Kus! Week : Powerpaola’s “I Couldn’t Stop” (Mini Kus! #79)


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

In times past, I’ve gone the route of my Weekly Reading Round-Up columns to provide “capsule” reviews for new Mini Kus! releases, but this time around, the eclectic Latvian publisher’s most recent quartet of minis is so worthy of deeper consideration that I’m giving each a little more “breathing room” than the self-imposed word count of 250 that those short-form appraisals allow for. Granted, these probably won’t be the longest reviews you’ve ever seen on this site, but I’m actively working on brevity around these parts in general, so — let’s give it a go, shall we?

But wait, there’s more! I’ve also decided to review the two most recent volumes of Kus!’s venerable S! anthology, and to, by extension, give our Baltic friends the spotlight here at 4CA for the entire week. Or most of the week, at any rate, depneding on how things shake out. First up :…

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Music Video Of The Day: Feeling That Way by Journey (1978, directed by ????)


Like many Journey songs, Feeling That Way went through several different versions before it became the song that was eventually released.

It started out as an instrumental called Velvet Curtain that stayed on the shelf because the band wasn’t satisfied with the results.  Eventually, while the band was recording their third album, keyboardist Greg Rolie pulled it off of the shelf, wrote some lyrics, and renamed the song Please Let Me Stay.  In that form, the song nearly appeared on the Next album but, because the band was again not fully satisfied with the end result, it eventually went back on the shelf.  It would remain there until Steve Perry joined the band.  Perry rewrote the lyrics, added a new chorus, and the song — now called Feeling That Way — finally appeared on Journey’s fourth album, Infinity.

Like most early music videos, the video for Feeling That Way is a performance clip, featuring the band doing what they did best.

Enjoy!

Lisa Reviews The Monday Night Premieres: Bob Hearts Abishola, All Rise, Bluff City Law, Prodigal Son


Monday night was the start of the new network primetime special, a tradition that seems rather quaint now that we’re officially in the age of streaming and binging.  Still, this is the week that the five major U.S. broadcast television networks attempt to prove that they’re still relevant by trotting out their new shows. Despite the fact that none of these new shows sound that interesting, I’ve decided that I’m going to try to watch and review the first episode of each new series this season.  Who knows?  Maybe something will surprise me.

Tonight, I watched four network premieres.

Bob Hearts Abishola (CBS)

This is the latest sitcom from Chuck Lorre.  Billy Gardell plays Bob, who owns a compression sock company in Detroit.  After the stress of dealing with family and his company leads to him having a heart attack, he ends up in the hospital.  He also ends up falling for Abishola (Folake Olowofoyeku), a Nigerian nurse who does’t seem like she wants anything to do with him.  In the pilot, this led to Bob going to Abishola’s apartment and then back to the hospital, all so he could present her with the gift of socks.

Though the show is being advertised as being an unlikely love story and a look at the immigrant experience in 21st century America, the pilot mostly seemed to be obsessed with the idea that people saying “sock” is inherent funny.  Hence, the entire pilot was basically: “Socks, socks, socks, socks, socks, socks, socks.”  It got old rather quickly.  In the end, you ended up feeling sorry for Abishola because Bob and his socks just wouldn’t go away.

Honestly, it would be nice if this was a better show because it has the potential to explore a lot of issues that are typically not explored on network television but in the end, the first episode just didn’t work for me.

All Rise (CBS)

Finally!  A court show named after the most obnoxious part of any hearing.  Seriously, there is nothing that annoys me more than the sound of a bailiff shouting, “ALL RISE!”  When I hear that, I’m just like, “Why should I have to stand just because a judge is taking their time sitting down?”

Anyway, All Rise takes place in Los Angeles.  It’s a show about a new judge (Simone Missick) and how she wastes taxpayer money by refusing to accept plea deals and forcing certain cases to go trial.  Of course, there’s a handsome prosecutor with daddy issues (Wilson Bethel) and an idealistic public defender (Jessica Camacho) and an upstanding bailiff (J. Alex Brinson) who gets to say, “All rise!”  There’s also an older judge (Marg Helgenberger) and a no-nonsense judicial assistant (Ruthie Ann Miles) and I assume there will be a weekly collection of quirky defendants.

The pilot for All Rise was predictable but occasionally compelling.  Simone Missick was likable in the lead role and both Wilson Bethel and Jessica Camacho did a good job of finding some nuance with their otherwise stereotypical roles.  (Wilson Bethel especially did a good job.)  The writing was a bit heavy-handed and, considering that next week’s episode is called Long Day’s Journey Into ICE, that doesn’t look like it’s going to change any time soon.  All Rise is a show that tries to be political but deep down, what the show really wants to be is a legal soap opera.  If it tones down the politics and embraces the melodrama, All Rise could be a guilty pleasure.

Bluff City Law (NBC)

The night’s second legal premiere, Bluff City Law is about an activist attorney (Jimmy Smits) and his estranged daughter (Caitlin McGee).  McGee abandons her corporate law job so that she can work with her father.  The pilot featured a court case and it had a happy ending but I kept getting distracted by Jimmy Smits’s hair, which was dyed jet black and may have been a toupee.  Hopefully, this will be addressed in a future episode.  I was also distracted by Smits’s laughable attempt to do a Southern accent.  Bluff City Law is taking place in Memphis, which means that everyone listens to the blues after court.

Anyway, Bluff City Law was definitely the worst of Monday’s new shows, full of heavy-handed dialogue and sermonizing.  When we first meet Smits’s character, he’s making his ex-wife’s funeral all about himself and that pretty much set the tone for the entire show.

Judging from the pilot, Bluff City Law is one of those shows that’s so full of self-righteous fury that it’ll probably make you root for the evil, faceless corporations that are being sued.  GO BIG EVIL CORP!

(Also is Memphis known as Bluff City?  If so, that’s the worst nickname I’ve ever head.)

Prodigal Son (Fox)

Fresh from The Walking Dead, where he played the the least interesting person to ever be named Jesus, Tom Payne starts as Malcolm Bright.  Malcolm is a criminal profiler whose father was the notorious serial killer known as The Surgeon (Michael Sheen).  The Surgeon is locked up now, presumably for the crime of having a really boring nickname.

As for Malcolm, having been kicked out of the FBI, he now works with the NYPD and uses his father’s expertise to track down other serial killers.  Despite Malcolm’s desire to be free from his father, his job makes that impossible.  In other words, Malcolm is tortured hero and that means that the pilot has a lot of earth tones and angsty drama.

Prodigal Son has potential, largely due to the fact that Michael Sheen is obviously having a ball playing the Surgeon.  My fear, based on the first episode, is that the show is going to become just another police procedural with a haunted protagonist.  I am so sick of tortured protagonists and how they’re always standing around looking depressed about everything.  Hopefully, the show will fully embrace the absurdity of its concept and go totally over the top with it.  In short, less police work and more Michael Sheen.

In Conclusion

Out of the four new shows that I watched tonight …. well, I can’t say that I’ll be setting the DVR for any of them.  Prodigal Son is elevated by Michael Sheen but it still feels too much like a rip-off of Dexter, Hannibal, and Criminal Minds for me to get too excited about it.  All Rise might be fun if it can avoid being preachy.  Bob Hearts Abishola probably won’t get any better than it was tonight but it might survive for a season or two just because it’s a Monday show and no one expects much from Monday.   As for Bluff City Law …. seriously, what is up with Jimmy Smits’s hair?

Farewell, Captain Spaulding


gary loggins's avatarcracked rear viewer

News has reached us that character actor Sid Haig has passed away at age 80. I’ll have a full tribute/career retrospective on Sid later tonight or tomorrow evening. Meanwhile, enjoy this pictorial tribute to the late, great Sid Haig…

Spider Baby (1964; D: Jack Hill)

CC & Company (1970; D: Seymour Robbie)

Diamonds Are Forever (1971; D: Guy Hamilton)

Foxy Brown (1974; D: Jack Hill)

Jackie Brown (1997; D: Quentin Tarantino)

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Music Video of the Day: Wheel In The Sky by Journey (1978, directed by ????)


Wheel in the Sky started out as a poem, written by Diane Valory, the wife of Journey bassist Ross Valory.  The poem was re-written by the band’s second lead singer, Robert Fleischman, and guitarist Neal Schon worked out the melody while the band was driving from show to show.

Though Fleischman may have written the lyrics, he had left the band by the time the song was recorded for the Infinity album.  Fleischman’s replacement was Steve Perry, who would go on to become Journey’s best-known (though not final) lead singer.  Wheel in the Sky would be the first Journey single to be released after Perry joined the band and it was also the first first single to chart, reaching #57 in the United States.  It remains one of their most popular songs and it’s also one of the few songs to have been performed by every iteration of Journey.

As was Journey’s style, the video for Wheel In The Sky is a performance clip.  As Steve Perry put it when discussing their later video for Separate Ways, the members of Journey were proud to be musicians and not actors.

Enjoy!

 

Lisa’s Week In Review: 9/16/19 — 9/22/19


This was another week of getting ready for October and this year’s annual horrorthon.  Just 8 more days to go!

Films I Watched:

  1. American Satan (2017)
  2. Booksmart (2019)
  3. The Cheerleader Escort (2019)
  4. Dating a Sociopath (2019)
  5. The Devil’s Hand (1961)
  6. Escaping the NXIVM Cult (2019)
  7. For Your Eyes Only (1981)
  8. The Ghost (1963)
  9. Moonraker (1979)
  10. Octopussy (1983)
  11. Replicas (2019)
  12. Return to Campus (1975)
  13. Single White Female (1992)
  14. Single White Female 2: The Psycho (2005)
  15. The Spy Who Loved Me (1977)
  16. The Student of Prague (1913)
  17. They Shall Not Grow Old (2019)
  18. Undercover Cheerleader (2019)
  19. A View To A Kill (1985)

Television Shows I Watched:

  1. 90 Days in Narcoland
  2. American Horror Story: 1984
  3. Bachelor in Paradise
  4. Bar Rescue
  5. Big Brother 21
  6. The Bold and the Beautiful
  7. Couples Court With The Cutlers
  8. Dancing With The Stars
  9. Days of Our Lives
  10. Degrassi: The Next Generation
  11. Digital Addiction
  12. Fear The Walking Dead
  13. General Hospital
  14. Judge Jerry
  15. Lauren Lake’s Paternity Court
  16. The Primetime Emmy Awards
  17. Protection Court
  18. Return to Downton Abbey: A Grand Event
  19. Saved By The Bell
  20. So You Think You Can Dance
  21. The Young and the Restless

Books I Read:

  1. Air Force One Is Haunted (1985) by Robert J. Serling
  2. Boom (2019) by Michael Shanyerson
  3. Justice on Trial (2019) by Mollie Hemingway and Carrie Severino

Music To Which I Listened:

  1. Above & Beyond
  2. Afrojack
  3. Alex Velea
  4. Alvin Risk
  5. Avicii
  6. Big Data
  7. Britney Spears
  8. Cage the Elephant
  9. Charli XCX
  10. Chastity
  11. The Chemical Brothers
  12. Coldplay
  13. DJ Judaa
  14. FARR
  15. Icona Pop
  16. Jakalope
  17. J-E-T-S
  18. Lara Snow
  19. Laye
  20. Panic! At the Disco
  21. Saint Motel
  22. The Ting Tings
  23. twenty-one pilots
  24. Zedd

Links From Last Week:

  1. Please consider subscribing to Ryan’s Patreon.
  2. I reviewed Big Brother for the Big Brother Blog!
  3. On my music site, I shared songs from Alex Velea, The Ting Tings, Lara Snow, Cage the Elephant, Saint Motel, Avicii, and Above & Beyond!
  4. On Pop Politics, Jeff wrote about Boris Johnson, Corn Pop, Andrew Yang, The Princess Bride, Bill de Blasio, and T.J. Hooker!
  5. On her photography site, Erin shared Passage, Cars, Cars 2, Cars 3, Cars 4, Cars 5, and Thunderduck Hall!
  6. RIAN JOHNSON CHIMES IN ON STAR WARS TRILOGY TIMELINE: LUCASFILM ‘STILL FIGURING OUT THEIR SCHEDULE’
  7. How Did Lauren Duca’s Revolution Backfire?
  8. Britney Spears hasn’t fully controlled her life for years. Fans insist it’s time to #FreeBritney
  9. Want comedy to change minds? The risk of offensiveness has to be there.
  10. Comedy’s Last Stand
  11. Fixing a tattered reputation like Harvey Weinstein’s is dirty work, but pays so well
  12. Charlie Rose Faces New Harassment Allegations From Makeup Artist
  13. Scooby-Doo is 50: Yes it really was all about drugs

Links From The Site:

  1. Erin shared Lover Boy, Where The Town Begins, The Swap Set, Perfect 36, The Golden City, The Husband, and Dig My Grave Deep!
  2. Gary cleaned out his DVR and reviewed Greased Lightning!
  3. Jeff shared music videos from The Cars and Journey!
  4. I reviewed Undercover Cheerleader, Dating a Sociopath, Replicas, Return To Campus, The Cheerleader Escort, and Escaping the NXIVM Cult!  I also shared music videos from Chastity, Charli XCX, J-E-T-S, Laye, and FARR!  I also shared a list of Emmy winners because I liked to keep people informed.
  5. Ryan reviewed Kids With Guns, Bow vs Bow, and 0.03!

Want to see what I did last week?  Click here!

Here Are the 2019 Emmy Winners!


I was happy to see Chernobyl win.  Otherwise, the Emmys never interest me as much as the Oscars.

Here’s a list of tonight’s winners:

Best Supporting Actor (Comedy) — Tony Shalhoub, The Marvelous Mrs. Maisel

Best Supporting Actress (Comedy) — Alex Borstein, The Marvelous Mrs. Maisel

Best Writing (Comedy Series) — Phoebe Waller-Bridge, Fleabag

Best Directing (Comedy Series) — Harry Bradbeer, Fleabag

Best Actor (Comedy) — Bill Hader, Barry

Best Actress (Comedy) — Phoebe Waller-Bridge, Fleabag (Should have been Julia Louis-Dreyfus for Veep)

Outstanding Reality Competition Program — RuPaul’s Drag Race

Best Supporting Actress (Movie or Limited Series) — Patricia Arquette, The Act

Best Director (Movie or Limited Series) — Johan Renck, Chernobyl

Best Supporting Actor (Movie or Limited Series) — Ben Whishaw, A Very English Scandal

Writing for a Limited Series or Movie — Craig Mazin, Chernobyl

Best Actor (Movie or Limited Series) — Jharrel Jerome, When They See Us

Best Movie — Black Mirror: Bandersnatch

Best Actress (Movie or Miniseries) — Michelle Williams, Fosse/Verdon

Best Limited Series — Chernobyl

Outstanding Writing For A Variety Series — Last Week Tonight With John Oliver (really?)

Outstanding Variety Sketch Series: Saturday Night Live (should have been Documentary Now)

Outstanding Variety Talk Series: Last Week Tonight With John Oliver (at least it wasn’t Samantha Bee)

Best Supporting Actor (Drama) — Peter Dinklage (Game of Thrones)

Best Writing (Drama) — Jesse Armstrong, Succession

Best Supporting Actress (Drama) — Julia Garner, Ozark

Best Actor (Drama) — Billy Rose, Pose

Best Directing (Drama) — Jason Bateman, Ozark

Best Actress (Drama) — Jodie Comer, Killing Eve

Best Comedy Series — Fleabag (should have been Veep or Barry)

Best Drama Series — Game of Thrones

 

Lifetime Film Review: Escaping the NXIVM Cult (dir by Lisa Robinson)


I have to admit that cults have always fascinated me, largely because I can never really comprehend what would lead to someone joining one.

Seriously, how is it that otherwise intelligent people end up in a position where they not only become brainwashed but they also voluntarily give up their own individual personality, all so that they can belong to something that doesn’t make much sense.  Myself, I’ve always been fortunate in that not only am I very confident in my talents and my beliefs but I’ve also never felt the need to have a mentor or any other type of life guide.  Fortunately, I value my independence above all else.  I’m also lucky enough to have ADD so severe that there’s no way I could actually spend more than 5 minutes listening to a lecture designed to brainwash me.  I did go to one self-help seminar in college that seemed to be kind of a cultish but I was so bored that I left about halfway through.  (Add to that, I was also annoyed by how much everyone else seemed to be enjoying it.)  I’m immune to brainwashing, or at least I would like to think that I am.

Unfortunately, that’s not true for everyone.  We tend to think of a cult as being a group of weird people living in a compound but the truth of the matter is that there are cults all around us.  Basically, any organization that demands that its members sacrifice their own individual thoughts in order to “serve a greater cause” or please a certain being is a cult.  Go on Twitter right now and you’ll undoubtedly be able to find several different cults fighting with each other.  Cults appeal to people who, otherwise, feel empty.  They provide a home and a group of ready-made friends but, of course, they also demand complete obedience and punish any hint of individuality.  There’s no room for dissent.  You see that a lot today and it’s a shame.  People no longer think for themselves and instead, they believe whatever they’re told to believe.  People have lost their damn minds over the past few years, both figuratively and literally.  Sadly, it seems that once someone loses the ability to think for themselves, it’s gone forever.

I found myself thinking about this last night and this morning as I watched the latest “ripped from the headlines” Lifetime film, Escape From The NXIVM Cult: A Mother’s Fight To Save Her Daughter.  NXIVM, which was founded and controlled by Keith Raniere (played, in a wonderfully creepy performance, by Peter Facinelli), presented itself as being a “personal development company” but, as everyone now knows, all of the self-help seminars and corporate doublespeak was actually a cover for a pyramid scheme that also served as a recruiting tool to supply Raniere with sex slaves.  Among those who worked with Raniere was former Smallville actress, Allison Mack (played by Sara Fletcher in the film).

The film focuses on the true story of actress and minor royal Catherine Oxenberg (Andrea Roth), who spent a year helplessly watching as the NXIVM cult brainwashed her daughter, India (Jasper Polish).  The film shows how the cult (and, more specifically, Allison Mack) preyed on and manipulated India’s own insecurities and used them to take her away from her family and her friends.  In perhaps the film’s most disturbing scene, India returns home on her birthday and spends the majority of her own birthday party trying to recruit people to join NXIVM.  It’s disturbing because we all know someone like India, someone who has become so obsessed with politics or religion or fandom that they view every occasion as just being another recruiting opportunity.

The film follows Catherine as she uncovers the truth about NXIVM, which is that it’s essentially a large-scale criminal racket that, because it’s targeted the children of the rich and famous, has also become immune to prosecution.  When Keith is informed that Catherine has been publicly denouncing NXIVM and threatening to expose them, Keith smugly just says that they’ll sue her until she’s silent, just “like the others.”  All of the sordid details are presented here — from the branding of Keith’s and Allison’s initials on their slaves to NXIVM’s casual and infuriating misogyny to the way that Keith used blackmail to manipulate both his followers and those who he considered to be a threat.  But what makes the film ultimately memorable is not just the portrait of how NXIVM operated but also the film’s celebration of Catherine Oxenberg’s refusal to give up when it came to rescuing her daughter.

All in all, it’s a well-done movie and certainly one that has an important message.  Be vigilant and beware any organization that claims that the key to happiness is sacrificing your own individual spirit.