The Films of 2024: Orion and the Dark (dir by Sean Charmatz)


In 1995, an 11 year-old boy named Orion (voiced by Jacob Tremblay) lives in Philadelphia.

He has two loving parents.  He lives in a nice house.  He has his fist crush, on his classmate Sally (voiced by Shino Nakamichi).  He has a bully (voiced by Jack Fisher) who enjoys giving him a hard time and he has several notebooks full of his thoughts and drawings.  He also has a lot of fears.

Indeed, it’s his fears that largely define Orion.  Some of his fears are understandable.  I don’t like wasps or murder clowns either.  Some of his other fears are a bit more elaborate.  He’s scared of his bully but he’s even more scared of fighting his bully because he might accidentally break the bully’s nose and drive a piece of bone into the bully’s brain, therefore killing him.  His biggest fear, however, is his fear of the Dark.

In fact, Orion spends so much time talking about how much he hates the dark and how scared he is of the dark that Dark (Paul Walter Hauser) appears to him in human form and explain that he’s getting tired of Orion blaming him for anything.  Dark takes Orion with him as he travels across the world, bringing darkness to various countries and overseeing various other elements, like Sweet Dreams (Angela Bassett), Unexplained Noises (Golda Rosheuvel), Insomnia (Nat Faxon), Quiet (Aparna Nancherla), and Sleep (Natasia Demetriou).  Dark shows Orion that there’s no need to scared of the dark and that everyone involved is just doing their job.  Orion comes to understand and appreciate Dark but, when he makes the mistake of saying that he still kind of likes Light (voice by Ike Barinholtz) better, it leads to a lot of hurt feelings and resignations….

If this sounds a bit weird, one should keep in mind that the story is being told by the adult Orion (voiced by Colin Hanks) to his daughter, Hypathia (Mia Akemi Brown).  Adult Orion is telling the story to help Hypathia deal with her own fears and it soon becomes obvious that he’s making it up as he goes along.  Hypathia is aware of this and has no hesitation about calling out the stuff that doesn’t make any sense.  And when Orion proves incapable of coming up with a satisfactory ending for his story, Hypathia jumps into the story herself in an attempt to bring it all to a proper conclusion.  But once she’s in the story, can she get back out?

Orion and the Dark may sound like a standard “conquer your fears and believe in yourself” animated film but the script was written by Charlie Kaufman and, in typical Kaufman fashion, the story is full of twists and turns and more than a few moments of commentary on the whole act of storytelling itself.  There’s actually a lot going on in Orion and the Dark, with the film ultimately becoming a tribute to the power of imagination and to all of the parents-turned-storytellers in the world.

I’m a bit notorious for crying while watching animated films and I will say that Orion and the Dark brought tears to my eyes more than a few times.  It’s an incredibly sweet movie, one that can be appreciated by both children and adults.  It’s a movie about not just conquering fears but also using those fears to make oneself stronger.  The final message is that light cannot exist without the dark and vice versa but that’s okay.  There’s much to love in the light but the dark can be lovable too.  Fear is a part of life but it’s not the only part of life.

Creatively-animated and featuring a strong cast of voice actors, Orion and the Dark is definitely one to check out.

Retro Television Review: Miami Vice 2.14 “Yankee Dollar”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Sonny’s latest girlfriend gets involved in the drug trade.

Episode 2.14 “Yankee Dollar”

(Dir by Aaron Lipstadt, originally aired on January 17th, 1986)

It’s another night in Miami.  Sonny Crockett is looking forward to driving out to the airport and picking up his latest girlfriend, a flight attendant named Sarah (Audrey Matson).  For two years, Sarah has been working the Miami to Bogota to Paris and back route.  She doesn’t make a lot of money but, as is typical for this show, she lives in a small but very nicely furnished house.

Unfortunately, Sarah dies shortly after Sonny picks her up.  She goes into cardiac arrest, the result of a balloon of cocaine bursting inside of her.  It turns out that Sarah was working as a drug mule, all so she could make a quick five grand and buy a used BMW.

Seriously, what are the chances that Sonny Crockett’s girlfriend would turn out to be a drug smuggler?  Maybe she thought she was dating Sonny Burnett.  Or maybe, like so many others on this show, she allowed her desire for the finer things in life — like a BMW — to lead her astray.  This is one of the major themes of Miami Vice.  In a society where conspicuous consumption rules, people will do anything to appear richer than they actually are.

When Sonny and Rico arrest Sarah’s brother, Tim (Clayton Rohner), they discover that he works for a wealthy businessman named Charlie Glide (Ned Eisenberg).  Everyone knows that Charlie Glide (a great name, by the way) is involved in the drug trade but no one has ever been able to pin anything on him.  In the past, Charlie avoided cocaine but he’s now looking to branch out.  Sonny and Rico go undercover to try to bring Charlie down.

Of course, it doesn’t work.  Charlie is smart enough to figure out that Sonny and Rico are trying to set him up.  Even after Crockett and Tubbs drag him down to the police station and Charlie makes a deal for immunity in return for setting up two other drug dealers (Anne Carlisle and Pepe Serna), he still tries to double cross the cops.  And even though the double cross doesn’t quite work, Charlie remains smug in his knowledge that he has immunity.

Except, of course, he doesn’t have immunity from all crimes.  Earlier in the episode, Charlie’s executive assistant, Max Rogo (Austin Pendleton), used Charlie’s gun to execute Tim.  Even though Crockett and Tubbs know that Max is the one who pulled the trigger and that Max is the one who decided to kill Tim, they still arrest Charlie for the murder.  (Max was apparently killed in an earlier shootout so it’s not like he’s around to tell the truth.)  “You changed the rules!” Charlie shouts as he’s dragged away.

This episode is Miami Vice at its most cynical.  Crockett and Tubbs can’t get Charlie for the crime he committed so, instead, they set him up for a crime he didn’t commit.  They did change the rules in that they decided they no longer have to follow them.  The episode is full of characters so desperate for money that they’ll do just about anything, even smuggling a lethal drug in their body.  Crockett can only watch helplessly as Sarah dies and, even as Charlie is taken away, there’s never any doubt that he’ll be replaced by someone else, the drug trade will continue, and more people will die just because they wanted to be able to afford a few extra things.  Crockett and Tubbs are fighting a war that can never be won.  Whatever victories they get ultimately feel hollow.  Arresting Charlie won’t bring Sarah back and it won’t stop more innocent people from dying.  Ned Eisenberg was wonderfully smug as Charlie Glide and Austin Pendleton was appropriately creepy as the always-smiling Max Rogo.  This was a good episode, one that challenged the traditional cop show narrative.  How long can one fight a losing war?

Monday Live Tweet Alert: Join Us For Fantastic Four!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1994’s Fantastic Four!  Selected and hosted by Rev. Magdalen, this movie was produced by Roger Corman and never released!  So, you know it has to be good!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Fantastic Four on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Scenes That I Love: The Opening of Top Gun


On this date, 38 years ago, Top Gun was released and the movie changed forever.

From the opening shot, Top Gun captured the attention of audiences who understood that, though the film’s script may have been full of cliches and though the movie was basically just a remake of the old service moves of the late 30s and 40s, it didn’t matter because jets are freaking cool.

And that opening scene is today’s scene that I love!

Happy Top Gun Day!

4 Shots From 4 Films: Special Harvey Keitel Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 85th birthday to the legendary actor, Harvey Keitel!  It’s time for….

4 Shots From 4 Harvey Keitel Films

Mean Streets (1973, dir by Martin Scorsese, DP: Kent L. Wakeford)

Taxi Driver (1976, dir by Martin Scorsese, DP: Michael Chapman)

Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Bad Lieutenant (1992, dir by Abel Ferrara, DP: Ken Kelsch)

Late Night Retro Television Review: Degrassi Junior High 3.4 “Season’s Greetings”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

This week, Arthur and Yick experience memories of the way they were.

Episode 3.4 “Season’s Greetings”

(Dir by Kit Hood, originally aired on December 12th, 1988)

It’s Christmas time!

In the school cafeteria, the students have gathered for lunch and gift-exchanging.  For the first time, Spike brings baby Emma to school and Shane finally sees his daughter.  Meanwhile, Snake and Joey talk to Wheels, who is facing his first Christmas without his adopted parents.  Joey invites Wheels to spend Christmas at his house.  Wheels replies that he’s going to be spending Christmas with his grandparents and a social worker.  Yikes!

Unfortunately, those interesting storylines are only given a few minutes of screentime.  Instead, the majority of this episode is about Yick thinking that Arthur has let being rich go to his head.  The two exchange presents but then refuse to open them.  Arthur’s annoying cousin Dorothy (Annabelle Waugh) encourages them get over being mad by reminding them of all of their previous adventures….

Yep, it’s a clip show.  There’s Arthur meeting Yick for the first time!  There’s Yick trying out for basketball!  There’s Arthur giving Yick one of Stephanie’s old term papers!  Most of the clips come from the first season and they’re interesting as a reminder of the fact that, when this show started, Arthur and Yick were at the center of almost every first season episode.  Of course, eventually, Arthur and Yick would both be pushed to the side by characters like Spike, Caitlin, Joey, Snake, and Wheels.  Even in this episode, it’s hard not to notice that,while Yick and Arthur are remembering the past, Spike and Wheels are the one dealing with present storylines.

After remembering the past, Arthur and Yick decide to remain friends.  Good for them!  Upon opening the presents, Arthur discovers that Yick got him an expensive calculator while Yick gets an extremely cheap band that he can use to keep his glasses from sliding off his face.  Seriously, Arthur?  You’re the richest kid in school and you only spent three dollars on your best friend’s Christmas present?  No wonder Yick was mad!

Clip shows are difficult to review.  This episode was about showing clips and that’s what it did so I guess it accomplished its goal.  But I’m still looking forward to reviewing a real episode next week.

Lisa Marie’s Week In Review: 5/6/24 — 5/12/24


What a sad week!  On May 9th, Roger Corman passed away.  Earlier today, producer and film distributor Mark Damon also passed.  Corman and Damon were two men who revolutionized both the film industry and the way that movies were distributed in the pre-Streaming era.  Both of these men were famous for their Cannes deals and both passed away a few days before the opening of the 2024 Festival.

Closer to home, my Dad was in a car accident on Thursday morning.  He’s okay and the car survived as well but still, that’s not the type of call that you like to get at 4:30 in the morning.  I feel like I’ve been a little bit off my game ever since getting that call.

On a positive note, Cannes starts on Tuesday!  I can’t wait for the the news to start to coming in from France!

Here’s what I watched and listened to this week:

Films I Watched:

  1. Angel (1983)
  2. The Beautiful Game (2024)
  3. Bob Marley: One Love (2024)
  4. The Courier (2024)
  5. The Dark (1979)
  6. Double Trouble (1992)
  7. Firstborn (1984)
  8. King of New York (1990)
  9. Lights Out (2024)
  10. Mission of Justice (1992)
  11. Murder Once Removed (1971)
  12. One More Shot (2024)
  13. Rifftrax: The Dark (2018)
  14. Sixty Minutes (2024)
  15. Top Secret! (1984)
  16. The War of the Worlds (1953)

Television Shows That I Watched:

  1. Abbott Elementary
  2. Baywatch Nights
  3. Check It Out!
  4. CHiPs
  5. Coronation Street
  6. Degrassi Junior High
  7. Dr. Phil
  8. Fantasy Island
  9. Friday the 13th: The Series
  10. Highway to Heaven
  11. Law & Order
  12. The Love Boat
  13. Malibu, CA
  14. Miami Vice
  15. Monsters
  16. Snub
  17. T and T
  18. Welcome Back Kotter

Music To Which I Listened:

  1. Adi Ulmansky
  2. Amy Winehouse
  3. Blanck Mass
  4. Britney Spears
  5. The Chemical Brothers
  6. Eden Golan
  7. ELO
  8. Flossie
  9. Katy Perry
  10. Kedr Livanskiy
  11. Kelly Clarkson
  12. Saint Motel
  13. Taylor Swift
  14. Twenty One Pilots
  15. X

Live Tweets:

  1. Mission of Justice
  2. King of New York
  3. Double Trouble
  4. The War of the Worlds

News From Last Week:

  1. Roger Corman Dies At 98
  2. Producer Mark Damon Dies At 91
  3. Jaws Victim Susan Blacklinie Dies At 77
  4. Music Producer Steve Albini Dies at 61
  5. Israel finishes 5th as Switzerland wins Eurovision in Malmo; Eden Golan: ‘So proud’
  6. Defiant, Soulful and Electrifying: Israel’s Eden Golan Shines at Eurovision with Song, “Hurricane”
  7. Nations’ juries turned their backs on Eden Golan – but the public worldwide embraced her with love
  8. Ireland’s Bambie Thug sore after Israel’s Eurovision win

Links From Last Week:

  1. The “Wrong” James Bond Takes On Luke Skywalker – And Jaws! My Review Of 007’s Outer Space Spectacular “Moonraker!”
  2. Real knowledge is to know the extent of one’s ignorance.
  3. Tater’s Week in Review 5/10/24

Links From The Site:

  1. Erin shared Eyeful, Beauty Parade, The Americanization of Emily, Astounding Science Fiction, Detective World, Future Science Fiction, and Remember When?
  2. Erin shared the covers of Mammoth Mystery!
  3. Jeff shared music videos from Metallica, AC/DC, Saxon, Queensryche, Ratt, Van Halen, and WASP!
  4. Jeff reviewed Trail to Laredo, Prairie Roundup, The Rough Tough West, Enemy, Real Men, Mission of Justice, and Aftershock!
  5. I reviewed Degrassi Junior High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, Monsters, Malibu CA, Highway to Heaven, T and T, Friday the 13th: The Series, Welcome Back Kotter, and Check it Out!
  6. I shared my week in television and 12 Roger Corman trailers!
  7. I shared scenes from Citizen Kane, Fast Times At Ridgemont High, Open City, Scrooge, Royal Wedding, Dazed and Confused, and The Philadelphia Story!
  8. I paid tribute to Orson Welles, Ruggero Deodato, Roberto Rossellini, J.A. Bayona, David MacKenzie, The Twilight Zone, Roger Corman, and Jesus Franco!
  9. I reviewed Late Night With The Devil, Locked Up, Lights Out, The Rebels of PT 218, One More Shot, Pink Floyd: Live in Venice, The Beautiful Game, Bob Marley: One Love, Sixty Minutes, Divine Will, Mary Jane Harper Cried Last Night, and The Courier!

More From Us:

  1. At her photography site, Erin shared Possum, Growing, Clouds, Carts, Relief, Bird on a Wire, and Tipped Over!
  2. At my music site, I shared songs from Eden Golan, Katy Perry, Amy Winehouse, X, Flossie, Kelly Clarkson, and Twenty-One Pilots!

Want to see what I did last week?  Click here!

 

The Films of 2024: The Courier (dir by Daniel Calparsoro)


The year is 2002 and countries across Europe are giving up their old currencies and making the transition to the Euro.  The future looks bright, especially for Ivan (Aron Piper), a young man from Spain who has gotten a job as a courier.  He drives around Europe, often at lighting-fast speeds.  He takes money across the continent so that it can safely be hidden away in Switzerland.  Along with his lover and boss, Leticia (Maria Pedraza), Ivan quickly rises through the ranks of an international cartel.  Helping others stay wealthy leads to Ivan becoming wealthy as well.  Soon, he has fast cars, fast friends, a cocaine habit, and a mustache that makes him look like a 1990s NASCAR driver.

With its constantly moving camera and its voice-over narration, this Spanish film owes more than a little to the films of Martin Scorsese,  Ivan’s descent into drugs will be familiar to anyone who has seen The Wolf of Wall Street or Goodfellas.  Unfortunately, Ivan is never quite as interesting a character as either Jordan Belfort or Henry Hill, largely because Aron Piper is not as charismatic an actor as either Leonardo DiCaprio or Ray Liotta.  Ivan comes across as just being a punk who wandered into something that temporarily made him rich and his narration often descends into shallow psychobabble.  As a character, Ivan would never have the confidence to throw hundred dollar bills off of his boat.  He also wouldn’t have the creativity to pull off the Lufthansa heist.  He’s boring and all the cocaine in the world isn’t going to change that.

Interestingly enough, the film also borrows from Adam McKay, with an ending that highlights a lengthy list of consequences of Ivan’s money laundering operation.  Much as with the films of McKay, The Courier makes the mistake of assuming that everyone watching shares its dreary Marxist outlook and is going to be outraged.  The truth of the matter is that most people would probably love to hide their money from the government because only weirdos enjoy paying taxes.  The film assumes that the audience will be demanding revolution whereas the majority will probably be saying, “Hey, money laundering seems like a good idea and you get a nice car out of it!  How do I get in on that?”

(Scorsese, at the very least, understands and admits that most people would rather be Jordan Belfort on a yacht than the FBI agent on a subway.  Most people would rather be Henry Hill living in New York as opposed to being Henry Hill living in the suburbs of Indianapolis and being an ordinary schnook.)

The Courier does have its moments.  Maria Pedraza gives a good performance as Leticia, though you do have to wonder why she should would ever waste her time with someone as boring as Aron Piper’s Ivan.  Carlos Jean’s score is wonderfully propulsive and provides them film with a needed rush of adrenaline.  In the end, though, The Courier never really escapes the shadow of the films that came before it.

Retro Television Review: Mary Jane Harper Cried Last Night (dir by Allen Reisner)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1977’s Mary Jane Harper Cried Last Night!  It  can be viewed on YouTube.

Damn.

I mean, seriously!  I have seen some depressing films before but nothing could have quite prepared me for Mary Jane Harper Cried Last Night.

Susan Dey stars as Rowena, a young single mother whose 3 year-old daughter, Mary Jane Harper (Natasha Ryan), is taken to the hospital with a broken arm.  Dr. Angela Buccieri (Tricia O’Neil) doesn’t believe Rowena’s claim that Mary Jane is just accident prone and when she discovers what appears to be cigarette burns on the little girl, Dr. Buccieri goes to the head of pediatrics (played by veteran screen villain John Vernon) and requests a full set of X-rays to see if there are any previously healed injuries.  Buccieri’s request is denied.  It turns out that Rowena comes from a wealthy family and her father (Kevin McCarthy) is a trustee of the hospital.  Even after Dr. Buccieri opens up about her own experiences as an abused child, she is told to drop the matter.

She doesn’t drop it.  Instead, she goes to a social worker named Dave Williams (Bernie Casey).  Dave does his own investigation but none of Rowena’s neighbors want to talk about all of the crying and the screaming that they hear coming from Rowena’s apartment.  Rowena presents herself as being a stressed but loving mother.  Dave suggests a support group that she can attend.  When Rowena goes to the group, she opens up a little about how overwhelmed she feels.  Unfortunately, she leaves Mary Jane in the apartment alone and, when a fire breaks out, Mary Jane is lucky to survive.

As intense as all of that is, it’s also only the first half of the movie.  The second half is even more intense and emotionally draining and it all leads up to one of the most devastating final lines ever uttered in a movie.  Throughout the film, the system fails both Rowena and Mary Jane.  Mary Jane is failed when all of the evidence of the abuse that she has suffered is either ignored or shrugged away by the same people who are supposed to be looking out for her.  Rowena is failed when no one pays attention to her obvious emotional instability.  When she finally does have a breakthrough during a therapy session, her psychiatrist (played by James Karen) curtly tells her that they’ll have to talk about it next week because their hour is up.

Rowena is a character who I both hated and pitied.  Like many abusers, she herself was a victim of abuse.  Even when Rowena tries to get support, no one wants to admit that a mother is capable of abusing their own child.  That said, Mary Jane Harper is at the center of the film. She’s a little girl who is desperate to be loved by a woman who often terrifies her.  She is continually failed by the people who should be looking after her and it’s just devastating to watch.  I’m sure I’m not the only person who was moved to tears by this film.

What a sad film.  At the same time, it’s also an important one.  If the film takes place at a time when no one wanted to admit to the abuse happening before their eyes, we now live in a time when people toss around allegations of abuse so casually that it’s led to a certain cynicism about the whole thing.  Even when seen today, Mary Jane Harper Cried Last Night works as a powerful plea to watch out and care for one another.

12 Roger Corman Trailers


Roger Corman in The Godfather Part II

Today we pay tribute to the legacy of Roger Corman with a special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers.

  1. Five Guns West (1955)

This western was the first film that Roger Corman was credited with directing.

2. The Day The World Ended (1955)

Though Corman worked in almost every type of film genre imaginable, he’s probably best remembered for his science fiction and horror films.  This was one of the first of them.

3. Not of this Earth (1957)

Not of this Earth was not only one of Corman’s better sci-fi films but this also the first film in which Corman really took full advantage of character actor Dick Miller.  (Miller, a longtime friend of Corman’s, largely improvised his role as a hip vacuum cleaner salesman.)

4. Machine Gun Kelly (1958)

Along with westerns and sci-fi films, Corman also directed several gangster classics.  Machine Gun Kelly is remembered as one of his best.

5. Bucket of Blood (1959)

In Bucket of Blood, Roger Corman gave Dick Miller a starring role and also mixed comedy and horror in a way that influence many future horror directors.

6. Little Shop of Horrors (1960)

Roger Corman famously shot Little Shop of Horrors in just two days.  The end result was a mix of comedy and horror that continues to be influential to this day.  The musical is very good but I still prefer the cheerful low-budget aesthetic of the Corman original.

7. The Intruder (1962)

Corman was an exploitation filmmaker with a conscience.  At a time when other films were avoiding social issues, Corman dove right in with challenging films like The Intruder.

8. The Terror (1963)

Corman was famous for his ability to spot new talent.  His 1963 film The Terror starred a then unknown actor named Jack Nicholson.

9. The Masque of the Red Death (1964)

In the 60s, Corman was also well-known for his Edgar Allan Poe adaptations, the majority of which starred Vincent Price.  With these colorful and flamboyant films, Corman showed himself to be a pop artist at heart.

10. The St. Valentine’s Day Massacre (1967)

The St. Valentine’s Day Massacre featured Corman directing a film for a big studio.  The film recreated the gang war between Al Capone and George Moran while also finding room for Corman regulars like Jack Nicholson, Dick Miller, and Jonathan Haze.

11. The Trip (1967)

Roger Corman was always sympathetic to the counter-culture, which led to the remarkably nonjudgmental nature of The Trip, a film in which Peter Fonda drops acid under the guidance of Bruce Dern and Dennis Hopper.  Jack Nicholson wrote the script.

12. Frankenstein Unbound (1990)

In the 1970s, Corman retired from directing and instead focused on producing and distributing movies.  In 1990, he briefly came out of retirement and directed his final film, Frankenstein Unbound.