Late Night Retro Television Review: CHiPs 2.14 “Repo Man”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Jon Baker takes on …. THE REPO MAN!

Episode 2.14 “Repo Man”

(DIr by Alex Grasshoff, aired on January 6th, 1979)

This week features a truly memorable villain.

Doyle Ware (Mills Watson) is a repo man.  When people fall behind on their car payments, Doyle is the guy who shows up to repossess the vehicle.  That he’s a sleaze shouldn’t come as a surprise.  I mean, who likes a repo man, right?  But, as Baker and Ponch discover, Doyle is more than just a repo man.

He’s a criminal mastermind!

He steals cars and then informs the owner that the car has been destroyed in an accident.  Doyle offers to buy what little is left of the vehicle.  However, the truth is that the car hasn’t been destroyed.  And once Doyle gets the title, he proceeds to sell the car under the original owner’s name.  Then, once the buyer falls behind on their payments, he repossesses the car and sells it again.  What a sleazy guy!

When Baker and Ponch prevent Doyle from repossessing an old couple’s trailer, Doyle reacts by trying to destroy their credit.  He plants false reports that Baker and Ponch owe money.  Baker tries to buy an expensive saddle, just to be humiliated when the clerk (played by future playwright Terrence McNally) informs him that his credit score is awful.  Ponch starts to get notices at the police station, telling him that he owes money.  Getraer offers to help Baker but not Ponch.  Getraer can’t stand Ponch.

While dealing with his bad credit, Baker also becomes a local celebrity when he jumps, from a bridge, onto an out-of-control school bus.  Baker’s face appears on the local news and soon, people are demanding his autograph.  Baker is mortified.  Ponch is thrilled because, for some reason, people want his autograph too.  “Oh my God, you’re his partner!” someone says as they rush up to Ponch’s motorcycle.  Seriously, Ponch didn’t do anything!

Meanwhile, Grossman (who, as played by Paul Linke, is the most consistently likable member of the show’s supporting cast) gets an article published in a magazine.  Everyone at the station pretends like they haven’t read and enjoyed the article.  Poor Grossie!  Don’t worry, though.  A news crew films Grossie putting out a fire and he soon replaces Baker as everyone’s favorite local hero.  Baker’s happy to have both his good credit and his anonymity restored.

(This is actually a pretty big episode for Baker.  He also gets a subplot in which a watchmaker, played by Ned Glass, destroys Baker’s watch after he bring it in to get the wrist band fixed.)

This was a good episode.  The school bus rescue was genuinely exciting and Doyle Ware was a villain who was so sleazy that it was a lot of fun watching him get taken down.  CHiPs did a good job with Repo Man.

Lisa Marie’s Early Oscar Predictions For September


It’s that time of the month again!

It’s time for me to share my latest round of Oscar predictions.  Thanks to the summer festival season, the Oscar race is starting to become a bit clearer.  That said, there really don’t seem to be any overwhelming favorites right now.  There are contenders but there are no front runners.  So, I imagine we’ll see some surprise contenders emerge as the precursor season approaches.

You’ll notice that, unlike a lot of Oscar bloggers, I don’t have Gladiator II amongst my predictions.  That’s based on the fact that, every year, there’s a new Ridley Scott film that everyone predicts will be a contender and, with the exception of The Martian, it never happens.  The Academy just does not seem to have the burning desire to honor Ridley Scott that a lot of film bloggers do.  As well,  I’m just not convinced that a sequel starring an actor who has yet to prove he can shoulder the weight of a blockbuster is going to be the film that’s going to win Ridley Scott a Best Director statuette.  Remember that a few years ago, those same Oscar bloggers were insisting that Martin Scorsese’s Silence was going to be not only a contender but also the winner up until the end of November.

(For that matter, let’s not forget that Scorsese’s Killers of the Flower Moon was expected to be a winner as opposed to an also-ran.  Fact of the matter is that, as much as I hate to resort to that overused quote from William Goldman, no one knows anything.)

Do I really think that Pamela Anderson is going to receive a Best Actress nomination?  She’s receiving a lot of acclaim for her role in The Showgirl but, at the same time, she’s Pamela Anderson.  There’s maybe a 2% chance that she’ll get nominated but I always like to throw in a few candidates who go against the conventional wisdom.  So — what the Hell?  Why not?  Pamela Anderson for Best Actress!

Be sure to check out my predictions for April, May, June, July, and August!

Best Picture

Anora

The Apprentice

The Brutalist

A Complete Unknown

Dune Part Two

Emilia Perez

Maria

The Piano Lesson

Saturday Night

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Brady Corbett for The Brutalist

Jason Reitman for Saturday Night

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice

Best Supporting Actress

Monica Barbaro in A Complete Unknown

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Felicity Jones in The Brutalist

Zoe Saldana in Emilia Perez

Monday Live Tweet Alert: Join Us For Dante’s Peak!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

After we finish up this week’s #MondayActionMovie on Mastodon, we will be hopping over to twitter where #MondayMuggers will be showing 1997’s Dante’s Peak!  The film is on Prime and it starts at 10 pm et!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop over to twitter at 10 pm et, pull Dante’s Peak up on Prime, and use the #MondayMuggers hashtag! 

Enjoy!

Retro Television Review: Miami Vice 3.1 “When Irish Eyes Are Crying”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

Welcome to season 3!

Episode 3.1 “When Irish Eyes Are Crying”

(Dir by Mario DiLeo, originally aired on September 26, 1986)

The third season of Miami Vice opens with Gina saving the life of Sean Carrone (a very young Liam Neeson).

Carrone is a former commander in the IRA, a man who has lost two brothers during the Troubles and who killed his first British solider when was fourteen but who now says that he has renounced violence and is instead a believer in peace.  When he gives a lecture in Miami, Gina, Zito, and Switek attend because they’ve gotten a hot tip from Izzy that an arms deal is going to occur afterwards.  Instead, a teenage gunman attempts to assassinate Sean and Gina is forced to use deadly force to save Sean’s life.

Gina is put on administrative leave after the shooting, which gives her plenty of time to pursue her new romance with Sean!  A jealous Crockett doesn’t trust Sean and it turns out that Crockett’s correct when it becomes apparent that Sean and his American benefactor (Paul Gleason) are looking to purchase Stinger missiles from arms dealers Max Kilzer (Walter Gotell, who played the head of the KGB in several Bond films) and Eddie Kaye (Jeff Fahey).  With the dubious help of a haughty British MI6 agent (Daniel Gerroll), Crockett and Tubbs try to uncover Sean’s plans.  Along the way, Tubbs gets to try out another fake accent, Crockett spends some time as Burnett without anyone noticing that Sonny Burnett looks and talks exactly like Sonny Crockett, and Eddie Kaye finds time to blow up Sonny’s beloved car.

On the plus side, this episode had a wonderful group of guest stars. When one episode finds substantial roles for Liam Neeson, Jeff Fahey, Paul Gleason, and Walter Gotell, it’s pretty good guess that the episode is going to be worth watching.  All four of them give memorable performances.  Liam Neeson is, of course, the star attraction here but I also enjoyed Jeff Fahey’s turn as a half-crazed bayou arms dealer who is first seen wearing a t-shirt that reads, “Kill Them All.”  I also appreciated that this episode gave everyone in the cast something to do.  During season 2, it was easy to forget that Gina and Trudy were even on the show.

That said, as I watched this episode, I couldn’t help but feel that it was missing the energy that made the first two seasons stand out.  If the first season was tough and gritty and the second season was surreal and often shocking, the third season got off to a rather comfortable start.  Don Johnson and Phillip Michael Thomas both seemed a little bit too relaxed in their roles as Crockett and Tubbs.  The third season opener played out like a well-0iled machine and that was the problem.  It was almost too efficient, with little of the spontaneity that ran through the previous two seasons.

It’s something that happens to every series.  The first two seasons are all about experimenting and taking chances and finding the right tone.  By the time the third season rolls around, the formula is in place and things can start to feel a little mechanical.  That was how I felt about this episode.  The supporting cast carried the drama while the main cast went through the motions.  That said, the episode did what a season premiere should do.  It re-introduced the viewer to the characters, it had enough violence to keep action fans happy, and it announced the show was back.  We’ll see how season 3 plays out over the next few weeks.

Monday Live Tweet Alert: Join Us for Beverly Hills Cop!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Beverly Hills Cop, in honor of John Ashton!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, rent Beverly Hills Cop on any streaming service, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Music Video of the Day: Time Has Come Today by The Ramones (1983, dir by Francis Delia)


In today’s music video of the day, we visit the Church of the Ramones, where the band is energizing the congregation with a cover of The Chambers Brothers’s Time Has Come Today.

And indeed the time has come.  It’s the last day of September.  That means that tomorrow is the start of my favorite time of the year.  It’s time for our annual …. HORRORTHON!  Things are about to get a little bit busy around here….

Until then …. ENJOY!