“Room for one more, honey!”
Agck!
This classic episode of the Twilight Zone originally aired on February 10th, 1961. It was written by Rod Serling, directed by Jack Smight, and stars Barbara Nichols.
Tag Archives: tv
Horror Scenes I Love: Salem’s Lot (Part 2)
“Look at me teacher.”
Those were some of the most terrifying words I’ve ever heard growing up. It’s all because of one scene from the tv mini-series which adapted Stephen King’s vampire novel, Salem’s Lot. It was a scene in the novel that terrified me as a young boy reading King for the first time.
I’ve always been gifted (or I sometimes say cursed) with having a very overactive imagination. This is why horror has always been such a fascinating genre for me. Even where the horror is all up in one’s face with it’s gore and messy aftermath my mind’s eye would make things worst or just constantly play it on repeat in my head days after the film has ended. It’s even worst when the horror comes across less through gore and more through atmosphere and built-up dread moving towards a jump-scare or something more insidious.
This particular scene is my second favorite from the Salem’s Lot mini-series. The first one I had posted a couple years back which just barely lags behind this one for third. What made this scene so effective despite it’s tv-style production was Tobe Hooper’s direction. Despite working with the censorship inherent in broadcast tv, Hooper was able to create a palpable sense of dread as the old English teacher Matt Burke senses a presence up in one of his house’s rooms. It was the same room where one of his former students had passed away in his sleep.
As the audience we already have an idea who or what is in that second floor room. Matt Burke has an idea as well, but his morbid curiosity wins out as he decides to investigate. Yet, despite such a lack in judgement he does come armed with a crucifix in hand. The way the scene builds and builds as Burke climbs the stairs and hesitating before opening the door to the room was almost too much to bear.
The reveal of his former student, Mike Ryerson, back in the room sitting in the rocking chair as one of the undead only increases the horror of the scene. His snake-like mannerisms was a new take on the vampire behavior. It’s not the usual silk and lace bloodsucker we grew up watching. This was a vampire that behaved like a predator beguiling it’s next prey. From the way Ryerson (played by Geoffrey Lewis) hissed his words and undulated his body as he stood to face his former teacher was disturbing at the very least.
Just writing about it and seeing the scene for the umpteenth time still gives me the shakes.
Horror on TV: The Twilight Zone 1.13 — “The Four of Us Are Dying”
In this episode of the Twilight Zone, a con man (Harry Townes) has the ability to change his face to make himself appear like anyone he wants to be. Needless to say, this ability doesn’t quite work out as well for him as he might have hoped.
This episode originally aired on January 1st, 1960.
(If the video is not showing up below — some browsers apparently have problems showing embedded videos from Hulu — you can watch the episode at http://www.hulu.com/watch/440771.)
Horror on TV: Twilight Zone 3.12 “The Jungle”
Along with starting each day of October with a horror film here at the Shattered Lens, we’re going to end each day with a horror-themed television show.
While I had previously caught a few episodes of the Twilight Zone during one of the annual holiday marathons on SyFy, I didn’t truly appreciate the show until I first exchanged e-mails with my friend in Australia, Mark. Among other things, Mark expressed a very eloquent appreciation for The Twilight Zone and that inspired me to watch quite a few episodes that have been uploaded to YouTube and Hulu. Along with being an essential piece of television history, the best episodes of the Twilight Zone remain watchable and entertaining 50 years after they were first broadcast.
Considering the esteemed place that the Twilight Zone continues to occupy in American culture, it seems appropriate to feature it during Horror Month here at the Shattered Lens.
The Jungle, which first aired on December 1st, 1961, is a personal favorite of mine. A businessman returns to New York from Africa. While in Africa, he upset a local witch doctor. Though the businessman, at first, laughs off the possibility that he may be cursed, it soon turns out that he’s wrong. There’s a lesson to this episode and here it is: Don’t piss off a witch doctor.
When I first saw this episode, the final scene caused me to have nightmares!
(By the way, I’m embedding this episode from Hulu. Sadly, you will have to deal with commercials. However, it’s really a great episode!)
(It has also come to my attention that some browsers do not work with embedded Hulu vidoes. Seriously, the internet is so frustrating! If the embedded video is not appearing on your browser, you should be able to watch this episode on Hulu. Here’s the link — http://www.hulu.com/watch/440777. I apologize for the inconvenience but still, it is a really good episode!)
Guilty Pleasure No. 26: Project Greenlight
Project Greenlight may be the most guiltiest pleasure to be found on television right now.
The show, which is currently airing its fourth season on HBO, was one of the earliest reality shows. The concept behind the show is deceptively simple. Every season, Ben Affleck and Matt Damon have held an online competition for aspiring filmmakers. The winner of the contest gets to direct a feature film, with the understanding that there will be TV cameras present to record every decision, argument, and screw up. At the end of the season, the film is released and hopefully, a major new filmmaker is discovered.
The pleasure part is obvious. If you’re like me and you love movies, there’s no way you can’t be fascinated by the chance to go behind-the-scenes of an actual production. It’s always fun to watch as the director struggles to maintain his (so far, all of the directors have been male) vision against the whims of studio execs who, often time, seem to be annoyed by the director’s very existence.
As for me, I’ve always been fascinated by the casting process. (Don’t believe me? Check out this post that I wrote about The Godfather. And then check out this one too!) My favorite part of Project Greenlight is always the episode that deals with the casting. I love seeing who auditions, who gets turned down, and who decides that they want nothing to do with the film. It’s a lot of fun!
As for the guilty part of this guilty pleasure, it comes from knowing that a show like this thrives on conflict. As much as Ben and Matt may say that they are only interested in selecting the most talented director, it’s also obvious that the director they pick has to make for good television. If production on the film goes smoothly, that’s good for the film but it’s not necessarily good for the show. That’s just the truth when it comes to reality television.
Hence, watching Project Greenlight always leads to conflicting emotions. On the one hand, you want the movie to turn out to be a good movie. You want the director to be up to the task. On the other hand, you’re specifically watching this show to watch the director screw up and make mistakes and piss people off and get into fights. Gossip lovers that we are, we love the behind the scenes drama but it’s rare that drama actually leads to a good film.
Check out Project Greenlight‘s track record.
Season 1 started way back in 2001! (Both this season and season 2 are available on DVD and I recommend checking out both of them.) The winner was Pete Jones, a friendly nonentity who went on to direct the extremely forgettable Stolen Summer. There was a lot of behind-the-scenes conflict, mostly due to a clash of personality between certain members of the crew. From the minute the season started, it was obvious that Pete was a nice guy but essentially in over his head. And, in many ways, Season 1 taught viewers an important lesson: when it comes to the film industry, nice guys get screwed.
However, as chaotic as season 1 may have been, it was nothing compared to what happened in 2003 when season 2 aired! Whenever anyone wants to make the argument that Ben and Matt purposefully pick directors who are totally wrong for whatever film is being made, they usually point to season 2. Season 2 featured the directing team of Kyle Rankin and Efram Potelle directing The Battle of Shaker Heights. The Battle of Shaker Heights was supposed to be a quirky coming-of-age dramedy and a character study, so, of course, Ben and Matt selected two directors who were apparently incapable of human emotion. And the end result was pure chaos!
Now, I will say a few things in Kyle and Efram’s defense. When you watch season 2, the overriding theme is that these two directors totally ruined a great script. Just in case we missed that, the show even featured screenwriter Erica Beeney complaining that these two directors were totally ruining her great script. Well, sorry — the script for Battle of Shaker Heights was never that good to begin with. (“It’s about this kid — Kelly — who is really pissed off,” Erica would tell us at the beginning of every episode, as if she was the first person to ever write about a kid who was really pissed off.) I doubt anyone could have made a good movie out of that script. Picking two directors who were so totally wrong for the material only served to compound the inherent suckiness of the material.
Season 2 has got a true train wreck appeal to it. It’s one of those things that you watch with horrified fascination. (Incidentally, Shia LaBeouf is heavily featured in season 2 and I have to say that he fits right in.)
The third season of Project Greenlight aired in 2005. It was broadcast on Bravo and it’s unique in that it actually featured a good director (John Gulager) making a reasonably successful film (Feast). As such, it doesn’t quite work as a guilty pleasure because, from the minute Gulager starts directing, you don’t feel any guilt about watching him. Instead, the most interesting part of the third season comes early on when a bitchy casting director continually tries (and succeeds) at sabotaging Gulager’s attempts to get a cast with whom he feels comfortable.
(Season 3 has never been released on DVD but, the last time I checked, it was available on YouTube.)
After that third season, Project Greenlight went away for a while but now, 10 years later, it’s back! It has returned to HBO and, after three episodes, it’s starting to look like this season may be the guiltiest and most pleasurable of all! Ben and Matt were producing a comedy called Not Another Pretty Woman this time around. (Pete Jones even returned to write the script.) Not Another Pretty Woman has been described as being a broad comedy. So, of course, they selected Jason Mann, an extremely intense elitist film snob. One of the first things that Jason Mann did was try to fire Pete Jones and replace him with the screenwriter of that well-known comedy, Boys Don’t Cry. When that didn’t work, Mann abandoned Not Another Pretty Woman and instead requested to make a film called The Leisure Class instead. And, amazingly enough, he got HBO Films to agree, which means that either nobody had any faith in Pete Jones or everyone has total faith in Jason Mann!
Will that faith be rewarded or will The Leisure Class be another Battle of Shaker Heights? Will Jason Mann be another John Gulager or will he fade into the same obscurity in which Efram Potelle and Kyle Rankin currently reside?
As of right now, I don’t know.
But I can’t wait to find out!
Previous Guilty Pleasures
- Half-Baked
- Save The Last Dance
- Every Rose Has Its Thorns
- The Jeremy Kyle Show
- Invasion USA
- The Golden Child
- Final Destination 2
- Paparazzi
- The Principal
- The Substitute
- Terror In The Family
- Pandorum
- Lambada
- Fear
- Cocktail
- Keep Off The Grass
- Girls, Girls, Girls
- Class
- Tart
- King Kong vs. Godzilla
- Hawk the Slayer
- Battle Beyond the Stars
- Meridian
- Walk of Shame
- From Justin To Kelly
Teaser: Marvel’s Jessica Jones
I’m the exact same way when I don’t want to wake up.
(Well, not actually. I’ve actually been told that I’m very perky in the morning but then again, I’m weird. Most people seem to be more like Jessica Jones.)
Scenes that I Love: Anna Chlumsky has a meltdown on Veep
Like our intrepid TV correspondent, Patrick Smith, I also watched the Emmy Awards last night. There were bits of the show that I liked and there was a lot about the show that I didn’t care for. I felt that Andy Samberg fell flat as host. I thought that a lot of the acceptance speeches were so dull that I considered them to be a personal attack on anyone watching. (I’m looking in your direction, Lisa Cholodenko.) The political posturing felt shallow, as it often does at the Emmy awards.
(Even the political speeches that did work often seemed like they were being wasted on a crowd that has no concept of self-awareness. Viola Davis made a passionate, timely, and articulate plea for diversity but it’s hard not to feel that, even though all the white liberals in the room patted themselves on the back for listening to her and applauding, that’s probably all that they’re going to do.)
And yet I was happy because Veep — my absolute favorite show — finally won for Best Comedy! I love Veep because it’s a show where everyone in politics — regardless of party or ideology — is revealed to be either a terrible human being or totally and completely ineffectual. Julia Lous-Dreyfus won the Emmy for Best Comedy Actress while Tony Hale picked up his second consecutive supporting award.
The only disappointment in Veep‘s victory? Anna Chlumsky did not win the Emmy for Best Supporting Actress in a Comedy. This season of Veep was truly Chlumsky’s season! The scene below — which is today’s scene that I love — shows Chlumsky at her absolute best. In this scene, Chlumsky’s Amy Brookhiemer finally reaches her breaking point as she realizes that her boss, President Selina Meyer (Louis-Dreyfus), essentially stands for nothing.
Even though most of us will never work for or even know a President, I think we can all relate to Amy’s feelings. And, seriously — who hasn’t wanted to tell someone off as beautifully as Amy does here?
For this scene alone, Anna Chlumsky deserves all the awards in the world!
Here’s The Latest Promo For Fear The Walking Dead
Here’s the latest promo for AMC’s Fear the Walking Dead! It doesn’t really tell us much about the show but it’s always fun to watch bad things happen to Los Angeles.
Here’s the Ash vs. Evil Dead Trailer!
At the very least, this looks better than Damien. It’s good to see that Groovy Bruce is keeping the faith.
For everyone who has been hoping for an Omen/Psycho crossover event…
…there is hope!
A&E, the network who produced Bates Motel, a sorta prequel to Psycho, is now producing Damien, a sorta sequel to the original Omen. (Apparently, all of the sequels and the remake are being ignored.) So, I guess would have a cross-over event where Norman Bates met the son of the Devil.
But until that happens, here is the trailer for Damien.
Through the Shattered Lens 