Retro Television Review: Miami Vice 4.1 “Contempt of Court”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the fourth season begins with a whimper.

Episode 4.1 “Contempt of Court”

(Dir by Jan Eliasberg, originally aired on September 25th, 1987)

It’s time for season 4!  Crockett has longer hair!  Tubbs has a beard!  Otherwise, they’re still somehow doing the undercover thing, despite making no effort to maintain their undercover identities.  This episode finds them both in court and, later on, pulling their guns on a mob boss in broad daylight.  How exactly there is anybody in Miami who does not know that Burnett and Cooper are actually Crockett and Tubbs, I do not know.

This was kind of a boring episode, which does not bode well for the rest of the fourth season.  Mob boss Frank Mosca (Stanley Tucci) is on trial but, because the case hinges on information supplied by an informant, Crockett is faced with making the decision about whether or not to name Jack Rivers (Steven Keats) as the informer.  For Jack’s own safety, Crockett refuses but Mosca figures it out anyway.  Jack is stabbed to death while a helpless Crockett watches.  (Crockett’s in jail on a contempt of court charge.)  Later, Jack’s teenage son, Terry (Richard Panebianco), tells Crockett, “I had no idea you were a cop.”  Really?  What a stupid kid.

Anyway, after Mosca frames a juror for taking bribes and a mistrial is declared, Terry pulls a gun on Mosca as he and his men are walking out of the courthouse.  For once, Crockett and Tubbs are able to convince someone not to open fire.  I think this is the first time, in Miami Vice history, that Crockett and Tubbs have managed to prevent an assassination.  Still, Terry does fire his gun in the air.  Mosca smirks and leaves.  What’s weird is that no one else reacts to Terry shooting he gun.  I mean, he’s on the steps of the courthouse.  Why are there no guards rushing out?  Why are Crockett and Tubbs the only cops around?  Seriously, it makes absolutely no sense.

This episode had some worthy guest stars.  Stanley Tucci appeared to be having fun as the cartoonishly evil Mosca.  Meg Foster played the district attorney.  Philip Baker Hall was the judged who ordered Crockett to name the informant.  That said, the episode itself got bogged down in all of the legal wrangling going on inside the courtroom.  For the past three seasons, Miami Vice is a downbeat cop show, not a show about lawyers objecting and debating the point of law.  The fourth season premiere felt off.

I’ve read bad things about this upcoming season and this episode did little to generate any feeling of optimism or hope.  Both Don Johnson and Philip Michael Thomas looked bored and even Edward James Olmos’s Castillo is starting to get a little …. I guess annoying would be the world.  Seriously, make eye contact with someone!

Well, we’ve got a long season ahead of us.  Let’s hope for the best.

4 Shots From 4 Films: Another Special Texas Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is San Jacinto Day, which means that it is once again time for….

4 Shots From 4 Texas Films

Slacker (1990, dir by Richard Linklater, DP: Lee Daniel)

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Office Space (1999, dir by Mike Judge, DP: Tim Suhrstedt)

Primer (2004, dir by Shane Carruth)

Song of the Day: Lust For Life by Iggy Pop


Today, the Shattered Lens wishes a happy birthday to Iggy Pop.  Today’s song of the day was performed by Iggy and co-written by him and David Bowie.  Here is the anthemic Lust For Life.

Here comes Johnny Yen again
With the liquor and drugs
And a flesh machine
He’s gonna do another strip tease

Hey man, where’d y’get that lotion?
I’ve been hurting since I’m up again
About something called love
Yeah, something called love
Well, that’s like hypnotizing chickens

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
And I’ve a lust for life
‘Cause I’ve a lust for life

I’m worth a million in prizes
With my torture film
Drive a GTO
Wear a uniform
All on a government loan

I’m worth a million in prizes
Yeah, I’m through with sleeping on the sidewalk
No more beating my brains
No more beating my brains
With liquor and drugs
With liquor and drugs

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
Well, I’ve a lust for life (lust for life)
‘Cause of a lust for life

I got a lust for life
Got a lust for life
Oh, a lust for life
Oh, a lust for life

A lust for life
I got a lust for life

Got a lust for life

Well, I’m just a modern guy
Of course, I’ve had it in my ear before
Well, I’ve a lust for life
‘Cause I’ve a lust for life

Well, here comes Johnny Yen again
With the liquor and drugs
And a flesh machine
I know he’s gonna do another strip tease

Hey man, where’d y’get that lotion?
Your skin starts itching once you buy the gimmick
About something called love
Love, love, love
Well, that’s like hypnotizing chickens

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
And I’ve a lust for life (lust for life)
‘Cause I’ve a lust for life (lust for life)

Got a lust for life
Yeah, a lust for life
I got a lust for life
A lust for life

Got a lust for life
Yeah, a lust for life
I got a lust for life

Lust for life
Lust for life
Lust for life
Lust for life
Lust for life

Songwriters: Iggy Pop / David Bowie / David Robert Jones

Monday Live Tweet Alert: Join Us for The Final Cut!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1995’s The Final Cut!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Final Cut on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer)


2001’s Strange Frequency is an anthology film.  Usually, I hate anthology films because it always seems like the viewer ends up with one good story and three mediocre ones.  As well, the anthology format is one that sometimes seems to be specifically designed to bring out the worst tendencies in otherwise talented directors.  Often times, they seem to treat the anthology format as a lark, an excuse to show off their technical mastery without really paying much attention to anything else.  The results often feel thematically shallow.

Well, guess what?  I liked Strange Frequency.  It was a lot of fun.  Each of the four stories mixed horror with music.  The first story features two heavy metal fans (Erik Palladino and Danny Masterson) who, after a car accident, find themselves in a club where disco is played nonstop.  For them, it’s Hell.  For me, it sounds like a fun afterlife.  (Yes, it’s not easy to watch Danny Masterson nowadays but he does suffer in this story.)  The second story is about a middle-aged serial killer (Eric Roberts) who targets younger hitchhikers, specifically because he dislikes their taste in music.  However, when he picks up a young grunge fan (Christopher Kennedy Masterson), he suddenly finds himself being targeted.  It turns out that this hitchhiker targets old people who won’t shut up about Woodstock.  They then meet an older man who has never forgiven the baby boomers for rejecting big band music.  In the third story, a rock star (John Taylor) who enjoys destroying hotel rooms is confronted by a maid (Holland Taylor) who can literally clean up any mess.  (“I want my headlines!” the rock star shouts as he realizes he’s never going to get credit for destroying his current room.)  Finally, the fourth story stars Judd Nelson as an A&R man who has the ability to find up-and-coming stars but whose discoveries inevitably end up dying.

All three of the stories were well-done and genuinely clever.  My favorite was the second story, which featured Eric Roberts giving an enjoyably unhinged performance as the Woodstock refugee with a hatred for Lollapalooza.  The story was both clever and suspenseful and it actually had something to say about the cultural differences between the generations.  As you get older, you really do come to hate whatever music came after the artists you grew up listening to.  Eventually, all the Swifties will be in their 40s and 50s, wondering why the younger generation doesn’t appreciate good music about feelings.

Strange Frequency was a pilot for a series that aired on VH-1 in 2001.  How come I don’t remember this show?  The pilot was actually really good!  Thank you to Australia’s own Mark V for telling me about this pilot and letting me know that it was on YouTube!  Check it out if you get a chance.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Wolves of Wall Street (2002)
  19. Border Blues (2004)
  20. Mr. Brightside (2004)
  21. Six: The Mark Unleased (2004)
  22. We Belong Together (2005)
  23. Hey You (2006)
  24. Depth Charge (2008)
  25. Amazing Racer (2009)
  26. In The Blink of an Eye (2009)
  27. Bed & Breakfast (2010)
  28. Enemies Among Us (2010)
  29. The Expendables (2010) 
  30. Sharktopus (2010)
  31. Beyond The Trophy (2012)
  32. The Dead Want Women (2012)
  33. Deadline (2012)
  34. The Mark (2012)
  35. Miss Atomic Bomb (2012)
  36. Assault on Wall Street (2013)
  37. Bonnie And Clyde: Justified (2013)
  38. Lovelace (2013)
  39. The Mark: Redemption (2013)
  40. The Perfect Summer (2013)
  41. Self-Storage (2013)
  42. A Talking Cat!?! (2013)
  43. This Is Our Time (2013)
  44. Inherent Vice (2014)
  45. Road to the Open (2014)
  46. Rumors of War (2014)
  47. Amityville Death House (2015)
  48. Deadly Sanctuary (2015)
  49. A Fatal Obsession (2015)
  50. Las Vegas Story (2015)
  51. Stalked By My Doctor (2015)
  52. Enemy Within (2016)
  53. Joker’s Poltergeist (2016)
  54. Prayer Never Fails (2016)
  55. Stalked By My Doctor: The Return (2016)
  56. The Wrong Roommate (2016)
  57. Dark Image (2017)
  58. Black Wake (2018)
  59. Frank and Ava (2018)
  60. Stalked By My Doctor: Patient’s Revenge (2018)
  61. Clinton Island (2019)
  62. Monster Island (2019)
  63. The Reliant (2019)
  64. The Savant (2019)
  65. Seven Deadly Sins (2019)
  66. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  67. The Wrong Mommy (2019)
  68. Exodus of a Prodigal Son (2020)
  69. Free Lunch Express (2020)
  70. Her Deadly Groom (2020)
  71. Top Gunner (2020)
  72. Deadly Nightshade (2021)
  73. The Elevator (2021)
  74. Just What The Doctor Ordered (2021)
  75. Killer Advice (2021)
  76. Night Night (2021)
  77. The Poltergeist Diaries (2021)
  78. The Rebels of PT-218 (2021)
  79. A Town Called Parable (2021)
  80. Bleach (2022)
  81. My Dinner With Eric (2022)
  82. 69 Parts (2022)
  83. D.C. Down (2023)
  84. Aftermath (2024)
  85. Bad Substitute (2024)
  86. Devil’s Knight (2024)
  87. The Wrong Life Coach (2024)
  88. When It Rains In L.A. (2025

Lisa Marie’s Week In Review: 4/14/25 — 4/20/25


Happy Easter!  Here is my latest week in review!

Films I Watched:

  1. The Anderson Tapes (1971)
  2. Baffled! (1972)
  3. Best of the Best (1989)
  4. Best of the Best 2 (1993)
  5. Border Blues (2004)
  6. The Client List (2010)
  7. Dallas Cowboy Cheerleaders (1979)
  8. Depth Charge (2008)
  9. Harry’s War (1981)
  10. Heat (1995)
  11. Jesus Christ Superstar (1973)
  12. Kansas City Bomber (1972)
  13. Outer and Inner Space (1966)
  14. Patriots Day (2016)
  15. Point of Entry (2007)
  16. 69 Parts (2022)
  17. Something Wild (1986)

Television Shows I Watched:

  1. America’s Most Wanted
  2. CHiPs
  3. Fantasy Island
  4. King of the Hill
  5. The Love Boat
  6. Miami Vice
  7. Pacific Blue
  8. Unsolved Mysteries

News and Links From Last Week:

  1. Singer Clodagh Rogers Dies At 78
  2. Happy Easter!
  3. These Park Avenue Statues Are “Stalled Mid-Step!” It’s Stunning Half-Art With Baggage!
  4. Espresso

Links From The Site:

  1. Leonard reviewed Sinners!
  2. Arleigh shared a scene from Apocalypse Now and the new Fantastic Four trailer!
  3. Jeff reviewed California Straight Ahead, Knute Rockne — All American, Hellcats of the Navy, and Somewhere in Sonora!
  4. Brad wrote about Freedom and shared four shots of James Woods.  He reviewed The Big Bullet, Rudy, Indictment: The McMartin Trial, and God of Gamblers!
  5. Erin shared Hornblower, Clouds Above, A New Day, and FaithShe welcomed back the Easter Beagle!

Click here for the previous week!

A Blast From The Past: Outer and Inner Space (dir by Andy Warhol)


Today’s blast from the past comes from 1966.

In this 33-minute short film, we watch as Edie Sedgwick appears to have a conversation with herself.  She’s not, of course.  Instead, she’s sitting next to a television monitor that is showing a video of Edie having a conversation with an off-screen someone who was to the right of her.  Meanwhile, the “live” Edie is having a conversation with an unseen person who is sitting to the left of her.  This creates the illusion of the two Edies having a disjointed conversation with each other whereas, in reality, we’re really not sure who either Edie is talking to or what they’re even talking about.  As was typical with Andy Warhol’s Factory films, the soundtrack is notably muddy.  As well, the video below is actually a film of the film, which I think Warhol perhaps would have appreciated as long as he got paid.

Okay, it’s not for everyone.  Obviously, if you’re not a fan of Warhol’s films, this experimental piece is not going to change your mind.  In fact, it’ll probably make you a little bit angry.  But, for me, it’s a fascinating time capsule, a true product of the era from which it came.  Warhol’s experiments might not seem spectacular today but that’s because we’ve grown use to experimentation.  Experimentation has become a mainstream concept.  Warhol, on the other hand, was making his underground films at a time when the term “underground” actually meant something.

As well, this film features Edie at the height of her fame.  It’s a bit sad to watch now, knowing how fleeting her obvious happiness would be.  Warhol’s films always framed Edie as being just slightly out of reach, from both the viewers and the filmmaker.  With the muddy soundtrack, one watches the multiple Edies in this film and wonders what is going through their mind,  This is a film that embraces the enigma of existence and image.

 

Song of the Day: Femme Fatale by Nico and the Velvet Underground


Today’s song of the day comes from Lou Reed.  Andy Warhol reportedly asked Lou Reed to write a song about how Edie Sedgwick was a femme fatale.  It’s a song that captures the fascination that Edie inspired amongst artists in the 60s and beyond.  It may not be the most positive portrait of Edie as a person but at least it’s not quite as bitter as Bob Dylan’s Like A Rolling Stone.

Here she comes,
You’d better watch your step,
She’s going to break your heart in two,
It’s true.

It’s not hard to realize,
Just look into her false colored eyes,
She’ll build you up to just put you down,
What a clown.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
See the way she walks
Hear the way she talks.

You’re written in her book,
You’re number thirty-seven, have a look.
She’s going to smile to make you frown,
What a clown.

Little boy, she’s from the street.
Before you start you’re already beat.
She’s going to play you for a fool,
Yes, it’s true.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
See the way she walks,
Hear the way she talks.

‘Cause everybody knows
She’s a femme fatale
The things she does to please
She’s a femme fatale
She’s just a little tease
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale
Oh, oh, oh, oh, oh
She’s a femme fatale

It’s about a hundred years old that song …

Songwriters: Lou Reed

Scenes that I Love: Edie Sedgwick and Gerard Malanga Dance in Andy Warhol’s Vinyl


Today’s scene that I love comes to use from an underground 1965 film called Vinyl!  This film, believe it or not, was actually an adaptation of the novel A Clockwork Orange, one that was filmed six years before the better-known Stanley Kubrick version.

In this scene below, Gerard Malanga and Edie Sedgwick dance to Nowhere to Run by Martha and The Vandellas.  Malanga is playing the role that would later be made famous by Malcom McDowell.  Edie is playing …. well, Edie is basically playing herself.  No one smoked a cigarette with as much style as Edie Sedgwick.

Watching her in this scene, it’s sad to think that, in just six years (and at the same time that Stanley Kubrick was releasing his version of A Clockwork Orange), Edie Sedgwick would die at the age of 28.  Like all of us, she deserved much better than what the world was willing to give her.