The TSL Grindhouse: Soldier (dir by Paul W.S. Anderson)


1998’s Soldier starts off with a brilliant seven-minute sequence.  We watch as, over the course of 17 years, a child named Todd is raised and trained to be the ultimate soldier.  From a young age, he’s learning how to fight.  He’s learning discipline.  He’s learning to follow orders without question.  We follow him as he goes on to fight in conflict after conflict.  The name of each conflict in which he fights is tattooed on his muscular arms.  Finally, a title card appears that informs us that Todd (now played by Kurt Russell) is “Between wars.”

Captain Church (Gary Busey) insists that Todd and his fellow soldiers are the greatest fighting force in the galaxy.  The autocratic Colonel Merkum (Jason Isaacs) disagrees, claiming that his genetically-engineered soldiers are superior and that Todd is now obsolete.  After a savage training exercise that leaves Todd unconscious, Merkum orders that Todd be dumped on an abandoned planet.

Of course, it turns out that the planet in question is not actually abandoned.  Instead, it’s home to a group of colonists who crash-landed on the planet years ago and who now live a life that is devoid of conflict.  When Todd approaches the colony, he is cautiously welcomed.  Todd, who rarely speaks, is extremely strong and quick and that pays off when he’s able to save Jimmy (Michael Chiklis) from being pulled into a thrasher.  However, Todd is also haunted by PTSD and he’s been bred to fight and that leaves the other colonists cautious about him.  Despite the efforts of Mace (Sean Pertwee) and his wife Sandra (Connie Nielsen), the other colonists vote to exile Todd from their colony.

Meanwhile, Merkum and his “superior” soldiers are heading towards the planet, eager to execute the colonists as a part of a training exercise.  Todd will have to use all of his training to defeat Merkum’s super soldier, Caine 607 (Jason Scott Lee), and help the colonists reach their final destination.

One of the more interesting things about Soldier is that it apparently takes place in the same cinematic universe as Blade Runner.  The wreckage of one of Blade Runner‘s flying cars is spotted on the planet and Todd is shown to have fought in some of the same battle that Roy Batty claimed to have witnessed in Ridley Scott’s classic film.  For that matter, Ridley Scott himself has said that Blade Runner also takes place in the same cinematic universe as Alien and some people insist that Predator is a part of the universe as well.  That’s a rich heritage for Soldier, which is essentially a dumb but entertaining B-movie.

I liked Soldier, almost despite myself.  It’s a silly film and there are certain scenes, mostly dealing with day-to-day life in colony, that feel a bit draggy.  But I enjoyed Kurt Russell’s performance as the ultimate super soldier.  Russell has very little dialogue in the film and his character is bit stunted emotionally but it doesn’t matter.  Ultimately, Russell’s natural charisma carries the day and his fight with Caine 607 is genuinely exciting.  As usual, Jason Isaacs makes for a wonderfully hissable villain and even Gary Busey gives what is, for him, a rather restrained and ultimately credible performance.  As is so often the case with the work of director Paul W.S. Anderson, the film is a cartoon but it’s an entertaining cartoon.

AMV of the Day: Want To Be My Soldier? (Hakuouki)


It’s the third week of the month, which sounds like just the right time to share an AMV of the Day!

Anime: Hakuouki

Song: Soldier (by Samantha Jade)

Creator: Panta Na Xamogelas (please subscribe to this creator’s channel)

Past AMVs of the Day

 

2011: The Year In Film So Far


Greetings from the former home of the Flying Spaghetti Monster, Crossville, Tennessee!  Yes, Jeff and I are on our way back to Texas.  It’s been a wonderful vacation but I have to admit, I’m looking forward to seeing a movie at the Plano (or Dallas) Angelika on Sunday.  I’m not sure which movie but, as long as it’s a movie, I’ll be a happy girl.

That’s because I love movies.  Movies are what I schedule my life around.  My birth certificate says I was born in 1985 but I know that I was born in the year of Brazil, Prizzi’s Honor, Blood Simple, and After Hours.  If each year can be judged by the quality of the films then how is 2011 looking now that we’ve reached (and passed) the halfway mark?

Right now, as I sit here in this hotel room in my panties and my beloved Pirates shirt, I’d say 2011 is shaping up to be an average year.  There’s been a few films that I loved and there’s been a few that I’ve absolutely despised but for the most part, this year is shaping up to be comfortable and rather bland. 

Much as I did last year at this time, I’m going to take a few minutes to mention a few high points (and low points) of 2011 so far.  Agree?  Disagree?  Make your opinion known.

Best Film (So Far): Hanna, without a doubt.  Joe Wright’s stylish thriller hasn’t gotten half the acclaim that it deserves.  Runners-ups: The Cave of Forgotten Dreams, Incendies, Jane Eyre, Kill The Irishman, Of Gods and Men, Red Riding Hood, Sucker Punch, The Source Code, Super, 13 Assassins, The Tree of Life, Win Win, X-Men: First Class

Best Male Performance of the Year (so far): Paul Giamatti in Win Win.  Runners up: Bobby Cannavale in Win Win, Joseph Gordon-Levitt in Hesher, Matthew McConaughey in The Lincoln Lawyer, and Rainn Wilson in Super.

Best Female Performance Of The Year (so far): Sairose Ronan in Hanna. Runners up: Lubna Azabal for Incendies, Ellen Page for Super, Amy Ryan for Win Win, and Mia Wasikowska for Jane Eyre.

Best Ending (so far): The charmingly low budget zombie film that runs over the end credits of Super 8.

Best Horror Film (so far): Insidious.

Most Underrated Film Of The Year (so far): A tie, between Sucker Punch and Red Riding HoodRed Riding Hood, as a matter of fact, was so underrated that I had to see it a second time before I really appreciated it.

Best Bad Film: Beastly.  Silly but kinda fun in a really, really odd sort of way.

Worst Film of The Year (so far): The Conspirator, a bore of a movie that was apparently filmed through a filter of grime.  Runners up: Priest, The Beaver, Battle L.A. (sorry Arleigh, Leonard, and Erin), Season of the Witch, Your Highness, and The Green Lantern.

Biggest Example of A Missed Opportunity This Year (So Far): The Adjustment Bureau, which could have been a great Eternal Sunshine Of The Spotless Mind-type of film but instead, turned out to be just another predictable and shallow example of new age triteness.

The Get-Over-It Award For The First Half Of 2011: The Conspirator, a film that attempts to be relavent by using the 19th Century to comment on political issues from 2006.

My Prediction For Which Film Will Be The Most Overrated Of 2011: Last year, I predicted The Social Network and, surprise surprise, I was right.  In fact, the folks at AwardsDaily.com are still bitching about how The Social Network lost best picture to The King’s Speech.  (By the way, a few other choice pieces of wisdom from Awards Daily: The Beaver is Jodie Foster’s best film ever and only elitists should be allowed to comment on film.)  This year, I’m going to predict that the most overrated film of 2011 will be the unnecessary remake of The Girl With The Dragon Tattoo.

My Prediction For What Will Be The Worst Film Of 2011: The winner here is another remake — Rod Lurie is remaking Straw Dogs and this time, he’s setting it in the South.  You know what?  Go back to Vermont and fuck yourself ragged, you dumbass, blue state elitist.  

So, that’s 2011 so far.  There’s still quite a few films that I’m looking forward to seeing: Another Earth, The Debt, Don’t Be Afraid of the Dark; Tinker, Tailor, Soldier, Spy; Hugo, and most of all, Harry Potter and the Deathly Hallows, Part 2.