October True Crime: The Stalking of Laurie Show (dir by Norma Bailey)


2000’s The Stalking of Laurie Show takes place in Pennsylvania, a wonderful state as long as you don’t count Philadelphia.  Even more specifically, the film takes place in Pennsylvania Dutch country.  An Amish man occasionally appears, sitting in his buggy when it moves down the road.  One character, a lunkhead named Butch (Rel Hunt), goes to an Amish coffeeshop while his girlfriend is committing a horrific murder.

The Amish don’t play a huge role in The Stalking of Laurie Show, which is ultimately a story of a murder amongst high school students.  Still, seeing them in the background is a reminder of a simpler life and also a reminder that not everyone is consumed by hate.  That’s a welcome reminder because this film, much like our present world, is full of irrational hate.

Michelle Lambert (Marnette Patterson) is, at least when the film starts, the queen of her high school.  Everyone wants to be her friend and everyone fears getting on her bad side.  She’s a master manipulator, someone who obviously feels that she has the right to take whatever she wants.  And yet, when we first meet her, it’s hard not to feel at least a little sympathy for her.  Her homelife isn’t the best.  She doesn’t get along with her father.  She’s very protective of her younger siblings.  Despite appearances, she’s not rich.  The only reasons she has expensive clothes and makeup is because she’s very good at shoplifting.  When I was a teenager, I was very good at shoplifting too so I could …. well, I don’t want to say that I related to her because there is a difference between pocketing purple eyeshadow and stealing an entire wardrobe.  As well, it soon becomes clear that Michelle has a mean streak that no amount of a bad family life could justify.

Michelle takes a new student, innocent Laurie Show (Jennifer Finnigan) under her wing and, for a while, she and Laurie are best friends.  But then, when Michelle’s lunkhead boyfriend Butch takes an interest in Laurie, things change.  Michelle is fiercely jealous of Butch and soon, Michelle and her friends are conspiring on ways to humiliate Laurie.  When Michelle gets pregnant, she drops out of school, moves into a trailer with Butch, and eventually alienates almost all of her friends after she attacks Laurie in a bowling alley parking lot.  Only Tabitha (Joanne Vannicola) remains loyal to Michelle.  Soon Tabitha and Michelle are plotting Laurie’s death….

Agck!  It’s a disturbing story, especially since it’s true.  Michelle and Tabitha murdered Laurie Snow in December of 1991, just five days before Christmas.  (There’s some debate as to whether or not Butch took part in the actual murder or not.)  Michelle is currently in prison while Tabitha, a juvenile at the time of the murder, was paroled in 2019.  Today, of course, Michelle and her friends would have hounded Laurie online, sending her anonymous messages, filming every fight between the two of them, and telling her to “kill yourself.”  Every time I read about a teenager who committed suicide due to cyberbullying, my immediate response is that they didn’t kill themselves.  They were murdered.  Anyone who would taunt a fragile person to the point of suicide is as guilty as if they pulled the trigger or tightened the noose themselves.  And don’t give me any of that, “They didn’t know it would happen” crap either.  In every case, they knew what they were doing.

As for the film itself, it’s definitely sensationalized.  Marnette Patterson fully embraces the melodrama as Michelle, at first playing her as just being a standard mean girl before then going totally over-the-top as Michelle’s grip on reality becomes more and more loose.  Jennifer Finnigan is sympathetic as Laurie and Jessica Greco gives a good performance as a friend of Laurie’s who is also drawn into Michelle’s crowd.  If the film wasn’t based on a true story, it would probably be a camp classic.  But since it is based on a true story, it works best as a plea for people to stop turning a blind eye to bullying.  That’s not a bad message.

4 Shots From 4 Horror Films: The 1980s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we begin the 80s!

4 Shots From 4 Horror Films

Friday the  13th (1980, dir by Sean S. Cunningham)

Friday the 13th (1980, dir by Sean S. Cunningham)

The Shining (1980, dir by Stanley Kubrick)

The Shining (1980, dir by Stanley Kubrick)

The Beyond (1981, dir by Lucio Fulci)

The Beyond (1981, dir by Lucio Fulci)

The Howling (1981, dir by Joe Dante)

The Howling (1981, dir by Joe Dante)

Horror On The Lens: The Creeping Terror (dir by Vic Savage)


Today, we have got a true classic.  First released in 1964, The Creeping Terror is the best film ever made about a carpet eating people.

This film is famous for its use of narration.  Apparently, the original soundtrack was lost and, after attempting to dub a few scenes, director Vic Savage instead just hired radio news reader Larry Burrell to tell people what was happening in each scene.  As well, Savage himself later vanished when the film’s investors came looking for their money.  No one is really sure what happened to Vic Savage, though there is some evidence that he subsequently died of liver failure in 1975.  I like to think that Vic Savage faked his dead and that he is still alive somewhere, probably in his 90s and drinking pina coladas on a beach.

Some consider this film to be one of the worst ever made.  I love it.

 

Music Video of the Day: The Valley by Bill Wyman and Terry Taylor (1985, dir by Michele Soavi)


Today’s music video of the day is for an instrumental piece that was composed by Bill Wyman and Terry Taylor for Dario Argento’s 1985 film, Phenomena.

Put together by Michele Soavi, this music video features not only scenes from the film but also clips of Dario Argento directing both Jennifer Connelly and Fiore Argento.  Soavi, of course, went on to have a directorial career of his own, directing four classic horror films before stepping away from feature films to take care of his ailing son.  Soavi has since returned to directing, though most of his subsequent work has been for Italian television.

Enjoy!

October Positivity: Meant To Be (dir by Bradley Dorsey)


2012’s Meant To Be tells the story of …. well, it tells a few stories.

Tori (Erin Sossamon) is a teenage girl who has a bright future but only if she can survive her less-than-wonderful present.  She has an abusive boyfriend.  Her parents seem to be absent.  She’s a photographer and her high school counselor (Michael Gross) has helped her to find a scholarship but Tori has recently discovered that she’s pregnant!

Linda Dickson (Erika Eleniak) is a social worker, who lives in a nice house and who has a wonderful husband (Dean Cain) but who also seems to be struggling with an overwhelming depression.  Maybe it’s because her 18 year-old daughter has recently left home for college.  She obsesses on finding newspaper stories about 20 year-olds doing wonderful things.  She cuts them out of the paper and puts them in a shoebox.  (I do the same thing with well-written obituaries.)  When a call comes in about a loud argument at Tori’s house, Linda is the one who investigates.  When she realizes that Tori is pregnant, Linda becomes a part of Tori’s life, giving her advice.  Linda is determined to convince Tori to not get an abortion, even if it means that Tori will lose her scholarship.

And finally, there’s Nathan (Bradley Dorsey), a twenty year-old aspiring writer who doesn’t know what he should write about.  In a voice-over, he says that he’s learned that writing about only what you know can be a trap so he’s decided to write about what he doesn’t know.  (By that logic, my next short story should be about trigonometry.)  Nathan grew up in the foster system.  He doesn’t know who his mother was.  He’s not even fully sure where he was born.  But he’s still going to search for her so he can discover not only where he came from but also why he was abandoned.

Nathan finds himself staying at a mysterious hotel, one where all of the other guests also appear to be people who never knew their mother.  Even though Nathan puts a do-not disturb sign on his door, the motel maid (Della Reese) still regularly enters his room and encourages him to get out of bed and continue his search.  With the help of two other guests, Shelly (Kristen Renton) and Becky (Colleen Foy), Nathan is able to track down his mother and her address….

Can you guess who she is?

Of course, you can!  Now, in all fairness to the movie, it doesn’t present the fact that Linda is Nathan’s mother as some sort of surprise twist.  From the moment that Nathan figures out that his mother was named Linda and then Becky comes across an old glamour shot of Erika Eleniak in a high school yearbook, it’s pretty clear that Linda Dickson gave up Nathan and she’s never stopped thinking about him and that’s why she’s so obsessed with Tori.  That’s not the twist.

But there is a twist and here it is….

Are you ready?

Nathan and all the residents at the hotel and most of the passengers on the flights that Nathan takes in  and out of town are …. ABORTION GHOSTS!  That’s right.  Linda had an abortion.  Nathan was the son she was meant to have but didn’t.

Is it heavy-handed?  Yes.  Is it effective?  Well, the answer to that question probably depends on how you feel about abortion.  That’s one thing about all of these abortion movies.  It’s hard for me to imagine that any of these films — whether it’s the church-produced Pro-Life films or the studio-produced Pro-Choice films — have ever changed anyone’s mind about abortion.  As such, movies about abortion largely exist to preach to the choir.  Abortion movies, regardless of which side they come down on, are largely movie that people watch so that they can nod and think to themselves, “My side really is the only correct one.”

As for the film itself, it’s rather slow and the voice-over tends to get rather portentous.  Dean Cain was probably on the set for one day.  Colleen Foy gave the best performance while Erika Eleniak was a bit bland in the lead role.  On the plus side, it looked like a real movie, which is more than one can say for a lot of faith-based films.  Again, how you react to the film will largely depend on whether or not you agree with its message.

Late Night Retro Television Review: CHiPs 4.18 “The Hawk and the Hunter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, we finally meet Barizca’s family.

Episode 4.18 “The Hawk and the Hunter”

(Dir by Leslie H. Martinson, originally aired on April 5th, 1981)

In this episode, we learn a little bit more about Officer Barizca.  Played by Brodie Greer, Barizca has been an important member of the ensemble since the first season but, up until this point, we really haven’t learned much about his life outside of driving a patrol car and directing traffic at crash sites.

It turns out that Barizca’s father, Pete (Sandy McPeak), is a crop duster.  When it becomes clear that Pete is getting too old to fly his airplane, Barizca takes a leave of absence from the Highway Patrol so that he can help out.  Hopefully, Barizca will find the courage to finally tell his father that it’s time to retire.

Meanwhile, there’s an environmentalist nutjob named Lyle (Dwight Schultz) who is convinced that the Barizcas are spreading poison with their airplane.  Lyle has been sending threats to Pete so, eventually Barizca flies over Lyle and covers him in pesticide to help the Highway Patrol arrest him.  So, I guess Lyle really is going to die now.

At the end of the episode, Pete retires and Barizca returns to patrolling the highways.

This was an okay episode, in that the scenery was nice and I did appreciate that the show made an effort to focus on something other than Ponch being the best at everything.  Dwight Shultz was believably unhinged as Lyle and there was an interesting tension between him and Baker as both of them were Vietnam vets.  Unfortunately, the Barizcas themselves just weren’t that interesting.  This episode was a case of “You’ve seen one strained father-son relationship, you’ve seen them all.”

That said, I hope next week’s episode will introduce us to Grossman’s family.

Horror On TV: Raggedy Ann and Raggedy Andy in The Pumpkin That Wouldn’t Smile (dir by Chuck Jones)


Awwww, that poor pumpkin!  Well, hopefully, he’s smiling now!

This animated special originally aired on Halloween night in 1979.  I would imagine that the crying pumpkin probably traumatized children across America.  Hopefully, all the kids were out trick or treating when this aired.  Myself, I remember that when I was a kid, I would help my mom carve a pumpkin every year.  And then I would get so depressed when we later had to throw it out.  Seriously, I would get really attached to those jack o’lanterns.

Anyway, this cartoon is before my time but I have a feeling that, if I had been around to watch it, I would have been depressed for a whole year afterwards.

Enjoy!

Retro Television Review: Miami Vice 5.3 “Heart of Night”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Castillo gets an adventure of his own.

Episode 5.3 “Heart of Night”

(Dir by Paul Krasny, originally aired on November 18th, 1988)

This is season 5’s Castillo episode.

Castillo got to be at the center of one episode per season.  Usually, it involved someone from his past resurfacing and Castillo having to go full samurai (or ninja, as the case may be) to protect them.  That’s certainly the case here, in which Castillo’s ex-wife (Rosalind Chao, replacing Joan Chen) approaches Castillo because she and her husband (James Saito) are being targeted by Rivas (Bob Gunton), an Ecuadorian drug dealer who — *sigh* — has connections to the CIA.

This episode wasn’t really bad.  It just felt awfully familiar.  Even Edward James Olmos, who usually shined whenever he got a solo adventure, seems kind of bored in this episode.  At this point in the series, there was really nothing surprising about the revelation that a South American drug lord was working with the CIA.  Just about every drug lord on the show was portrayed as working for the CIA.  It’s also not a surprise when Castillo’s ex’s new husband turns out to be corrupt.  The episode ends with Castillo watching as the women he still loves walk away from him and, again, been there done that.  Almost this entire episode felt like Miami Vice on autopilot.

Crockett appeared for about two minutes in this episode.  He has his memory back and he’s working for the Vice Squad again.  Castillo points out that Crockett is still being investigated for numerous murders and he suggests that Crockett take some time off.  Crockett reluctantly agrees.  Shouldn’t Crockett be in prison right now?  The man was the biggest drug lord in Miami.  He killed a cop (albeit in self-defense).  I’m surprised he would be allowed back into the Vice Squad with all that hanging over him.  If not sitting in jail, Crockett should at least be under suspension.

It’s just another weird day in Miami.