Love on the Shattered Lens: Lying Eyes (dir by Marina Sargenti)


If you want to see something creepy, just check out the first 5 minutes of the 1996 television film, Lying Eyes.

It takes place at a high school basketball game.  While the team is heading into the locker room for halftime (which is something that I assume they do in basketball, though I’ve never actually watched a game so I could be wrong), the cheerleaders run out onto the court and do their routine.  The camera switches back and forth from closeups of the cheerleader’s backsides to shots of a handsome man named Derek Bradshaw (Vincent Irizarry) sitting in the stands and obviously enjoying the show.

The scene already has a leering quality but what makes it disturbing is the little smile that comes to Derek’s face while he watches the cheerleaders.  Derek maybe handsome but he’s also quite a bit older than the teenagers who are sitting around him.  It’s obvious that he’s come to the game alone and it’s also obvious, just from the way that he’s watching, that he didn’t come because he’s a fan of high school basketball.  Instead, he’s there to ogle the cheerleaders.

Later, one of the cheerleaders — Amy Miller (Cassidy Rae) — is driving home.  We’ve already seen a scene where Amy explains to her best friend, Dana (Ashlee Levitch), that she’s tired of dating immature teenage boys.  While Amy’s sitting at a stop light, another car rear ends her.  The driver gets out and checks to see if Amy’s okay.  The other driver is ….. DEREK!

Amy is immediately charmed by Derek, especially after he offers to pay for the damage done to her bumper so that she won’t have to report the accident to her insurance company.  Later, when Amy goes to pick up her car from the garage that Derek recommended, she discovers that not only has the bumper been replaced but that Derek also had the mechanic install a CD player!  (Remember, this movie was made in 1996.)  And Derek’s given her a bundle of CDs!  When she thanks him, he smiles and says that he hopes that she likes Hootie and the Blowfish.

(Seriously, he says that.  I’m not joking.)

Anyway, Derek and Amy are soon having an affair.  Amy thinks that Derek is the best and even accepts his word when he explains that he’s married but he and his wife are separated.  However, everyone else in Amy’s life is suspicious of Derek and so are we, because we’ve seen a 100 movies just like this one!  Plus, we saw Derek acting all pervy at the high school basketball game….

Soon, Amy’s grades are slipping and her friends are getting mad at her because she’s no longer spending any time with them.  However, Amy has other things to be concerned about.  For instance, someone leaves a note in her mailbox, calling her a whore.  Someone keeps calling the house.  Someone takes a knife to her new leather jacket.  Apparently, someone is not happy about Amy’s relationship and, even after Amy breaks it off with Derek, the harassment continues.

Who is out to get Amy?  Could it be Derek?  Could it be Derek’s wife?  Could it be Dana or maybe even Dana’s older sister, Jennifer (Alison Smith)?  Or could it be someone who Amy doesn’t even suspect?

Lying Eyes is an enjoyably trashy film.  This is one of those movies where you know exactly what’s going to happen but the film itself is just so cheerfully melodramatic that you can’t help but get sucked into it.  Though the film was originally made for NBC, it has since become a Lifetime staple.  This really is the ultimate Lifetime film.  Unfortunately, it’s not as a good as it used to be because, the last few times I watched the film, I noticed that the original kickass soundtrack had been replaced by a generic soundtrack.  I get that this sort of thing happens and it has to do with whether or not the distributor feels like its worth the trouble to pay for the rights to the songs that originally appeared in the film.  But seriously, the generic music that replaced the original soundtrack often doesn’t even go with the scenes in which it is heard.  This is especially true of the film’s opening, where the cheerleaders’ opening routine was obviously choreographed to totally different music from what is now playing in the background.

On the plus side, Vincent Irizarry is both perfectly sleazy and perfectly charming in the role of Derek and Cassidy Rae is relatable and sympathetic at Amy.  Falling for a guy who is obviously wrong but refusing to listen to your friends and family because you want the fantasy to be true?  Seriously, we’ve all been there.  That was pretty much my entire life when I was 18 years old.  Rae does such a great job that you don’t even mind that Amy often behaves like an idiot.  (Seriously, if someone is stalking you, threatening to kill you, and forcing your car off the road, you might want to consider not shrugging it off.)

Lying Eyes is a good, trashy melodrama and if you’re looking for some Valentine’s Day counter programming, it’s on Amazon Prime.  I just wish they would bring back the original soundtrack.

Embracing the Melodrama Part II #91: A Reason to Believe (dir by Douglas Triola)


A Reason to BelieveThroughout the late 90s, a rather obscure film from 1995 called A Reason To Believe used to show up on Cinemax fairly frequently. I was 11 when I first saw it.  At the time, I was indulging in my rebellious streak by secretly staying up past my bed time and sneaking into the living room, where I would watch whatever forbidden sordidness what being aired.  Because I didn’t want to wake anyone up, I would watch with the volume turned almost all the way down.  Hence, when I first saw A Reason To Believe, I literally had to sit less than an inch away from the TV just so I could hear the dialogue.

And I remember that, at the age of 11, A Reason To Believe really blew me away.  I thought it was one of the greatest films that I had ever seen.  The fact that the film involved college students made me feel like I was both watching a movie for adults and getting a preview of what life would be like when I was older.  All of the sex and the language made me feel like I was getting away with something while I was watching it.  At one point, there was a shot of Sharon (played by Holly Marie Combs) putting a condom on Wesley’s (Danny Quinn) erect penis and I found myself glancing over my shoulder, convinced that at any minute a responsible adult was going to enter the living room and say, “WHAT ARE YOU WATCHING!?”

So, when I recently rewatched A Reason To Believe, I did so wondering how the film would hold up now that I’m an adult.  Not surprisingly, a good deal of the film now seemed to be heavy-handed.  For every good line in the script, there was a line that was way too obvious.  Characters who were funny when I was 11 — like dorky stoner Potto (Keith Coogan) — now seemed to be annoying.  And, of course, my more experienced eyes immediately realized that Holly Marie Combs was putting that condom on a prosthetic penis.

And yet, A Reason To Believe is still fairly effective and probably deserves to be better known than it actually is.  Usually, I refuse to give extra credit for good intentions but I’m willing to make an exception for A Reason To Believe because the film deals with a subject that, now more than ever, needs to be dealt with.

Charlotte (Allison Smith) is a student at an unnamed generic university.  When her boyfriend, Wesley (Danny Quinn), has to go away for the weekend, he asks Allison not to go to Viking, an annual party thrown by his fraternity.  Charlotte promises that she won’t but then goes anyway.  At Viking, she hangs out with Wesley’s best friend, Jim (Jay Underwood).  Jim is also dating Allison’s friend, Judith (Kim Walker).  Realizing that she’s had too much to drink, Allison attempts to leave the party but instead, Jim leads her into his bedrom.  He kisses her.  She says no but Jim forces himself on her.  Repeating all the old bullshit excuses (i.e., Charlotte was flirting with him, all girls say no when they mean yes, and all the rest) Jim seems to truly believe that the sex was consensual.  Charlotte knows it was rape.

At first, Charlotte doesn’t want to face what happened.  When she finally does go to the university administration and reports what happened, the frat — including her boyfriend — comes together to protect Jim.  Charlotte’s friends — like Judith — abandon her.  Her only supporter is Linda (Georgia Emelin), an anti-fraternity campus activist who is more interested in Charlotte as a means to an end than as a human being.

A Reason To Believe held up fairly well.  Yes, it’s heavy-handed and a lot of the dialogue is too spot-on and literal.  I could have done without the scenes featuring Obba Babatunde as a bombastic professor.  However, Allison Smith and Jay Underwood both gave excellent performances in the two lead roles and the film deserves a lot of credit for not shying away from just how misogynistic the fraternity/sorority culture can truly be.  Ultimately, flaws and all, it’s a valuable, realistic, and angry portrayal of rape culture and it deserves to be seen for that reason.

It can currently be viewed on YouTube.