Horror Review: The Walking Dead S4E02 “Infected”

Posted on October 20, 2013 by Arleigh

“I see when the shit hits you’re standing there with a shovel.” — Daryl Dixon

[some spoilers]

Last week saw the return of AMC’s wildly popular horror tv series, The Walking Dead. The show ran huge ratings numbers which seems to still confound it’s critics. These are numbers that rivals Sunday Night Football ratings numbers. Yes, the show has had issues with character development and acting, but it continues to bring in more and more viewers. Could it be that the show is satisfying a jaded public’s appetite for bloodlust? If that’s the case then gory horror films should be doing much better in the theaters, but that’s definitely not the case.

With the show’s return we get to see what sort of long-running arc new showrunner Scott M. Gimple has planned for the series. With the first truncated season it was all about Rick adapting to this new dangerous world and reconnecting with his lost family. The second season saw a change in showrunners with series creator Frank Darabont fired and replaced by veteran producer Glen Mazzara and we saw the change in the show’s pacing and storytelling. What was a much more deliberate pacing under Darabont became much more about forward momentum. This worked for the most part and complaints about the show going in circles and nowhere died down, but Mazzara was soon replaced by the end of season 3.

So, the Scott M. Gimple era has begun and with last week’s premiere we found a season the started off full of hope and normalcy, but since this is a horror series that peaceful serenity ended just as fast as it was introduced.

“Infected” takes up very quickly after the cliffhanger of the season premiere which saw one of the new cast members die of some disease (I’m guessing a strong strain of the flu) in the showers and left unattended. If we’ve learned through the three seasons of this show that any death will cause the body of the deceased to reanimate and go looking for living flesh. So, that rule hasn’t changed and we see Harry Potter, I mean Patrick, get up from where he died in the showers and into a cell block full of sleeping people.

Tonight’s episode played out almost like a sort of crucible that Rick had to go through once more to find his true self. Last week’s episode showed us how Rick has turned his back on being the group’s leader. He’s stopped carrying his revolver when stepping beyond the prison’s fences. He’s trying to be a better role model for his son Carl who we saw last season become much colder and murderously pragmatic. Tonight we saw Rick having to face that decision to stop being a fighter and leader to become a farmer instead.

From the very beginning of the episode we see the seeds of doubt being planted in Rick’s mind that while his decision to forgo being a leader and fighter may save his son Carl from lsoing his childhood innocence he must believe deep in his heart that it’s a fool’s task. Rick is trying to regain a semblance of pre-zombie apocalypse world by being a better father to Carl, yet in doing so the group lost a person who had protected them from Atlanta and through Woodbury. It takes and outbreak within Cell Block D and the sorry state of the prison fences to finally wake Rick up from his utopian dream. By sacrificing the piglets Rick was dropping the act of being a farmer and going back to what he was good at doing and that’s protecting the group and killing zombies.

We see the opposite happening with the once meek and victimized Carol who has taken all the personal loss she’s had to go through the last three seasons and allowing that crucible to forge her into a survivor of this new world. She might’ve sounded harsh when dealing with the young girls and how they must learn to defend themselves even if it means killing a dying loved one, but nothing she said tonight was in the wrong. She’s adapted and accepted her new role as protector of the group even if it means she might alienate some. Rick was like this but could never find the balance between ruthless efficiency and empathy towards other survivors. It’ll be interesting to see what sort of pay off Carol’s character growth will mean not just for the group as a whole, but for Daryl who has formed a close relationship with the former victim.

Tonight’s episode was much stronger than last week’s by a wide margin. Where last week’s season premiere seemed like a new showrunner playing it safe with tonight’s episode we see a stronger and more focused narrative that looks to dominate at least the first half of this new season. So far, the new season had promised a new danger to harry the group and now we see what it is and we still haven’t seen the absent Governor. Scott Gimple promised that the show was going to go back to making the zombies a true danger once again after the human-on-human carnage from last season and if the first two episodes for season 4 were any indication he’s keeping his promise.

Notes

“Infected” was written and directed by series veterans Angela Kang and Guy Ferland.
Just when I thought Greg Nicotero and his make-up effects wizards at KNB EFX couldn’t top themselves they come up with several gory gags in just the first 20 minutes of the episode.
While some think it unbelievable that no one heard Patrick chowing down in the next cell one has to think that these people thought they were safe. The way the dead just geometrically expanded from Patrick to suddenly many in less than a morning was a nice touch.
It looks like we now have two new medical professionals with unnamed dude with the beard and Bob “On the Wagon” Stookey.
Carol has definitely grown as a character from the damaged housewife from season 1 to growing badass in Season 4. She’s even dressing up to look like one to match the new survival mindset.
The show has never been gun shy of putting children in danger but it was a tough scene to watch the one young mother carrying the small, bloody bundle out of Cell Black D to be buried.
I was very surprised at the event which finally looks to bring out the badass locked inside bug teddy bear Tyreese. I was thinking that it was something terrible happening to his younger sister, but definitely did not see Karen’s death at the hands of an unknown assailant as being the catalyst.
One the best gags in tonight’s episode was a nice homage to George A. Romero’s Day of the Dead were Greg Nicotero apprenticed with FX master Tom Savini and also appeared as one of the soldiers tasked with protecting the scientists. Here’s the scene in question from that film…
Tonight’s episode will definitely not amuse PETA. Not one bit.
Talking Dead Guests: Series exec. producer Greg Nicotero, comedian Doug Benson and Paramore singer Hayley Williams.

Season 4

Episode 01: “30 Days Without an Accident”

Horror On TV: Thriller 1.28 — Yours Truly, Jack The Ripper

Posted on October 20, 2013 by Lisa Marie Bowman

Of all of the world’s real-life monsters, Jack the Ripper is one of the most iconic. Whether it’s because he was never actually caught or because he committed his savage crimes during an era that we associate with emotional and sexual repression or maybe just because he has a memorable name, Jack the RIpper continues to both fascinate artists of all genres and haunt the nightmares of viewers and readers like me.

(Check out my review of Murder By Decree for an example of my fascination.)

Tonight’s episode of televised horror on the Lens deals with Jack the Ripper. This episode of Thriller was originally broadcast on April 11, 1961 and is based on a short story by Robert Bloch. It was directed by actor Ray Milland.

Without further ado, here is Yours Truly, Jack the RIpper…

Trailer: Endless Love

Posted on October 20, 2013 by Lisa Marie Bowman

When Jeff and I went to see the remake of Carrie earlier today, we arrived at the theater just as the trailer for another remake started to play. The first version of Endless Love was released in 1981 and is best known for featuring the film debut of Tom Cruise. The second version of Endless Love will be coming out next year on Valentine’s Day.

Judging from the trailer, the film looks like it could be both sexy and silly; sexy because it stars Alex Pettyfer and silly … well, really, for pretty much the exact same reason. However, I will give this film that benefit of the doubt just because I appreciated the fact that the trailer made good use of Florence + The Machine’s cover of Addicted to Love.

My Visit to the New York Comic Con 2013

Posted on October 20, 2013 by Leonard Wilson

Imagine a place where you can see all of your favorite comic book heroes and heroines, argue over whether organic web shooters are better than classic ones, and witness creativity on so many different levels. The New York Comic Con was a 4 day spectacle of pop culture madness mixed with tons of cosplay. I only picked up a ticket for Saturday, but I really have to one day shoot for a 3 or 4 day pass next year.

I think I may have made 4 passes through the interior and exterior areas of the hall, and for every pass there was something new to catch your eye. There was a Transformers booth with some of the classic toys that was a treat. Kotobukiya was on hand with someone their great pieces. The Psylocke one in particular was really sweet. Also on hand were various fantasy sword manufacturers, somewhat surprising in New York given how much security we have here. Clothing, toys, books, drawings. You name it and chances are that you’d run into someone creating a print – like Destiny Blue’s beautiful art.

I was basically there for to use my camera, which didn’t really work out the way I planned. Between the bustle of the crowds (which was immense) and also trying to snap pics with my phone…they kind of came out a bit blurry. I made the mistake of adjusting the shutter speed to get the exposure right, meaning that in some cases the speed was so low that the slightest nudge or shift would blur the image. The next Con will be better, apologies all around.

I met cosplayer VampyBit.me (Linda Le) at her booth, picking up a Nightwing print which she autographed for me. She is so tiny and cute! Somehow in the course of being there, I missed out on seeing Ivy Doomkitty. She happened to be located just off of the Marvel booth. Speaking off the Marvel Booth, Chris Clairemont was on hand, signing pictures and comics. Additionally, Coulson’s car from Agents of S.H.I.E.L.D. was also there, though of course no one was able to touch it.

So, without further ado, I give you my picture set for the NYCC 2013. These are some of the better ones. The full set is visible on my shared Flikr Page. Enjoy.

What Horror Lisa and The Snarkalecs Watched Last Night #94: Grave Halloween (dir by Stephen R. Monroe)

Posted on October 20, 2013 by Lisa Marie Bowman

Last night, the Snarkalecs and I turned over to SyFy and watched an original horror film entitled Grave Halloween.

Why Were We Watching It?

It was Saturday night and that meant that it was time for another Snarkalec live tweet! We were all pretty excited about watching and live tweeting Grave Halloween, largely because it was directed by the same guy who directed the greatest film to ever premiere on SyFy, End Of The World.

What Was It About?

A group of American exchange students in Japan go into a place known as Suicide Forest to make a movie. Years ago, Maiko’s (Kaitlyn Leeb) mother committed suicide in the forest. Naturally, as soon as Maiko and her friends enter the forest, they end up getting lost, having visions of the dead, and dying in various grotesque ways. It doesn’t help that one of Maiko’s friends finds a discarded watch in the forest and decides to stick it in his pocket. Seriously, ghosts are apparently really attached to their watches.

What Worked?

A lot of people on twitter complained that Grave Halloween moved too slowly. I, however, didn’t find the film to be that slow. It was definitely deliberately paced (especially when compared to some of the other films that have appeared on SyFy) but I thought that was to the film’s advantage. The film took its time to set up its scares and shocks and the end result was a genuinely creepy horror film that rewarded the audience’s patience.

The film was set in Japan but, like most SyFy films, it was actually filmed in Vancouver. Now, I’ve never been to Japan or Vancouver so I can’t really say whether Canada could pass for Japan. But what I do know is that director Stephen R. Monroe got every single bit of atmosphere that he could out of the forests of British Columbia. As filmed by Monroe and cinematographer Michael C. Blundell, the scenery is both beautiful and menacing. By the end of the film, the forest itself feels like an individual character.

Of the cast of victims, my favorite was Brody (played by Jesse Wheeler), mostly because he looked like he could be Greg Grunberg’s younger brother.

What Did Not Work?

As I watched Grave Halloween, it quickly became apparent that the entire situation was pretty much all Maiko’s fault. She’s the one who led her friends into Suicide Forest. She’s the one who, even after everyone started to vanish, refused to leave. Ultimately, she was the one who was responsible for putting her friends in a position where they could all be killed.

And yet, no one in the film seemed to be willing to acknowledge that they would have all been better off if they had never met Maiko. Seriously, I was so waiting for someone to say, “Okay, Maiko — you go do your thing and the rest of us are going to get the fuck outta here before we end up getting ripped into little pieces, ‘kay?”

“Oh my God! Just like me!” Moments

So, naturally, one of the girls ended up tripping while she was running through the forest. Despite the fact that it didn’t look like that bad of a fall, she ended up with a broken bone literally poking out of her leg.

Since I’m currently recovering from a sprained ankle, you can probably imagine that this was not my favorite scene in the movie. Instead, it made me go, “Agck!” and then hide my face in a pillow because I could relate way too much.

(That said, I’m still amazed at how fragile her bones apparently were…)

Lessons Learned

Never steal a dead man’s watch.

6 More Scarifying Trailers For October

Posted on October 20, 2013 by Lisa Marie Bowman

It’s time for another October edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!

1) The Masque of the Red Death (1964)

2) Phenomena (1985)

3) Body Parts (1991)

4) Private Parts (1972)

5) The Incredible Melting Man (1977)

6) Voodoo Woman (1956)

What do you think, Trailer Kitty?

Quick Review: Carrie (dir. by Kimberly Peirce)

Posted on October 20, 2013 by Leonard Wilson

High School can be a rough time. Growing up, we always had Freshman Day, where bullies spent the first Friday of the new semester terrorizing the newbies. I spent at least one of those years either writing in the Library for lunch or on the run between classes until a poem/love letter I wrote on behalf of a member of the Varsity Football team left me in their good graces and under their protection. Needed to tell your girl she was the best thing since Ham & Pineapple pizza, but in an eloquent way? Go ask that geek in the back row of English reading Christine with the big round glasses. Oh, the joys of High School. I can’t even imagine how intense bullying can get today with all of the social media we have. It’s easy to imagine what you could do to protect yourself if you could be as cool as Nightcrawler and make yourself teleport, fight off your foes like Batman or best of all, Force Choke the crap out of someone like Darth Vader.

In that sense, the story of Carrie is still kind of cool, and mildly disturbing.

There was a point in Stephen King’s life where Carrie almost never happened. It was because of his wife, Tabitha that the story was ever finished and that the parts focused on women and their “monthlies” (as members of my family would say) were written the way they were. Carrie got King his foot in the door and set him for other releases like The Shining, Christine and Salem’s Lot. I think next to The Shining, it might be his most remade film.

I’m not sure if there’s anyone who never saw Brian De Palma’s Carrie from 1978 with Sissy Spacek. If not, Kimberly Peirce’s version is not bad at all as an introduction to the story. It actually has at least one element from the book that was never featured in the original film (though part of me does wish that it contained the newspaper format – something like John Larroquette’s narration for The Texas Chainsaw Massacre). Carrie is simply the tale of a young girl in high school who discovers she has telekinetic powers. Eventually, she gets pushed and loses it, unleashing her abilities against anyone in her way. No version of the story has ever gone into detail on how she got them outside of the puberty angle – they’re just there.

Peirce’s version moves just as well as De Palma’s, which is interesting because supposedly they happen to be friends. The main differences lie in DePalma’s choice of nudity versus Peirce’s lack of it, and DePalma’s lack of blood (a sign of the times) compared to Peirce’s extended usage of it. Other than that, it’s roughly the same film, any closer and you’d end up with Gus Van Sant’s shot for shot version of Psycho. Half of me wonders why it needed to be remade (again), the other half says, “You know what, it wasn’t half bad.” There’s nothing essentially wrong with Carrie, but it’s really hard to talk about the Peirce Carrie Film without going back to the DePalma one.

First, Carrie’s biggest strength by far comes in it’s casting. As the leads, both Chloe Grace Moretz and Julianne Moore are great in their roles – almost better than the film deserves. Granted, it’s kind of difficult to imagine anyone messing up something as simple as this. When it comes to young horror starlets, the first two names that come to my mind are Silent Hill’s Jodele Ferland and The Hunger Games’ Isabelle Fuhrman, both of which I thought would be interesting fits here. If Katharine Isabelle was just a little younger, that would have worked too. However, I forgot that Moretz had both The Amityville Horror and Let Me In under her belt (and we won’t speak of Dark Shadows – That wasn’t horror. That wasn’t even comedy. I can’t even identify what that was). Her role as Carrie is somewhat similar to Let Me In, being more reserved here than the Kick Ass films and with good reason.

Moore’s version of Margaret White spends some time self harming herself, which was a little eerie and reminded me of Paul Bettany’s character in The DaVinci Code, punishing themselves for their sins. She’s good here, but after coming off winning an Emmy for playing Sarah Palin in “Game Change”, she looks like she’s underused here. It’s like having an actor play a superhero after becoming a great director and winning tons of accolades. A job is a job, and Moore does a great one here given what she has to work with.

The supporting cast was interesting. I didn’t expect to like Judy Greer’s gym teacher as much as I did, and Ansel Angort’s Tommy Ross was good. I hope that this film leads to bigger and better roles for him. A surprise was Chronicle’s Alex Russell as Billy Nolan, the character originally played by John Travolta. He pulls off a villain well. Portia Doubleday’s version of Kris Hargensen may actually be better than Nancy Allen was, though this could also be in part due to the way the story is written.

So, on with the plot. Carrie White (Moretz) is a reclusive loner, living with her overprotective mother (Moore). In the school shower, she has her period for the first time and not realizing what’s occurring to her (and having never been told just what to expect), naturally panics. This leads to an all out humiliation by her peers that’s even recorded. Carrie later learns about her abilities, while her nemesis, Kris is kicked from the prom and vows to take her vengeance against Carrie. Some of the main sequences are actually expanded upon, which I thought were actually good.

I think the only problem I had with Carrie was the technique used for the Telekinesis. It almost seems a little CGI heavy, but when I think about it, I’m not sure how else they could have pulled off much of what they did here without it. Additionally, Moretz’s version of Carrie uses her hands a lot, which almost makes it seems like she’s either dancing or is trying to conjure up something. It’s not a terribly bad thing and you may actually get used to it after she does it once or twice. Part of me kept expecting her to scream “Unlimited Power!” at one point but it was just a minor “Wow, that’s kind of weird.” Reaction, at least for me.

Carrie’s not really meant for little kids. Anyone who’s a fan of Moretz by way of Diary of a Wimpy Kid might not be ready to handle Carrie, but if you’ve followed any of the Kick Ass films, Carrie’s actually lighter than those. Overall, it’s one of the better remakes out there and a very short film (I’m writing this while watching the Nightmare on Elm Street remake, so I like to think I have a good basis of comparison). If you never saw the original, it might be worth a try. If you don’t wish to spend the money for the ticket, you can always watch one of the other versions and wait for this to come out on Blu-Ray.

Horror On The Lens: Bride of the Monster (dir by Edward D. Wood, Jr.)

Posted on October 20, 2013 by Lisa Marie Bowman

Today’s horror film on the lens is Edward D. Wood’s 1955 epic, Bride of the Monster. The film itself doesn’t feature a bride but it does feature a monster, a giant octopus who guards the mansion of the mysterious Dr. Vornoff (Bela Lugosi). Vornoff and his hulking henchman Lobo (Tor Johnson) have been kidnapping men and using nuclear power to try to create a race of super soldiers. Or something like that. The plot has a make-it-up-as-you-go-along feel to it. That’s actually a huge part of the film’s appeal.

Bride of the Monster is regularly described as being one of the worst films ever made but I think that’s rather unfair. Appearing in his last speaking role, Lugosi actually gives a pretty good performance, bringing a wounded dignity to the role of Vornoff. If judged solely against other movies directed by Ed Wood, this is actually one of the best films ever made.