International Film Review: Into the Wind (dir by Kristofer Rus)


Ania (Sonia Mietielica) is the privileged daughter of a wealthy doctor.  She’s graduated from an exclusive high school in Warsaw and now, she’s about to start studying medicine in London.  The plan is that she’ll eventually take over her father’s medical practice and that she will, of course, marry someone from her upper class social circle.  Ania is haunted by the death of her artist mother and still struggles to get along with her stepmother (Sonia Bohosiewicz).

Michal (Jakub Sasak) is a handsome but poor athlete who works at the local beach resort.  At night, he’s a waiter.  During the day, he’s a kitesurfing instructor.  He may not have money or an education but he’s sensitive and artistic.  He likes good music, good weed, and hanging out good people.  He’s laid back but he cares about his friends and he’s got a romantic soul.

Together …. they solve crimes!

No, actually, they don’t.  There are no crimes to be solved in Into The Wind.  Instead, they meet when Ania accompanies her father, her stepmother, and her new baby brother to the resort for the summer.  While Ania listens to her father talk about how the pandemic has not really effected his practice (this is a 2022 film so, of course, there is talk of COVID in the background), Michal serves food and wine and is largely unseen by the other guests.  (The wait staff, as he explains it, is meant to be invisible.)  However, Ania sees him and he sees her.  And soon, they’re in love, they’re hanging out on the beach, they’re listening to music, and they’re kitesurfing!  But they’re also from two different worlds.  Ania’s father does not want his daughter to end up with a waiter.  And Michal’s friends are convinced that Ania will eventually return to her safe, upper class existence and Michal will be left heart-broken.

This Polish film is narratively predictable but visually stylish.  The plot should be familiar to anyone who has ever seen Dirty Dancing but then again, it’s not exactly as if Dirty Dancing was the most original film ever made.  That said, though the plot may be predictable, the film has enough lovely shots of the beach and the two leads have more than enough romantic chemistry to keep things watchable.  This is a good film to watch after a long and exhausting day, when you just want a simple story, a happy ending, and some nice pictures to go along with it.  Speaking for myself, as someone who spent last week dealing with below freezing temperatures and ice on the ground, the beach and the ocean looked very inviting and, for that matter, so did Jakub Sasak.  The beach and the cast are pretty and that’s pretty much all that a film like this really needs to work.

That said, I did really like the Kitesurfing scenes.  Kitesurfing is something that I personally would never do, seeing as how it would mean confronting not only my fear of drowning but also, potentially, my fear of heights but, even with that in mind, the film still made it a look like something that everyone should try at least once.  The scenes of people skimming across and occasionally floating above the water take on an almost religious grandeur as the surfer becomes onr with the forces of nature and fate.  Those scenes are exciting to watch, even if the story taking place around them is thoroughly predictable.

One response to “International Film Review: Into the Wind (dir by Kristofer Rus)

  1. Pingback: Lisa Marie’s Week In Review: 2/7/22 — 2/13/22 | Through the Shattered Lens

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