A Tale Of Two Comics, Part Two : Brian Canini’s “Two More Stories”

Ryan C.'s Four Color Apocalypse

Flipping to the other metaphorical side of the equally metaphorical coin we again metaphorically tossed into the air with our last review here, we land (last metaphor, I promise) on Brian Canini’s Two More Stories (published, as ever, under his own Drunkent Cat Comics imprint) — and if Three Stories represented everything that’s wrong with his career-spanning “throw some ideas at the wall and see which of ’em sticks” approach to cartooning, this superb mini represents everything that’s right with just following your muse wherever it leads you, come hell or high water. It’s an inherently high-risk/high-reward way of making comics, and this one falls squarely into the “reward” column.

Canini’s titular two stories function as both mirror images to, and thematic extensions of, one another, with the first, “Empty Rivers,” telling the tale of a “prodigal son” type who returns home for his mother’s funeral and is then forced…

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One response to “A Tale Of Two Comics, Part Two : Brian Canini’s “Two More Stories”

  1. Pingback: Lisa’s Week In Review: 11/2/20 — 11/8/20 | Through the Shattered Lens

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