
This is from 1949. After I originally posted this, I learned that the artist responsible for it was George Gross.

This is from 1949. After I originally posted this, I learned that the artist responsible for it was George Gross.
Enjoy!
Verses
people say
I’m not gonna change
not gonna change
I know that you like that
you know where my mind’s at
can’t be tamed
I’m not gonna play
not gonna play
oh no I ain’t like that
fug ‘em i’m a wild cat
CHORUS
baby break my heart
give me all you got
don’t ask why why why
don’t be shy shy shy
is it love or lust
i can’t get enough
don’t ask why why why
don’t be shy shy shy
POST
la la la la la
la la la la la
la la la la la
Ta da da da da
la la la la la
la la la la la
la la la la la
Ta da da da da
BRIDGE
show yourself beautiful
wanna get emotional oh-oh-oh
mmmm
follow me, easy now
we could work a miracle
oh-oh-oh
Sylvester Stallone is Gabe, a mountain climber who also works as a rescue ranger. Michael Rooker is Hal, Gabe’s colleague and former best friend. Hal blames Gabe for the death of his girlfriend, Sarah. Gabe also blames himself and is planning on getting out of the rescue game. But before Gabe can quit, he’s got one last mission to perform. Qualen (John Lithgow) is a psychotic former spy who has masterminded a multi-million dollar robbery. A plane crash leads to the loot getting scattered in the mountains. Qualen takes Hal and Gabe prisoner and tries to force them to help him track down the money.
Cliffhanger was made during one of the slower periods of Stallone’s career. He had temporarily retired the roles of both Rocky Balboa and John Rambo and, as an action star, he was being overshadowed by Arnold Schwarzenegger. Stallone had tried to reinvent himself as a comedic actor, with the result being Stop! Or My Mom Will Shoot! The former Oscar nominee was now only winning Razzies and he was running the risk of becoming better known for his messy divorce from Brigitte Nielsen than for his recent films. Things weren’t looking good for Stallone but, fortunately, the box office success of Cliffhanger revived his career.
Seen today, Cliffhanger holds up well as an undemanding but enjoyable action film. It’s a very much a film of its time, complete with John Lithgow hamming it up as a British villain and Northern Exposure’s Janine Turner playing Stallone’s loyal, helicopter-owning girlfriend. Stallone’s best films are the ones where he is willing to surrender his ego and he does that in Cliffhanger. It may be a Stallone film but the best lines go to Michael Rooker and the true stars of the film are the mountains and the scenes of Stallone and Rooker trying to climb them. With Cliffhanger, Stallone was smart enough to stay out of the way and just trust that the image of him dangling above the Rockies would bring in the audience. It was a smart decision. Though Cliffhanger is often overshadowed by Stallone’s other 1993 hit, Demolition Man, it’s still an entertaining film in its own right.
Cliffhanger was directed by Renny Harlin, the Finnish action specialist whose promising career would subsequently take a hit and never really recover from directing Cutthroat Island. Mountain climbing and Renny Harlin just seem to go together and Cliffhanger is one of his better films. Here’s hope that, just as Stallone has done many times in the past, Renny Harlin will eventually his comeback as a director.
Beware the Ides of March!
The scene below is from the 1953 film, Julius Caesar. This Oscar-nominated Shakespearean adaptation had a cast that was full of distinguished actors. James Mason played Brutus. The great John Gielgud played Cassius. Louis Calhern was Caesar while other roles were filled by Deborah Kerr, Greer Garson, Edmond O’Brien, George Macready, John Hoyt, Edmund Purdom. and a host of other distinguished thespians. And yet, the best performance in the film came from an actor who, at the time, no one considered to be a Shakespearean. Marlon Brando brought his method intensity to the role of Mark Antony and the result was a performance that is still electrifying today.
On YouTube, someone referred to this as being “the world’s greatest speech delivered by the world’s greatest actor.” Sounds good to me!
Here is Marlon Brando in Julius Caesar:
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy birthday to one of our favorite directors, David Cronenberg! Cronenberg has a new film coming out later this year, one that we’re all looking forward to. Crimes of the Future (which shares its name with one of Cronenberg’s early, experimental films) will be Cronenberg’s first film since 2014’s Map of the Stars and it will also reunite him with Viggo Mortensen.
For now, here are….
4 Shots From 4 David Cronenberg Films

This was from 1951. Ancient Rome relocated to space has long been a popular subject for pulp and science fiction writers. This cover was done by Robert Gibson Jones.
Beware the Ides of March.
Enjoy!
Before I say anything else, I should admit that I fully understand why some of you are going to say that the 1978 science fiction film, Laserblast, is not a spring break film.
First off, it takes place not on the beach but in the desert. There is a scene that takes place at a pool but it’s one of those cheap pools that all of the desert towns have.
Secondly, the film itself doesn’t take place during the spring. It takes place during the summer, when the sun is bright and harsh. The teenagers in the film might not be in school but that’s just because it’s their summer vacation.
I get it.
But, as far as I’m concerned, Laserblast is spiritually a spring break film, even if it isn’t technically one. I mean, just look at the film’s hero, Billy. As played by the very handsome Kim Milford, Billy is a mellow guy with blonde hair, stoned eyes, and the attitude of someone who can say, “Right on!” and make you believe that everything will be right and on. Billy even drives a totally 70s van. Everything about Billy and his girlfriend, Kathy Farley (Rainbeaux Smith), screams Malibu. Even in the desert and in the summer, they are the ideal spring break couple.
Billy, of course, gets in some trouble over the course of the film. He stumbles across a space gun in the desert. Billy doesn’t know what we know, that the space gun was accidentally left there by two adorable claymation aliens who previously visited Earth so that they could kill the gun’s owner. Billy just thinks it’s a cool gun. Soon, Billy is blowing up the town and turning into a green-skinned monster. Billy even blows up a sign that’s advertising Star Wars, which is made doubly interesting by how much Kim Milford resembles Mark Hamill. (The same year that Laserblast came out, Hamill and Milford acted opposite each other in Corvette Summer, with Milford’s mellow confidence providing a nice counter to Hamill’s somewhat hyperactive earnestness.) Much like a drunk spring breaker who ends up vomiting into the ocean, Billy has found something that he enjoys and he’s allowing it to take over his life. The space gun represents every vice and addiction that’s out there to tempt people into risking their lives and their sanity and their totally 70s van. (We don’t see much of the inside of the van but I’m willing to bet that it has shag carpeting and a strobe light.) The spring breakers in The Real Cancun spent their week drinking themselves into a stupor. Billy, on the other hand, spends a week blowing stuff up and turning into a monster. Of course, that’s the great thing about spring break. How you spend your time is your business.
Laserblast is a low-budget film, one that is often listed as being one of the worst films ever made. Myself, I love the film because I think the aliens are cute and I enjoy Kim Milford’s performance as Billy. Actually, for a film that didn’t cost much to make, Laserblast has a surprisingly impressive cast. Technically, it’s not a shock to see Roddy McDowall in the film, since McDowall apparently accepted every role that he was offered in the 70s. But Roddy’s trademark neurotic eccentricity is still welcome in the small role of Billy’s doctor. The great character actor Dennis Burkley shows up as a fascist deputy. Gianni Russo, who played Carlo Rizzi in The Godfather, plays a government agent who shows up from out of nowhere and who wears a cream-colored suit that makes him look like a wedding DJ. Keenan Wynn, who also apparently accepted any role he was offered in the 70s, plays Rainbeaux Smith’s drunk grandfather. Best of all, Eddie Deezen, who was best known for playing stereotypical nerd characters in films like Grease, shows up as a bully named Froggy! After getting bullied by Eddie Deezen, who wouldn’t pick up the first space gun they found and start blasting rocks?
Laserblast is fun, just like spring break. I like it, just like spring break. So does Arleigh so be sure to check out his review, as well!
Today, we wish a happy 89th birthday to Michael Caine!
For longer than I’ve been alive, Michael Caine has been a star. He’s one of the last surviving icons of the British cultural invasion of the 1960s, a venerable actor who went from being Alfie to being Carter to being Scrooge to being Alfred Pennywise without missing a step. In many ways, he was the cockney Jack Nicholson, a working class actor with his own very identifiable style who still managed to play a wide variety of different characters. Like Nicholson, there have been frequent reports that Caine has retired from acting and, if anyone has earned the right to enjoy their retirement, it’s Michael Caine. Caine himself has said that he doesn’t ever see himself fully retiring from acting and he’s already proven that, even in his twilight years, he’s still as capable of giving a good performance as he was when he first started acting.
Take Harry Brown, for example.
Michael Caine was 76 when he played the title role in this violent British thriller. Harry is a former Royal Marine who, now elderly and suffering from emphysema, lives on a London council estate that has been taken over by a gang of violent drug dealers. The nearby underpass is so dangerous that even Harry is scared to walk under it. Because Harry has to take an alternate route to the hospital to avoid all of the gangs, his wife dies without Harry being at her side. When his only friend is then killed while trying to stand up to the dealers, Harry snaps. Harry starts tracking down and killing the dealers and the gang members who have made retirement so unbearable for him. Detective Frampton (Emily Mortimer) suspects that Harry is the vigilante but, before she can move to stop him, both she and Harry are targeted by the local drug lord, who turns out to be someone who Harry never suspected.
Harry Brown is really just an updated version of Death Wish, set in London instead of New York. It has its share of good action scenes and director Daniel Barber does a good job making London look like the worst place on Earth but, ultimately, it’s as predictable and heavy-handed as any of the films Michael Winner made with Charles Bronson. What makes Harry Brown special is not the script but instead the presence of Michael Caine, giving one of his best and most heartfelt performances and making the movie work, even when the story tries to sabotage him. Caine brings an appropriate amount of righteous fury to the role but he also plays the role with a lot of heart. Harry would much rather be enjoying his twilight years in peace but he feels that he was one last mission to pursue. He would rather die protecting his friends and his neighbors than live his life in fear. Harry also knows that, because he’s old, everyone underestimates him. That’s a mistake that he uses to his advantage.
Harry Brown is like many Michael Caine films in that the main reason to watch it is because it’s a Michael Caine film. At the time he made the film, he said that he expected Harry Brown would be his last lead role. It wasn’t. Just like Harry Brown, Michael Caine still has more to show the world.

This is from 1954. No one wears shoes in a shanty town, I guess.