The Boston Society of Film Critics Honors Nomadland


Like all things this year, 2020’s Awards Season is a bit strange.  Because the Academy foolishly decided to extend the Oscar-eligibility window to February, several groups sold out and moved their annual awards back as well.  The National Board of Review, for instance, won’t be giving out their awards until February or something stupid like that.

Fortunately, some groups — like the Boston Society of Film Critics — are continuing to honor the best of 2020 at the end of 2020.  I love these groups because they’re reminding us that these awards are supposed to be about the movies and not about influencing the Academy.  I mean — seriously, the best films of 2020 should be films that came out in 2020, not films that came out in 2020 and the first two months of 2021.

On that note, earlier today, the Boston Society of Film Critics announced their picks for the best of 2020.

And here they are:

Best Picture
Nomadland
Runners Up: First Cow

Best Foreign Language Film
La Llorona
Runner Up – The Painted Bird

Best Director
Chloé Zhao – Nomadland
Runner Up: Kelly Reichardt – First Cow

Best Ensemble
Ma Rainey’s Black Bottom
Runner Up: Minari

Best Actor
Anthony Hopkins – The Father
Runner Up: Riz Ahmed – Sound of Metal

Best Actress
Sidney Flanigan – Never Rarely Sometimes Always
​Runner Up: Julia Garner – The Assistant

Best Supporting Actor
Paul Raci – Sound of Metal
Runner Up: Brian Dennehy – Driveways

Best Supporting Actress
Youn Yuh-jung – Minari
Runner Up: Amanda Seyfried – Mank

Best Screenplay
I’m Thinking Of Ending Things
​Runner Up: First Cow

Best New Filmmaker
Florian Zeller – The Father
Runner Up: Autumn de Wilde – Emma.

Best Documentary
Collective
​Runner Up: The Painter & The Thief

Best Animated Feature
The Wolf House
​Runner Up: Wolfwalkers

Best Cinematography
Nomadland
Runner Up: Lover’s Rock

Best Editing
I’m Thinking Of Ending Things
Runner Up: Nomadland

Best Score
Minari
Runner Up: Mank

Holiday Film Review: A Very British Christmas (dir by Steven Nesbit)


2019’s A Very British Christmas tells the story of Jessica (Rachel Shenton), a world-famous singer who misses her flight to Vienna and somehow ends up stuck in a small country village in England.  Now, to be honest, I’m not really sure how Jessica missed her flight or why she ended up in that village.  I probably missed some important dialogue in the beginning to explain the problem with the flight and arriving in the village had something to do with getting too relaxed on a train.  But, to be honest, in the grand scheme of the film’s overall story, it really doesn’t matter why she’s in the village or why she missed her plane.

Instead, what’s important is that it’s nearly Christmas and Jessica needs a place to stay.  Fortunately, the local B&B is owned by a handsome widower named Andrew (Mark Killeen).  Andrew lives with his adorable daughter and his caring mother.  He’s not only a perfect host but he’s also an aspiring artist and he’s also the one man in the village who can hopefully convince the rest of the landowners not to sell out to a mining company….

Does all this sound familiar?  This may be a very British Christmas but it’s also a very Hallmark-y Christmas, even though this is not technically a Hallmark film.  That said, it has everything that you would typically expect from a Hallmark Christmas film.  Rachel and Andrew fall in love.  They do Christmas stuff.  They tour the countryside.  Rachel has to decide whether to stay in the village or to leave so that she can continue with her career.  You already know what’s going to happen.

I have to admit that I do wish that the film had been a bit more British.  Nowadays, when I hear the term “Very British,” I assume that means that there will at least be a fierce debate over Brexit, a good deal of casual profanity, and a lot of football talk.  Instead, this movie takes place in the type of British village that we Americans like to fantasize about, the place where all of the streets are cobblestone, all the citizens are friendly and earnest and everyone has mince pies for breakfast.

That said, it’s a sweet movie and, if you like this sort of thing, you should enjoy A Very British Christmas.  The scenery is nice, the actors are all likable, and the Christmas cheer cannot be denied.  One thing that I particularly appreciated about this film is that Rachel wasn’t presented as being someone who hated Christmas or who needed a man to show her how to embrace the holiday spirit.  Instead, Rachel pretty much falls in love with both the village and the B&B as soon as she sees it.  She’s not a snob or a cynic who needs be taught the importance of family and love.  Instead, she’s a nice person who meets a bunch of other nice people in a nice village and they all have a nice holiday.  You may have noticed that the key word here is “nice.”  There’s no darkness to be found in A Very British Christmas.  Andrew is a surprisingly cheerful widower and everything pretty much works out wonderfully for everyone.  Yay!

Music Video of the Day: Let It Snow, performed by Goo Goo Dolls (2020, dir by Raul Gonzo)


Seriously, I hope we get some snow down here in Texas this year.  I can’t remember the last time it actually snowed here by I know that it’s been at least a year.  I don’t think we’ve had any serious snow since 2016 and that’s really not fair.  For me, there’s nothing frightful about snow.  Instead, it’s something that I see so rarely that I can’t help but think of it as being a reward.  I want a nice, cold Christmas and I want a sudden snow storm and I want to look outside and see a bunch of people building snowmen out in their front yards.

It won’t happen by a girl can dream.

And we can also listen to yet another cover of Let It Snow, this one by Goo Goo Dolls.

Enjoy!

Documentary Review: Alabama Snake (dir by Theo Love)


Snake handling has never been for me.

Oh, don’t get me wrong.  I know that there are a lot of people who incorporate handling poisonous serpents into their religious rituals.  And I can even kind of see the appeal of it.  If the idea is that your faith is so strong that you don’t have to worry about what’s going to happen to you if you die, why not prove it by holding something that could potentially kill you?  If you believe that God is going to protect you, why would you fear handling a creature that can inject toxin straight into your bloodstream?

In fact, I’ll even go further and I’ll even acknowledge that there’s probably quite a rush that comes from successfully grabbing a snake and dancing around without getting bit.  I mean, it only makes sense.  Before you pick up the snake, you would undoubtedly be terrified.  But once you grabbed it and started to move around with it, the relief of not being bitten would have to be overwhelming.  In fact, it would probably be so overwhelming that it could potentially put you in a bit of a trance.  When I was eighteen, I was in a pretty serious car accident.  The car flipped over with me in it.  It was terrifying when it happened but after I realized that I had somehow survived the experience without only a few cuts and bruises, I was so exhilarated that I felt like I could fly.  I felt as if I had proof that I was special.  If I wasn’t special, how else could you explain me totaling my car without breaking my neck?

So, don’t get me wrong.  I get it.  That said, snake handling is not something that I could ever see myself doing.  Seriously, snake are scary!  I’ve seen my share of them and they always freak me out.  I once nearly stepped on a rattlesnake in New Mexico.  In Arkansas, I saw a water moccasin slithering down a creek.  I swear that I once saw a boa constrictor in Oklahoma, though my sisters swear that I was just dreaming and that there aren’t any boa constrictors in Oklahoma.  Maybe they’re right but still, the point stands.  I could flip my car and survive a hundred times, I’m still never going to go anywhere near a snake.

Alabama Snake is a creepy true crime documentary about Glenn Summerfield, a Pentecostal minister who did handle snakes.  In fact, he had an entire farm of them.  In 1991, he was arrested for trying to murder his wife, Darlene, with those snakes.  Darlene claimed that Glenn was an angry and mentally unbalanced drunk who forced her to stick her hand into a box of rattlesnakes, not once but twice.  The defense claimed that Darlene was trying to kill Glenn with the snakes but that she accidentally got bitten instead.

Featuring commentary from local historian and folklorist Thomas Burton, Alabama Snake takes a look at the crime, the trial, and the culture of fundamentalist serpent handling.  It’s a Southern Gothic horror story and it makes for creepy and atmospheric viewing.  Though the documentary doesn’t always go as far beneath the surface as one might hope that it would, it tells an interesting story and Thomas Burton provides lively commentary.  Fans of strange true crime will enjoy it and those of us who need another excuse to be wary of snakes will find one.