Tag Archives: Zombies

Highschool of the Dead: Episode 5 – First Impressions

Posted on by Arleigh

We’re now hitting the series’ stride with Episode 5 of Highschool of the Dead. I think any sort of introductory exposition and sequences will now be limited to recurring side characters. One of whom was introduced in this episode. I’m talking about the character of Rika Minami. She’s the friend of our intrepid little band of high school survivors, the ditzy and oppai-centric school nurse. School nurse Shizuka Marikawa looks to be settling in as the comedic release for the series’ tension-filled episodes. From the way she’s animated, her seiyuu‘s way of voicing her character to how she reacts to the going-ons around her. Even the sound-effects used to focus on her character is used for comedic-effect.

Her friend Rina happens to be one of Japan’s top police sniper and we see her in action right from the start as she eliminates all the zombies which have stumbled onto the runways of Kansai International Airport which also happens to be an airport built on an artificial island. Before anyone thinks this is a creation of the animators this particular airport actually exists. Rina continues the manga and anime’s style of drawing and animating all it’s female characters in as fanservice a way as possible. I think any viewer of this series who still objects to how the women are drawn should’ve gotten the hint after the first two episodes. If they’re still watching then they shouldn’t be complaining.

The episode was actually free of any sort of censoring from the broadcaster which is surprising since the previous four had them in some level. It seems that certain fanservice scenes can get through without censoring being used and from what I could tell the line between what will be censored during the Anime Network silmulcast and what won’t be is a very fine line.

I can’t finish this recap without pointing out that this episode definitely belonged to the series otaku, Kohta Hirano. We get to see him in action in this episode and why his very otaku nature may just keep him alive through the duration of the series. We get to see him switch from his nebbish and geeky nature to one that’s able to kill in a heartbeat. Saeko Busujima may be the more kick-ass character in this series but Kohta Hirano can definitely keep up as long as he has access to guns.

One other observation I like to make is how the anime writers continue to make Shido-san, the self-appointed leader of the other group of students, the definite human villain in this series. From the way they’ve adapted his manga character to how they’ve animated him he is one Grade-A heel who even has classic jazz porn music playing in the background when he makes of his speeches to his followers. It’s going to be real interesting how the writers and animators of the series will deal with the scene on the bus as his followers pass the time and boredom.

Episode 6 is just hours away and I’m excited to see how this series continues as it enters even heavier fanservice territory.

Review: Masters of Horror – Haeckel’s Tale (dir. by John McNaughton)

Posted on by Arleigh

Masters of Horror has been good but very uneven in its execution during it’s two season run on Showtime. Haeckel’s Tale is the last episode for Season One (Takashi Miike’s episode never got an official airing) and it sure ends the season on a disturbingly kinky compilation of twisted grotesqueries. The story is from a Clive Barker short story that’s been adapted by Mick Garris (fellow Masters of Horror director and also its brainchild) and produced by George A. Romero to be directed by John McNaughton.

One wonders why Romero would be producing instead of directing the piece. Scheduling conflicts prohibited Romero from taking the director’s chair and he instead recommended John McNaughton (his one film which earned him Master of Horror status is one of the best horror films of the last quarter century: Henry – Portrait of a Serial Killer). The fact that Romero was originally chosen to direct Barker’s Garris adapted short story means there’s got to be zombies or some form of undead within. I, for one, was glad that Romero decided that he wouldn’t be able to direct and chose another in his stead. Barker’s short story does indeed include zombies but it also has a heavy sense of the old classic technicolor Hammer Films vibe to it. Haeckel’s Tale under the capable hands of McNaughton takes those Hammer Films conventions and ramps it up into overdrive.

Even though John McNaughton really has only one true horror film under his belt (he also directed a little-known cult scifi-horror called The Borrowers which had fledgling effects shop KNB EFX still doing things guerilla-style), but his work in Henry: Portrait of a Serial Killer more than earned him his horror creds. In Haeckel’s Tale, John McNaughton clearly has a bit of fun making the only true period piece in the whole Masters of Horror series. McNaughton goes for the classic Hammer Films look for this episode and it shows in the gothic, fog-shrouded atmosphere in the outdoor scenes. The look of the costumes and even the dialogue harkens back to those Christopher Lee and Peter Cushing Hammer Films.

The story is a mixture of the Frankenstein tale with a some Cemetary Man (aka Dellamorte Dellamore) mixed in. Haeckel’s Tale begins somewhere around the 1800’s and I’m assuming close to the end of it from the costume worn by Steve Bacic who played Mr. Ralston who arrives to seek the help of Miz Carnation who is purported to be a necromancer who can grant him his wish to have his dead wife brought back to life for him. Miz Carnation rebuffs Ralston, but after some begging she makes a deal with him to hear Haeckel’s Tale. If he still wants his wife brought back to life after hearing it then she would do so.

Ernst Haeckel (played by Derek Cecil)is a young medical professor whose obsession to conquer death mirrors that of a certain eccentric European scientist he so admires. Unlike his idol, Haeckel’s attempt to use electricity to put the spark of life back into a corpse fails dramatically. He’s soon investigating the rumor of a certain traveling necromancer who goes by the name of Montesquino (played by Joe Polito) who he thinks to be a fraud, but he soon finds out that Montesquino is all he says he is when Haeckel stumbles upon Wolfram (played by Stargate SG-1‘s own Maybourne, Tom McBeath) and his stunning young wife Elise (the drop-dead gorgeous Leela Savasta).

Haeckel quickly lusts after the young Elise, but as Wolfram will later tell him as the story nears it’s climax (in more ways than one), Elise cannot be satisfied by him or Haeckel. Her obsession with a dead husband she loves and cannot let go brings Haeckel to a scene that he cannot comprehend nor accept as something she truly wants. I must say that Leela Savasta’s performance as the dead-obsessed Elise is only surpassed by Anna Falchi’s own work as “She” in Dellamorte Dellamore. Leela’s pretty much spending most of her screentime fully naked and writhing around in an orgy not typical of most horror movies. It’s also in this orgy scene where we get the biggest Clive Barker feel to the story. Anyone how has read Barker earlier work knows the man can mix horror and sex like no other.

The ending of the episode brings to it a slight twist with Miz Carnation being more than she says she is. This Masters of Horror episode is not the best of the lot, but it is one of the better looking ones in terms of cinematography and it’s leads. It also doesn’t have much in terms of genuine scares. The story gradually builds up the dreads and disturbing images but never anything that will put a genuine heart-stopping scare on the viewer. Like McNaughton’s own foray into horror with Henry, Haeckel’s Tale lets the story’s own disturbing themes on obsession and the darker side of love put the horror in the story. It does have a nice gore-laden sequence courtesy of Howard Berger and Greg Nicotero and their KNB FX team.

In the end, Haeckel’s Tale is a very good episode which has its flaws like the rest of the Masters of Horror episodes. What sets it apart from the rest of the series entries is its unique Hammer Films look and the return of McNaughton back in the director’s chair as a horror filmmaker. It’s no Henry: Portrait of a Serial Killer, but Haeckel’s Tale will have enough disturbing images to burn itself to its audiences’ minds.

Highschool of the Dead: Episode 4 – First Impressions

Posted on by Arleigh

We’re now an third into the first season of Madhouse’s anime adaptation of the Highschool of the Dead manga. The first three episodes have been used mostly as a set-up to lay out the basic premise of the anime series in addition to introducing the main players. The third episode also sets-up conflict between two groups of survivors as our students (plus one ditzy school nurse) must contend with another teacher (Shido-san) who seems to have some ulterior motives in trying to proclaim himself the appointed leader of the surviving students and faculty in the school bus which just escaped from zombie-infested school.

So far, the series has followed closely the storyline from the manga. There’s been some minute changes to character backstory and certain scenes have been extended or given more time to develop unlike their original manga. Still the writers for the anime look comfortable enough in following the manga with some fidelity instead of venturing on a different path or switching the order of story-arcs around like how some anime adaptation of manga series in the past.

If there’s one thing to take away from this fourth episode it is that the Anime Network’s simulcast of the series definitely has censored the more ecchi scenes to make them more acceptable to North American audiences. I like to point out specifically the sequence at the gas station between Takashi, Rei and the crazed human who holds Rei hostage. In the manga this scene definitely remains uncensored (though it remains to be seen whether Yen Press will keep it that way when they bring the manga over to the North American market), but in the simulcast the scene has some of the details blurred out, but not enough that the audience cannot figure out what is going on.

I definitely think that the more blatant use of fan-service deeper into the series will get the same treatment. This definitely will mean the dvd set when its released better have these scenes uncensored or there will be much declarations of shenanigans sent Sentai’s way. But now that censoring of these scenes have been established further use of it in upcoming episodes shouldn’t come as surprise so I shall keep my complaints to this recap and leave it at that. Other than that the episode was good just like the previous three and I don’t see the series doing nothing but continue to be very good as it moves forward.

The Walking Dead – Motion Comic (AMC)

Posted on by Arleigh

With Comic-Con over the hype surrounding the tv adaptation of Robert Kirkman’s zombie apocalypse comic book series has reached stratosphere status. The 6-episode first season was already one of the most anticipated new shows of the upcoming fall season from just the fans and geek community talking about it nonstop in the internet, but with it’s unveiling at this year’s San Diego Comic-Con the mainstream press has latched itself onto the series. The common reaction to the series at the panel in Hall H seemed to be a unanimous positive one.

Character photos, Drew Struzan posters and new trailers have added to the hype. The comic book series has hit it’s milestone 75th issue. Sales of the comic and it’s collected softcover and hardback graphic novels have seen a spike in sales. AMC has added to the series’ website a taste of the the comics for people to get an idea of what to expect from the series. This motion comic of the first issue of The Walking Dead really captures the horror and hopelessness of the world Kirkman has created and Daabont plans to show up on the TV screen.

Source: The Walking Dead on AMC

Sucker Punch Trailer (HD)

Posted on by Arleigh

While I wasn’t able to attend San Diego Comic-Con 2010 I did try to follow it on-line as much as possible. From what I read through Twitter updates, film blog sites and everything in-between it looks like one of the highlights of the Con was Zack Snyder’s follow-up to Watchmen. His “Alive in Wonderland with machine guns” has been gaining major league hype and buzz since more details were released and shown during it’s panel.

An earlier posting I made showed the beautiful painted character posters for the cast of Sucker Punch. This follow-up post will now show the first trailer for this film which is set for a March 25, 2011 release. From what I could see in the trailer it looks like Snyder hasn’t lost his ability to put on film some gorgeous looking set-pieces. This is a man who definitely has a flair and talent for visuals. The question now (which the trailer didn’t answer in any way) is whether Sucker Punch can match it’s amazing visuals with a worthwhile story.

This film is Snyder’s first project not based on an adapted source. Maybe we’ll see his storytelling skills blossom with Sucker Punch.

Drew Struzan Does Walking Dead plus Cast Photos

Posted on by Arleigh

Drew Struzan.

That name alone will bring big smiles and goofy grins to film geeks and comic book fanboys the world over. Struzan has been one of the go-to artists when a studio wants a beautifully painted poster for their film. He’s done poster artwork for some of the most iconic films of the last 50 years. He’s done all the poster work for the Indiana Jones and Star Wars franchise. Of late he’s done some great work on film posters for the Harry Potter and Hellboy franchises.

In 2007 he created some wonderful poster art for a scene early in Frank Darabont’s film adaptation of the Stephen King novella, The Mist. Struzan also created a poster for that film. He and Darabont have been close friends so it wasn’t much of a surprise that Struzan would end up creating a film-style poster for Darabont’s tv adaptation of the fan-favorite and critical darling comic book series, Robert Kirkman’s The Walking Dead. The poster below is being premiered and given out by AMC at SDCC (San Diego Comic-Con) 2010 as part of their promotion for the series to premiere this October on AMC. To see the image below in its HQ glory then head on over to AICN which got the exclusive to show it before SDCC.

In addition to the Struzan poster AMC has also released individual photos of each cast member as their characters in the show plus two pictures of zombies who will populate the series. The actors really do a good job of becoming like their characters in these photos. The zombie pictures really show just why Greg Nicotero and his KNB Effects are the preeminent people when it comes to creating zombie make-up effects. These zombies look great and definitely reinforces the point that AMC will not waterdown the comic book for tv. Andrew Lincoln as Rick Grimes for some reason really resembles Viggo Mortensen in his character photo.

Highschool of the Dead: Episode 2 – First Impressions

Posted on by Arleigh

We’re now into Episode 2 of Madhouse’s anime adaptation of the popular manga Highschool of the Dead. The first episode was one of the most popular series premieres simulcast over at Anime Network and with reason. This manga has gained quite the following not just in Japan, but in North America. What’s not to like about it. It has great artwork which meshes well with the subject of zombies, apocalyptic settings and, most importantly, the ecchi nature of the female characters’ designs. It’s a teen biy’s and young men’s dream manga and now it’s well-done translation into anime should guarantee that Highschool of the Dead‘s first 13-episode will be a success which can lead to another order of 13-episodes (a number that Japanese anime production houses have deemed the correct and ideal one for a series of late).

Episode 2 continues with the first one’s introduction of the premise and the characters who will be the focal point of the series. While we see the two main characters from the first episode appear in this episode they’re definitely not the focus. This time around we’re introduced to four more characters in the form of 3 females and 1 male. The lone male is a favorite character of mine and that is the gun otaku, Kohta Hirano. He’s like the geek in pretty much every anime/manga fan who finally has a chance to actually make use of a particularly useless skill. In Kohta’s case it’s the use and maintenance of weapons even to the point of creating a makeshift one out of a portable nailgun. The three new females to join Rei Miyamoto introduced in episode 1 are Saeko Busujima, Saya Takagi and Shizuka Marikawa.

Saya becomes attached to Kohta during their attempts to avoid the zombies now roaming and hunting the surviving students and faculty. Saeko Busujima joins up with ditzy and fanboy wetdream Shizuka Marikawa. Saya’s character seemed to be set-up to become the annoying one in the group in the anime as she’s shown to be bossy, too smart for her own good, but also quite helpless when confronted with danger. School-nurse Shizuka is quite helpless herself, but probably due to her being such a ditz to begin with. Of all the characters shown so far she seems to be created just to be fan-service. Not that I am complaining mind you. Now we get to one Saeko Busujima. The sophomore who also happens to be the school’s kendo club captain and champion in her own right. She’s cool, calculating and quite the badass. It doesn’t help that she’s also the hottest thing in the anime by a huge margin. The 1/8 resin and PVC figures made of Saeko are becoming as popular as another fan-service heavy character anime/manga fan know as Kanu Un’chou of Ikki Tousen fame.

The quality of this second episode is on the same level as the pilot episode and I don’t see it changing anytime soon. I do hope that these two episode will be all that’s needed by the series writer  Yosuke Kuroda to introduce the series plot and it’s characters. While I’m more than happy about the pacing of the series so far the casual anime fan who have never read the manga may get bored and move onto something else. Like any tv series whether animated or live it’s keeping the casual viewer interested that makes or breaks a series.

Now bring on Episode 3!

Highschool of the Dead: Episode 1 – First Impressions

Posted on by Arleigh

One of the most awaited new anime series has finally premiered over in Japan this past July 5, 2010. MadHouse’s Highschool of the Dead will air in Japan but will also be simulcast in the US with subtitles. Fans of the manga can now watch the series without having to wait for the dvd to be released by Sentai Filmworks in the future.

From what I can tell from this first episode the anime seem to stay quite true to the original manga source. While it doesn’t take everything from the manga scene for scene it does keep enough of the first couple chapters from the manga to set-up the series’ premise and introduce a couple of the main characters. The two characters introduced and which the first episode spends most of its time with are Rei Miyamoto (voiced by Marina Inoue) and Takashi Kimuro (Jun’ichi Suwabe).

The episode does a good job in setting up the personal conflict between these two childhood friends. It actually builds more on this conflict and it’s backstory than it did in the original manga. Here’s to hoping that the rest of the main characters in the manga also get more fleshed out in the anime as it moves forward. But for now, I like what MadHouse and series writer Yosuke Kuroda have done in adapting the manga.

One thing I didn’t have to worry about with this series is the quality of the animation. MadHouse is and still remains one of the top animation studios in Japan and their work on this anime doesn’t do anything but continue to prove their reputation. The characters look pretty much just like their manga counterparts which is great. Not all manga-to-anime adaptations get such an accurate transfer of character designs. The look of the zombies themselves were slightly exaggerated especially once they’re on the attack. This doesn’t bother me much since it does make them more menacing than just walking corpses.

The voice-acting I have to reserve judgement on until more episodes have been aired. The intro and end credits songs didn’t stand out, but that could change in time. Some of my favorite anime intro songs didn’t become favorites right away but took time after several listens.

As for the violence the anime captures it well, but I’m a bit worried that certain scenes may have gotten censored through cleverly added animations. I will have to see how the dvd turns out and see if some of the more overly graphic killings and zombie eating people were censored for the US market or if they were animated that way to begin with. I will say that the hype leading up to this series have created a high expectations for it but from my first impressions of this first episode I will say that it more than lives up to the hype…for now.

For those who want to see the first episode as a whole should head over to Anime Network where they have them up in one whole piece instead of broken up the way they are on YouTube. Link below should provide everything.

Anime Network – Highschool of the Dead

Found on YouTube: Dean Miller — Zombie Exterminator

Posted on by Lisa Marie Bowman

Nearly a year ago, I was searching YouTube for the trailer to Umberto Lenzi’s 1980 zombie film Nightmare City and I ended up coming across a tribute to the film’s main character, the virile and bearded TV news anchorman Dean Miller (played, with a notable lack of enthusiasm, by Hugo Stiglitz.)

The video artfully takes Lenzi’s overlong film and reduces it down to 3 and a half minutes of Dean Miller killing people.  Interestingly, not a hint of nuance or plot is lost in the process.  Anyway, the video has always made me smile so I figured why not share it?  I should clarify that I have no idea who actually put this together beyond the fact that I had nothing to do with it.

Actually, I’m being a little bit too hard on Nightmare City.  For a Lenzi film, its actually fairly entertaining and it does feature one of the abosolute worst endings in the history of cinema.  If a hurricane ever hits North Texas and I find myself having to stay inside for a few days, my survival plan is to pass the time writing up a review of Nightmare City.

As previously stated, Miller was played by actor Hugo Stiglitz.  Quentin Tarantino, of course, later borrowed Stiglitz’s name for Inglorious Basterds.  Tarantino’s Stiglitz, it must be said, was a bit more interesting than the actual Stiglitz.

Film Review: Zombie 5: Killing Birds (dir. by Claudio Lattanzi and Joe D’Amato)

Posted on by Lisa Marie Bowman

Thanks to the wonderful people at Anchor Bay, I recently watched Zombie 5: Killing Birds, one of the last of the old school Italian horror films.

Admittedly, when I first hit play on the DVD player, I was expecting the worst.  Of all the various official and unofficial sequels to Lucio Fulci’s masterpiece Zombi 2 (which, of course, was itself an unofficial prequel to Dawn of the Dead), Zombie 5: Killing Birds has the worst reputation.  While most Italian horror fans seem to agree that Zombie 4 is enjoyable on its own stupid terms and even Zombi 3 has a few brave defenders, its hard to find anyone willing to defend Killing Birds.  The general consensus has always seemed to be that Killing Birds is a generic and rather forgettable splatter film that, title aside, had absolutely nothing in common with the Fulci classic.

Having now seen Killing Birds, I can say that the general consensus, in this case, is largely correct.  Killing Birds is generic, predictable, and ultimately forgettable.  However, taken on its own terms, it’s a perfectly enjoyable way for a lover of zombie cinema to waste 90 minutes.  As long as you don’t compare it to Zombi 2, i’ts a perfectly tolerable piece of trash that actually has one or two memorable moments tossed randomly through its running time.  At the very least, its a hundred times better than Umberto Lenzi’s similar Black Demons.

The film deals with a bunch of grad students who, while searching for a nearly extinct species of Woodpecker, end up spending the night at a deserted house in Louisiana.  Many years ago, a brutal murder was committed at this house and, well, you can guess the rest.  The grad students end up falling prey to a bunch of zombies, largely because the students are all remarkably stupid.  Meanwhile, B-movie veteran Robert Vaughn shows up as Dr. Fred Brown, a blind man who spends his days studying birds.  There’s a lot of birds in this movie and its never quite clear how they link up to the living dead but they certainly do look menacing flying past the camera.

With the exception of Vaughn (who overacts just enough to keep things interesting without going so far over the top as to become ludicrous), the film’s cast is likeable but not memorable.  Everyone’s playing a stereotype (i.e., the leader, the computer geek, the slut, the girl with looks and brains) and no one makes much of an effort to be anything more than a stereotype.  While this certainly keeps Killing Birds from displaying anything resembling nuance, it’s also strangely comforting.  Its lets a neurotic viewer like me know, from the start, that there’s no need to think too much about anything she might see for the next hour and a half.  Since this movie was made in the late 80s, most of the men sport a mullet and all of the women wear those terribly unflattering khaki pants that I guess were all the rage back then.

As I stated before, the film does have its occasional strengths.  Some of the deaths are memorably nasty (even if the gore effects are decidedly cut-rate, pun not intended).  As well, the film does an excellent job at capturing the hot, humid atmosphere of the Louisiana bayous.  I’ve spent enough time in that part of the country that I can attest that the movie perfectly captures the stagnant heat and the way dehydration can cause your mind to play tricks on you.  While the zombies themselves are hardly as impressive as Fulci’s, the filmmakers wisely keep them in the shadows for most of the film and, if nothing else, this allows the viewer to imagine something scarier than what they’re actually seeing.  Finally, this movie does have one of the most effective nightmare sequences that I’ve ever seen.  Lasting barely a minute and not really having much to do with the overall plot, this nightmare still features some rather disturbing imagery.  One image, in particular, has so stuck with me that I found myself paying homage to it in a my own writing.

Though the movie’s director is credited as being Claudio Lattanzi, it is pretty much an open secret that the movie was actually directed by the infamous Joe D’Amato (who, regardless of what else he may have done during his storied life, also directed one of my favorite movies ever, Beyond The Darkness).  I’ve read a few interviews where D’Amato said that he allowed Lattanzi to be credited as director because he wanted to help Lattanzi’s launch his own career.  To judge by the movie itself, however, it seems more probable that Lattanzi wasn’t delivering the movie that D’Amato wanted and D’Amato stepped in as a result.  Regardless, Killing Birds is hardly the best example of D’Amato’s work but, at the same time, it’s hardly the worst either. 

In the end, Killing Birds is a movie that will probably be best appreciated by those who already have a good working knowledge of Italian exploitation films.  It’s hardly a masterpiece (and, despite enjoying it, I would hesitate to even call it a “good” movie) but it’s not really deserving of all the criticism that it’s received over the years either.  As a bonus, the Anchor Bay DVD come with a lengthy interview with Robert Vaughn in which he discussed his career in B-movies and, while Vaughn says nothing about Killing Birds during the interview, he’s still interesting and enjoyable to listen to.  Unlike a lot of “reputable” actors who have made B-movies, Vaughn never condescends to the films that both started and ended his movie career.