
by Norman Saunders

by Norman Saunders
This song, of course, features a sample from David Bowie’s Heroes.
As for the video, I always assume that everyone here is having one last party before a gigantic meteor crashes into the planet and wipes out all human life. To be honest, I tend to assume that most music videos are about humanity’s attempt to ignore the fact that everyone’s life will eventually end in a combination of misery, death, and absolutely horror.
Enjoy!
In the 1920s, New York pickpocket Christoper DuBois (Jean-Claude Van Damme) flees both the police and the mob by stowing away on a boat. Before he leaves, he promises a group of orphans that he will return to them. Thay promise is easier made than kept because DuBois is captured by pirates, rescued by Lord Dobbs (Roger Moore), and then sold into slavery on an island off the coast of Siam.
Apparently, Siamese slavery means being taught in the ways of Muay Thai boxing because, when Dobbs eventually returns, DuBois is a champion fighter. Not holding a grudge about the whole slavery thing, DuBois requests that Dobbs and his partner, Harri (Jack McGee), accompany him to the Lost City of Tibet so that DuBois can represent the United States in a martial arts tournament. The winner receives a statue made entirely out of the gold, the legendary Golden Dragon. Wanting the dragon for themselves, Dobbs and Harri go with DuBois to Tibet. Also accompanying them is a reporter (Janet Gunn) and Max Devine (James Remar), the boxer was supposed to represent the United States but who dropped out when he realized that DuBois was the better fighter.
In the Lost City, DuBois survives several elimination rounds against the best fighters from across the world. While DuBois always shows mercy to his opponents, his main rival, Khan (Abdel Quissi), indiscriminately kills anyone who gets in the ring with him. Meanwhile, Dobbs and Harri make plans to steal the golden dragon for themselves.
When it comes to the second-tier action heroes of 1990s, Jean-Claude Van Damme was never as good an actor as Dolph Lundgren but he was still more likable than Steven Seagal. Van Damme’s appeal was that, in real life, he could actually do all of the things that he did in the movies. For action audiences, there was never any doubt about who would win if Van Damme and Steven Seagal ever went at in real life. Movies like The Quest never impressed the critics but they did give Van Damme’s fans exactly what they wanted out of a Van Damme film.
The Quest was unique because it was Van Damme’s debut as a director. Unlike a lot of actors-turned-director, Van Damme mostly resists the temptation to get too self-indulgent. There is one scene where Van Damme wears old age makeup and another where he wanders through the slums of New York while dressed as a clown but Van Damme is smart enough to leave most of the heavy acting to capable professionals like Roger Moore and James Remar. While Moore and Remar ham it up and keep things entertaining, Van Damme concentrates on fighting and trying to return to the orphans. The fight scenes are sometimes too short but at least Van Damme makes a point of showcasing each competitor’s different style. There aren’t many films that include both sumo wrestling and capoeira.
The Quest is basically Bloodsport in the 1920s but, as they used to say in the 90s, it’s still damme entertaining.


In my absence, Lisa Marie did quite a great job picking up the slack when it came time to put up a new anime music video. She had quite the eclectic choice of videos that ran the gamut from comedy, space opera, ecchi to drama.
As I continue my return back I thought it was high time to put up a new AMV and this time from an anime I haven’t even seen. It’s actually an anime that even the site expert pantsukudasai56 hasn’t seen but had heard of. The anime in question is the supernatural romance anime film Hotarubi no Mori e.
Just from researching what the anime was about I knew this was going to be one of those shoujo fares that I would need to find time to watch. It helps that the video’s creator, youlazybum, did such a great job pairing scenes from the anime with one of my favorite songs these past ten years, Lauren Aquilina’s “King.”
So, here’s my latest AMV of the Day, “You Can Be King Again.”
Anime: Hotarubi no Mori e
Song: “King” by Lauren Aquilina
Creator: youlazybum
Past AMVs of the Day

by Robert McGinnis
Today’s music video of the day is for John Mellencamp’s cover of Van Morrison’s Wild Night.
Back in the day, the opening of this video was the most popular 40 seconds on MTV. I have traveled in a lot of taxi cabs and I regularly use both Uber and Lyft. I’ve been lucky enough to meet some very good drivers but none of them appeared in the 1992 Sports Illustrated Swimsuit Issue. The driver, in this video, is played by Shana Zadrick, a model who was often compared to Cindy Crawford.
Back in 1994, if you enjoyed this video, you could go down to your friendly neighborhood Musicland (or Suncoast Motion Picture Company) and, for just $19.98, you could see even more of Shana in this commemorative video:

The other good thing about this video is that bassline, which was provided by Me’shell Ndegeocello. Wild Night was released at the same time that Ndegeocello had her biggest solo hit, If That’s Your Boyfriend (He Wasn’t Last Night).
This video was directed by Jonathan Kaplan. A former film school classmate of Martin Scorsese’s, Kaplan got his start directing films like Night Call Nurses and The Student Teachers for Roger Corman. He eventually became a mainstream film and television director. His most highly regarded film is probably 1988’s The Accused, for which Jodie Foster won her first Oscar.
Ryan C.'s Four Color Apocalypse

“In a town like Twin Peaks,” the promotional advertisements for David Lynch’s Twin Peaks : Fire Walk With Me informed us, “no one is innocent.”
Of course, when his foolishly-lambasted masterpiece (for my money, at any rate) hit theaters back in 1992, Lynch had already made something of a career out of exposing the dark underbelly of the American myth — whether he was shining an uncomfortable light on the shadows cast by the apple pie exterior of small-town life in Blue Velvet, or exploring the corrosive pressure applied by pop culture iconography on the socially-and-economically-marginalized in Wild At Heart, he had staked out a viewpoint (to say nothing of a distinctly surreal style) all his own by the time he finally guided us through Laura Palmer’s harrowing final days.
Cartoonist Alex Nall, by contrast — who mines certain similar thematic veins in his latest Kilgore Books graphic…
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Back in 2015, I reviewed a turkey called ZOMBIES ON BROADWAY , which paired Bela Lugosi with the “comedy” team of Wally Brown and Alan Carney, RKO’s cut-rate answer to Abbott & Costello. Well, it seems the studio threw together this unlucky trio again, along with co-star Anne Jeffreys and adding horror icon Lionel Atwill in another attempt at a scare comedy titled GENIUS AT WORK. Glutton for punishment that I am, I recorded it, then watched, expecting another bomb… and instead found a fairly funny little ‘B’ movie that, while not on a par with ABBOTT & COSTELLO MEET FRANKENSTEIN , is a whole lot better than the aforementioned ZOMBIES fiasco!
Brown and Carney are back in their screen personas as doofuses Jerry Miles and Mike Strager, which they played in all eight of their films together. This time around, they’re radio sleuths hosting a show called ‘Crime of…
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Last night, I watched Sunday’s Lifetime premiere film, Her Worst Nightmare!

Why Was I Watching It?
I recorded Her Worst Nightmare off of Lifetime on Sunday night. I watched it on Monday because I desperately needed to make some space on my DVR! (Seriously, I’ve got like 5 hours of recording space left…)
Plus, I have to admit that I really liked the title. Judging from the poster above, the film was originally called Degrees of Fear but I actually preferred Her Worst Nightmare. Honestly, if the word nightmare appears in the title, there’s no way that I’m not going to watch.
What Was It About?
A year ago, Dakota (Claire Blackwelder) was kidnapped and held prisoner by a brutal sociopath. Though she was eventually rescued and her kidnapper was sent to prison, Dakota is still struggling to deal with the trauma of what she’s been through. Now a college student, Dakota is still paranoid and withdrawn. With a student reporter trying to get her to talk about her experiences and a possibly lecherous professor (Trevor St. John) constantly trying to get her to come out and have a drink with him, Dakota doesn’t know who to trust.
It especially doesn’t help that it appears that, once again, someone is stalking Dakota. Has her kidnapper escaped or is something else happening? Dakota is determined to find out!
What Worked?
In the lead role, Claire Blackwelder gave a sympathetic performance and she did a good job of portraying Dakota’s paranoia. It was impossible not to empathize with Dakota and Blackwelder’s performance really held the film together.
Meanwhile, Trevor St. John was hilariously self-satisfied in the role of Prof. Campbell. We’ve all had a teacher like him, the handsome professor who goes out of his way to let you know that 1) he’s only a few years older than you and 2) he likes to hang out at the same places that you do and 3) he’d love to have office hours with you at any time during the semester.
Her Worst Nightmare was a relatively restrained film. Usually, I complain whenever a Lifetime film is too low key. I usually like my Lifetime melodramas to be totally and completely over-the-top. But, in the case of Her Worst Nightmare, the restrained approach actually worked. It generated suspense and, like Dakota, I found myself looking at every corner of the screen, keeping an eye out for any possible threats.
What Didn’t Work?
I have to admit that I wasn’t particularly shocked when the identity of Dakota’s stalker was revealed. That’s one of the drawbacks of having a small cast. There’s only so many possible suspects and, once you discount all of the obvious ones, it’s pretty easy to guess who it’s going to be.
“Oh my God! Just like me!” Moments
Whenever Dakota was feeling paranoid, I was like, “Been there.” Unlike Dakota, I’ve never been kidnapped and held prisoner but I very well could have been if luck had not been on my side. Anyone who has ever been stalked or who has ever escaped from an abusive relationship will be able to relate to Dakota.
Lessons Learned
Just because you’re paranoid, that doesn’t mean that people aren’t out to get you. Actually, to be honest, I already knew that before I watched the film but sometimes, the best thing that a film can do is remind you of something that you already know to be true!

by Mitchell Hooks