Late Night Retro Television Review: Friday the 13th: The Series 1.25 “What A Mother Wouldn’t Do”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, a crib from the Titanic demands blood!

Episode 1.25 “What A Mother Wouldn’t Do”

(Dir by Neill Fearnley, originally aired July 18th, 1988)

After being told that her unborn child should be aborted because it’s just going to die anyway, Leslie Kent (Lynne Cormack) seeks peace inside an antique shop called Curious Goods.  The shop’s owner, Lewis Vedredi (R.G. Armstrong), shows her an antique crib that he says was on the Titanic.  Leslie is intrigued by the crib and, six months later, she is overjoyed when her friends reveal that they have purchased the crib for her as a gift.  Seriously, who wouldn’t want a crib that was once used by a baby who probably drowned in icy water when the Titanic sank?

The crib does have a special power.  It can cure sick babies!  Of course, the cure only works if the crib’s owner first kills seven people in a body of water.  After baby Allison is born, Leslie and her husband Martin (Michael Countryman) start killing random people in an effort to save their baby’s life.

It presents quite a moral quandary.  If Micki and Ryan don’t retrieve the cursed crib, Leslie and Martin will continue to kill.  However, if they do get the crib, Allison will die.  Are they prepared to sacrifice an innocent baby just to get their hands on the crib?  To its credit, Friday the 13th: The Series didn’t shy away from these questions.  In this episode, the villains are not unsympathetic.  Martin hates to kill but he’s trying to save his baby.  As for Leslie, the episode’s title says it all.  What wouldn’t a mother do to save the life of her baby?  As disturbing as the murders may be, they’re nowhere near as frightening as the cold and clinical way that Leslie is ordered to get an abortion at the start of the episode.

In the end, both Martin and Leslie end up sacrificing themselves to save Allison’s life.  But Allison disappears from her crib, leaving a terrified Micki to wonder if the evil within the crib has taken her.  Fear not.  As the final shot show, her babysitter Debbie (Robyn Stevan), grabbed the now healthy baby from the crib and then got on bus to start a new life.  The baby looks up at her and smiles for the first time.  Awwwww!

This was a good episode, with Micki and Ryan both coming to realize that the owners of the antiques are often as much victims as those they harm.  Chris Wiggins dif good job of portraying Jack’s single-minded determination to find all of Lewis’s cursed antiques while Lynne Cormack and Michael Countryman were poignant as two villains for whom you couldn’t help but feel some sympathy.

Next week, season one comes to an end!

Cyclone Fury (1951, directed by Ray Nazarro)


Brock Masters (Mark Roberts) has been awarded a contract to supply the army with horses.  Corrupt businessman Grat Hanlon (Clayton Moore) wants that contract for himself so he sends his henchmen to kill Brock.  Because Brock has no known relatives, Grat believes that both the horses and the contract will soon be his.

However, Brock does have an heir!  He adopted an Indian child named Johnny (Louis Lettieri).  Johnny inherits the contract and both the Durango Kid (Charles Starrett) and Smiley Burnett are going to make sure that Johnny is able to deliver the horses.  Smiley is also going to find some time to sing some songs that have even less to do with the story than usual.

Cyclone Fury was one of the later entries in the Durango Kid series.  By the time it was made, Colombia was no longer willing to spend much money on the series so that majority of the film’s action scenes are lifted from other Durango Kid movies.  If you’ve never seen another Durango Kid movie, the action scenes are exciting and feature some impressive stunts.  If you have seen another Durango Kid movie, this one is going to seem really familiar.

For western fans, the main appeal here will be seeing Clayton Moore playing a bad guy.  Moore had already played The Lone Ranger when he appeared in this movie.  At the time Cyclone Fury was made, Moore had been unceremoniously fired from his most famous role and The Lone Ranger was being played by John Hart.  Hart would only last a season and Moore would subsequently be invited back to play the role that defined his career.  As for Cyclone Fury, Moore is convincing as Grat, though the character himself is just a typical Durango Kid bad guy.  The Durango Kid was always going up against seemingly respectable businessmen who were actually outlaws.

One final note: Moore’s Lone Ranger co-star, Jay Silverheels, appears in this film but only in archival footage from an early adventure of The Durango Kid.

Retro Television Review: T and T 3.4 “Cry Wolf”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, someone from the past shows up but it’s not Amy.

Episode 3.4 “Cry Wolf”

(Dir by Alan Simmonds, originally aired on January 26th, 1990)

While filming footage for what is sure to be a riveting cinematic essay on urban decay, high school student Martina (Joanne Vannicola) films a drug deal going to down in an abandoned warehouse.  (The world of T and T was full of abandoned warehouses where people were either selling drugs or hiding stolen money.)  Unfortunately, Martina runs out of film before actually capturing the drugs being exchanged.  Everyone who sees the footage says that it doesn’t prove anything.

Martina decides to take justice into her own hands.  I’m not really sure why.  Martina’s obsession with tracking down the drug dealers and getting them arrested feels somewhat unhinged and it’s a bit disturbing to see coming from a teenager.  I mean, Martina doesn’t know the drug dealers.  She is apparently not a user of cocaine.  She’s just decided that these people deserve to be taken down by her.  One gets the feeling that Martina is going to grow up to be a member of the secret police.

Martina’s investigation leads her to a suburban couple who capture her and make plans to eventually kill her.  Fortunately, Martina’s best friend is Joe Casper (Sean Roberge) and he is able to enlist his mentor, T.S. Turner, to save Martina’s life.

That’s right!  Joe’s back.  He was a semi-regular during the second season, appearing in the opening credits even though he rarely got to do anything on the show.  Still, the return of Joe would, in theory, be the perfect opportunity for the show to explain what happened to Amy.  Amy and Joe were close, after all. It seems like it would be natural for Joe and Turner to say something about missing Amy and perhaps provide us with a clue as to why Amy has been replaced by Terri.

However, that doesn’t happen.  In fact, Turner acts as if he barely knows Joe, despite the fact that he practically adopted him during the second season.  “Why are you kids always here?” he growls when he sees Joe and Martina in Decker’s gym.  And seriously, why is everyone always in Decker’s gym?  The place is a dump!  And is there no one at the gym who could tell T.S. that the hot pink bodysuit that he wears while boxing looks kind of silly?

Anyway, T.S. goes down to the suburbs and saves Martina.  As usual, it doesn’t take much effort because the drug dealers are all kind of wimpy whereas T.S. Turner is Mr. T.  It was only as things ended that I realized that Terri didn’t even appear in this episode.  With Amy gone and Terri not being all the important, T and T is feeling more and more like T.

This episode was pretty dumb but I did appreciate that the drug dealers were essentially just two suburbanites who had no idea what they were doing.  That was a nice twist.  But otherwise …. yeah, pretty dumb.

Live Tweet Alert: Join #FridayNightFlix For Back To School!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, we’ve got 1986’s Back to School!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Back to School is available on Prime and Tubi!  See you there!

Television Review: Chaser (dir by Daniel Roemer)


Over the course of 8 episodes, Chaser tells the story of Eddi Sebastian (Russ Russo).

Eddi is a film editor, someone who spends almost all of time looking over different takes of different scenes and trying to arrange them into the perfect story.  Eddi is also shy, awkward, and so broke that he’s about to get kicked out of his home.  He has a hopeless crush on B-actress Annabel Ruysch (Gia Bay) and he regularly finds himself being bullied by Annabel’s arrogant (and married) boyfriend, Gar Madden (Daniel de Weldon).

When Eddi’s laptop stops working, his replacement comes with a special bonus.  Eddi can now use the laptop to not only edit the movies but also to edit real life.  As he learns via the mysterious Hal, he can edit anything that happens as long as he does so within a 24-hour period.  Anything that he changes becomes his new reality but the editing must be done with a 24-hour period and the laptop must be connected to the internet.

Considering that he is lonely and broke, it is not surprising that, at first, Eddi uses the laptop to his advantage.  Soon, he is waking up next to Annabel and heading off with her to Ohio in hopes of helping her shoot a film that will get into South by Southwest.  Also in Ohio is Fran Rosemarin (Haley Noel Bedocs), a former actress who beat Annabel out for a role and then, after the film was made, abandoned Hollywood and returned to the anonymity of middle America.  While Eddi continually tries to edit his life and Annabel obsesses on what could have been, Fran seems content to plan her wedding, which is also going to be combined with a football watch party.

However, when Gar shows up in Ohio, Eddi is forced to confront the fact that editing life is not as easy (or as harmless) as he assumed.

Directed by Daniel Roemer, Chaser is an intriguingly ambitious series.  Starting out as a comedy about a nerdy editor who uses his powers to change a bad date into a good one, the series branches out to consider questions of free will, morality, destiny, and even the struggle of Middle America to survive in a changing world.  For all of Eddi’s problems, they’re nothing compared to the old man who is seen standing on the side of the road and holding a sign asking for money.  The more that Eddi edits existence, the more complicated things become.

It’s an interesting question, really.  Would you edit your life if you could?  One of the things that sets movies and television apart from real life is that, while filming, you get multiple takes.  The performers get more than one chance to deliver their lines correctly and, if someone says the wrong thing, the director can yell “cut” and call for another take.  Ideally, the editor uses the best takes.  Sometimes, the editor even combines several different takes, mixing them into something that appears to have been shot all at once as opposed to multiple times.  One could argue that the editor becomes almost God-like in their power to decide what will be seen and what will be left on the cutting room floor.  In the movies, everyone always knows the right thing to say and they always react in the most cinematic way possible.  Every failure can be edited out. That’s one reason why, especially in troubled times, people turn to the movies.  But some would argue that it’s the unexpected and the spontaneous events, the ones that we can’t control, that make life worth living.  In Chaser, Eddi gets to live the dream of every movie lover.  He gets to treat his real life as a film but, as quickly becomes apparent, there’s a difference between editing events and actually living with the end results.

As I said, it’s an intriguing story and it’s one that plays out at a brisk place over 8 episodes.  The visuals are often wonderfully surreal and the cast does a good job of bringing the multi-layered story to life.  One thing I really liked about this show is that no one was mere caricature.  The character of Fran could have easily been one-dimensional but instead, as played by Haley Noel Bedocs, she became one of the most interesting characters on the show.

Chaser is available on Amazon Prime so be sure to check it out.

Music Video of the Day: Wild Child by W.A.S.P. (1985, directed by Rick Friedberg)


In this video for Wild Child, Blackie Lawless follows one woman through the desert, just for her to always disappear when he gets too close.  Maybe she knows that W.A.S.P. and Blackie Lawless were among the top targets of Tipper Gore’s anti-rock campaign in the 80s.  Supposedly, at the heyday of Gore’s crusade, venues that booked W.A.S.P. would get bomb threats while the members of the band were themselves receiving death threats.  Someone even tried to shoot Blackie Lawless.

(Ironically, Blackie Lawless was raised in the church and is reportedly even more of a Christian than Tipper Gore was at the time she was accusing W.A.S.P. of corrupting America’s youth.)

This video was directed by Rick Friedberg, who went from working with W.A.S.P. to working with Leslie Nielsen on several projects.

Enjoy!