AMV of the Day: Just the Way You Are


A brief break from the day-to-day posts of horror reviews and such brings us the latest “AMV of the Day”. This particular AMV is unique in that it’s the type people in the hobby call an MEP as in Multi-Editor Project. This video uses one song but has several different editors taking section and editing in their chosen anime scenes. All these different editors must bring in their section in as smooth as transition as possible.

This first MEP is “Just the Way You Are” and uses the Bruno Mars of the same title. The video has ten different anime from which the 11 editors ended up using to fill up the length of the Mars track. The editing tricks weren’t too complex in this video and that’s probably due to having so many people involved in creating it, but the quick editing and some of the scene transitions were done well enough that the scenes chosen worked well hand-in-hand with Bruno Mar’s cheerfully romantic lyrics.

For an MEP this particular AMV is actually quite short. Most AMVs of this kind tend to run 10 to 20 minutes long as the different editors don’t just edit in their chosen anime scenes, but also must edit in their chosen song as well. These type of AMVs usually will have 3-5 songs mixed in together. For now, I think I’ll start with this short and simple kind.

Anime: Toradora!, Fullmetal Alchemist, Angelic Layer, Kobato, Skip Beat, Ef, Card Captors Sakura, Tsubasa Chronicles, Vampire Knight, Naruto

Music: “Just the Way You Are” – Bruno Mars

Creators: MikuruNyuAMV, xChibiUchiha, xsakuralimited, KobatoCLAMP, ChroniclesLuz, OoxAmandy15xoO, Xiizhel, ApologeticWinterMoon, SAKIPUNKI, PotterGirl1995 & lokapormusik

Horror Scenes I Love: Suspiria


As I’ve mentioned before, Dario Argento’s Suspiria is one of my favorite horror films and any quick search around the Internet will reveal that I’m hardly alone in that.  There’s a lot of reasons why Suspiria remains so popular: there’s Goblin’s iconic score, Jessica Harper’s performance in the lead role, and Dario Argento at the peak of his powers.

While most critics and fans always cite the film’s infamous “window scene” as its most effective set piece, I happen to think that the scene below is actually a bit more effective.  While it’s certainly more low-key than some of the film’s other death scenes, this scene is the one that still leaves me uneasy no matter how many times I see it.  Maybe it’s the way that Argento isolates the blind pianist in the middle of the square or perhaps it’s the way that he positions the camera in order to keep the audience uncertain of where exactly the true threat is coming from.

Then again, it could just be because I’m scared of dogs in general…