Retro Television Review: Miami Vice 4.20 “A Bullet For Crockett”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, in honor episode 4.20, Cockett and Tubbs get high.

Just kidding!  Instead, Crockett takes a bullet and Phil Collins sings Something In The Air tonight.

Episode 4.20 “A Bullet For Crockett”

(Dir by Donald L. Gold, originally aired on April 15th, 1988)

After Crockett is shot by a drug dealer’s girlfriend, he fights for his life while the other members of the Vice Squad hover nearby.  Crockett remembers past moments.  The other members of the Vice Squad remember past moments….

Hey, it a clip show!

Usually. I hate clip shows but I’ll defend this one because it was well-edited and it reminded me of how good this show was before season 4 started.  Plus, the episode made good use of Something In The Air Tonight.

The important thing is that, after all the memories were shared, Tubbs took down the shooter and Crockett woke up.  Let’s not worry too much about why Crockett’s new wife never came to the hospital.  She at least appeared in flashback.

What doe it say about Season 4 that the best episode was probably the clip show?

Join #MondayMania For Stalked By My Doctor: The Return!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2016’s Stalked By My Doctor: The Return!

Eric Roberts is back!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Scene That I Love: Garrison Meets X in JFK


Today is Oliver Stone’s birthday so, for all conspiracy-loving readers, here is a key scene from Stone’s 1991 film, JFK!  In this scene, Kevin Costner’s Jim Garrison meets the mysterious man known as X (played by the much-missed Donald Sutherland).  X explains the conspiracy to Garrison.

This scene certainly convinced a lot of people.  Personally, I think Oswald acted alone but one cannot deny Stone’s talent as a filmmaker.

4 Shots From 4 Films: Special Jean Renoir Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

131 years ago today, the great French film director Jean Renoir was born in Paris!  The son of Pierre-Auguste Renoir, Jean would go on to become just as revolutionary a force in the world of cinema as his father was in the world of painting.  Today, in honor of the birth and legacy of Jean Renoir, here are….

4 Shots From 4 Jean Renoir Films

Grand Illusion (1937, dir by Jean Renoir, DP: Christian Matras)

The Rules of the Games (1939, dir by Jean Renoir, DP: Jean-Paul Alphen, Jean Bachelet, Jacques Lemare, Alain Renoir)

The Southerner (1945, dir by Jean Renoir, DP: Lucien N. Adroit)

The Woman On The Beach (1947, dir by Jean Renoir. DP: Leo Tover and Harry J. Wild)

Monday Live Tweet Alert: Join Us for Deadly Illusion!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1987’s Deadly Illusion!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Deadly Illusion on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

Music Video Of The Day: What’s The Matter Here? by 10,000 Maniacs (1988, directed by Matt Mahurin)


Like Suzanne Vega’s Luka, this song is about a woman realizing that a child who lives in her building is a victim of child abuse.

This video is one the many video to have been directed by Matt Mahurin.  Matt Mahurin is one of those all-purpose music video directors.  Since the 1980s, he’s done videos for everyone from U2 to Peter Gabriel to New Kids On The Block to Marilyn Manson.  He also directed the video for Bush’s Everything Zen but let’s not hold that against him.

Enjoy!

Late Night Retro Television Review: Degrassi: The Next Generation 1.5 “Parents Day”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, Emma goes on a crusade and Canada will never be the same.

Episode 1.5 “Parents Day”

(Dir by Eleanore Lindo, originally aired April 15th, 2002)

Its Parents Day at Degrassi!

Toby Isaacs is paranoid that his divorced parents are going to get into an argument as soon as they’re in a room together and that’s exactly what happens.  When Snake tells them that Toby could have the best grades in school if he only applied himself, his mom and his dad start blaming each other.  This scene always makes me cringe, largely because I was in the same boat in high school.  “Lisa is smart as a whip,” one of my teachers said during my junior year, “but she doesn’t focus in class and is easily distracted.”  “Lisa Marie,” my mother said, “did you hear that?”  “Hear what?,” I replied.

Anyway, Toby tells his parents that the reason he’s struggling is because they’re always fighting.  His parents apologize to him.  Awwwww!  That’s sweet.  It would never happen in real life but it’s still sweet.  (Having seen the entire series, it’s always a bit jarring to be reminded of how much the first season focused on Toby, someone who — in future seasons — would often just be a background character.)

Meanwhile, we meet Sean’s totally cool older brother and guardian, Tracker (Kris Holden-Reid).  How cool is Tracker?  His name’s Tracker!  Plus, he calls out Emma to her face.  Emma, in a sign of things to come, has written an editorial for the school paper in which she complains about a once-a-week broadcast called NAK (News About Kids).  She feels that NAK is just propaganda.  When Principal Raditch points out that NAK donated the school’s computer lab in return for the school showing their broadcast (and again, it’s like a 10-minute program that is shown ONCE a week), Emma writes that the school shouldn’t accept anything from NAK and students should just use their home computers.  When Emma overhears Tracker describing her editorial as being “garbage,” she gets mad at tells him that he’s an idiot.  Tracker points out that not all kids — like Sean, for instance — can afford a home computer.

Here’s the thing: Tracker’s correct.  Even when I first saw this episode as an idealistic teenager who agreed with Emma about NAK being propaganda, I thought Tracker was correct.  Not all kids can afford their own computer.  If showing a 10-minute, once-a-week broadcast that most students would probably end up talking through meant the school got a computer lab, it seemed like a reasonable compromise.

However, this episode introduced one of the themes that would become prominent on Degrassi in later seasons.  Emma is never wrong.  Even when it’s clear that Emma is totally wrong and is being unreasonable, the show will still end with someone telling Emma that she’s right.  This episode ends with Sean telling Emma that her editorial wasn’t garbage.  Emma smiles because she has a crush on Sean and that’s sweet and all but you know what?  That editorial was totally garbage!

My feelings were mixed on this episode.  I could relate to Toby’s embarrassment.  I could also relate to Paige’s over-the-top efforts to impress Toby’s mom, who we’re told is casting director.  But this episode also launched the whole “Emma-is-a-crusader” thing, which would eventually become one of the more annoying things about the show.  In the end, though, I guess the important thing is that everyone survived Parents Day.

Retro Television Review: Homicide: Life on the Street 4.6 “Hate Crimes”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, Lisa will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, Lewis solves a cold case.

Episode 4.6 “Hate Crimes”

(Dir by Peter Weller, originally aired on November 17th, 1995)

On the eve of Thanksgiving, a young man is killed outside of a gay night club.  Bayliss and Pembleton are investigating.  All of the witnesses say that the man was jumped by a group of skinheads.  While Pembleton, as usual, is set on capturing the guilty party, Bayliss is uncomfortable about the what he assumes to have been the victim’s identity.

Bayliss is a homophobe?  Really?

I guess this development doesn’t come totally out-of-nowhere.  There was an earlier episode where Bayliss was clearly uncomfortable dealing with an S&M-themed murder so he does have a history of getting weirded out by anything that goes against what he considers to be the straight and the conventional.  At the same time, it’s kind of hard to feel that Bayliss is often just whatever the writers need him to be at the moment.  For this episode, Pembleton needed a homophobe to deal with.  And, since Felton and Bolander are no longer on the show, the job fell to Bayliss, even though Bayliss — even at his most awkward and uncomfortable — has never been presented as being prejudiced before. For me, it’s hard not to feel that the episode would have been even more interesting if it was Pembleton — self-righteous, faith-struggling, Jesuit-trained Pembleton — was uncomfortable with the victim’s identity and if, for once, Bayliss could have been the tolerant one.  Pembleton’s a great character but occasionally, it’s hard not to feel that he’s almost too flawless.

That said, this storyline features a brilliant twist.  When Pembleton and Bayliss talk to the victim’s father (the great Terry O’Quinn), they ask him if he knew that his son was gay.  The father gets angry at them, says that if his son was gay then he deserved to die, and then kicks them out of the house.  Later, Bayliss and Pembleton learn that the victim was not gay.  Instead, the skinheads assumed he was gay and attacked him because he was outside of the nightclub.  Bayliss and Pembleton return to the victim’s father and tells him that his son wasn’t gay.  Only then does the victim’s father start to cry.  For him, his son was not worthy shedding a tear over until he was assured that his son wasn’t gay.  Of course, the father doesn’t realize that his prejudice is the same prejudice held by the skinheads who killed his son.  He’s stunned to hear his son was killed due to a mistake but it doesn’t occur to him that he rejected his son because he made the same mistake.

While that was going on, Lewis defied Howard and solved the Erica Chilton case.  (During the previous season, Howard was given the Chilton case after Crosetti committed suicide.  The since-departed Felton lost a key piece of evidence.)  When Erica Chilton’s daughter was brought to the office because she had been having dreams about her mother’s death, Lewis and Kellerman were the two detectives that talked to her.  Howard was not happy about this, saying that Lewis should have let her handle the interrogation.  Lewis. who has not been happy about Howard getting promoted to sergeant, told her to back off and to stop criticizing his former partner.  While the two of them were arguing, Kellerman got the little girl to remember that the murderer was wearing a monogrammed shirt and that his initials with “T.M.”  At the time of her murder, Erica was engaged to Tom Marans (Dean Winters).

Howard demanded that Lewis tell her before he interrogated Marans so that she could be in the Box.  So, of course, after Lewis and Kellerman tricked Tom into coming down to the station by telling him they needed him to look over some new evidence, Lewis proceeded to interrogate Tom without Howard being there.  With help of a new voice analysis machine, Lewis was able to get Tom to confess without much effort.  Lewis was also able to get a date with the voice analyst, Debbie Haskell (Allison Smith).  Sgt. Howard, meanwhile, got very, very pissed off.

Finally, Brodie (Max Perlich) — the cameraman who helped Lewis and Kellerman out a few episodes ago — got a new job when he was hired to help the Homicide Department film crime scenes.  I’m kind of amazed that they didn’t already have someone to do that.

This was a good episode, even if Bayliss’s homophobia did feel a bit forced.  While Andre Braugher and Kyle Secor were as great as always, I have to say that Clark Johnson really stole this episode as the cocky and rebellious Meldrick Lewis.  Howard is absolutely right about Lewis not treating her with the respect that she deserves.  At the same time, Lewis did finally solve the Chilton case.  So, maybe they’re even.

Probably not.