Here Are The 2025 Nominations of the New Jersey Film Critics Circle!


Here are the 2025 nominations of the New Jersey Film Critics Circle.

Best Picture
Hamnet
It Was Just An Accident
Marty Supreme
No Other Choice
One Battle After Another
The Secret Agent
Sentimental Value
Sinners
Train Dreams
Weapons

Best Director
Chloé Zhao – Hamnet
Park Chan-wook – No Other Choice
Paul Thomas Anderson – One Battle After Another
Joachim Trier – Sentimental Value
Ryan Coogler – Sinners

Best Original Screenplay
It Was Just An Accident
Marty Supreme
Sentimental Value
Sinners
Weapons

Best Adapted Screenplay
Bugonia
Hamnet
No Other Choice
One Battle After Another
Train Dreams

Best Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value
Emma Stone – Bugonia

Best Supporting Actor
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

Best Supporting Actress
Elle Fanning – Sentimental Value
Ariana Grande – Wicked: For Good
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Teyana Taylor – One Battle After Another

Best Acting Ensemble
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Weapons

Best Original Score
F1
Hamnet
Marty Supreme
One Battle After Another
Sinners

Best Original Song
“Drive” – F1
“Golden” – KPop Demon Hunters
“I Lied to You” – Sinners
“Last Time (I Seen the Sun)” – Sinners
“Train Dreams” – Train Dreams

Best Editing
F1
Marty Supreme
No Other Choice
One Battle After Another
Sinners

Best Production Design
Frankenstein
Marty Supreme
One Battle After Another
Sinners
Wicked: For Good

Best Costume Design
Frankenstein
Hamnet
Hedda
Sinners
Wicked: For Good

Best Hair and Makeup
Frankenstein
Sinners
The Smashing Machine
Weapons
Wicked: For Good

Best Sound
F1
One Battle After Another
Sinners
Sirāt
Warfare

Best Animated Feature
Arco
Elio
Little Amélie or the Character of Rain
KPop Demon Hunters
Zootopia 2

Best International Feature
It Was Just An Accident
No Other Choice
The Secret Agent
Sentimental Value
Sirāt

Best Documentary
2000 Meters to Andriivka
Come See Me in the Good Light
Orwell: 2+2=5
The Perfect Neighbor
Predators

Best Cinematography
Hamnet
No Other Choice
One Battle After Another
Sinners
Train Dreams

Best Visual Effects
Avatar: Fire and Ash
F1
Frankenstein
Sinners
Superman

Best Stunts
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
The Running Man
Sinners

Best Directorial Debut
The Chronology of Water
Friendship
Pillion
Sorry, Baby
The Ugly Stepsister

Best Breakthrough Performance
Miles Caton – Sinners
Chase Infiniti – One Battle After Another
Jacobi Jupe – Hamnet
Inga Ibsdotter Lilleaas – Sentimental Value
Eva Victor – Sorry, Baby

Best Animal in a Movie
Bing the Dog – The Friend
Googoo the Meerkat – Left-Handed Girl
Indy the Dog – Good Boy
Noochie the Cat – Sorry, Baby
Tonic the Cat – Caught Stealing

Best LGBTQIA+ Representation
Blue Moon
Hedda
Pillion
Plainclothes
Twinless

Best New Jersey Representation*
The Housemaid
Marty Supreme
Ponyboi
Presence
Springsteen: Deliver Me From Nowhere

Guilty Pleasure No. 95: The Delta Force (dir. by Menahem Golan)


The Delta Force is the ultimate guilty pleasure from the ’80s, that rocket-bike-riding, Chuck Norris-kicking fantasy you pop on when you need two hours of unapologetic, brain-off escapism. It’s a hijacking thriller crossed with Cannon Films overkill, blending real Middle East tensions with pure action movie wish fulfillment, and yeah, it’s politically charged and dated as hell, but damn if it doesn’t deliver the kind of dumb-fun thrills that make you grin despite yourself.

Right from the jump, the film sets up its hook with a failed Delta Force raid in Iran, nodding to the real-life Eagle Claw disaster that still stung in 1986. Fast-forward, and Lee Marvin’s grizzled Colonel Nick Alexander gets yanked out of retirement when Lebanese militants hijack an Athens-to-New York flight, forcing it to Beirut and beyond. Enter Chuck Norris as Major Scott McCoy, the brooding ex-operator haunted by that botched op, who’s all too ready to strap on his gear when innocents are on the line. The setup drags you through passenger terror and terrorist demands, then explodes into rescue mayhem—it’s like the movie knows you’re here for the payback, and it serves it up hot.

As a plot, it’s pure popcorn simplicity: plane gets taken, hostages split by nationality and faith, planes hopscotch across terror hotspots, and Delta swoops in for the save. Drawing from the TWA 847 ordeal, the onboard stuff feels eerily real at first—sweaty close-ups of scared folks like Shelley Winters’ kvetching grandma or Martin Balsam’s anxious exec, turning the cabin into a pressure cooker. George Kennedy’s priest adds heart, and you almost buy the drama until Norris’ dirt bike starts spitting missiles, flipping the script to glorious absurdity. That’s the guilty pleasure pivot: from newsreel grit to arcade-game heroics, and you can’t help but love the whiplash.

Once the action ramps, The Delta Force leans into its B-movie soul with reckless abandon. McCoy’s team hits beaches, raids compounds, and yeah, that motorcycle sequence where Norris zips through baddies like a one-man apocalypse? Iconic cheese that screams “turn off your brain and enjoy.” It’s less about realism and more about catharsis—after watching hostages suffer, the third act’s bullet ballet feels like the justice porn we all secretly crave in these flicks. No deep strategy, just explosions and one-liners, perfectly tuned for that “hell yeah” rush that keeps you glued.

The cast is a riot of guilty-pleasure gold. Marvin, in his last role, growls through command with that unbeatable world-weary vibe, making every order land like gravitas wrapped in grit. Norris? Stone-faced perfection—says little, does everything, his quiet rage bubbling just enough to humanize the roundhouse legend. The passenger ensemble shines in panic mode: Winters chews scenery, Balsam frets convincingly, Kennedy prays with soul. Villain Robert Forster? Over-the-top terrorist glee, accent thick as plot armor, stealing scenes with gleeful menace that’s so cartoonish, it’s addictive.

Sure, the politics are a time-stamped minefield—terrorists as flat-out monsters, Middle East as villain playground, America as lone savior—but that’s part of the era’s guilty thrill. In a post-9/11 world, the stereotypes jar, yet for ’80s nostalgia buffs, it’s that raw, unfiltered patriotism dialed to eleven, the kind you laugh at now but cheered then. The film doesn’t pretend to balance views; it picks a lane—righteous rage—and floors it, making the righteousness feel perversely fun amid the preachiness.

Technically, it’s rough-around-the-edges charm personified. Menahem Golan directs with propulsive energy, keeping the 126 minutes zipping between dread and dazzle. Action’s shot clean—no shaky cam nonsense—with wide lenses capturing chaos in practical, pre-CGI glory that pops on a big screen. The score? Brass-blasting heroism that’s comically epic, sticking like glue and amping every slow-mo strut. Sets fake Beirut convincingly enough, backlots be damned, all fueling that immersive, low-budget magic.

The Delta Force thrives on its split personality: tense hijack bottle episode crashing into commando wet dream. Plane scenes build real unease, echoing headlines, but then rocket bikes and cheering crowds yank it back to fantasy ad. That clash? Pure guilty pleasure fuel—serious enough to hook you, silly enough to forgive its flaws, never letting tension sag.

Bottom line, embrace The Delta Force as peak time-capsule junk: terrorism tamed by ‘stache and firepower, geopolitics as blockbuster bait. Norris and Cannon diehards will fist-pump through every raid; casual viewers get a hoot from the excess. It’s flawed, fervent, and fantastically rewatchable— the kind of flick where you know it’s ridiculous, but two hours later, you’re humming the theme and plotting your next viewing. Guilty pleasure? Abso-freaking-lutely, and wear that shame badge proud.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes
  86. The Horror at 37,000 Feet
  87. The ‘Burbs
  88. Lifeforce
  89. Highschool of the Dead
  90. Ice Station Zebra
  91. No One Lives
  92. Brewster’s Millions
  93. Porky’s
  94. Revenge of the Nerds

Holidays on the Lens: A Christmas Carol (dir by Edwin L. Marin)


It’s not Christmas without the story of Ebenezer Scrooge and his visit with three ghosts.  There have been numerous film versions of this story.  The one below comes to us from 1938 and stars Reginald Owen in the role of Scrooge.

This version is surprisingly good, considering that it was apparently shot in a hurry.  (The movie hit theaters just a few weeks after filming stopped.)  Originally, Lionel Barrymore was going to play Scrooge but he had to drop out due to ill-health.  Reginald Owen stepped in and gave a good performance as the famous miser.

(Barrymore himself would more or less play Scrooge a little less than ten years later in Frank Capra’s It’s A Wonderful Life.)

Holiday Scenes That I Love: Festivus Dinner From Seinfeld (NBC, 1997)


Again, Happy Festivus!

This scene is from The Strike episode of Seinfeld.  Believe it or not, it is based on a true story.  Scriptwriter Dan O’Keefe, who wrote this episode, grew up celebrating Festivus, a holiday that was created by his father.  In the real Festivus, the aluminum pole was replaced by a clock that O’Keefe’s father would put in a bag and nail to a wall.  To quote O’Keefe:

“The real symbol of the holiday was a clock that my dad put in a bag and nailed to the wall every year…I don’t know why, I don’t know what it means, he would never tell me. He would always say, ‘That’s not for you to know.'”

Enjoy!

4 Shots From 4 Holiday Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

Three Days of the Condor (1975, dir by Sydney Pollack)

First Blood (1982, dir by Ted Kotcheff)

Invasion USA (1985, dir by Joseph Zito)

Lethal Weapon (1987, dir by Richard Donner)