Real Men (1987, directed by Dennis Feldman)


Due to a chemical spill that is spreading through the ocean, life on Earth is going to end in five years unless something is done.  A group of friendly alien offer to give Earth either the “Good Package” or the “Big Gun.”  The Good Package can clean up the ocean.  The Big Gun is a big gun.  They both sound good to me!  The aliens only want a glass of water in return and they want that glass to be delivered by CIA Agent Pillbox.

Unfortunately, Pillbox has been killed in the field so the government tracks down a meek office worker named Bob Wilson (John Ritter) who looks just like Pillbox.  Tough and streetwise Nick Pirandello (Jim Belushi) is sent to recruit Bob and take him to the aliens.  Trying to stop Nick and Bob are a group of rogue CIA agents who would rather get the Big Gun than the Good Package.  Nick teaches Bob how to be a “real man” and Bob teaches Nick how to be a real friend.  They also beat up clowns.

A box office failure that did even worse with the critics, Real Men is a movie that was saved by cable.  When I was a kid, Real Men used to show up on HBO all the time.  Whatever flaws the film may have had, the mix of John Ritter’s physical comedy, Jim Belushi’s wiseguy attitude, and the action scenes made it the type of movie that was ideal for home viewing, especially if you had just gotten out of school and wanted to watch something before your parents came home and asked if you had done your homework.  Real Men was fun enough to hold up to repeat viewings but it was also slight enough that it wasn’t a huge tragedy if the channel got changed before the movie ended.

When I rewatched Real Men, I thought the film’s storytelling could have been tighter but it still turned out to be better than I was expecting.  There were a lot of classic buddy movies released in the 80s and while Real Men may not be the equivalent of a 48 Hours or a Midnight Run, John Ritter and Jim Belushi are still an entertainingly mismatched team.  Ritter again shows that he was a master at physical comedy while Belushi provides sarcastic commentary from the side.  A lot of the odd couple-style banter is predictable (Bob doesn’t smoke but Nick does) but Ritter and Belushi deliver their lines with enough conviction to still make it work.  Nick teaches Bob to believe in himself and Bob is able to both save the world and tell off the neighborhood bullies.  The film’s mix of action, science fiction, and broad comedy confounded critics in 1987 but it holds up today.

Music Video Of The Day: Lay It Down by Ratt (1985, directed by Marshall Berle)


What did young Stephen Pearcy wish for his birthday?  He wished to be a rock star with a girlfriend who had appeared in Playboy and today’s music video of the day indicates that his fantasy came true.  (Or at least it came true for a while.)

Young Stephen Pearcy was played by child actor Whit Hertford.  The woman that the adult Stephen sings to was played by model Marianne Gravatte, who also appeared on the cover of Ratt’s Invasion Of Your Privacy album.

The video was directed by Marshall Berle, who was also known for his work with Van Halen and for being Milton Berle’s nephew.

Enjoy!

Mission of Justice (1992, directed by Steve Barnett)


Suspended from the police force because he does thing his way and doesn’t follow the book, martial artist Kurt Harris (Jeff Wincott) joins the Peacekeepers, a Guardian Angel-like group that is led by Dr. Rachel K. Larkin (Brigitte Nielsen).  Larkin is running for mayor on a law-and-order platform.  Just as the Peacekeepers have protected the local bodegas, Dr. Larkin will clean up the streets.

Kurt has a reason beyond just bitterness for joining the Peacekeepers.  Kurt suspects that the Peacekeepers is actually a criminal enterprise and that they are responsible for the murder of his mentor, Cedric Williams (Tony Burton, who does not throw the damn towel when confronted by the bad guys).

There were some good fight scenes and the idea of the Peacekeepers hiding their crimes behind their vigilante activities was an interesting one. The Peacekeepers were obviously based on New York’s Guardian Angels and it’s interesting that both the leader of the Angels and the leader of the Peacekeepers ended up running for mayor.  Of course, Curt Sliwa’s campaign was not as destructive or evil as Dr. Larkin’s.  In fact, I wasn’t really sure why Dr. Larkin was running for mayor, out of all the things that she could have done with her money and her paramilitary force.

Brigitte Nielsen always makes a good villain and the movie also features dependable straight-to-video action mainstays like Matthias Hues, Luca Bercovivi, and Karen Sheperd.  Unfortunately, Jeff Wincott was always one of the blandest of the 90s second tier action heroes, lacking the charisma of a Dolph Lundgren, a Jean-Claude Van Damme, or even as Steven Seagal.  Wincott was the star you called only after exhausting every attempt to sign Lorenzo Lamas.  Wincott is convincing when he’s throwing a punch or kicking someone in the face but when he has to show emotion or deliver dialogue, the movie come to a halt.

With a more charismatic star, Mission of Justice could have been a B-classic but instead, it’s just another forgettable straight-to-video action movie.

Music Video of the Day: Best of Both Worlds by Van Halen (1986, directed by ????)


This song and this video finds Sammy Hagar filled with optimism about his future with Van Halen.  That optimism wouldn’t last for long but both Sammy and Van Halen still went on to create a lot of great music, both together and separately.

This performance is taken from Live Without A Net, a concert video that was recorded at a show in New Haven, Connecticut.

Enjoy!

Aftershock (1990, directed by Frank Harris)


It’s the future and society has collapsed.  America is now controlled by the evil Commander Eastern (Richard Lynch) who, with the help of a propagandist known as Big Sister and a paramilitary leader named Oliver Queen (John Saxon), rules with an iron hand.  Colonel Slater (Christopher Mitchum) is the leader of the revolution that threaten to overthrow Eastern’s regime.

Two revolutionaries, Wille (Jay Roberts, Jr.) and Danny (Chuck Jeffreys), are stuck in one of Eastern’s prison.  Every day, they fight for their lives and they wait for a chance to escape.  That chances come in the form of Sabrina (the beautiful Elizabeth Kaitan), an alien who lands on our planet under the mistaken assumption that Earth is an utopia.

When Sabrina, Willie, and Danny finally manage to escape, they have to make it to Slater’s headquarters while avoiding the bounty hunter (Chris DeRose) who Queen has been sent to capture them.

A fairly standard rip-off of the Mad Max films, the most interesting thing about Aftershock is the cast.  I already mentioned Mitchum, Saxon, Lynch, and Elizabeth Kaitan but there are also appearances from Russ Tamblyn, Michael Berryman, Matthias Hues, and Deanna Oliver.  For a movie that looks cheap and doesn’t really bring anything new to the postapocalyptic genre, there are a lot of very talented people in this movie.  (Even talented people have to pay the bills.)  Most of them are only on for a few minutes.  The instantly forgettable Jay Roberts, Jr. and Chuck Jeffreys are the actual stars here.  Jeffreys was a stunt man who was famous for his resemblance to Eddie Murphy.  He looks good in the action scenes but otherwise, he and Roberts don’t make much of an impression.

At least Elizabeth Kaitan gets a decent amount of screentime.  Kaitan appeared in a lot of movies in the 80s and 90s.  None of the movies were very good.  She got stuck with roles like the girlfriend in Silent Night Deadly Night Part 2 and a victim in Friday The 13th Part VII.  Kaitan got roles primarily because she was beautiful but she had a likable screen presence and more than a little talent.  In Aftershock, she gives a convincing performance as a stranger in a strange land, one who has her own eccentric way of viewing things.  Her performance is the best thing about Aftershock and the main reason to watch.

 

 

Music Video of the Day: I Wanna Be Somebody by W.A.S.P. (1984, directed by ????)


It’s a good thing that skeleton was there to cut through the chain that was holding the door closed or you might have missed this performance from W.A.S.P.

This music video seems tame today but, back in the 80s, this was exactly the sort of thing that was sending Tipper Gore and the other members of the PMRC into a panic.

What does W.A.S.P. stand for?  We Are Sexual Perverts was one popular guess but not a correct one.  In an interview, Blackie Lawless said it stood for, “We ain’t sure, pal.”

Enjoy!

Street (2015, directed by Bradford May)


After witnessing a fight between two criminals and a young man in a convenience store, Ozzy (Shashawnee Hall) decides to track the man down.  Ozzy owns a gym and he thinks that the man could be one of the next great MMA fighters.  When Ozzy finds Remo Street (Casper Smart), he offers Remo a job at his gym.  Street will just be cleaning up the place and serving as a sparring partner but he’ll also get to train for free.  Street agrees.

Street almost immediately runs afoul Ozzy’s main fighter, Greg (John Brickner).  Greg is the son of the gum’s co-owner, James (Gregory Fawcett), a gambling addict who is in debt to the Russian mob.  (Those same Russian mobsters are also forcing Street to fight in an underground fight club.)  Greg does not appreciate that way that Street looks at his sister, Jasmine (Kate Miner).  After Greg injures his usual sparring partner, Ozzy gives the job to Street.  Greg and Street have to train hard because the championship is coming up.

Though it may take place in the world of MMA, Street is a typical boxing film and it doesn’t bring anything new to the genre.  The fight scenes should be the highlight of the movie but they are so poorly edited that it’s hard to keep track of who is fighting who or who is winning.  The final fight, which should have been the film’s crowning moment, feels like an anti-climax.  The best boxing films emphasize the strategy and the training that the fighter uses to defeat his opponent but, in Street, we don’t even get to know who the fighters are or what their strengths are.  Casper Smart gives a likable performance in the title role but Street never scores a knockout.

 

 

Music Video of the Day: Fly to the Angels by Slaughter (1990, directed by John Shea)


The music video for this power ballad opens with a reminder that it’s good to be a star.  Then the action moves from black-and-white color to let us know that Slaughter is still a sensitive band, one that can still performer in an airplane hangar after facing hundreds of record store groupies.

This video was directed by Jim Shea, who has worked with almost everyone from the 80s forward.  He also directed the video for The Bangles’s cover of Hazy Shade of Winter and has worked with Martika, Winger, Brad Paisley, Barbra Streisand, John Fogerty, and others.

Enjoy!

Great Moments In Television History #34: The Hosts of Real People Say “Get High On Yourself!”


In the fall of 1981, producer Robert Evans and NBC collaborated on Get High On Yourself week.  For one week, the network featured its stars encouraging viewers to “Get High On Yourself!:”  It all led up to a Get High On Yourself special, which Evans supervised as a part of the community service to which he was sentenced after he was caught getting high on cocaine.

In this clip, the hosts of an early reality show called Real People encourage viewers to “get high on yourself.”  Of the hosts, Fred Willard was probably the only one who wasn’t high when this was filmed.  Seen today, it’s impossible to watch this without feeling like Willard is doing a bit in an unreleased Christopher Guest movie.

Previous Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra
  12. NBC Airs Their First Football Game
  13. The A-Team Premieres
  14. The Birth of Dr. Johnny Fever
  15. The Second NFL Pro Bowl Is Broadcast
  16. Maude Flanders Gets Hit By A T-Shirt Cannon
  17. Charles Rocket Nearly Ends SNL
  18. Frank Sinatra Wins An Oscar
  19. CHiPs Skates With The Stars
  20. Eisenhower In Color
  21. The Origin of Spider-Man
  22. Steve Martin’s Saturday Night Live Holiday Wish List
  23. Barnabas Collins Is Freed From His Coffin
  24. Siskel and Ebert Recommend Horror Films
  25. Vincent Price Meets The Muppets
  26. Siskel and Ebert Discuss Horror
  27. The Final Scene of Dark Shadows
  28. The WKRP Turkey Drop
  29. Barney Pops On National TV
  30. The Greatest American Hero Premieres
  31. Rodney Dangerfield On The Tonight Show
  32. The Doors Are Open
  33. The Thighmaster Commercial Premieres

Spaceballs (1987, directed by Mel Brooks)


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A long time ago, in a galaxy far far away…

President Skroob (Mel Brooks), the evil and incompetent leader of Planet Spaceball, has squandered all of the air on his planet and is planning on stealing the atmosphere of the planet Druida.  To pull this off, he arranges for the idiotic Prince Valium (Jim J. Bullock) to marry Vespa (Daphne Zuniga), the princess of Druida.  (All together now: “She doesn’t look Druish.”)  Vespa and her droid, Dot Matrix (voice by Joan Rivers), flee Druida with Lord Dark Helmet (Rick Moranis) and Colonel Sandurz (George Wyner) in pursuit.

In debt to the intergalactic gangster, Pizza the Hut (voiced by Dom DeLuise), a mercenary named Lone Star (Bill Pullman) and his associate, the man-dog hypbrid Barf (John Candy), accept a contract from Vespa’s father (Dick Van Patten) to track down his daughter.  They take off in their space Winnebago to bring Vespa home.  Though they start only interested in money, Lone Star and Barf come to learn about love, freedom, and a mystical power known as the Schwartz.  (“No, the Schwartz!”)

Back when I was growing up and just being able to have HBO made you the coolest guy on the block, Spaceballs was one of my favorite movies.  I watched it every time that it came on cable.  As usual with Mel Brooks, there were a lot of double entendres that went over my young head but there was also enough goofy humor that I could laugh at what was going on.  I could quote all the lines.  I laughed whenever Rick Moranis showed up in his Darth Vader-costume.  I laughed at John Candy’s facial expressions.  I laughed when Mel Brooks showed up as Yogurt, the Spaceballs version of Yoda.  Pizza the Hut?  That’s hilarious when you’re a kid!

I recently rewatched the film.  Revisiting it was a lesson in how your memory can trick you.  I could still quote most of the lines with reasonable accuracy but nothing was quite the way I remembered it.  Rick Moranis and John Candy were still hilarious and, being older, I could better appreciated the frustration felt by George Wyner’s Colonel Sandurz.  I also realized what a good performance Bill Pullman gave as Lone Star.  While everyone else mugged for the camera, Pullman played his role straight.

I also discovered that a lot of the scenes that I remembered as being hilarious were actually just mildly amusing.  Mel Brooks was always hit-and-miss as a director, the type who would toss everything and the kitchen sink into his films.  Spaceballs has a lot of hilarious scenes but it’s obvious that Brooks didn’t have the same affection for the source material as he did with Young Frankenstein or Blazing Saddles or even High Anxiety.  Brooks is poking fun at Star Wars because it’s popular but he doesn’t seem to have any strong feelings, one way or the other, about George Lucas’s space epic.

I still laughed, though.  Even if Spaceballs wasn’t the masterpiece that I remembered it being, I still enjoyed rewatching it.  The jokes that hit were funny enough to make up for the ones that missed.  Even with his weaker films, Mel Brooks is a national treasure.