This Week’s “Peaks” : Part Thirteen (Spoilers Abound)


Ryan C. (fourcolorapocalypse)'s avatarTrash Film Guru

Quick question : who is the most tragic figure in David Lynch and Mark Frost’s Twin Peaks 2017/Twin Peaks : The Return/Twin Peaks season three?

Is it Kyle MacLachlan’s Special Agent Dale Cooper, bifurcated into two distinct beings? I’m thinking no — in part thirteen, “Evil Coop” finally dispenses with the troublesome Ray (played — for presumably the last time — by George Griffiths) once and for all, after winning an arm-wrestling match, placing the infamous “Owl Cave Ring” on Ray’s finger, pumping him for the co-ordinates he’s been needing (along with some info on the ever-enigmatic Phillip Jeffries), and, unbeknownst to him, forging an unspoken bond with the psychotic Richard Horne (Eamon Farren), who I still maintain is his son. And while all that’s going on, back in Vegas, the brothers Mitchum (Jim Belushi and Robert Knepper) are happier than hell with Cooper’s Dougie Jones persona…

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22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch)


Because of Sharknado 5, I’m late in watching the latest episode of Twin Peaks.  Below, you’ll find my initial thoughts and then, as always, a full recap will be posted either later tonight or sometime tomorrow!

  1. Twin Peaks has been moved from 8 to 7 to make room for new episodes of Ray Donovan.  That was quite a shock for those of us who didn’t realize that Ray Donovan is still a thing.
  2. “A wrong has been made right and the sun is shining bright!”  I loved Jim Belushi’s delivery of that line.
  3. It seems appropriate that this episode, which featured the Mitchum Brothers, aired on Robert Mitchum’s 100th birthday.  As David Lynch is a self-described fan of film noir, I doubt that the last name is a coincidence.
  4. “You didn’t kill him too good, Ray.”  This episode is full of good lines.
  5. Arm wrestling?  You mean like in that Sylvester Stallone movie I reviewed a few years ago?
  6. If this show hasn’t already convinced you that Kyle MacLachlan is one of the best actors working today, nothing will.
  7. OH MY GOD, IS THAT RICHARD HORNE IN MONTANA!?
  8. Actually, I guess it would make sense that Richard would turn up in Montana.  I forgot that Montana is pretty much right next to Washington State.  In anything, Twin Peaks has proven that the North is one fucked up region.
  9. Yay, it’s the Fuscos!
  10. My favorite Fusco is Smiley Fusco.
  11. What was happening in the background of the Las Vegas Police Department?  The Fuscos didn’t seem to be too concerned about it.
  12. Tim Roth and Jennifer Jason Leigh discussing Mormons is everything.
  13. Quite a contrast between evil Doppelganger Cooper and Innocent Dougie.
  14. Oh my God, Tom Sizemore was brilliant tonight.
  15. Speaking of brilliant, what about Don Murray?  It’s kind of nice to see someone from the Golden Age of Hollywood getting a chance to show that he’s still got it.
  16. “Thank Dougie.” That made me laugh so hard.
  17. It’s sweet how everyone in town likes Bobby now.
  18. The Double R is a franchise now?
  19. How does Norma always pick the wrong men?  Ed’s right there!
  20. I asked our own Jedadiah Lelalnd if Sarah Palmer was watching a famous boxing match.  He said he didn’t recognize it.  His theory is that it may have been one of Bushnell Mullins’s old boxing matches.  I don’t know if I agree, just because neither one of the boxers looked like a young Don Murray to me.
  21. I still think that Bill is a figment of Audrey’s imagination.
  22. The season ending with James Hurley (and, by extension, James Marshall) and two dark-haired female backup singer feels like Lynch’s way of trolling everyone who ever complained about that famous scene from season 2 where James, Donna, and Maddy recorded a song together.  (Actually, I guess it obviously was since James was not only singing but he was singing You and I.)

Twin Peaks on TSL:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
  30. TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
  31. TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
  32. Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
  33. Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  34. Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
  35. 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
  36. This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
  37. TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
  38. 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
  39. This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
  40. 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
  41. 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
  42. TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman 
  43. 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
  44. This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
  45. TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
  46. 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
  47. This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
  48. TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
  49. 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  50. This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
  51. TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
  52. Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  53. This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
  54. TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
  55. 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  56. This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
  57. TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
  58. 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  59. This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
  60. TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
  61. 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  62. This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
  63. TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
  64. 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
  65. This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
  66. TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman

Let’s Talk About Sharknado 5 (dir by Anthony C. Ferrante)


I just watched the latest installment in the Sharknado franchise on SyFy and what can I say?  I don’t want to spoil anything for anyone who hasn’t seen the film yet so I’ll just say this:

Sharknado 5 is the best Sharknado yet!

Seriously, it’s amazing when you think about it.  The annual premiere of the latest Sharknado film has literally become a national holiday.  If you were to judge solely by what was happening on twitter tonight, you would be totally justified in thinking that literally everyone in the world was watching Sharknado 5.  Who would have thought that a franchise about sharks in a tornado would become a pop cultural milestone?  At this time, when the country seems so divided, Sharknado 5 brought us all together.  That, in itself, is no small accomplishment.

But beyond that, these film are consistently and surprisingly entertaining.  Considering that it was the fifth film in this particular franchise, Sharknado 5 felt remarkably fresh and creative.  Have no doubt,  Sharknado 5 had everything that you would expect from a Sharknado film.  You had Ian Ziering grimacing as he manfully beat up sharks.  You had Tara Reid acting like a super hero.  To the delight of many on twitter, Cassie Scerbo returned as Nova, who is now the leader of the Sharknado Sisterhood.

(My friend Ian Rice tweeted me, during the movie: “What is that (the Sharknado Sisterhood)?”

“The Sharknado sisterhood follows and monitors sharknados across the world,” I tweeted back.

After a minute or two, Ian replied: “I’m sorry I asked, LMB.”)

Of course, the script was full of one liners and deliberately bad puns, all of which were delivered with a straight face by the dedicated members of the cast.  There were plenty of homages and references to other films, including Raiders of the Lost Ark and Back to the Future.  The special effects were cheap in the most likable way imaginable.  And yes, there were celebrity cameos but — as opposed to what happened with Sharknado 4, Sharknado 5 did not allow those camoes to distract from the story being told.  Yes, Abby Lee Miller got eaten by a shark.  Yes, Geraldo Rivera got sucked out of a blimp.  But Sharknado 5 never lost its focus.

And what was that focus?  Well, basically, Finn accidentally created another sharknado.  No big deal, right?  I mean, Finn specializes in destroying those right?  Unfortunately, this time, Finn and April’s son, Gil, got sucked into the sharknado.  So, for most of the film, Finn and April were chasing the Sharknado across the world while Gil spun around inside of it.

Of course, while Finn chased the latest sharknado, the world was being destroyed by flying sharks.  A lot of famous landmarks ended up getting destroyed.  Actually, at the rate that these movies go, I’m shocked that there are any monuments or memorials left.  It was not an easy life for Finn but, fortunately, the Pope showed up and gave him a blessed chainsaw and…

Okay, never mind!  Are you expecting a movie about a tornado full of sharks to make any sense!?  What’s important is that the film is a lot of fun and Ian Ziering and Tara Reid, to their credit, are still going out of their way to make their characters vaguely credible.

What sets Sharknado 5 apart from the other Sharknado films is that, about an hour into the film (80 minutes if you’re watching with commercials), Sharknado 5 takes a very, very dark turn.  People who you don’t expect to die, die.  Places that you don’t expect to see destroyed end up getting destroyed.  It all ends with an homage to one final film and a cliffhanger.  You don’t want to miss it!

And I’m certainly not going to want to miss Sharknado 6.

A Movie A Day #210: Who’s Harry Crumb? (1989, directed by Pat Flaherty)


Who’s Harry Crumb?

He is a private detective, the latest in a long line of gumshoes.  While Harry’s father and his grandfather may have been great detectives, Harry is about as incompetent as can be.  He is a self-styled master of disguise but not much else.  He is employed at Crumb & Crumb Detective Agency, solely because of his family background.  When the head of the agency, Eliot Draisen (Jeffrey Jones), engineers the kidnapping of a millionaire’s daughter, he gives the case to Harry because he knows Harry will never be able to solve it.

Who’s Harry Crumb?

He is John Candy, the much beloved and much missed comedic actor from Canada.  As anyone who has ever seen an old episode of SCTV knows, John Candy could be one of the funniest men alive but Hollywood rarely knew what to do with him.  Other than the movies that he made with John Hughes, Candy was always stuck in either supporting roles or in bad comedies.  In Art Linson’s A Pound of Flesh, veteran film producer Linson writes that, because of Candy’s size, some Paramount executives wanted to cast him as Al Capone in The Untouchables.  That is something that I would have enjoyed seeing.  Instead, some actor named Robert De Niro got that role and Candy ended up making movies like Who’s Harry Crumb?

Who’s Harry Crumb? tries to be a mix of comedy and mystery but, due to a weak script and uncertain direction, it does not really succeed as either.  John Candy delivers a few laughs because he was a naturally funny actor but, as a character, Harry Crumb is not that interesting.  Instead, the film is stolen by Annie Potts, playing a duplicitous femme fatale.  Potts and Candy previously came close to working together in the original Ghostbusters.  (Candy pulled out of the role of Louis Tully so that he could play Tom Hanks’s brother in Splash.  He was replaced by his SCTV co-star, Rick Moranis.)  The rest of the cast seems bored and uninterested in what they are doing.  Even Jeffrey Jones, usually so reliable in smarmy bad guy roles, seems bored.

John Candy died just 5 years after the release of Who’s Harry Crumb?, leaving behind two intriguing dream projects, one a biopic of Fatty Arbuckle and another an adaptation of A Confederacy of Dunces.  Sadly, Hollywood never really figured out what to do with this talented comedian.

 

Happy 100th Birthday Robert Mitchum!: THE NIGHT OF THE HUNTER (United Artists 1955)


gary loggins's avatarcracked rear viewer

Regular readers know I’m a big fan of Big Bob Mitchum, having covered nine of his classic films. The self-effacing Mitchum always downplayed his talents in interviews, but his easy-going, naturalistic style and uncanny ear for dialect made him one of the screen’s most watchable stars. Whether a stoic film noir anti-hero, a rugged soldier fighting WWII, a romantic lead, or a malevolent villain, Mitchum always delivered the goods. Last night I watched THE NIGHT OF THE HUNTER for the first time, and his performance as the murderous ‘Reverend’ Harry Powell just zoomed to the top of my list of marvelous Mitchum performances.

Mitchum’s Powell is totally amoral and totally crazy, a sociopathic killer who talks to God about killing women, those “perfume smelling things, lacy things, things with curly hair” that The Lord hates, according to Harry. He’s sexually repressed to the point he must murder in the name of God to…

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Music Video of the Day: Hiroshima Mon Amour by Alcatrazz (1984, dir. ???)


After leaving Rainbow as their lead singer, Graham Bonnet and others formed the group Alcatrazz. While I didn’t know who he was until I sat down to write this, young Swedish guitarist Yngwie Malmsteen appears to have benefited the most from the group–as opposed to Graham Bonnet. He was only 20 when the album that had Hiroshima Mon Amour on it was released.

The following is from an interview Bonnet gave with Songfacts:

Songfacts: And then what are some memories of writing the song “Hiroshima Mon Amour”?

Graham: I saw a movie when I was in school called Hiroshima Mon Amour [a 1959 French film]. We played in Japan a lot, and I thought this would be a nice little tribute to what happened. I was always horrified by what happened. And Hiroshima, my love, it was like, goddamn, you know, I didn’t want that to happen again. So I read up a little bit about it, and that’s how that came about. It was something I thought should never have happened. It was just a horrible thing. I couldn’t believe that the Americans would do this, or anybody would do that to anybody. It was sort of a protest song in a way.

It’s been a little over a year since I watched Hiroshima Mon Amour, so I can’t speak to any potential similarities between this and the film.

A Movie A Day #209: Assassination (1987, directed by Peter R. Hunt)


Charles Bronson, man.

Long before Clint Eastwood starred in In The Line of Fire, Charles Bronson played an over the hill secret service agent in Assassination.  Having just returned to active service after a six month leave of absence, Jay Killian (Charles Bronson), thinks that he is going to be assigned back to the presidential detail.  Instead, he is given the job that no one wants.  Jay is assigned to protect the first lady, Lara Craig (Jill Ireland, Bronson’s real-life wife).

Lara is a handful.  Every one tells Killian that she is “even worse than Nancy.”  (This running joke probably played better in 1987.  If Assassination had been released ten years later, Lara would have been described as being “even worse than Hillary.”)  Lara does not like being told what she can and cannot do. When she refuses to follow Killian’s orders not to ride in a convertible, she ends up getting a black eye when a motorcycle crashes and Killian instinctively throws her to the floor.  Lara may not like Killian but when, she is targeted by a notorious terrorist (Erik Stern), she will have to learn to trust him.  Her life depends on it, especially when it becomes clear that the order to have her killed is coming from inside the White House.  It turns out that the President has been impotent for years.  That may not have troubled Lara before but now Killian is showing her that a real man looks like Charles Bronson.  A divorced president will never be reelected.  A widowed president, on the other hand…

Assassination was one of the last films that Bronson made for Cannon.  It’s never as wild as Murphy’s Law, Kinjite, or many of Bronson’s other Cannon films but it is always interesting to watch Bronson acting opposite of Ireland.  Bronson famously did not get along with many people but he loved Ireland and that was something that always came through in the 15 movies that they made together.  Whenever Bronson and Ireland acted opposite each other, Bronson actually seemed to be enjoying himself.  And while it may be subdued when compared to his other Cannon films, Assassination provides just enough scenes of Bronson being Bronson.

Who other than Bronson could tell his much younger girlfriend that, because of her, he might “die of terminal orgasm?”

Who other than Bronson could drive around a motorcycle with machine gun turrets and execute a jump that would put his old co-star Steve McQueen to shame?

Who other than Bronson could use a bazooka to kill one man and then smile about it?

Charles Bronson, man.  No offense to Bruce Willis, who will be trying to step into Bronson’s gigantic shoes with the upcoming Death Wish remake, but nobody did it better than Bronson.