Everything Everywhere Wins In North Carolina


The North Carolina Film Critics Associaiton has announced their picks for the best of 2022!  You can see the nominees by clicking here and the winners below!

BEST NARRATIVE FILM
Everything Everywhere All at Once

BEST DOCUMENTARY FILM
Fire of Love

BEST ANIMATED FILM
Marcel the Shell With Shoes On

BEST FOREIGN LANGUAGE FILM
RRR

BEST DIRECTOR
Daniels (Everything Everywhere All at Once)

BEST CINEMATOGRAPHY
Hoyte van Hoytema (Nope)

BEST ACTOR
Colin Farrell (The Banshees of Inisherin)

BEST SUPPORTING ACTOR
Ke Huy Quan (Everything Everywhere All at Once)

BEST ACTRESS
Michelle Yeoh (Everything Everywhere All at Once)

BEST SUPPORTING ACTRESS
Stephanie Hsu (Everything Everywhere All at Once)

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Jenny Slate (Marcel the Shell With Shoes On)

BEST ACTING ENSEMBLE
Everything Everywhere All at Once

BEST ORIGINAL SCREENPLAY
Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once)

BEST ADAPTED SCREENPLAY
Sarah Polley (Women Talking)

BEST EDITING
Paul Rogers (Everything Everywhere All at Once)

BEST SPECIAL EFFECTS
Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett (Avatar: The Way of Water)

BEST STUNT COORDINATION
Nick Powell (RRR)

BEST COSTUME DESIGN
Ruth Carter (Black Panther: Wakanda Forever)

BEST HAIR & MAKE-UP
Shane Thomas, Mark Coulier, Jason Baird, and Louise Coulston (Elvis)

BEST PRODUCTION DESIGN
Jason Kisvarday and Kelsi Ephraim (Everything Everywhere All at Once)

BEST SCORE
Michael Giacchino (The Batman)

BEST ORIGINAL SONG
“Naatu Naatu” (RRR)

BEST SOUND DESIGN
Johnnie Burn and Jose Antonio Garcia (Nope)

BEST DIRECTORIAL DEBUT
Charlotte Wells (Aftersun)

BEST BREAKTHROUGH PERFORMANCE
Austin Butler (Elvis)

LIFETIME ACHIEVEMENT: COMPOSER
John Williams

KEN HANKE MEMORIAL TAR HEEL AWARD
Brian Tyree Henry (Causeway, Bullet Train, Atlanta) – From Fayetteville, North Carolina

Here Are The 2022 Music City Film Critics Association Nominations!


The winners will be announced on January 9th and, considering that this is a Nashville-based group, I will be massively disappointed if every award doesn’t go to Elvis.

Best Picture
Aftersun
Babylon
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Nope
RRR
Tár
The Banshees of Inisherin
The Fabelmans
Top Gun: Maverick

Best Director
Damien Chazelle – Babylon
Martin McDonagh – The Banshees of Inisherin
S. S. Rajamouli – RRR
Steven Spielberg – The Fabelmans
The Daniels – Everything Everywhere All at Once
Todd Field – Tár

Best Actor
Austin Butler – Elvis
Brendan Fraser – The Whale
Colin Farrell – The Banshees of Inisherin
Diego Calva – Babylon
Paul Mescal – Aftersun

Best Actress
Cate Blanchett – Tár
Margot Robbie – Babylon
Mia Goth – Pearl
Michelle Yeoh – Everything Everywhere All at Once
Viola Davis – The Woman King

Best Supporting Actor
Barry Keoghan – The Banshees of Inisherin
Brendan Gleeson – The Banshees of Inisherin
Brian Tyree Henry – Causeway
Ke Huy Quan – Everything Everywhere All at Once
Paul Dano – The Fabelmans

Best Supporting Actress
Angela Bassett – Black Panther: Wakanda Forever
Hong Chau – The Whale
Jamie Lee Curtis – Everything Everywhere All at Once
Janelle Monáe – Glass Onion: A Knives Out Mystery
Kerry Condon – The Banshees of Inisherin

Best Young Actor
Banks Repeta – Armageddon Time
Gabriel LaBelle – The Fabelmans
Gregory Mann – Guillermo del Toro’s Pinocchio
Jalyn Hall – Till
Mason Thames – The Black Phone

Best Young Actress
Anna Cobb – We’re All Going to the World’s Fair
Bella Ramsey – Catherine Called Birdy
Frankie Corio – Aftersun
Julia Butters – The Fabelmans
Sadie Sink – The Whale

Best Acting Ensemble
Babylon
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Fabelmans
Women Talking

Best Music Film
Elvis
Guillermo del Toro’s Pinocchio
Roald Dahl’s Matilda the Musical
Moonage Daydream
Tár

Best Animated Film
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
Turning Red
Wendell & Wild

Best Documentary
All that Breathes
All the Beauty and the Bloodshed
Fire of Love
Good Night Oppy
Moonage Daydream

Best International Film
All Quiet on the Western Front
Bardo: False Chronicle of a Handful of Truths
Decision to Leave
EO
RRR

Best Screenplay
Everything Everywhere All at Once
Tár
The Banshees of Inisherin
The Fabelmans
Women Talking

Best Original Song
“Ciao Papa” – Guillermo del Toro’s Pinocchio
“Hold My Hand” – Top Gun: Maverick
“Lift Me Up” – Black Panther: Wakanda Forever
“Naatu Naatu” – RRR
“New Body Rhumba” – White Noise

Best Score
Babylon
Guillermo del Toro’s Pinocchio
The Batman
The Fabelmans
Women Talking

Best Sound
Avatar: The Way of Water
Babylon
Elvis
Nope
Top Gun: Maverick

Best Cinematography
Avatar: The Way of Water
Babylon
Nope
The Batman
Top Gun: Maverick

Best Production Design
Avatar: The Way of Water
Babylon
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
The Northman

Best Editing
Aftersun
Babylon
Elvis
Everything Everywhere All at Once
Top Gun: Maverick

Best Comedy Film
Confess, Fletch
Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
The Banshees of Inisherin
The Unbearable Weight of Massive Talent

Best Horror Film
Barbarian
Nope
Pearl
Smile
X

Best Action Film
Avatar: The Way of Water
Everything Everywhere All at Once
RRR
The Batman
Top Gun: Maverick

Best Stunt Work
Avatar: The Way of Water
Everything Everywhere All at Once
RRR
The Batman
Top Gun: Maverick

The Jim Ridley Award
Elvis
Moonage Daydream
Still Working 9 to 5
The Return of Tanya Tucker: Featuring Brandi Carlile
Nicole Kidman – The Northman

Here Are The 2022 Nominations of the Austin Film Critics Association!


The winners, along with their picks for the best 10 films of 2022, will be announced on January 10th.  Keep Austin weird!

Best Director
Park Chan-wook, Decision to Leave
Daniel Kwan & Daniel Scheinert (Daniels), Everything Everywhere All at Once
Todd Field, Tár
Martin McDonagh, The Banshees of Inisherin
S.S. Rajamouli, RRR

Best Actress

Cate Blanchett, Tár
Viola Davis, The Woman King
Danielle Deadwyler, Till
Mia Goth, Pearl
Michelle Yeoh, Everything Everywhere All at Once

Best Actor
Austin Butler, Elvis
Tom Cruise, Top Gun: Maverick
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Paul Mescal, Aftersun

Best Supporting Actor
Brendan Gleeson, The Banshees of Inisherin
Brian Tyree Henry, Causeway
Barry Keoghan, The Banshees of Inisherin
Mark Rylance, Bones and All
Ke Huy Quan, Everything Everywhere All at Once

Best Supporting Actress
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Stephanie Hsu, Everything Everywhere All at Once
Janelle Monae, Glass Onion: A Knives Out Mystery
Keke Palmer, Nope

Best Ensemble
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Women Talking

Best Original Screenplay
Daniel Kwan & Daniel Scheinert (Daniels), Everything Everywhere All at Once
Todd Fields, Tár
Martin McDonagh, The Banshees of Inisherin
Jordan Peele, Nope
Steven Spielberg and Tony Kushner, The Fabelmans

Best Adapted Screenplay
Sarah Polley and Miriam Toews, Women Talking
Rian Johnson, Glass Onion: A Knives Out Mystery
David Kajganich, Bones and All
Samuel D. Hunter, The Whale
Guillermo del Toro and Patrick McHale, Guillermo del Toro’s Pinocchio

Best Cinematography
Russell Carpenter, Avatar: The Way of Water
Hoyte van Hotema, Nope
Claudio Miranda, Top Gun: Maverick
Linus Sandgren, Babylon
Larkin Seiple, Everything Everywhere All at Once

Best Editing
Bob Ducsay, Glass Onion: A Knives Out Mystery
Eddie Hamilton, Top Gun: Maverick
A. Sreekar Prasad, RRR
Paul Rogers, Everything Everywhere All at Once
Monika Willi, Tár

Best Original Score
Carter Burwell, The Banshees of Inisherin
Son Lux, Everything Everywhere All at Once
Justin Hurwitz, Babylon
Michael Giacchino, The Batman
M.M. Keeravani, RRR

Best International Film
Close
Decision to Leave
EO
Holy Spider
RRR

Best Documentary
All the Beauty and the Bloodshed
Descendant
Fire of Love
Good Night Oppy
Moonage Daydream

Best Animated Film
Apollo 10 1/2: A Space Age Childhood
Guillermo del Toro’s Pinocchio
Mad God
Marcel the Shell with Shoes On
Turning Red

Best Voice Acting/Animated/Digital Performance
Stephen Lang, Avatar: The Way of Water
Ewan McGregor, Guillermo del Toro’s Pinocchio
Zoe Saldana, Avatar: The Way of Water
Jenny Slate, Marcel the Shell with Shoes On
Sigourney Weaver, Avatar: The Way of Water

Best Stunt Coordinator
Timothy Neulich, Everything Everywhere All at Once
Kevin LaRosa Jr. and Casey O’Neill, Top Gun: Maverick
Nick Powell, RRR
Daniel Hernandez, The Woman King
C.C. Smiff & Jón Viðar Arnþórsson, The Northman

Best First Film
Aftersun, Charlotte Wells
Emily the Criminal, John Patton Ford
Marcel the Shell with Shoes On, Dean Fleischer Camp
Turning Red, Domee Shi
Watcher, Chloe Okuno

The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award
Austin Butler, Elvis
Frankie Corio, Aftersun
Amber Midthunder, Prey
Stephanie Hsu, Everything Everywhere All at Once
Jenna Ortega, The Fallout, Scream, X, Studio 666

Scene That I Love: “Want to go for a swim?” from Once Upon A Time In America


Since today is Sergio Leone’s birthday, it only seems appropriate to share one of my favorite scenes from Leone’s 1984 gangster epic, Once Upon A Time In America.

For some context, Noodles (Robert De Niro) has just gotten out of prison and has been reunited with Max (James Woods) and all of the other hoodlums that he grew up with.  While Noodles was away, Max has been building up their gang and becoming a force in the underworld.  One of the first post-prison jobs that Noodles is involved with turns out to be a hit on another gangster.  Max, however, did not let Noodles know ahead of time that it was going to be hit.

In this scene, Noodles attempts to learn why.

4 Shots From 4 Films: Special Sergio Leone Edition


Sergio Leone (1929 — 1989)

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

94 years ago today, Sergio Leone was born in Rome, Italy.  The son of actor/screenwriter Vincenzo Leone and silent actress Edvige Valcarenghi, Sergio was born into the Italian film industry.  He began his career in the post-war rebuilding period, working as an assistant to Vittorio De Sica and, as an assistant director, for American films that were shot in Italy.  (Albeit uncredited, he worked on two Oscar-nominated Biblical epics, Quo Vadis and Ben-Hur.)

After making his directorial debut with The Colossus of Rhodes, Leone went on to direct the films that would change the face of international cinema.  Though he was hardly the first director of Spaghetti westerns, he was was the first to achieve far-reaching acclaim.  With the Dollars Trilogy, he made Clint Eastwood a star and Eastwood has often said that the majority of what he knows about directing, he learned from working with Leone and later Don Siegel.  Leone went on to direct the brilliant Once Upon A Time In The West and Once Upon A Time in America, two epic visions of American history that, sadly, were not initially treated well by their distributors.

Though Leone is only credited with directing eight films, his influence cannot be underestimated.  As both a visual artist and a cultural and political commentator, his films continue to influence directors to this day.

For that reason, it’s time for….

4 Shots From 4 Sergio Leone Films

The Good, The Bad, and the Ugly (1966, dir by Sergio Leone, DP: Tonino Delli Colli)

Once Upon A Time In The West (1968, dir by Sergio Leone, DP: Tonino Delli Colli)

Duck, You Sucker (1971, dir by Sergio Leone, DP: Giuseppe Ruzzolini)

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

Catching Up With The Films of 2022: Emily The Criminal (dir by John Patton Ford)


An hour or so into Emily the Criminal, there’s a scene in which Emily (Aubrey Plaza) goes to what she thinks is a job interview with a prestigious ad agency.  For the second time in the film, Emily is forced to tell a potential employer that she has a felony conviction.  In this case, it doesn’t seem to matter.  Alice (Gina Gershon), the head of the agency, explains that she is looking for an intern to work in the design department.

Emily asks if Alice is asking her to take an unpaid internship.

Alice replies that everyone starts as an intern and that, if they do a great job, they might get a paid position in five to six months.

Emily asks how Alice can expect anyone to work regular hours without getting paid.

Alice replies that Emily will paid in experience.  “When I began in this industry,” Alice says, “I have no intention of just being a secretary….”

“But secretaries get paid!” Emily snaps.

Alice replies with an obviously well-rehearsed anecdote about how, when she started, there were no women in the executive office.  When Emily cuts her off again, Alice drops the Pelosiesque facade and accuses Emily of being spoiled.  When Emily tells her off before storming out of the office, you’ll want to cheer.  It doesn’t matter how you may feel about some of Emily’s earlier life decisions or Emily as a person.  When Emily calls out Alice for expecting people to work for free, you will totally be on Emily’s side.

You’ll also understand why Emily would chose to be, as the title makes clear, a criminal.

When we first meet Emily, she is a part of the gig economy, delivering food for a catering company.  There was a time when she dreamed of becoming a professional artist and living in South America.  Now, she’s just trying to figure out how to pay the huge amount of student loan debt that she owes, despite the fact that she never graduated from college.  When she learns of an opportunity to make $200 in one hour, she takes it.  As Youcef (Theo Rossi) explains it, all she has to do is use a fake credit card to buy a flat-screen TV so that Youcef and his associates can then sell it.  (In a nice bit of irony, it later turns out that Youcef is basically an unpaid intern for his cousin.)  After her first job is a success, Youcef starts to trust Emily with making bigger and riskier purchases.  Soon, Emily is making her own fake credit cards and running her own scams.  She’s still an independent contractor but now she’s making a lot more money.

Emily the Criminal takes a matter-of-fact approach to Emily’s activities.  There’s none of the condemnation that one might expect as the result of having seen other movies and, regardless of how dangerous things get for her, there’s never a moment where Emily herself reconsiders whether or not she wants to be a criminal.  The film doesn’t necessarily celebrate criminality but it does ask why Emily should care about the rules of society that obviously doesn’t care about her.  If Emily remains law-abiding, she’ll be stuck in a demeaning job and she’ll never pay off her debts, which means that she’ll just become a criminal by default.  (And, let’s be honest, we all know that all the talk about canceling student debt is just something that gets trotted out during an election year.  We’ll hear it again in 2024 and again, nothing will happen.)  As a criminal, the only risk is that Emily could be arrested or attacked by another criminal but, as the film makes clear from the start, Emily already has a criminal record so what’s one more charge?  As for being attacked, Emily continually proves herself to be tougher and far more ruthless than the other criminals around her.  Alice might brag about how she’s found success in an industry dominated by men but Emily actually does it.

Emily the Criminal is a relentlessly-paced journey through the shadows of the gig economy, a world where the only law is that everyone is looking out for themselves.  Aubrey Plaza gives a career best performance as Emily, playing her as someone who not only turns out to have a natural talent for being a criminal but who occasionally shocks herself with how ruthless she can be.  Emily may be a criminal but its hard to judge her.  It’s just a job.

Music Video of the Day: Best Part of Me by Jeremy Renner (2020, dir by Josh Close)


As I sit here typing this, at 9 a.m. on Monday, Jeremy Renner is currently in the hospital.  Most reports state that he is in critical but stable condition as the result of an accident involving a snow plow.  That’s pretty much all the details that anyone has right now.  Hopefully, by the time this pots goes live, his condition will have improved.  My thoughts are with him and his family.

Novel Review: Divine Assassin by Bob Reiss


After terrorists kill his fiancée for being in the wrong place at the wrong time, Tim Currie is determined to get justice.  Unfortunately, the police can offer him little support and the U.S. intelligence community doesn’t seem to be interested in helping him either.  The problem is that the attack that led to the death of Currie’s fiancée was ordered by someone who doesn’t live in the United States and who doesn’t have the slightest concern about the innocent people who have died as a result of his actions.  Realizing that he is going to have to get justice on his own, Currie turns to the only man that he feels that he can trust.

Long before his fiancée was murdered, Tim Currie was one of the many Americans held hostage in Iran.  During that time, he had two friends, a mouse who was callously killed by a brutal guard and a cellmate who was frequently tortured for being a spy.  His cellmate may have used the name Charles Murphy but he was actually a mercenary named Zarek.  The amoral Zarek owes Currie a favor and Currie intends to collect.  He wants Zarek to train him to be an assassin so that Currie can kill the man that he holds responsible for his fiancée’s death, Libyan dictator Muammar Quaddafi!

As you probably already guessed, this book was written long before the Libyan Civil War and the real-life Qaddafi’s very public execution in 2011.  Indeed, Divine Assassin was originally published in 1985!  Reading it today, it’s interesting to see that, nearly 40 years ago, people were just as concerned with and confused by Middle Eastern politics as they are today.  Other than the fact that the Qaddafi on the book is described as being in his 40s, what we read about the fictional Qaddafi pretty much mirrors what was said of the real Qaddafi in the days before his death.  Of course, needless to say, there’s more going on in this book than just Tim Currie’s search for vengeance and Qaddafi’s amazing arrogance.  It quickly turns out that there’s quite a few people and nations looking to use the instability in the Middle East to their advantage and again, it’s interesting to see that the discussion around the Middle East really hasn’t changed that much over the past few decades.

As for the book itself, it’s an entertaining and relentlessly paced thriller, one that features a sympathetic protagonist and several memorable supporting characters.  The cynical Zarek (who also happens to be terminally ill) gets all of the best lines while two other Americans, a police inspector and Currie’s ex-wife, try (and often fail) to serve as a voice of reason to Currie’s obsessive attempts to get revenge.  The villains are memorably evil, with a German assassin especially making himself so loathsome that the reader will eagerly look forward to his comeuppance.  The dialogue is often sharp and there are moments of unexpected wit to be found throughout the book.  All in all, this a good and quick read.  It would have made a good movie.  Actually, it still could.  It’s not like Qaddafi was ever the only terrorist-supporting dictator in the world.

January Positivity: Forever and a Day (dir by Zeke Jeremiah)


In a small Texas town, life seems to be going as it always does.

High school freshman Daniel (Keegan Bouton) spends most of his time hanging out with his best friend, Haley (Charlotte Delaney Riggs).  They walk around town together.  They explore the woods together.  They talk about their first year in high school and which teachers they like and which they dislike.  When they see one of their classmates getting picked on by a group of bullies, Haley wants to do something to stop it while Daniel argues that there’s nothing they can do.

Besides, they have an even more pressing concern.  Haley’s mother (Mercedes Peterson) has begun to flirt with Daniel’s father (Trey Guinn)!  In a well-written and well-acted scene, they sit in a car and watch as Haley’s mom talks to Daniel’s dad and both of them discuss the things that their parents do while flirting, just to watch in silent horror as their parents proceed to do every one of those things.  Though they may be best friends, they’re still a little bit creeped out by the idea of their parents dating.  Daniel, especially, still thinks that his father and mother might someday get back together.

From the start, the viewer is aware that something tragic is going to happen.  The town is too perfect and Haley and Daniel’s friendship is too heartfelt for there not to be a tragedy waiting around the corner.  And, from the minute we see poor Colby (Holdan Mallouf) getting pushed around by Travis (Blaze Freeman) and his gang, we can pretty much guess what that tragedy will involve.  It’s just a question of who, amongst the character that we’ve met, will be unlucky enough to be in the hallway when Colby finally snaps.

It may sounds melodramatic but, unfortunately, it’s also an honest portrayal of the fears that everyone has when it now comes to high school.  School shooting are a tragedy that few of us can get our heads around, which is one reason why people are often more interested in using them to score political points than to actually discuss the events that led up to each shooting and the culture that produced them.  This film does a good job of examining the aftermath of the shooting and the struggle of people to understand both how it could have happened and how it could have been prevented.  This film emphasizes love and faith as a way to both deal with tragedy and to combat the anger and depression that leads to it happening.  No one was willing to stand up for Colby and the only person who shows any real concern for him was led away by her best friend.

(I do have to say that I cringe a little bit whenever school shooters are portrayed as just being stereotypical nerds who snapped because the bullies wouldn’t leave them alone.  That describes a few school shooter but it certainly doesn’t describe shooters like Nikolas Cruz, Adam Lanza, or the two Columbine shooters.  Portraying any kid who is picked on as being a ticking time bomb just further stigmatizes the socially awkward.)

Forever and a Day is a low-budget film and it’s hardly flawless.  (I could have done without the narrator.)  But, at the same time, it deals with a difficult subject with emotional honesty and the cast does a good job inhabiting their characters.  In the end, it’s a film that asks all of us to treat each other with kindness and there’s nothing wrong with that.