“0.03” Is Number 1 In My Book


Ryan C.'s Four Color Apocalypse

If I had to guess — and I don’t, but I will — I’d surmise that the title for Haleigh Buck’s self-published (on nice heavy cardstock) 2018 (I think?) mini 0.03 refers to a particular size of pen tip . Probably a very tiny pen tip. But I could be wrong about that.

What I’m not wrong about is that this compact collection of illustrations was, in fact, drawn with some pretty tiny-tipped pens — and the detail in each of them is as staggering, even as unsettling, as the subject matter they explore. Roll call : death, skulls, demonic entities, random historical settings, nature, and more death. Picking up on a theme here?

This is seriously obsessive work, and I can only speculate on how much time was spent getting every aspect of every drawing exactly right. “A hell of a lot” may not be much of…

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In The Know On “Bow Vs. Bow”


Ryan C.'s Four Color Apocalypse

I don’t know if Leslie Weibeler intended to create a treatise on the dualistic nature of both art and existence with Bow Vs. Bow — a physically and aesthetically gorgeous Sonatina-published comic from, apparently, 2014 that flew so far under the radar that even I didn’t notice it upon release — but nevertheless that’s what we’ve got here, and if such wasn’t the author’s aim, it’s almost a more impressive achievement than if it were.

It might seem that a re-set would be in order after just one paragraph here — that going back and making sense would, ya know, make sense — but roll with me on this : Weibeler’s illustrations are breezy and maybe even slap-dash on a purely technical level, yet are imbued with so much weight and depth that they absolutely belie their own humble origins, and the same holds true for the poetic and…

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