Music Video of the Day: ACES — Stranger (2017, dir by ????)


Hi, everyone!  Lisa here, with today’s music video of the day!

This video was released yesterday.  As I sit here typing this, it currently has 68 views on YouTube and only one comment has been left.  That comment: “How are you not famous yet?”

I have to agree.  This artist definitely deserves to be famous so I’m going to do my part by sharing this video.  I love both this hauntingly beautiful song and the simple but atmospheric video that goes along with it.  Sad to say, I don’t have any technical credits for this video but I will say that I love the moody black-and-white cinematography.  This is one of those videos that invites you to watch and draw your own conclusions.

Enjoy!

A Movie A Day #322: CHiPs (2017, directed by Dax Shepard)


Based on the campy 70s cop show that will live on forever in syndication, CHiPs is about two unlikely partners who, after a rough beginning, work together to catch a cop’s killer and capture a gang of armed robbers.

Officer Jon Baker (Dax Shepherd) is a flaky former motocross champion who joins the California Highway Patrol to try to impress his estranged wife (Kristen Bell).  Baker pops painkillers like candy, throws up whenever he enters an unfamiliar house, and has a knee that randomly goes out.  Baker can’t shoot, fight, or think but he sure can ride a bike.

Officer Francis Llewelyn “Ponch” Poncherello (Michael Pena) is actually an FBI agent named Castillo who has been assigned to work undercover to investigate corruption in the CHP.  Ponch is a sex addict who is obsessed with yoga pants and who keeps accidentally shooting his former partner (Adam Brody).

Both Baker and Ponch are given one identifying characteristic.  Baker’s thing is that he always says the wrong thing and then apologizes.  Ponch’s thing is that he always says the wrong thing and then doesn’t apologize.  That is about as deep as things get.

I’m not really sure who this movie is supposed to appeal to.  Michael Pena and Dax Shepard have been good in other productions but they’re both awful here, let down by a script that does not have much to offer beyond tepid bromance and dick jokes.  The humor is too deliberately lowbrow and raunchy to appeal to the people who were fans of the quaintly innocent TV show but it’s also neither meta nor clever enough to appeal to the audience that made hits out of 21 and 22 Jump Street.  I guess the ideal audience for this film would be people who still find gay panic jokes to be hilarious because CHiPs is full of them.  If the last movie you saw was made in 1999 and starred Adam Sandler and David Spade, CHiPs might be right up your alley.

CHiPs is a terrible fucking movie but what really distinguishes it from other terrible movies is the amount of contempt that it seems to have for its source material.  The Jump Street movies might have poked fun at the TV series that inspired them but it was still obvious that the films were being made by fans.  CHiPs can’t even be bothered to use the original’s theme music as anything other than a way to punctuate a few cheap jokes.  Erik Estrada, the original Ponch, does have a cameo but only so he and the new Ponch can talk about eating ass in Spanish.  Otherwise, there is nothing that links the movie to the TV show.  A more accurate title would have been Two Assholes On Motorcycles, except the motorcycles really are not that important to the film.  So, I guess the title would actually just have to be Two Assholes.  That sounds about right to me.

CHiPs proves that not every stupid cop show needs a movie version.  Now, excuse me while I get back to work on my T.J. Hooker spec script…

I’ll Be Superamalgamated!: DOC SAVAGE, THE MAN OF BRONZE (Warner Brothers 1975)


gary loggins's avatarcracked rear viewer

I used to devour those Doc Savage pulp novels reissued as paperbacks by Bantam Books. You know, the ones with those cool James Bama covers? They were filled with action, adventure, intelligence, and good humor, as written by Lester Dent under the pseudonym ‘Kenneth Robeson’. Doc himself was a paragon of goodness, trained from birth in the arts and sciences, a perfect physical specimen adept at all the fighting disciplines with near super-human strength. In fact, one could make a case for Doc Savage as the world’s first mass-market superhero, the Man of Bronze predating DC’s Superman (The Man of Steel) by a good five years.

Doc’s amazing adventures screamed for a screen treatment, but it wasn’t until 1975 that producer George Pal bought the character’s rights from Dent’s widow Norma and made DOC SAVAGE: THE MAN OF BRONZE. Pal, whose credits include sci-fi classics like WHEN WORLDS COLLIDE, WAR…

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Art Profile: The Many Adventures of Steve Holland


Who was Steve Holland?

He was one of the most familiar faces in the world of the pulps.  An actor and a model, Holland’s rugged good looks inspired a countless number of magazine and paperback covers.  Over the course of his career, Holland served as the model for everyone from tough private investigators to prehistoric warriors to futuristic adventurers to suburban husbands.

Check out just a few of the adventures of Steve Holland below:

by David Bergen

by James Elliott Bama

by George Wilson

by Jack Faragasso

by Stanley Borack

by Mort Kunstler

by Robert Maguire

by Robert Maguire

by Stanley Borack

by Victor Prezio

Music Video of the Day: Something by Lasgo (2001, directed by Alex Diezinger)


Lisa’s off the grid tonight so I’m filling in with the today’s music video.  Before she left, she told me to “just pick something.”

Can you tell where this is heading?

Most of this video takes place at a train station.  As a photographer, I love train stations.  Train stations are a romantic link to the past and you’re less likely to get in trouble for taking pictures near a train station than you are near an airport.

Unfortunately, I don’t live near any romantic train stations.  Here’s the closest thing that we have to a romantic train station down here:

It’s a nice station and I’ve taken some good pictures there but there’s nothing really romantic about it.

That’s why I like the train station in this video.  According to Wikipedia, this was filmed at a station in Prague.  It looks like it would be a great place to hang out with my camera and people watch. That would be something!

Enjoy!

A Movie A Day #321: The Baby Doll Murders (1993, directed by Paul Leder)


Naked women are turning up murdered in Los Angeles.  The only clue that the crimes are connected: the baby doll that is left beside each body.  Can detectives Louis (Jeff Kober) and Larry (Bobby Di Cicco) solve the case while also dealing with issues in their own private life?  Louis’s girlfriend (Melanie Smith) is worried that Louis is becoming obsessed with is work and that he is not willing to commit to their relationship. Larry is upset because he suspects his wife is keeping a secret from him.  Their chief (John Saxon) wishes they would just solve the case, especially when the killer targets his own daughter.  The problem is that Louis is so driven and prone to violence that he has managed to get himself suspended from the force.  Why does that always happen to good cops?

The Baby Doll Murders is a straight-to-video thriller that used to be popular on cable, back in the Skinemax days.  Probably the most memorable thing about the film is the absurd lengths it goes to find an excuse for every woman in the film to have at least one topless scene before being attacked by the baby doll murderer.  Otherwise, it is a predictable movie with a better than average cast.  A talented character actor, Jeff Kober gets a rare lead role here and Bobby Di Cicco has some good moments as his neurotic partner.  Any film that features John Saxon as an authority figure can not be considered a total loss.  Saxon does not get much screen time but he does get all of the best lines.  When Kober theorizes that the murderer might have a political agenda, Saxon snaps back, “Now, wait a minute, Louis,” a lot of people have the same beliefs as the baby doll murderer and, “not all of them are killers!”  Saxon delivers his lines like a champ.

Artwork of the Day: America 3000


America!

Back toe beginning?  Of just the country or of humanity itself?  Judging from this poster, it looks like both.  Are there any post-nuke adventures that aren’t outrageous?  It’s a legitimate question, I think.

Anyway, this is a poster for a film that came out in 1989.

Get A Load Of This “Malarkey”


Ryan C. (fourcolorapocalypse)'s avatarRyan C.'s Four Color Apocalypse

To the extent that Filipino cartoonist November Garcia is a “known quantity” in  American small-press comics, it’s for her Hic And Hoc-published book Foggy Notions from a couple of years back, but now that John Porcellino is stocking the first two issues of her self-published autobio series Malarkey at Spit And A Half, I’m sincerely hoping that a lot more attention is in store for her. 2017 was a breakthrough year for the likes of Emil Ferris, Ben Passmore, Eric Kostiuk Williams, Katie Skelly, and other formerly-emerging talents — if I had to place a wager on the first person to “break through” in 2018, it could very well be Garcia.

I confess to not being terribly “plugged in” to the contemporary cartooning scene in the Philippines, but I know that the country’s rich tradition of woodcut art heavily informed the work of such “Big Two” luminaries as Alfredo Alcala…

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