condoms.  (Jimmy goes to a drugstore.  Ashley orders online.)  However, they don’t have sex and instead just blow the condoms up and write cutesy little messages on them.

Finally, this episode features Terri once again getting offended when Ashley comments on her having never had a boyfriend.  For those of us who know our Degrassi history, it’s hard not to cringe at Ashley’s comment because we know what’s going to happen to Terri (and eventually Jimmy) once Terri finally does start dating someone.

This episode was okay.  These first season episodes are not always easy to watch because the show itself got a lot more interesting after the second season.  It’s hard not watch the episodes from the first two seasons and spend most of the time thinking about what the future holds for the characters.  In this episode, Jimmy is gawky and Ashley is confident that she and Jimmy will know when the time is right.  In the future, Ashley is going to lose all of her friends after taking ecstasy and Jimmy is going to end up paralyzed from the waist down.  In this episode, Toby and JT are bummed that only the eighth graders get to see Dr. Sally.  In the future, JT’s going to get stabbed to death and Toby’s going to end up dating Spinner’s adopted sister.  Meanwhile, Sean’s going to end joining the Army and Emma’s going to end up married to Spinner and Terri’s going to leave school after her boyfriend shoves her and she hits her head on a rock.  When you know all that is going to happen, it’s hard to get caught up in Terri’s hurt feelings or Ashley’s awkwardness when she has to pay for her condom delivery.  Seriously, they should be enjoying their lives while they can because the future is going to be dark!

Retro Television Review: Homicide: Life On The Street 4.7 “Thrill of the Kill”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, Lisa will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, Homicide explores the theory that, when it comes to twins, there’s always an evil one.

Episode 4.7 “Thrill of the Kill”

(Dir by Tim Hunter, originally aired on November 10th, 1995)

Pembleton and Bayliss are working with the FBI to try tack down Newton Dell (Jeffrey Donovan), a Florida man who the FBI believes has committed a series of murders up and down the interstate.  He’s in Maryland now, driving a stolen truck.  Pembleton and Bayliss are able to catch him, though not before three murders have been committed in their jurisdiction.  However, in the Box, Newton insists that he was not the murderer.  He says that the murderer was someone who was traveling with him but he refuses to give out the name.  He says he can’t betray the murderer.  Even when it’s pointed out that his fingerprints were found at the crime scenes, Newton insists that that the murderer wasn’t him.

Bayliss thinks that Newton is trying to set up a insanity defense.  Pembleton doesn’t care.  His job is to catch people who commit murder and, as far as he’s concerned, he’s done just that.  Besides, Newton Dell’s story doesn’t make any sense.  Why would his fingerprints be all over the crime scene if he wasn’t the killer?  Why has every witness provided a description that roughly fits Newton Dell?

Strangely, neither man seems to remember that Munch earlier mentioned that Newton Dell has a twin brother.

Yes, you read that correctly.  This week, Homicide — a show that started off as a very realistic and gritty crime drama — present us with a murderous twin!

Miles Dell calls the department and lets them know that he can’t let his brother go to prison for a crime he didn’t commit.  Soon,  all of the cops are pulling up outside of a convenience store.  Miles (also played by Jeffrey Donovan) is waiting for them.  In the store, a dead clerk is sprawled out on the floor.  So, that’s another murder that occurred because Pembleton and Bayliss somehow overlooked the evil twin theory!

The entire tone of this episode feels different from every episode that preceded it.  With this episode, we hear the tortured inner thoughts of Miles Dell, we get some random slow motion, and we finally get an ending that is so over the top that it feels like a dry run for CSI or Criminal Minds.  Yes, Bayliss and Pembleton do have their usual philosophical debates about the nature of evil.  This is definitely a Homicide episode.  However, it’s also a Homicide episode that shamelessly embraces the melodrama.  There’s not a subtle moment to be found in this episode.  It’s a weirdly entertaining episode but it’s still somewhat jarring to watch.  This is one of those episodes that was obviously made to keep NBC happy.  One need only compare it to something like Doll’s Eyes to see how different this episode was from what came before it.

Again, it’s an entertainingly trashy episode.  Bayliss and Pembleton are enjoyable to listen to.  Jeffrey Donovan was entertainingly over-the-top as both Newton and Miles.  That said, I hope this episode was just a one-off and not a sign of what’s waiting for me over the rest of the season 4.

4 Shots From 4 Films: Special Bill Murray Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to everyone’s favorite actor, Bill Murray!

That means, of course, that it’s time for….

4 Shots From 4 Films

Ghostbusters (1984, dir by Ivan Reitman)

Rushmore (1998, dir by Wes Anderson)

Lost In Translation (2003, dir by Sofia Coppola)

The Dead Don’t Die (2019, dir by Jim Jarmusch)

Scenes That I Love: The Shock Scene From Ghostbusters


Today, the Shattered Lens wishes a happy birthday to Bill Murray!

Here he is in today’s scene that I love, from 1984’s Ghostbusters!  This perhaps the most realistic portrayal of an ESP test ever put on film.

Late Night Retro Television Review: Good Morning Miss Bliss 1.10 “Practical Jokes”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell.  The entire show is currently streaming on Prime!

This week, Screech goes on trial!

Episode 1.10 “Practical Jokes”

(Dir by Gary Shimokawa, originally aired on February 25th, 1989)

“It’s Hoosier Harvest Festival!” Miss Bliss tells us.  Apparently, this is some sort of Indiana thing where everyone rolls around in hay and plays practical jokes on each other.  In her 11 years of working at JFK Junior High, Miss Bliss is proud to have never been pranked.  Mr. Belding gets pranked all the time.  In fact, Belding spends this entire episode getting humiliated over and over again.  After eating some tainted food, he runs from the cafeteria.  Miss Bliss has a good laugh over the suffering of a man who, just a few weeks ago, moved Heaven and Earth so she could win the Teacher of the Year award.

In other words, Miss Bliss is a bitch.

When Miss Bliss sits down in class, it turns out that someone has painted her chair.  Her new sweater is ruined!  Miss Bliss gets angry and demands that the responsible party step forward or the entire class will be punished.  The class immediately pressures Screech to confess.  Screech does so and is told that he will have to pay for Miss Bliss’s sweater.  Screech takes back his confession.

Miss Bliss says the only way to settle this is by holding a mock trial.  Hey, that’s convenient!  Would you believe that Miss Bliss just happens to be teaching a unit on the Constitution?  Screech is put on trial.  Zach is his lawyer.  Nikki is the prosecutors.  Mikey is the bailiff.  Lisa is a witness.  The rest of the cast — you know, the dorky kids who don’t get names or storylines — are the jury.

The evidence is stacked against Screech but Zach gets most of it thrown out.  (Nikki may have found a paint brush in Screech’s locker but she had no right to search it.)  The only evidence against Screech is that he said he was going to get Miss Bliss and …. well, he did confess.  Somehow, his confession never comes up at the trial.  That’s a pretty big piece of evidence, even if everyone knows he was pressured into making it.  Screech surprises everyone by taking the fifth when asked why he went to his locker after saying he was going to get Miss Bliss.

Screech is acquitted for lack of evidence.  (Uhmm …. confession?  Hello, he confessed?)  Miss Bliss reveals that she pranked herself to trick the kids into learning about the Constitution.  Because she pranked herself, this mean that she has still never been officially pranked.  After class, she helps Screech open his locker and gets hit by the silly string that Screech previously set to go off.  So, Screech did prank Miss Bliss!

(Wouldn’t Nikki have gotten hit by the silly string when she illegally searched Screech’s locker?)

This episode was dumb.  Screech should have been wrongfully convicted because Zach wasn’t that good of a lawyer.  Unfortunately, Nikki wasn’t that good of a prosecutor either.  That’s the system for you, dagnabit!

Retro Television Review: The American Short Story #16 “The Jilting of Granny Weatherall”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, The American Short Story adapts a short story by Katherine Anne Porter.

Episode #16 “The Jilting of Granny Weatherall”

(Dir by Randa Haines, originally aired 1980)

Granny Weatherall (Geraldine Fitzgerald) is dying.  While the doctor tries to comfort her and the priest tries to provide salvation, Granny obsesses on cleaning her house and getting everything in its proper place.  She thinks about how her adult daughter, Cornelia (Lois Smith), is incapable of keeping the house as clean as Granny Weatherall believes it should be.  Memories of the past and hallucinations of the present flood her mind and she remembers the time that she was jilted by a suitor and she thinks about how she has to live long enough to destroy the letters that he once wrote her.  But the coldness of death is always hovering in the background….

This episode moved a bit slowly but it was effective due to the performance of Geraldine Fitzgerald and also Randa Haines’s direction, which kept the viewer unsure of whether they were seeing reality or if they were just seeing Granny Weatherall’s dying thoughts.  The short story itself is written as a stream-of-consciousness and Haines does her best to capture that feeling in her adaptation.  One of the main problems with The American Short Story has been that most of the adaptations have struggled to capture the tone of the original stories.  The Jilting of Granny Weatherall’s visuals come very close to recreating the power of Katherine Anne Porter’s words.

Next week, The American Short Story wraps up with an adaptation of a James Thurber short story.

Live Tweet Alert: Join #ScarySocial for Beware! The Blob!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  Beware!  The Blob!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

4 Shots From 4 Films: Special Stephen King Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Tomorrow will be the birthday of Stephen King.  Normally, we honor folks on their birthday but tomorrow is also Bill Murray’s birthday so we’re going to honor King now.

In others words, it’s time for….

4 Shots from 4 Stephen King Films

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Maximum Overdrive (1986, dir by Stephen King, written by Stephen King, DP: Armando Nannuzzi)

Sleepwalkers (1992, dir by Mick Garris, written by Stephen King, DP: Rodney Charters)

The Stand (1994, dir by Mick Garris, written by Stephen King, DP: Edward J. Pei)