Retro Television Review: Miami Vice 5.16 “Victim of Circumstances”

Posted on February 23, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Crockett goes undercover as a Neo-Nazi.

Episode 5.16 “Victim of Circumstances”

(Dir by Colin Bucksey, originally aired on May 5th, 1989)

When a Miami coffeeshop is the scene of a violent shooting that leaves several dealers and the coffeeshop’s owner dead, Crockett and Tubbs assume that it’s just another part of an ongoing drug war. However, when it’s discovered that the owner of the coffeeshop was a Holocaust survivor who was scheduled to testify against a former guard named Hans Kozak (William Hickey), Crockett comes to suspect that the hit was ordered by a Neo-Nazi group. Crockett and Switek go undercover to infiltrate the group but it turns out that the killer was actually Helen Jackson (Karen Black), a reporter who is the daughter of Hans Kozak and who is trying to kill everyone who can testify against her father. Crockett and Tubbs manage to capture Helen but Helen is subsequently gunned down by Angelo Alvarez (John Leguizamo), the brother of one the dealers who was killed at the coffeeshop.

This was an interesting episode. On the one hand, it was based in reality. In the days following World War II, several concentration camp commandants were put on trial and executed for war crimes but the Allies were so busy going after the people in charge that there were several guards, doctors, and other personnel who were able to escape justice and who immigrated elsewhere. Quite a few went to South America. Several turned up in the Middle East. And there were many who ended up in America. It wasn’t until decades after the war that people started to get serious about tracking down and putting on trial the camp personnel who were often as brutal as the people giving the orders. By the time many of them started going on trial, they were elderly and often frail, like Hans Kozak. And, just as in this episode, there were many Neo-Nazi groups who protested the trials and sometimes tried to help the accused escape justice.

On the other hand, this episode played out in such a surreal manner that it often felt rather dream-like, with Hans Kozak being haunted by nightmares and the Neo-Nazis themselves meeting in ceremonies that felt as if they could have been lifted from one of Fritz Lang’s Dr. Mabuse films. Karen Black plays her role with such wild-eyed intensity that the revelation that she was the killer isn’t really that much of a surprise. As for William Hickey, he doesn’t so much chew the scenery as he treats it like a buffet. This was one of those episodes that felt like it could spin off into space at any given moment. If James Brown had returned as the alien who abducted Trudy, I would not have been surprised.

This episode was definitely watchable and Stefan Gierasch gave a strong performance as the Nazi hunter who was determined to track down Hans Kozak. There was nothing subtle about it but it’s still one of the more memorable episodes of the show’s final season.

Speaking of final season, next week will feature Crockett and Tubbs in their final adventure. And then, we’ll look at the four “lost” episodes, which aired in syndication after the show’s network run ended. And then, we’ll done with Miami …. for now.

(No one is every truly done with Miami.)

Retro Television Review: Miami Vice 5.15 “Over The Line”

Posted on February 16, 2026 by Lisa Marie Bowman

This week, the Vice Squad learns that a man has to know his limitations.

Episode 5.15 “Over The Line”

(Dir by Russ Mayberry, originally aired on April 28th, 1989)

“All of our heroes are dead.”

That line was delivered in 1973’s Magnum Force, by a motorcycle cop-turned-vigilante who justified his murderous actions by claiming that he was a part of the first generation without heroes. That line could have just as easily been delivered by the cops in this episode of Miami Vice.

Crockett and Tubbs are recruited by Walter Stevens (Thomas Arana), a cop-turned-vigilante who explains to them that, once they join his organization, they can never leave. Of course, Crockett and Tubbs are only pretending to be vigilantes so that they can take down both the drug dealers and Walter’s organization. They do this despite the fact that, in many ways, Crockett agrees with Walter. But when Walter’s methods lead to three good cops getting killed, Crockett realizes that Walter has to be stopped. Even worse, he discovers that Walter is funding his operation by selling the cocaine that he confiscates from the dealers.

When Crockett pulls his gun on Walter and tells him to surrender, Walter appears to be doing so. Walter warns Crockett that there’s a lot more to the organization than Crockett realizes. Suddenly, a police captain named Robert Highsmith (Robert Fields) pops up and shoots Walter. Crockett says that Walter was surrendering. Highsmith insists that he saved Crockett’s life.

With the drug dealers and the bad cops taken down, Highsmith takes all the credit. Highsmith is not only a police captain but he’s also a candidate for Dade County Supervisor. At a televised “meet-the-candidate” forum, Highsmith brags about how he personally is helping to clean up the city. Crockett watches and says, “Whatever it takes, right?”

Agck!

Seriously, this episode is cynical even by the standards of Miami Vice. Legitimate cops like Crockett and Tubbs can’t do their job because of budget cuts. The vigilante cops are taking down the drug dealers but they’re also stealing and selling cocaine so they’re not actually doing anything to stop the flow of drugs into Miami. Walter becomes the first Miami Vice bad guy to both show remorse and to willingly surrender but he’s still gunned down by Captain Highsmith who, at the end of the episode, appears poised to be elected to political office. Miami Vice was often critical of the War on Drugs. This episode showed why the war couldn’t be won, despite the best efforts of soldiers like Crockett, Tubbs, and Castillo. Men like Highsmith had to appear to be winning the war so that they could accumulate more power but if they actually did win the war, they would no longer be given carte blanche to do whatever they wanted.

This was a dark but effective episode. Crockett’s hair has never been longer and he’s never appeared more defeated.

Retro Television Review: Miami Vice 5.14 “The Lost Madonna”

Posted on February 9, 2026 by Lisa Marie Bowman

This week, Crockett and Tubbs — or is it Burnett and Cooper? — enter the art world.

Episode 5.14 “The Lost Madonna”

(Dir by Chip Chalmers, originally aired on March 17th, 1989)

When Crockett and Tubbs take down what they think is a drug deal, they’re shocked to discover that Stanley Costa (Stephen G. Anthony) was actually smuggling two paintings! They could always ask Stanley what’s going on but — whoops! They killed him during the show’s precredit sequence.

Detective Whitehead (Michael Chiklis) comes down from New York City and explains that the two paintings are the side pieces for a triptych called The Last Madonna. It was recently stolen from a Paris museum and Whitehead is convinced that theft was masterminded by Joey Scianti (Peter Dobson).

It’s time for Tubbs and Crockett to — *sigh* — go undercover. Why they’re still always going undercover, I have never really understood. Every time they go undercover, their cover gets blown. Do the members of the Miami underworld just not communicate with each other? Shouldn’t everyone know, by this point, that Tubbs and Crockett are cops? In this case, Tubbs goes undercover as someone who appreciates art. Crockett goes undercover as the crude Sonny Burnett….

Yes, Crockett is still using the Burnett cover. He’s doing this despite the fact that he just recently had a mental breakdown that led to him not only thinking that he actually was Burnett but also becoming Miami’s biggest drug lord. Even if the Scianti family was dumb enough to not know that Crockett was a cop, surely they would have heard enough about drug lord Sonny Burnett to wonder why he would be hanging out with a connoisseur of fine art.

(Indeed, it’s hard not to notice that everyone has apparently moved on rather quickly from Sonny’s mental breakdown and his time as a drug lord. For that matter, Sonny certainly doesn’t seem to ever give much thought to his dead second wife. Remember her? The world-famous singer who was literally gunned down in front of him? She appears to have been forgotten.)

This episode was dull, largely because the Scianti family was never really a credible threat. They came across as being a bunch of buffoons and, as such, it was hard to really get that concerned about whether or not they would figure out that Crockett and Tubbs were actually cops. This is another episode that features a twist that you’ll see coming from miles away. From the minute Michael Chiklis first showed up, I knew that he was eventually going to try to steal the The Lost Madonna for himself.

Considering that there was a lot of humor in this episode (Crockett, not surprisingly, struggled with understanding modern art), there’s also some surprisingly graphic violence. Crockett and Tubbs gun down Stanley Costa and blood splatters all over the wall. Whitehead shoots Joey Scianti and the shocked Joey looks down at his wound and says that it’s “real blood.” Tonally, this episode is all over the place.

Everyone seemed kind of bored with this episode. This was definitely a final season entry.

Retro Television Review: Miami Vice 5.13 “The Cell Within”

Posted on February 2, 2026 by Lisa Marie Bowman

This week, Tubbs gets kidnapped and the entire episode is oddly dull. Presumably because it’s the final season and no one was paying attention, the show took a risk and it did not pay off.

Episode 5.13 “The Cell Within”

(Dir by Michael B. Hoggan, originally aired on March 10th, 1989)

Former criminal Jake Manning (John P. Ryan) has apparently reformed himself. As getting busted by Tubbs, Manning spent years in a tiny cell where he read Shakespeare and Dostoevsky. Sponsored by renegade film director Robert Phelps (L.M. Kit Carson), Jake is now a free man and a published author. Tubbs is convinced that Jake has changed his ways and when Jake invites him to a dinner party, Tubbs accepts.

(Crockett is on vacation, spending time with his son. During his brief appearance on the episode, Crockett jokes about what a great book he and Tubbs could write if they were ever arrested. Uhmm …. you were arrested, Crockett. Remember when you were a drug lord? The show appears to have forgotten but I haven’t.)

Anyway, it turns out that Jake has built a prison under his house where he keeps undesirables locked up and every few days, he electrocutes them. He kidnaps Tubbs so that Tubbs can see and hear about Jake’s view of how justice should be meted out. Jake likes to talk and talk and talk and talk.

Ugh, this episode.

I’m honestly surprised that I got through this episode because it was just so mind-numbingly dull. The show attempted to do something different with its format and that’s fine. But Jake was so long-winded and his cartoonish prisoners were such thinly drawn stereotypes that it didn’t take me long to lose interest. I’ve never liked episodes of cop shows that center around hostage situations or kidnappings. It’s hard to build much narrative momentum when no one can really move around. It gets boring to watch and that was certainly the case here. That John P. Ryan spent most of the episode wearing a flowing robe did not help matters. It made him look like a Saruman cosplayer at a Lord of the Rings convention. I probably would have laughed if it all hadn’t been so dull.

As always, it’s interesting to see Tubbs at the center of a story but even the normally smooth Philip Michael Thomas didn’t seem to know what to make of all these nonsense. As I watched Tubbs rather easily fall victim to Jake’s trap, I wondered why Tubbs has suddenly become such a stupid character. I mean, seriously, anyone should have been able to see through Manning’s invitation. For Tubbs, this episode was the equivalent of that time Trudy got kidnapped by the alien who looked like James Brown.

All in all, this was not a good episode. It’s the final season so it makes sense that you’re going to get a few clunkers. Hopefully, next week will be better.

Retro Television Review: Miami Vice 5.11 “Miami Squeeze”

Posted on January 19, 2026 by Lisa Marie Bowman

This week, the British are coming!

Episode 5.11 “Miami Squeeze”

(Dir by Michelle Manning, originally aired on February 17th, 1989)

There’s a new drug lord in Miami. He’s a British dandy named Sebastian Ross (Robert Joy) and it’s impossible to take him seriously as a legitimate threat. The show continually tells us how dangerous Sebastian is. When the son (Daniel Villarreal) of anti-drug Congresswoman Madeleine Woods (Rita Moreno) attempts to double-cross Sebastian, Sebastian blackmails the Congresswoman and also tries to make Castillo look like a dirty cop. Castillo ends up getting shot, all as a result of Sebastian’s schemes.

And yet, despite all of that, it’s impossible to take Sebastian seriously. He’s just a ridiculous character, a drug dealer who dresses like an Edwardian gentleman and who carries a can and who speaks with a remarkably bad British accent. (Robert Joy is himself Canadian. I should mention that Joy is also a very good character actor. He’s just miscast here.) As a character, Sebastian threw off the entire episode. When you include Rita Moreno acting up a storm, this episode almost felt like a self-parody.

Joey Hardin (Justin Lazard), the undercover cop from Line of Fire, returned in this episode. Sonny recruited him to go undercover in order to infiltrate Sebastian’s organization. Considering that Joey was a returning character and that there was a lengthy scene of Sonny asking if Joey felt confident enough to put his life on the line, it was kind of surprising that Joey didn’t really do much in this episode. One got the feeling that perhaps this was meant to be a backdoor pilot for a show featuring Joey as an undercover cop who could pass for a teenager. There’s nothing wrong with that, of course. Who wouldn’t want to keep a franchise going? But Joey ultimately felt like a red herring and a bit of a distraction.

This episode was a misfire.

Retro Television Review: Miami Vice 5.10 “To Have And To Hold”

Posted on January 12, 2026 by Lisa Marie Bowman

The 100th episode of Miami Vice finds Crockett and Tubbs pursuing separate stories.

Episode 5.10 “To Have And To Hold”

(Dir by Eugene Corr, originally aired on February 10th, 1989)

When Sonny learns that his now-teenage son (Clayton Barclay Jones) is acting out at school, he hops on a plane and flies to wherever it is that his ex-wife (Belinda Montgomery) and her new husband (Parris Buckner) are supposed to be living now. Sonny discovers that his ex-wife is pregnant and that his son is having a hard time adjusting to the idea of being an older brother. He also doesn’t get along with his stepfather. Sonny and his son watch the original, Boris Karloff-starring Frankenstein in a movie theater and have a discussion about family.

(Sonny’s son says that he relates to the Monster because the Monster doesn’t mean to kill people but he does. Today, that would probably lead to the kid getting suspended from school and sent to a boot camp. In 1989, though, that just meant the kid was feeling misunderstood.)

With Crockett gone, it falls to Tubbs — using his “Cooper” persona and his fake Jamaican accent — to investigate who is responsible for killing a just-married drug kingpin. Tubbs meets the kingpin’s ruthless son (Miguel Ferrer, looking intense) and he also falls in love with the kingpin’s widow (Elpidia Carrillo). Tubbs is in love and thinking of leaving Vice? Needless to say, the widow is dead by the end of the episode.

This episode concludes with Tubbs and Crockett fishing on Crockett’s boat. They’re both feeling disillusioned. Crockett is still in love with his ex-wife. Tubbs is realizing that he’ll probably never find happiness as long as he’s working undercover in Miami. It’s a bit of a bittersweet ending. Neither Crockett nor Tubbs seems to be particularly happy. Miami Vice was always at its best when it ended on a down note.

This episode managed to give Crockett and Tubbs an equal amount of screentime and both Don Johnson and Philip Michael Thomas gave good performances. Unfortunately, the divided format of the episode meant that both stories ended up feeling a bit rushed and incomplete. The ending was effective and Miguel Ferrer gave a typically strong performance but otherwise, this was a pretty uneven episode.

Retro Television Review: Miami Vice 5.9 “Fruit of the Poisoned Tree”

Posted on January 5, 2026 by Lisa Marie Bowman

Retro television reviews returns with Miami Vice!

Episode 5.9 “Fruit of the Poisoned Tree”

(Dir by Michelle Manning, originally aired on February 3rd, 1989)

Crockett and Tubbs are trying to take down a drug dealer named Enriquez (Jeffrey Meek) but every time that they think they’ve got the guy, his shady lawyer, Sam Boyle (Stephen McHattie), is able to use a technicality to get the case tossed. Even sending Gina in undercover backfires as Gina’s cover gets blown and a bomb meant for her kills an innocent 13 year-old instead.

Crockett thinks that Sam and his associate, Lisa Madsen (Amanda Plummer), have evidence that could put Enriquez away. Crockett puts pressure on Lisa to become a confidential informant but Lisa is devoted to Sam. Lisa’s father was a crusading anti-drug prosecutor who was stabbed to death and Sam has promised that he will do everything within his power to prove that her father was actually assassinated by a drug cartel.

Of course, there’s some things that Lisa doesn’t know. Sam is heavily involved in the drug trade himself and he’s currently in debt to gangster Frank Romano (Tony Sirico, bringing some nicely realistic menace to his role). Sam plots to double cross Enriquez to get the drugs necessary to pay off Frank. Plus, it also turns out that Sam is the one who had Lisa’s father killed.

When Lisa (and hey, that’s my name!) finds out the truth, she uses her legal training to seek her own revenge. Enriquez has been arrested due to evidence that Lisa gave Crockett. But when Lisa reveals herself to have been Crockett’s informant, the case is tossed because Lisa violated attorney/client privilege. This frees up Enriquez to kill Sam right before Sam gets onto a private plane that would have taken him to freedom. The episode ends with Enriquez getting arrested yet again and Lisa staring down at Sam’s dead body.

This was a pretty good episode, especially considering that it aired during the final season. It feels like a throwback to the first two seasons, where the morality was always ambiguous and pretty much no one got a happy ending. Lisa may have gotten revenge for the killing of her father but she did it by arranging the murder of a man who she had spent years worshipping. The Vice Squad takes down a drug dealer but not before an innocent boy is murdered. The only reason that they’re going to a conviction this time is because they actually witnesses Enriquez killing Sam Boyle. Otherwise, the case probably would have gotten thrown out again.

Miami Vice was always at its strongest when it examined futility of the war on drugs. There’s a lot of money to found in the drug trade and there’s always someone willing to step up and replace anyone who the Vice Squad actually manages to take down. This episode may end with Enriquez defeated but there’s no doubt that someone else will step into his shoes.

Retro Television Review: Miami Vice 5.8 “Hard Knocks”

Posted on December 1, 2025 by Lisa Marie Bowman

This week, Switek takes center stage!

Episode 5.8 “Hard Knocks”

(Dir by Vern Gillum, originally aired on January 20th, 1989)

Stan Switek has a gambling problem!

That’s right. The lovable Stan Switek, played by Michael Talbott, finally gets to be the center of another episode and it’s a pretty dark one. It’s not as dark as the one where Stan discovered that his partner and best friend had been given a heroin overdose but it’s still pretty depressing.

There are a lot of things that lead to Switek becoming both an alcoholic and a gambling addict. The death of Larry Zito still haunts him. The job haunts him. The fact that he’s continually stuck in “the black box,” and doing surveillance on terrible people haunts him. At the start of the episode, he learns that he’s been turned down for a promotion and it will be another two years before he can apply again. Castillo says it’s about money. The Miami PD doesn’t have the money to pay Switek a sergeant’s salary. “You’re the best at what you do,” Castillo tells Switek. That’s of little help.

Switek is best friends with Mac Mulhern (Jordan Clarke), the father of a hotshot college quarterback named Kevin Mulhern (Richard Joseph Paul). When Switek’s former bookie (Ismael “East” Carlo) is murdered by Goodman (Richard Jenkins, who apparently always looked like he was in his late 50s, even 40 years ago), Goodman orders Switek to tell Kevin to throw his upcoming game. In order to make sure that it happens, Goodman kidnaps Mac and threatens to kill him.

Switek snaps. Switek sets out to get his own justice against Goodman and to rescue Mac. Fortunately, Crockett and Tubbs realize what’s happening and they show up in time to help Switek out. Once Goodman is dead and Mac is free, Kevin is able to win the game.

Later, Crockett confronts Switek. He says that Switek’s name is all over Goodman’s books. What’s Crockett going to do? Given that Crockett spent months as Miami’s biggest drug lord, I’m not sure that Crockett is in a position to judge anyone. Fortunately, Crockett seems to understand that as well. Crockett hands the evidence over to Switek and promises to keep quiet. Switek — who has spent almost the entire series as comedic relief — breaks down and starts to cry.

That’s one dark episode! It’s also a very well-done episode. Michael Talbott gave an excellent performance as Switek, revealing the character’s dark side while still remaining true to who Switek has been since the series began. Don Johnson and Philip Michael Thomas didn’t do much in this episode but the final scene between Switek and Crockett was wonderfully acted by both Talbott and Johnson.

This was a good episode but I’m worried about Switek now. I hope everything works out because there’s only a few episodes left!

Speaking of which, Retro Television Review will be going on break for the holidays at the end of this week. Miami Vice will return on January 5th!

Retro Television Review: Miami Vice 5.7 “Asian Cut”

Posted on November 24, 2025 by Lisa Marie Bowman

There’s another serial killer haunting the streets of Miami. We all know what that means. It’s time to put either Trudy or Gina in harm’s way again.

Episode 5.7 “Asian Cut”

(Dir by James Contner, originally aired on January 13th, 1989)

Someone is murdering prostitutes and carving symbols into their skin. The seemingly friendly Prof. Halliwell (David Schramm) confirms that the symbols are Asian in origin. Crockett and Castillo suspect that the murderer might be a knife-obsessed Japanese gangster named Tegoro (Cary-Hiroyui Tagawa) but it turns out that they’re wrong. Gina and Trudy work undercover as escort and Trudy meets Carlos (Alfredo Alvarez Calderon), a man with a kink for being beaten. Carlos wants to introduce Trudy to a friend of his, someone who is something of an expert on torture and who learned the majority of his techniques while he was serving in the CIA during the Vietnam War….

Yep, the murderer is Prof. Halliwell!

This episode was thoroughly unpleasant. That’s not necessarily a bad thing when it comes to episodes about serial killers and David Schramm did a good job of switching from being goofy to deadly. However, in this case, it was hard not to think about the fact that, in five seasons, Gina and Trudy haven’t really gotten to do much other than pretend to be escorts and get threatened by serial killers. For once, Gina was the one providing support while Trudy was the one put in jeopardy but it still otherwise felt very, very familiar. Even the twist that the killer was a former CIA agent who specialized in torturing enemy combatants felt just a bit too predictable. (On Miami Vice, anyone who is former CIA and not named Castillo always turns out to be a murderer.) The torture scenes were so drawn out that they ultimately felt a bit gratuitous.

This episode ultimately just felt icky,

Retro Television Review: Miami Vice 5.5 “Borrasca”

Posted on November 3, 2025 by Lisa Marie Bowman

This week, Vice helps the communists once again.

Episode 5.5 “Borrasca”

(Dir by Vern Gillum, originally aired on December 9th, 1988)

Martillo Borrasca (Juan Fernandez) is a drug dealer who uses the money to fund anti-communist revolutionaries in his native South American country. Castillo, Tubbs, and Switek want to arrest him, especially after Barrisco and his men use a machete to hack an undercover cop to death. CIA agent Reese (Brion James) wants the Vice Squad to lay off Barrisco because Barrisco is working to overthrow a communist.

Personally, I’m on Reese’s side. Sure, Borrasca is a bad guy and he deserves to be punished for his crimes but the communist dictators in South and Central America were just as bad. Just because they quoted Marx and spouted a lot of anti-imperialist propaganda, that didn’t change the fact that they oppressed their own people and many of them were involved in the drug trade themselves. This episode aired long before the rise of Hugh Chavez but one need only look at the state of Venezuela today to see that the CIA perhaps had a point.

Castillo, of course, doesn’t see it that way. He assassinated Barrisco while the latter is trying to make an escape via helicopter. “I have a code,” Castillo says. Really, Castillo? That’s your code? Assassinate a drug dealer but don’t do anything about the dictators who would have allowed the Russians to plant nuclear missiles in their countries?

This episode was actually pretty routine. How many times have we been through the whole “The Vice Squad is after a drug dealer who has friends in the government” thing? On the one hand, I always appreciate Miami Vice’s cynicism about the War on Drugs. On the other hand, it’s frequent defense of communism has always been one of the show’s more glaring blind spots. Communists make just as much money from the drug trade as capitalists.

Crockett was not in this episode. Instead, Tubbs worked with Switek. It was nice to see Switek get to more than usual but, in the end, this was definitely a Castillo episode.