Tag Archives: The Walking Dead

Review: The Walking Dead S2E3 “Save the Last One”

Posted on by Arleigh

“Got bit. Fever hit. World turned to shit. Might as well quit.” — note from unnamed hanged man turned zombie

[some spoilers within]

The first two episodes of the newest season of The Walking Dead sees Rick and his group of survivors on the move after the events at the CDC which ended season 1. Their convoy to reach what they think as the safe haven of the US Army base at Fort Benning doesn’t get them very far as they come across traffic snarl of abandoned vehicles and wrecks on the main highway. Its during these first two episodes that the group begins to show signs of cracks in the group dynamic which could lead to a permanent splintering of factions. It doesn’t help that two young kids in the group have either gone missing or gets accidentally shot by a deer hunter’s bullet.

We also meet a new group of survivors in the form of the Greene family led by it’s country vet doctor in Hershel Greene, his eldest daughter Maggie, their ranch hand Otis and a few others. Its from the Greene farm that the previous spent most of it’s time though it did show some choice scenes back at the RV and the group searching for Sophia in the forest. We see another cliffhanger end the second episode with Shane and his new partner in Otis as they make their way to the local high school where a FEMA camp had been set up as a refugee center before it became overrun. While they got the necessary supplies needed to save Carl they soon find themselves besieged by a horde of zombies with just a security gate and a lose bolt keeping them at bay.

“Save the Last One” marks the third episode of this 13-episode season 2. Except for a brief pre-credits scene of Shane shaving his head and looking intensely at his reflection off of a steamed up bathroom mirror, the episode takes up right after the cliffhanger ending of the previous episode. Shane and Otis are running through the hallways of the high school they’ve gone into for safety only to have the zombies outside chasing in after them. This part of the episode is just one of four parallel subplots which includes Daryl and Andrea continuing into the night in their search for Sophia in the woods, Dale and Carol back in the RV and the rest of the group over at the Greene farm waiting to see if Carl will get the necessary he needs to survive.

The decision to cover all four threads in this episode was an interesting decision which doesn’t pay off for all. It would be the Shane and Otis section which would get the most action during the episode, but it would be at the Greene farm that we get some soul searching from the Grimes about whether its the best if Carl was just to die if just to save him the horror of having to try and survive in a world where something is always around the corner to tear into him. Andrea and Daryl has a conversation during their search that sounds just as similar though not as depressing and downbeat as Rick and Lori with theirs. We get more personal musings about faith, God and the need to live instead of just surviving.

Some of these dialogue-heavy scenes work like the ones between Andrea and Daryl. With each passing episode Reedus continues to make Daryl Dixon a well-rounded character beyond the racist redneck his initial introduction made him out to be. His Daryl shows much more than just being a badass in the show but also one who is more observant about those around him than he lets on. He sees how much Andrea is still hurting from Amy’s death from season 1 and understands the feeling of just ending it all though he doesn’t see it as the best option. The same goes with how Rick still remains optimistic about the world as it stands now and gives a wonderful speech to Lori about why Carl should have the chance to live instead of letting him die. Both Rick and Daryl seem to have much more in common than we realize though they each go about their optimistic viewpoint in their own particular way.

“Save the Last One” weaves too many concurrent subplots that at times they break some of the stronger scenes between Andrea and Daryl and those between Rick and Lori. Then there’s Shane and Otis in their attempt to escape the horde of zombies after them as they try to make it back to the Greene farm with their medical supplies. the episode tonight could easily have saved some of the scenes with Carol and Dale for the next episode since it looks like Sophia will remain missing. But all in all, tonight’s episode still moved the series forward despite the series still remaining static in terms of location for the group. While it didn’t hit on every note the show did bring up some of the more interesting themes from the comic book.

Despite the episode tonight having been uneven due to the juggling of several subplots to the main story it was fully redeemed by the ending which did a major deviate from the comic book source material and do so in a truly shocking way. I understand why the character in question made the decision that he made, but it still was one that sends this particular character past through the looking glass, shattering it and coming out changed on the other side and most likely not for the better. Plus, it was quite ballsy of Kirkman and the rest of the show’s writer to take out a character sooner than expected if one followed the book. If any episode really hammered in the point that the show will be going very far off the beaten path created by the comic book source material then it would be this one. “Save the Last One” is definitely one of the episodes in this show’s brief span, so far, that will be talked about for months to come.

Notes

  • It’s interesting to note that both Andrea and Dale has so far been written quite differently for the show than in the comic book. Will the writers continue to make them different from their comic book counterparts or will they gradually work them into finally becoming the characters fans ended up loving.
  • So far, the rules as to who can and who doesn’t become a zombie has remained vague outside of the survivors thinking it’s a virus transmitted by bites and injuries caused directly by the zombies. The comic book followed the Romero rules that any sort of death will result in the body returning to life as zombie as long as the brain is intact.
  • The episode being set mostly at night really made some of the scenes at the high school and at the RV look very dark that at times it was hard difficult to figure out what was going on.
  • Glenn got a bit more screen time in this episode and his interaction with Maggie Greene was good to see as these two would become quite integral in the group moving forward.
  • Lauren Cohan also got a bit more time during the episode to help flesh out her character as someone who seemed more well-adjusted to the new world than either Lori, Andrea or Carol. Though after finding out what had happened to one of her and her family’s oldest friends showed that deep down she’s as damaged by the zombie apocalypse as the other ladies.
  • I’m all for Sophia being found alive and all, but this season has put too much energy on this particular part of the storyline for far too long. They need to figure out a way to end this part of the show’s second season soon and do so in a way that makes sense or it would’ve been a wasted exercise in storytelling that took up almost a third of the season if not more.
  • Even with the episode set at night with minimal lighting the zombie make-up effects by co-executive producer Greg Nicotero and his band of make-up wizards at KNB EFX remain one of the highlight’s of the show. Example in point: legless zombie in the high school gym.
  • It’s been awhile since we’ve seen someone shown getting torn apart by zombies on this series, but tonight did a great job at showing how savage and brutal a death at the hands of a horde of zombies could be especially if the person in question being torn apart was still alive to experience it.
  • Some may think the season has been slow-going so far, but I like how it’s not all action. If there was ever one thing which always made zombie apocalypse stories very fun to read and watch is how they don’t just show gore and death, but also explore some heavy themes and ideas about faith, living versus survival and whether allowing the most helpless to remain surviving in such a terrifying world is such a good idea to begin with.
  • The episode’s title definitely played on the idea of saving the last bullet. Whether the episode means saving it for oneself as the final option out or to use it for a darker purpose to continue surviving would be up to the each individual to decide.

Review: The Walking Dead S2E2 “Bloodletting”

Posted on by Arleigh

“It’s nature correcting itself…restoring some balance.” – Hershel Greene

[slight spoilers]

The new season of AMC’s The Walking Dead arrived with a major bang. The season 2 premiere episode, “What Lies Ahead”, was seen by over 7.3 million viewers which more than eclipsed the show’s own high-ratings pilot premiere from 2010. It’s no surprise that the episode would do so well with the network having pushed the new season through most of the summer. With fans of the showing growing with every passing month (DVD and Blu-Ray sales of the first season also helping keep the show in the public’s consciousness) there was really no doubt on whether the new season would come back firing.

“What Lies Ahead” saw Rick and his group fight through their very first experience of a zombie “herd” and how this event led to the two kids in the group in extreme danger as Sophia goes missing after the herd encounter on the highway and Carl getting himself accidentally shot to end the episode. While I would think that the writers would begin episode 2, “Bloodletting”, soon after the events of the premiere episode we instead get a flashback moment. A moment in time before the zombie apocalypse arrived and Lori waiting for Carl outside his school and confiding to a friend about her and Rick’s relationship. The emotional impact of this scene is not that Lori and Rick were having marital problems, but its from the arrival of Shane to inform her that Rick has been shot (seen in the pilot episode “Days Gone Bye”) and now she has to tell Carl. We see in this sequence the look of anguish on Shane and, most likely, the seed of his love not just for Lori but Carl as well.

This flashback will segue into Rick running desperately with an unconscious and bleeding Carl in his arms with Shane and Carl’s shooter, Otis, right behind them. For those who have read the comic book shouldn’t be surprised how this scene plays out, but I know that many who have not and only been following the show will be hoping for the worst for the youngest of the Grimes. Soon enough Otis (Pruitt Taylor Vance) leads them to the farm, the Greene family farm, where it’s patriarch might be able to help Carl survive the gunshot. We get to meet Hershel Greene (Scott Wilson) and his family, from the eldest daughter Maggie (Lauren Cohan) to the youngest Beth (Emily Kinney) and, for the moment, we only see how this family will be able to help Rick and Carl. For fans of the book this family will prove to be integral to the continued survival of Rick and the original group.

“Bloodletting” continues the theme established with the premiere episode in that this new world is going to be about slim chances even if logic says there’s none to be had. There’s only the slimmest chance that a country veterinarian doctor will be able to save Carl. It’s the slimmest of chances that T-Dog may survive the wound he suffered from the previous episode. Only the slimmest of chance that they will ever find Sophia. Finally, the episode ends in another cliffhanger which gives Shane and Otis the slimmest of chances to survive their trip to an overrun FEMA station for much needed medical supplies and equipment.

This episode’s title also makes for a proper description for Rick and what he’s been going through since he woke up from his coma in the hospital. It’s not just the literal bloodletting he must endure to help save Carl’s life, but just every waking moment since the pilot episode. Rick has been trying to remain the bedrock of optimism and provide the sort of calm leadership his group of survivors need in this new world. Yet, we see how much every moment has cost him even before leading up to Carl’s incident with a wayward bullet. he’s being bled not just literally in this episode but figuratively. It helps that Andrew Lincoln’s performance during the first two episode of this new season has been great, so far. We get to see some genuine emotion as Rick must watch someone else try to save his son. The look of utter grief and impotence in Lincoln’s face as he tries to do anything and everything to save Carl continues to make Lincoln’s work in this show one of the reason to continue watching it.

The Walking Dead wouldn’t be the fan-favorite it has become if it skimped on any sort of zombie action. While it doesn’t have the high gore quotient that the previous episode had it still had enough zombies to sate the show’s fans until next week’s episode. Most of the zombies appear close at the end of the episode at the FEMA camp and it’s also in this sequence where we get the show’s heart-thumping moments as Shane and Otis must figure out a way to get out of their predicament which ends the episode on another cliffhanger.

“Bloodletting” doesn’t do much in terms of finding Sophia or even whether Carl gets to live. It does make a good job of introducing a new set of characters without making them feel extraneous. While we only got to know a few of these new additions there’s a sense that they will (at least some of them) become important ones during this first half of the season. Finally, those who have been fans of the comic books should accept the reality now and admit to themselves that this show has become it’s own growing tale. While still remaining on the basic path Kirkman set for them through the comic book the show has taken on a life of it’s own and it’s unpredicatability and changes in that path should make things interesting moving forward.

Notes

  • Once again Norman Reedus continues to make Daryl Dixon a badass. He also has done a great job in making what happened been a stereotypical redneck role into a character with hidden complexities and layers. I was reticent on this character being added specifically for the show, but each new episode has made me a believer and thankful to the writers for doing it.
  • Liked how Daryl nonchalantly tells the zombie that had been attacking Andrea in the woods to “shut up” before sending a crossbow bolt through the side of it’s head.
  • One final great moment with Daryl is his surprise to the rest of the group concerning the hidden stash of “meds” that was Merle’s stash. He may be a Southern good ol’ boy, but Daryl continues to prove just how much more of a survivor and team player he has been to this group despite first appearances.
  • One of the changes made from book to show has been the physical casting of veteran genre actor Pruitt Taylor Vance as the Greene ranch hand Otis. It’s an interesting choice, ut having Vance as part of the cast overrides any fanboy reaction to having a much larger actor portray the slimmer Otis from the book.
  • Lori continues to become a stronger character this season and Sarah Wayne Callies does some very good work in this episode by becoming the steel to talk some sense to a grief-stricken Rick.
  • I think the show’s didn’t need the brief, fever-induced paranoid rant from T-Dog about how he being the only black person in a group of Southern good ol’ boys. While part of me hopes all that talk from T-Dog was due to the fever from his injury I have a feeling he won’t be with the show for long. The way he’s talking makes him this season’s “Dead Man Walking” role.
  • There was a positive, albeit very disturbing, moment involving T-Dog in this episode and that was when he noticed the baby seat in the back of the car he was looting for supplies. His growing expression of horror at seeing the bloody baby seat with bits of flesh on it was one of this episode’s best moments. I’m sure I wasn’t the only viewer who wondered what happened to the baby in that seat.
  • It was a nice bit of detail work on the writers of this episode to populate the FEMA camp with zombies from the soldiers, FEMA workers and refugees who were overrun prior to Shane and Otis arriving. Rarely do we see such detail in zombie films and stories. What else but the very people who were suppose to be in the camp would become zombies once they’ve been overrun.
  • Can’t end this without mentioning Glenn’s look at seeing Maggie come riding in like Arwen from The Fellowship of the Ring. I do believe the boy’s been struck by cupid.

Review: The Walking Dead S2E1 “What Lies Ahead”

Posted on by Arleigh

“It’s all about slim chances now.” – Rick Grimes

The first season of AMC’s The Walking Dead was a runaway hit for the network. Despite the inaugural season being a a truncated 6-episode long one the series gained a huge following that included long-time fans of the Robert Kirkman long-running zombie comic book series, but also new ones. The Walking Dead would have it’s showrunner and tv series creator Frank Darabont to thank for bringing it to a wider audience which is why this second season premiere brings with it a sense of bittersweet to the proceedings. This past summer saw Darabont fired from the very show he had helped create due to creative and financial differences with the show’s parent network in AMC.

Does this mean the show will suffer as it moves forward without it’s leader at the helm? If the premiere episode of season two is any clue then the show has hit the ground running and doesn’t seem to be in a hurry to stop to mourn the firing of it’s leader.

“What Lies Ahead” begins with the survivors soon after their narrow escape from the destruction of the CDC in Atlanta. The group’s number is now one less and any chances of a cure to what has caused the zombie apocalypse and a hopeful future seems slim at best and a hopeless exercise in futility at it’s worst. Rick (Andrew Lincoln) continues to be the group’s de facto leader which seems to wear on him now that he doesn’t just have his wife and son to think about but others as well. The episode does show that Rick’s acceptance of leadership in the group might be more out of necessity and less about him wanting to lead. No one, from his partner Shane (Jon Bernthal) to the wise, old Dale (Jeffrey DeMunn) seem to want the job and everyone seems willing to blame Rick for every instance of danger the group finds itself in.

Just like the pilot episode of the first season this new season doesn’t skimp on the tension. Frank Darabont wrote this first episode and his handling of the group’s first encounter with a moving “herd” of zombies show’s that he hasn’t lost the ability to create tension and just build it past the point of unbearable. This entire sequence with the group hiding beneath abandoned cars on the interstate with countless zombies walking past just inches away has to be one of the signature scenes of this season and more than a match for Rick’s solitary walk through the empty hospital in the pilot episode.

The bulk of the episode doesn’t come down too much from the tension and dread built up during this “herd” scene. It continues to keep the tension level at a fever pitch as the group must now search for one of their own who has gone missing during the “herd” march. The tension doesn’t just come from the situation Rick and the group find themselves in, but from the cracks and fractures that has begun to appear within the collective group. It’s these fractures which becomes the impetus for some character building that the first season rarely seem to have time for.

We still see repercussions from decisions made in the last season continue to make itself known. Whether it’s Shane wallowing in self-pity for losing what he thought was a ready-made family he had created for himself once Rick reappeared right up to Andrea’s bitterness towards Dale for having saved her from her choice to commit suicide in the last episode of the first season. It’s through the interaction between some of the factions being created through these particular characters that we begin to see the stress of this new world beginning to wear on them. Not to mention how they all seem to blame Rick for the situation they find themselves in. Which made it a suprising turn of events when was left to Lori to defend her husband and put everyone in their place. Her little speech near the end of the episode went a long way in establishing her character as one who sought redemption not in self-pity but in supporting the one person she understand to be the most qualified to see them through alive.

The episode wasn’t all positive. What hampered the first season was still quite evident in this season two premiere. While most of the writing was much improved from the first season there was still some parts in the episode when the dialogue seemed forced and not something which came about organically. It’s a testament to the performances by the whole cast that most people watching the show wouldn’t notice it much. Some stand out performances has to be the husband and wife team of Andrew Lincoln and Sarah Wayne Callies. Then there’s Norman Reedus as Daryl who continues to grow as a character beyond the typical redneck many thought him to be during the first season. With Reedus’s portrayal of Daryl one could see that he might not agree with some of Rick’s moral choices and decisions but he respects the man for actually making a decision instead of being wishy-washy. Daryl knows and understand, just as Lori does, that Rick is their best chance at surviving.

“What Lies Ahead” is a great start to a new season of The Walking Dead. While the firing of Darabont as showrunner from the show (replaced by a more than qualified Glen Mazzara) does hang like a dark cloud over the premiere that still shouldn’t detract from this episode’s quality. It’s an episode that really doesn’t dwell on allowing the rest of the world to catch it’s breath from start to finish while at the same time still allowing for characters to grow. This episode even ends in a cliffhanger that should be quite familiar for fans of the comic book, but should be quite a shock to the system for those who haven’t read a page of Kirkman’s comic.

Rick said in the beginning of the episode, after seeing the destruction of the CDC and getting the news that there’s really no more way to turn back the clock on this apocalypse, that it was all about “slim chances” now and from what this episode showed even slim might be too hopeful a word. These are people living on borrowed time and one can say that they’re already the walking dead. Time to see if Rick’s word’s will be rewarded with safety and salvation or just new levels of hell they must navigate through.

Notes

  • Chandler Riggs as Carl looks to be getting more and more comfortable in the role. His line delivery don’t seem as flat as they were in the first season.
  • Steven Yeun didn’t get as much time on the screen, but his gleeful reaction at being handed one of the bladed weapons was priceless. Like a kid in a candy store.
  • I noticed that while Frank Darabont wrote this episode the name shown during the beginning of the film was the name Ardeth Bay. For genre geek fans that name should sound familiar. It was a nice touch and better than just using the usual Alan Smithee.
  • We see more clues as to zombie behavior in this episode as Daryl once again proves that the stink of the dead bodies will hide living humans from zombies as he drapes corpses over himself and T-Dog during the “herd” march.
  • Love the line reading by Norman Reedus as his Daryl looks up at the large crucifix in the abandoned chapel and says “Hey J.C….taking requests”.
  • Gore content in this episode still continues the series trademark of being quite high for a network tv series. I’m still surprised at how much the show has gotten away with. Tonight’s signature gore scene has to be the impromptu zombie autopsy and trying to find out if their missing group member is in its stomach.
  • This episode deviated very much from the comic book, but when it mattered most it used one of the early shockers in the comic book series to end the episode on a huge note.

The Walking Dead: “Torn Apart” 6-Part Webisodes

Posted on by Arleigh

It’s just 13 days more days til the season 2 premiere of AMC’s The Walking Dead series. The show has been a runaway hit for the network and for all involved. The past summer has seen some major turmoil within the creative team (mostly the firing of show-runner Frank Darabont halfway through the season 2 filming), but the show still remains one of the most awaited ones for 2011 with millions of fans waiting to see what’s in store for Rick Grimes and his small group of survivors.

Leading up to the show’s October 16 premiere the people at AMC and the show decided to create six webisodes showing the life of the first zombie Rick comes across in the first season. Yes, these 2.5 minute webisodes details the life of the “Bicycle Girl” before she joined the ranks of the undead. The webisodes were directed by the show’s lead make-up effects guru in Greg Nicotero.

One would think that AMC would release one webisode every other day until the seasoon 2 premiere but they’ve tortured fans of the show enough with all the drama this past summer and decided to release all 6 webisodes at the same time.

From what I saw these webisodes were well-done and added an extra but of tragic backstory to one of the iconic figures of the first season. Here’s to hoping this becomes a regular practice with each new season for the show.

Part 1: “A New Day”

Part 2: “Family Matters”

Part 3: “Domestic Violence”

Part 4: “Neighborly Advice”

Part 5: “Step-Mother”

Part 6: “Everything Dies”

Comment on what you’ve just watched. Do you think the family’s decisions made things worse or were things just too far gone for them to reach safety? What would you do differently if in their shoes?

Source: AMC TV: The Walking Dead

SDCC 2011: The Walking Dead Season 2 Trailer

Posted on by Arleigh

The day before AMC released new production photos from the set of the second season of The Walking Dead series. Another bonus was their reveal of the Comic-Con exclusive poster for the show painted by comic book illustrator and cover artist extraordinaire Tim Bradstreet. Today was the big panel for the show’s season 2 at San Diego Comic-Con. Robert Kirkman was in attendance as was showrunner Frank Darabont and producer Gale Anne Hurd. The cast was also in attendance. Questions about their initial experience on the truncated first season were asked and answered. But the one thing people wanted to see the panel showed quite early and again as the panel concluded.

The Walking Dead season 2 has been given a definitely premiere date of October 16, 2011 just in time for AMC’s Fear Fest leading up to Halloween. It was the unveiling of the new season’s trailer which got the audience cheering loudly and from reactions to the trailer one thing is set to be sure and that’s this season looks to be even more bleak and with more forward momentum than the first season.

The show is less than 3 months away and it cannot come any sooner.

SDCC 2011: The Walking Dead Season 2 Comic-Con Tim Bradstreet Poster

Posted on by Arleigh

The first official day of San Diego Comic-Con 2011 saw the release of an exclusive Season 2 poster for AMC’s The Walking Dead series. Last year at this same comic-con saw this series release a first season exclusive poster painted by Drew Struzan which was a hit with fans of the comic book and the show. This time around another fan favorite artist was tapped to paint the second season poster for Comic-Con.

Tim Bradstreet is one of the well-known comic book illustrators whose comic book covers have become favorite of comic book fans everywhere. Whether they were covers for Vertigo’s Hellblazer series or for Steve Niles’ wildly popular Cal McDonald series his covers had a unique horror-noir look to them. This Bradstreet style really lends itself well to the Season 2 poster for The Walking Dead.

Today also saw a couple new production stills from Season 2 which looks to have Rick and the gang breaking down on an interstate full of wrecked and abandoned vehicles and most likely attracting all sort of zombies to their presence.

Source: AMC

The Walking Dead Season 2: First Look and Comic-Con Exclusive Poster

Posted on by Arleigh

The first season of the tv adaptation of Robert Kirkman’s critically-acclaimed zombie comic book series, The Walking Dead, was a huge hit for AMC despite only running a truncated 6-episode for the initial season. For it’s second season the series will get a much heftier 13-episode season which put’s it in line with most basic cable series like Breaking Bad, Mad Men and True Blood.

Both a new poster promoting the series’ return this coming October and a quick first look footage from the new season premiered within 24-hours of each other with the footage premiering during the latest season premiere of fellow AMC stablemate Breaking Bad. The poster shows the Winnie with the main characters from the first season standing upon it with hordes of zombies surrounding it. It’s a scene done many times before with the most recent one in the French zombie film, The Horde. The poses of the characters also look like they’re from solo character portraits and just photoshopped into the image. They definitely could’ve done a better job, but at least the zombies look cool.

The footage shown is pretty straightforward as we see Andrew Lincoln as Rick Grimes hiding and waiting behind a tree to ambush a shambling zombie with a huge rock and then doing the same to another which enters the frame. This scene looks too simple, but watching Lincoln’s expression and mannerism spoke much about how much darker his character becomes. I like how the zombies look much more emaciated here as if they’re starting to starve as their food source begin to get smaller and smaller.

The Walking Dead Season 2 will return to AMC this October. Here’s to hoping it’s early October and not another Halloween weekend premiere.

Image Source: Entertainment Weekly

Oh dear…Dylan Dog: Dead of Night trailer

Posted on by Lisa Marie Bowman

I’m not, by any stretch of the imagination, a comic book reader and there’s really only been four comics that I’ve ever actively made it a point to track down and/or read.  One was Strangers in Paradise, which I was introduced to by my first college roommate, who told me that she was my Katchoo.    Secondly, there was an old comic book series from the 70s called Tomb of Dracula that Jeff loves.  The entire series has been collected in four trade paperbacks and, last Christmas, I ordered all four of them.  Of course, since I ordered them all in August (patience and impulse-control not being my strong suit), I had a lot of time to read through them before wrapping them up and giving them away.  (And, to my surprise, I enjoyed them in all of their platform shoed glory.)  Third, there’s The Walking Dead which Arleigh introduced me to.  And finally, there’s Dylan Dog.

I haven’t read a lot of Dylan Dog, largely because it’s an Italian comic and English translations aren’t easy to come across.  (And apparently, when an American company did try to reprint the series in English, they ended up getting sued by the estate of Groucho Marx.)  So, I can’t claim to be an expert on Dylan Dog because almost all of my information about this series comes second-hand.  Honestly, if you asked me to tell you about Dylan Dog, I could probably give you the Wikipedia equivalent of an answer (i.e., that Dylan Dog is a private investigator in London who deals with super natural cases.)

Why does Dylan Dog fascinate me?  Well, some of it is because of what I’ve heard about it from sources that I trust.  I hate that answer because it sounds so flakey and simple-minded but luckily, that’s not the only reason.  There’s also the fact that Dylan Dog’s investigative partner is a guy named Groucho who looks (and apparently acts) just like Groucho Marx.  The other is that Dylan Dog was created by the same author — Tiziano Scalvi — who is responsible for inspiring one of the greatest movies ever made, Michele Soavi’s Dellamorte Dellamore.  In fact, Dellamorte Dellamore started off as an attempt to make a Dylan Dog film and the film’s main character had appeared — in a supporting role — in Dylan Dog.  From what I’ve heard, Dellamorte Dellamore — with its use of the paranormal as a metaphor for alienation and other deeper philosophical concerns — captured the sensibility of Dylan Dog. 

Finally, one of my favorite authors — Umberto Ecco — is on record as saying, “I can read the Bible, Homer, or Dylan Dog for several days without being bored.”

So, that’s why I raised an eyebrow when I came across the trailer for Dylan Dog: Dead of Night while looking up grindhouse movie trailers on youtube.

And then I watched the trailer and that eyebrow quickly went down.

Number one, no Groucho.  That already indicates that this is a compromised film.  Number two, I may not be able to “read” Dylan Dog but I can look at it well enough to know that Dylan Dog is not a firing-two-guns-at-once type of hero.  Number three — New Orleans?  Bleh.  I’m officially bored with movies that try to be “colorful” by filming in New Orleans.  Number four, Taye Diggs?  I’m sorry but any series that could inspire Dellamorte Dellamore deserves better than New Orleans and Taye Diggs.

Dylan Dog: Dead of Night is scheduled to be released in the U.S. on April 29th, 2011.

Bleh.

Review: The Walking Dead Volume 13 (by Robert Kirkman)

Posted on by Arleigh

It’s been almost a month since the final episode of the first season for the tv series adaptation of this comic book aired on AMC. The Frank Darabont and Gale Anne Hurd produced series became a major hit not just for the channel but also for everyone involved. While the adaptation deviated from the comic’s path at times in the end it helped established the post-apocalyptic world creator Robert Kirkman had been working five years to create. This is a world that is still on-going and, just weeks earlier, released the thirteenth volume of collected issues 73 thru to 78.

The 13th volume is aptly titled, Too Far Gone, as it continues where the previous trade paperback left off and that’s Rick and his group of survivors trying to settle in the safe, walled community in Alexandria, VA. This wasn’t the respite Rick and his group were hoping for, but it is as close to one as they’ll get as their original destination of Washington, DC resembles much of everything else they’ve seen and that’s unsafe devastation.

As Rick gradually gets used to going back as a lawman for the community everyone else do their part in doing the new jobs handpicked for them by the community’s leader Douglas. Through the first half of the volume we see through the point of view of certain character that this safe haven they’ve joined has it’s fair share of secrets and that not everything was as stable as they’ve been led to believe. While some of the revelations the reader will read as the volume unfolds doesn’t bring back images of Woodbury and The Governor, they do show that the underbelly of the Alexandria community is just as rotten but in other ways.

The title of the volume is in regards to Rick as a character and to a small degree the rest of his group. Here they are in a safe place with other survivors who just want to try and get back to living life the way it used to be. The paranoia and mistrust Rick has built within himself after the long journey from his hospital bed to this place has begun to chip away at not just his sanity but his humanity as well. He hasn’t turned the corner to become another Governor, but his actions in regards to trying to safeguard their new found safety does show that Rick and some in his group do not trust all the smiles and well-wishes thrown their way.

Rick knows that as safe as they all might seem now it doesn’t take much for all of it to come crashing down. It’s this looming threat that forces Rick to behave in ways which does have people question if he’s lost it and has he become a danger not just to their new benefactors but to his own people as well. The answer to this question wasn’t clear and remains, like all of Kirkman’s answer to certain moral question throughout the series, ambiguous and left up to the reader to decide if what Rick has done for the safety of his son and the others keep him in the role of hero or villain.

The volume ends in relatively safe conditions, but clues of an ominous consequence at the solution to some of the community’s outside problems may just bring a much bigger one in the next volume.

For those who are fans of the comic book the last two volumes has been slower affairs with quick bursts of action and horror. Like volume 6 and 7 previously, this relative calm before the storm may just bring about another major change to the roster of characters we’ve been following since the battle at the prison. Will we see another major kill-off of characters? Only Kirkman can answer that and it will be another 4-5 months before the next volume hits the streets. It will be a long wait indeed.

 

Vampires vs. Zombies…who would win?

Posted on by Arleigh

So, we finally have hit the goal of 500th post for the site’s first year.

I had thought to commemorate this achievement by writing up a film review or maybe one of the other writers post something appropriate, but I thought what better way to do this than post something about zombies.

Zombies have been big again of late. The recent premiere season of the TV adaptation of The Walking Dead and the continuation of the original comic book series it’s based on. The TV series’ success has brought the topic of zombies back to the forefront with fans and non-fans sharing a common appreciation for this horror sub-genre which has remained the dirty, stepchild cousin to the more glamorous and fantasy-fulfilling monsters calling themselves vampires.

Vampires have been in the general public’s consciousness due to the popularity of the Twilight book and film series not to mention the TV shows True Blood and The Vampire Diaries. These three franchises have made the vampires sexy and popular once again. While they’re not the silk and lace types popularized by author Anne Rice during the 80’s they still portray the vampires as dangerous, but also conflicted and over-emotional creatures who curse their lot as much as embrace it.

Zombies on the other hand have began their inevitable decline after the market was flooded by legion of sub-par books and films. For every Dawn of the Dead (remake) and Shaun of the Dead we got stuff like Day of the Dead (remake) and direct-to-DVD titles such as Zombie Wars and Last Rites. But thanks to the Robert Kirkman’s critically-acclaimed and very popular zombie comic book series and it’s subsequent TV adaptation by showrunner Frank Darabont the zombies have had a major resurgence that brought the question of which was better: zombies or vampires.

These two monsters have their histories both in entertainment and in folklore. The vampire legend and myth could trace itself back to the beginning of human history as early human civilizations always had in their stories and own legends creatures risen from the grave to drink the lifeblood of those still living. There’s Lilith of the Judeo-Christian faiths who some attribute to being the mother of all vampires. There’s also Cain himself who many thought was the progenitor of the original vampire myth. Every major religion both past and present have had their version of the vampire, but while they’ve remained as stories told to warn children of the dangers of the night they were never truly told as part of entertainment. Only in the past hundred or so years have vampires begun to make their mark on the realm of entertainment.

Zombies on the other hand have always been the younger sibling. It’s history has it’s basis on local religious folklore from African slaves brought over to work the plantations of Imperial colonies in the West. The zombies of these West Indies folklore were not the flesh-eating creatures we now know, but just another form of slavery. The flesh-eating aspect of the zombies would not make it’s appearance until a filmmaker from Pittsburgh decided to make his recently risen dead to become flesh-eaters. Night of the Living Dead gave birth to the zombies that’s turned legions of readers and monster aficionados into fans of the monster. A monster who wasn’t as strong or as sexy as the vampire, but much scarier and quite more apocalyptic in its nature. It’s this apocalyptic aspect of the zombie monster which keeps this younger monster from becoming fully eclipsed by it’s more older sibling the vampire.

Now, a question was brought up by the websites Zombie Ammo and Vampybit.Me about the topic on vampires and zombies. With the current popularity of these two monsters there was bound to be a debate on who would win in a match-up between the two monsters for domination of the world.

In one corner we have vampires who retain their intellect and have increased all their senses and even given supernatural abilities. They also remain living dead who need the blood of the living to survive with their faculties intact. No blood means having to waste away into a sort of limbo where death doesn’t truly come but also living death becomes a paralyzing curse only to be lifted with infusion of this life giving blood.

In the other corner we have zombies who are literally mindless with only the primal instinct to feed the only motivation for their existence. But feed on living flesh they must and their hunger has no limit. Their literally a locust on a global scale which would scour the planet of all living things. It doesn’t matter whether the flesh is human or animal but it has to be the warm, living flesh that feeds them. In the end, zombies would become the extinction-level event for humanity.

So, who would win in such a battle for domination.

Vampires need humans. While their appetites ultimately kills their human victims they do try to keep their feeding in moderation. While there are stories and films that paints a world where vampires rule the planet openly they still maintain slave-colonies and/or human farms where they allow their human cattle to breed and multiply thus  their food source remains constant. Human extinction is not what vampires want, but control of humanity instead. Controlling their food and harvesting them in an efficient manner. Only a select few would be turned into vampires. Humans who are willing to serve their undead lords would protect them during the daytime and become Renfield overseers over those humans who do not feel the same.

Zombies on the other hand do not care whether their appetites have been sated by a recent feeding. They will continue to feed as long as a living human and/or animal is in their reach. They would gorge themselves to the infinite for that’s what their instinct drives them to do. Human won’t be able to reason or subjugate themselves upon these monsters. These monsters do not have the wherewithal to ration their food source. The fact that death itself (any death whether through zombie, accident or natural) would just add to their geometrically increasing numbers.

How can humanity find a way to stave off extinction in the face of such a surge of death?

The answer to that is the answer to who would win between vampires and zombies. An answer that some may not agree with (being a zombie fan I’m actually surprised I came to this conclusion), but is the correct one when the question was logically looked at.

Vampires would win over zombies.

I say this because despite the vampires having lesser numbers they would have the intellect and know-how to defeat the legions of walking dead. They do this not out of the goodness of their unbeating hearts, but out of necessity. A necessity that ties their existence with the continued existence of humanity. A humanity that becomes extinct due to a zombie apocalypse would inexorably lead to the very downfall of the vampires themselves.

Vampires on skill alone would be able to destroy any zombies they come across. The fact that their flesh are cold and they’re not living makes them invisible to the zombies. They don’t want to feed on dead flesh because if they did then they would turn on each other instead. This aspect of the vampire keeps them upright and ready to fight.

With their food source endangered by this upstart monster the vampire would have no choice but to protect this valuable resource. As we’ve seen with the more popular types of vampire stories and film it is that vampires are small in numbers, global and ruled over by a council of elders who governed clans of vampires. They impose rule of vampiric law to make sure that their kind remain secret from the world at-large and/or keep their numbers down to better keep the vampiric plague from becoming a wildfire that would scour the planet of life.

It would be up to these governing bodies of vampires to make sure humanity doesn’t succumb to any form of zombie apocalypse. The level of survival for humanity from such an apocalypse will depend on how quickly vampires marshall their meager, but powerfu forces to stave off the inevitable tide of walking dead. They could respond right away and stop the tide before it becomes a global pandemic or their response would be slow and bring humanity to the brink.

In the end, vampires would do whatever it takes to keep humanity from joining the likes of the dinosaurs and mammoth. Whether it’s using their own supernatural-given abilities to destroy zombies by the score and hundreds. Or they could reveal themselves to humanity as vampiric saviors and giving them a choice: become extinct by way of an unchecked zombie apocalypse or allowed to be ruled by a vampiric elite who would protect them from this tide.

It’s a lousy choice for humanity, but one that I think they would choose for the latter (until they find a way to defeat both and keep themselves whole). The prospect extinction is a powerful motivator for a species and choosing to continue one’s species even under the rule of a parasitic race is a better choice than dying out under the teeth and clawed nails of the walking dead.

As you can tell I’m a huge fan of both (though I lean more towards zombies) and have thought about this topic on more than one occasion. This site has seen many posts about zombies though not enough about vampires which would need to be remedied. There’s the ongoing reviews of The Walking Dead in both it’s comic book and TV series form. There was also the reviews of this past summer’s anime series hit which also dealt with the zombie apocalypse but with a level of T&A involved to spice things up a bit. I speak of Highschool of the Dead.

Feel free to leave comments about what you think the conclusion I arrived at. Who do you think will win out between vampires and zombies? Which of the two do you like to read and watch more of? If there was a zombie apocalypse would you try to survive on your own or submit yourself to a vampiric protector and hope they don’t run out of their own supply of blood?