Monthly Archives: August 2017
Music Video of the Day: Slow Acid by Calvin Harris (2014, dir by Emil Nava)
Hi, everyone! Lisa here with today’s music video of the day!
I’ve heard a lot of different opinions as to what exactly is being portrayed in the video for Calvin Harris’s Slow Acid. Some people think that the woman in the video has been passed out in an alley and this video is supposed to represent her dream (or nightmare, depending on how you feel about holding up convenience stores). Some people think that the blueish tint of the woman’s skin is meant to indicate that she’s on drugs or she’s had too much to drink. (Personally, I find the tint to be more silvery than blueish.) There’s a lot of debate as to whether she’s dead or just asleep at the end of the video. The first time I ever saw this video, I assumed she was supposed to be a robot.
Then again, “she was supposed to be a robot” is pretty much my automatic go-to interpretation for almost everything. You’d be surprised how often I turn out to be right.
Anyway, I really don’t care what the exact meaning is. I just like Calvin Harris and this song. You can dance to it. People sometimes forget how important that is.
Anyway, this was directed by Emil Nava, who has worked on a lot of videos since 2009.
This Week’s “Peaks” : Part Fourteen (Spoilers Abound)
Anybody else still reeling? ‘Cuz, I mean, part fourteen of David Lynch and Mark Frost’s Twin Peaks 2017/Twin Peaks : The Return/Twin Peaks season three was one “holy shit!” moment after another —
In fact, about the only thing that wasn’t surprising to find out tonight that Lynch’s Gordon Cole has Monica Bellucci dreams — but they’re considerably “cleaner” than yours or mine would most likely be, and Ms. Bellucci even offers cryptic hints as to the very nature of dreaming itself within them. Let us, then, turn our attention away from this and toward our catalogue of shocking instances —
Holy shit! It’s one of my favorite scenes from Twin Peaks : Fire Walk With Me — the one with David Bowie’s Phillip Jeffries — and this time it comes complete with something vaguely approximating explanations! Great to see Bowie again, and he needn’t worry about…
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22 Initial Thoughts on Twin Peaks: The Return Part 14 (dir by David Lynch)
Hi, everyone! Obviously I’m getting a little bit of late start on Twin Peaks tonight. As always, these are just my initial thoughts. A full recap will show up either tonight or tomorrow. (Probably tomorrow because I’m getting a late start…)
- Apparently, Showtime is not planning on doing any further seasons of Twin Peaks. They used Twin Peaks to meet their quota of new subscribers and now they can concentrate on stuff like I’m Dying Up Here.
- Yay! Gordon’s on the phone!
- I love David Lynch’s performance as Gordon Cole. I have to admit that, whenever I imagine what David Lynch is like in real life, I always imagine him telling corny jokes and adjusting a hearing aide.
- Oh my God! Diane’s related to Janey-E!
- Diane, how can you hate your sister? Sisters are the best!
- Monica Bellucci?
- Ha! Fuck you, Chad! Corrupt cops are the worst.
- So, just to make sure that I understand … Monica Bellucci is some sort of supernatural being?
- The blogger known as Jedadiah Leland just assured me that she is.
- Agck! I find the lack of eyes to be disturbing.
- Oh my God! Of all the people to take this trip, why Deputy Andy?
- “Got a light?” No, you bastard! Get outta here and leave Andy alone!
- Andy’s giving orders! It’s about time.
- It’s sweet that Lucy is concerned about whether the eyeless woman likes the pajamas.
- James Hurley is a security guard now? And his colleague know him as Jimmy?
- Okay, so where has the suddenly important Freddie Sykes been hiding all this time?
- This guy at the bar is bothering Sarah. He says it’s a free country. What a jerk, I hope she tells him off…
- Oh my God, she just took off her face…
- OH MY GOD, SHE JUST RIPPED OUT HIS FUCKING THROAT!
- Go, Sarah!
- Hey, the guy was a jerk.
- “Sure is a mystery, huh?”
Twin Peaks on TSL:
- Twin Peaks: In the Beginning by Jedadiah Leland
- TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
- TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
- TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
- TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
- TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
- TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
- TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
- TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
- TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
- TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
- TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
- TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
- TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
- TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
- TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
- TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
- TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
- TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
- TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
- TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
- TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman
- TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter) by Leonard Wilson
- TV Review: Twin Peaks 22.2 “Beyond Life and Death” (directed by David Lynch) by Lisa Marie Bowman
- Film Review: Twin Peaks: Fire Walk With Me (dir by David Lynch) by Lisa Marie Bowman
- Here’s The Latest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
- Here’s The Newest Teaser for Showtime’s Twin Peaks by Lisa Marie Bowman
- 12 Initial Thoughts About Twin Peaks: The Return Parts One and Two by Lisa Marie Bowman
- This Week’s Peaks: Parts One and Two by Ryan C. (trashfilm guru)
- TV Review: Twin Peaks: The Return Parts One and Two (dir by David Lynch) by Lisa Marie Bowman
- 4 Shots From 4 Films: Special Twin Peaks Edition by Lisa Marie Bowman
- This Week’s Peaks: Parts Three and Four by Ryan C. (trashfilm guru)
- 14 Initial Thoughts About Twin Peaks: The Return Part Three by Lisa Marie Bowman (dir by David Lynch)
- 10 Initial Thoughts About Twin Peaks: The Return Part Four by Lisa Marie Bowman (dir by David Lynch)
- TV Review: Twin Peaks: The Return Parts Three and Four (dir by David Lynch) by Lisa Marie Bowman
- 18 Initial Thoughts About Twin Peaks: The Return Part 5 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part Five by Ryan C. (trashfilm guru)
- TV Review: Twin Peaks: The Return: Part 5 (dir by David Lynch) by Lisa Marie Bowman
- 14 Initial Thoughts On Twin Peaks Part 6 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part Six by Ryan C. (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 6 (dir by David Lynch) by Lisa Marie Bowman
- 12 Initial Thoughts on Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part Seven by Ryan C. (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 7 (dir by David Lynch) by Lisa Marie Bowman
- Ten Initial Thoughts on Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part Eight by Ryan C (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 8 (dir by David Lynch) by Lisa Marie Bowman
- 16 Initial Thoughts on Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part Nine by Ryan C (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 9 (dir by David Lynch) by Lisa Marie Bowman
- 20 Initial Thoughts On Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part 10 by Ryan C (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 10 (dir by David Lynch) by Lisa Marie Bowman
- 16 Initial Thoughts About Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part 11 by Ryan C (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 11 (dir by David Lynch) by Lisa Marie Bowman
- 20 Initial Thoughts on Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
- This Weeks Peaks: Part 12 by Ryan C (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 12 (dir by David Lynch) by Lisa Marie Bowman
- 22 Initial Thoughts on Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
- This Week’s Peaks: Part 13 by Ryan C (trashfilm guru)
- TV Review: Twin Peaks: The Return Part 13 (dir by David Lynch) by Lisa Marie Bowman
A Movie A Day #217: Wyatt Earp (1994, directed by Lawrence Kasdan)
Once upon a time, there were two movies about the legendary Western lawman (or outlaw, depending on who is telling the story) Wyatt Earp. One came out in 1993 and the other came out in 1994.
The 1993 movie was called Tombstone. That is the one that starred Kurt Russell was Wyatt, with Sam Elliott and Bill Paxton in the roles of his brothers and Val Kilmer playing Doc Holliday. Tombstone deals with the circumstances that led to the Gunfight at the O.K. Corral. “I’m your huckleberry,” Doc Holliday says right before his gunfight with Michael Biehn’s Johnny Ringo. Tombstone is the movie that everyone remembers.
The 1994 movies was called Wyatt Earp. This was a big budget extravaganza that was directed by Lawrence Kasdan and starred Kevin Costner as Wyatt. Dennis Quaid played Doc Holliday and supporting roles were played by almost everyone who was an active SAG member in 1994. If they were not in Tombstone, they were probably in Wyatt Earp. Gene Hackman, Michael Madsen, Tom Sizemore, Jeff Fahey, Mark Harmon, Annabeth Gish, Gene Hackman, Bill Pullman, Isabella Rossellini, JoBeth Williams, Mare Winningham, and many others all appeared as supporting characters in the (very) long story of Wyatt Earp’s life.
Of course, Wyatt Earp features the famous Gunfight at the O.K. Corral but it also deals with every other chapter of Earp’s life, including his multiple marriages, his career as a buffalo hunter, and his time as a gold prospector. With a three-hour running time, there is little about Wyatt Earp’s life that is not included. Unfortunately, with the exception of his time in Tomstone, Wyatt Earp’s life was not that interesting. Neither was Kevin Costner’s performance. Costner tried to channel Gary Cooper in his performance but Cooper would have known better than to have starred in a slowly paced, three-hour movie. The film is so centered around Costner and his all-American persona that, with the exception of Dennis Quaid, the impressive cast is wasted in glorified cameos. Wyatt Earp the movie tries to be an elegy for the old west but neither Wyatt Earp as a character nor Kevin Costner’s performance was strong enough to carry such heavy symbolism. A good western should never be boring and that is a rule that Wyatt Earp breaks from the minute that Costner delivers his first line.
Costner was originally cast in Tombstone, just to leave the project so he could produce his own Wyatt Earp film. As a big, Oscar-winnng star, Costner went as far as to try to have production of Tombstone canceled. Ironically, Tombstone turned out to be the film that everyone remember while Wyatt Earp is the film that most people want to forget.
Artwork of the Day: The Beauty of Peace
Music Video of the Day: Tonight I’m Yours (Don’t Hurt Me) by Rod Stewart (1981, dir. Russell Mulcahy)
If you want something dark and serious, then I point you to yesterday’s A Movie A Day post that Jedadiah wrote. I’m not doing that today.
Yesterday, I did the apparently famous, but still obscure version of The Tide Is High by Blondie, where Debbie Harry rolls around on a circular pink bed. Since I brought that to people’s attention, then I might as well do the batshit Rod Stewart video that is Tonight I’m Yours (Don’t Hurt Me).
The video starts normally enough. It’s a song for a night on the town, so we’re getting some shots of the city.
Oh, that’s clever. It’s a much better way to introduce the song and artist than superimposed text.
I guess we’re going down to this pool. That looks like Stewart down there.
Ah, it is Stewart.
Some women in the pool. Makes sense. The video needs some sex appeal for people who aren’t attracted to Stewart.
What’s going on here? Is she head-banging to Rod Stewart?
Why is she getting out of the pool in a scuba outfit?
Do I even want to know what is happening here?
I’m beginning to think that they hired a bunch of women, brought out racks and boxes of stock outfits, and told them to just pick whatever feels right–then ad-libbed a lot of the video. This lady seems to have really gotten into the dominating teacher role. Back into the pool for you!
I think this guy fell in the pool during filming.
Did a fight actually break out on set during filming? Did they think that would be funny? Was this planned?
These two picked out the slumber party outfits. I’m really glad they came with pillows. Otherwise you could try to explain this as two lesbians having a night out who happened to hear the party going on outside. With the pillows there, we are assured that this is yet another thing that makes no sense.
I see nothing odd about this though.
A little Old Hollywood musical bit.
The lady with the piano leg looks like the most planned out part of this video.
And this looks like the least planned part of the video to me. I’m pretty sure she had no direction, so she just started shaking a tree.
Is this some kind of an orgy?
This lady is the one who has me convinced the outfits were picked out at random. Why would there be a detective here? She shows up in several shots as if she’s spying on them.
I could probably list drugs as a co-director on this video, couldn’t I?
Speaking of drugs, here’s what Songfacts says:
The video did well on MTV, which was new at the time and had no choice but to play lots of Rod Stewart videos, since he made so many. It was directed by Russell Mulcahy and shot at the Sunset Marquis in Los Angeles, where scores of beautiful women are scene larking about in and around the pool and on the balconies as the band performs.
According to Mulcahy, Stewart had a little too much fun the night before and didn’t want to do the video. Mulcahy told him he was going to shoot the video with or without him, so he found the strength to do it.
That explains why Stewart looks worn out. It also explains a fair amount of the craziness. It’s not hard to imagine taking Stewart and the band out of the video, and still having something that works.
Paul Flattery produced the video, and while I’m sure he has some stories to tell, I want hear from Peter Lippman. He was the production manager.
There’s rarely anything useful in the comments section on a music video. The following is an exception:
Kind of geeky comment, but this video would be a hell of a lot easier to film today with the new drone technology!
I haven’t come across a wilder Rod Stewart video…yet.
Enjoy!
Kirby Is Here! : “Devil Dinosaur” #3
Kirby Is Here! : “Captain Victory And The Galactic Rangers” #1
A Movie A Day #216: America Undercover: Skinheads USA: Soldiers of the Race War (1993, directed by Shari Cookson)
In a shack in rural Alabama, a fat, middle-aged man named Bill Riccio watches a faded VHS tape with several teenage boys. All of them have shaved heads. Several of them have elaborate tattoos of swastikas and other racist symbols. When asked, the majority of them say that they come from broken homes with alcoholic fathers and little hope for the future. One of them says that he feels that Bill Riccio is his father. All of them agree, with Riccio, that almost all of the country’s problems can be linked to an international conspiracy that they call ZOG (that stands for Zionist Occupational Government). They have named their home “the War House.”
The movie that they are watching is Leni Riefenstahl’s The Triumph Of The Will. They all agree that they are impressed with an extremely intense drummer boy. They agree that he has his shit together. When Adolf Hitler appears and starts to speak, one of the boys says that Bill Riccio reminds him of Hitler. “Don’t compare me to that man,” Riccio says. “I am not worthy.”
Skinheads USA was a part of HBO’s America Undercover documentary film series. Camera crews followed Riccio and his Neo-Nazi followers around for months, following them as they drink beer, shout “white power!,” and forge an alliance with the local KKK. When they go out on the streets to pass out racist flyers, people argue with them and call them ignorant. The skinheads don’t give a shit. Instead, they savor being despised. It feeds into their persecution complex.
Skinheads USA is a portrait of pure evil. Bill Riccio is a predator who peddles hate while his followers are young men who, poorly educated and with no real prospects for the future, fell through the cracks of society and were easily gathered up by the forces of hate. Riccio provided them with both a home and scapegoats for all of their problems. (Years later, one of Riccio’s followers, from a jail cell where he was serving time for murder, said that Riccio provided drugs and alcohol while also abusing the younger boys sexually, a charge that will not surprise anyone who has seen Skinheads USA.) Towards the end of the documentary, when Riccio is arrested on weapons violations and sent to jail, his brainwashed followers are left directionless but no less dangerous. The documentary ends with one of Riccio’s lieutenants trying to fire up the remaining skinheads and chanting, “Heil Bill Riccio!”
In the 90s, when Skinheads USA used to regularly play on HBO and A&E, it was easy to laugh off Riccio and his followers. Today, we know better. If you are wondering how the Richard B. Spencers and the David Dukes of the world continue to find followers, Skinheads USA is a good place to start.

























