Late Night Retro Television Review: CHiPs 4.20 “Dead Man’s Riddle”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, the CHiPs team investigates an accident and a guest star gives a really terrible performance.

Episode 4.20 “Dead Man’s Riddle”

(Dir by Michael Caffey, originally aired on May 10th, 1981)

An accident in the mountains causes three cars to explode and one driver to die.  Since the dead driver was a captain with the Los Angeles fire department, the MAIT Team is sent out to recreate the accident and to try to figure out what happened.  They know that at least three cars were involved in the accident.  One driver died.  One driver is in the hospital.  And the other driver appears to be missing.  Getraer suspects that the accident could be due to people racing each other in the mountains.

What makes this episode odd is the casting of Joanna Kerns as psychiatrist Colleen Jacobs.  She’s assigned to the MAIT Team.  She actually drives through the mountains frequently and she even gets involved in racing sometimes.  In fact, she saw one of the cars right before the accident!  At first, she doesn’t bother to share this with anyone.  Instead, she just sits in the background with a guilty look on her face.  Finally, Jon Baker — in an unmarked car — tricks her into trying to race him.  That’s when she finally confesses….

….and faces absolutely no consequences!  Oh sure, Getraer gets a little annoyed and says that it would have been helpful if Dr. Jacobs had been honest from the start.  But Dr. Jacobs is allowed to continue to work with the MAIT Team.  Even though she intentionally withheld evidence from investigators, she’s not charged with obstruction.  Ponch tells her that she’s getting a chance to redeem herself which I don’t think is police policy.  No one comments on the fact that, even though she was worried that she may have previously caused a fatal accident, she still tried to race Baker.  Does no one care that, at the very least, she appears to have no impulse control?

Making things even stranger is that Joanna Kerns gives one of the worst performances that I have ever seen as Dr. Jacobs, delivering half of her lines as if she’s struggling not to laugh.  Even when she’s admitting her fear that she may have been responsible for the accident, she still seems like she’s on the verge of breaking out into laughter.  It’s very odd.

Speaking of odd,  an eccentric old man named Max (Owen Brooks) claims that he saw a UFO before the crash.  (Dr. Jacobs laughs when she repeats this.)  It turns out that he just saw a hubcap flying through the air.

In the end, it’s proven that the captain was not at fault in the accident.  That’s all that anyone really seems to care about.  I assume that Dr. Jacbos and Baker then proceeded to race each back to Los Angeles.

Late Night Retro Television Review: 1st & Ten 1.13 “Super Bull Sunday”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, season one comes to an end with the Championship Game!

Episode 1.13 “Super Bull Sunday”

(Dir by Bruce Seth Green, originally aired on February 17th, 1985)

The Bulls make it to the Championship Game!

And lose!

In fact, they lose in spectacular fashion.  We don’t actually see much of the game but we do see the aftermath.  We learn that star running back Carl Witherspoon set a record for fumbles.  Star quarterback Bob Dorsey set a record for interceptions.  The offensive line set a record for letting their quarterback get sacked.  Coach Denardo blames himself but Diana announces to the press that the Bull will be back next year so …. “LOOK OUT!”

Admittedly, the big game only took up about 5 and a half minutes of screentime.  Most of this episode centered around a dumb plot to trick Diana into selling the Bulls to the Japanese so that her ex-husband (remember him?) could swoop in and buy back his team.  It was a pretty dumb plan that fell apart easily but, at the very least, it appears that it finally led to Diana firing her duplicitous general manager, Roger Barrow (Clayton Landey), something she should have done at the start of the season.

But let’s give the show some credit.  It would have been really easy to just have the Bulls pull off another last-minute victory.  Instead, season one ended with the agony of defeat and the actors actually did a really good job of playing up their depression.  It can’t be easy make it to the Championship Game and fail.

So, that’s it for season one.  It wasn’t really that good of a season but maybe I would feel differently if I was a football fan or if I was a dude.  This is very much a guy-centered show.  Next week, we’ll start season 2!

Retro Television Review: Fantasy Island 7.8 “Random Choices/My Mommy, The Swinger”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, we have two more fantasies that do not feature Tattoo.  What even is the point?

Episode 7.8 “Random Choices/My Mommy, The Swinger”

(Dir by Bob Sweeney, originally aired on December 3rd, 1983)

Elaine Ashley (Florence Henderson) is divorced and raising two kids on her own.  Her fantasy is to be a swinger for the weekend!  Mr. Roarke arranges for Lawrence to watch the kids and then he sets Elaine up with tennis player Martin Avery (Robert Goulet).  While Lawrence attempts to explain to the kids why their mother doesn’t want them around for the weekend, Martin offers Elaine a job.  It’s a good job with a nice salary but it would require her to put her children in a boarding school.  On the plus side, I guess Elaine would finally get laid again since that seems to be her main concern.  On the negative side, no more kids.

Elaine is tempted.  In fact, Elaine is so tempted that it actually make her into a really unsympathetic character.  At first, Elaine takes the job but then, when she sees how upset her children are about no longer living with her, she changes her mind.  Hey, Elaine — how did you think the children would react!?

This fantasy irked me.  Of course, to be absolutely honest about things, Florence Henderson irks me in general.  Maybe I’m still holding the last episode of The Brady Bunch Variety Hour against her but, whenever Florence Henderson appeared on this show or on The Love Boat, the characters she played always came across as being judgmental and self-absorbed.  That’s certainly the case here.  You take your children to a tropical paradise and then you abandon them with the butler?  Really?

As for the other fantasy, it featured Jose Ferrer as a dying billionaire who needed to find someone who he could trust to give away his money to people who deserved it.  Roarke determined that person was Eddie Random (James Read), an angry young man who felt his father had been cheated by Ferrer’s tycoon.  The entire fantasy came down to Eddie proving himself by taking supplies to an Island and helping a crotchety old man come to terms with the death of his wife.

This second fantasy felt like a backdoor pilot.  It literally ended with Eddie and the billionaire leaving to have many more adventures.  As such, the fantasy itself felt rather incomplete and …. well, silly.  Why would the tycoon need Fantasy Island to help him find the right person to give away his money?  Why does he even need a person to do that?  He should have just arranged for a big scavenger hunt and whoever found the most items would get the money.  That would have been a lot more fun.

You know who always enjoyed fantasies dealing with money?  Tattoo.  I miss him.

Late Night Retro Television Review: 1st & Ten 1.6 “You Are Who You Eat”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Diana makes history!

Episode 1.6 “You Are Who You Eat”

(Dir by Bruce Seth Green, originally aired on December 30th, 1984)

Coach Denardo has a heart attack and is laid up in the hospital.  It looks like Diane is going to have to coach the team!

Wait?  What?

Listen, I’ll be the first to admit that I don’t know a lot about football but I do know that there is such a thing as an assistant coach.  And there’s also coordinators.  There’s a lot of coordinators and a lot of assistants and I imagine that a part of their job entails coaching whenever the head coach is in the hospital.  So, I’m not really sure how this episode went from “Coach Denardo can’t coach this weekend” to “The owner is going to have to do it!”

Still, Diana ends up on the sidelines as the “first female head coach in history!”  I remember that a few Super Bowls ago, they made a big deal about one of the teams having a female assistant coach and I was like, “Well, they better win or they’re never going to hire another woman.”  I think the team lost.  I don’t really follow football.

Anyway, Coach Denardo is on the phone with Diana for most of the game but, towards the end of the game, the connection goes down.  Denardo runs out of his hospital in his hospital gown and takes a taxi to the stadium.  Luckily, even without his help, Diana knew exactly which play to call and the Bulls win another game.

Yay, I guess.  This episode was pretty dumb.  If I was coaching a football team, I would just be like, “Have that guy run to the touchdown area and then throw him the ball.”  I think we would win easily.

Late Night Retro Television Review: 1st & Ten 1.5 “Play Me Or Trade Me”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, an injury leads to the promise of sex …. or does it?

Episode 1.5 “Play Me Or Trade Me”

(Dir by Bruce Seth Green, originally aired on December 23rd, 1984)

Carl Whitherspoon, the star running back who is always demanding more money, is injured while filming a commercial for a rental car company.  (“Call OJ,” the commercial’s director says when it becomes obvious that Carl won’t be able to jump over any more luggage.)  The Bulls are struggling and Coach Denardo wants a championship but his star player is out for four weeks!

It’s time to trade!  Unfortunately, the only way that the Bulls are going to be able to get the running back they want is by trading their aging quarterback, Bob Dorsey.  Dana is upset about losing Bob but then she realizes she can finally have sex with him if he’s no longer a Bull and she decides that she’s okay with the trade.

But then the running back that the Bulls were hoping to trade for is injured so the trade is called off.  So, Dana can’t have sex with Bob.  But Bob still leads the team to victory.  Actually, the team wins because Bubba (Prince Hughes) blocks a field goal with his oversized ass.   (That’s not me being rude.  Bubba’s weight and the size of his ass is a running theme on this show.)  The Bulls are now 5-3 and I guess they don’t need a running back after all.

The main theme of this episode seemed to be that Dana needs to get laid.  I liked the chemistry between Delta Burke and Geoffrey Scott.  And the scene where Carl injured himself made me laugh just because of Sam Scarber’s over-the-top facial expressions as he crashed into a table.  Otherwise, this episode was pretty forgettable.

Late Night Retro Television Review: 1st & Ten 1.4 “The Slump”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, cocaine comes to the locker room.  Actually, cocaine was probably already there.  Now, there’s more cocaine.  Football, right?

Anyway….

Episode 1.4 “The Slump”

(Dir by Bruce Seth Green, originally aired on December 16th, 1984)

This week’s episode starts off with some full front nudity as wide receiver Mace Petty (Marshall R. Teague) takes a shower with a blonde woman.  Suddenly, a bearded man steps into the shower, accuses Mace of seducing his wife, and points a gun at him.  OH MY GOD, IS MACE GOING TO DIE!?  (And who is Mace, anyway?)

Oh wait, it’s a prop gun.  Ha ha, it’s practical joke.  Those crazy Bulls.

With the required HBO nudity out of the way, the plot kicks off.  The Bulls are in a slump.  They’ve lost their past two games!  In order to turn things around, Diane makes a trade for a talented wide receiver.  (Ha!  TAKE THAT, MACE!)  Butch Cassidy (Michael Toland) may be a good athlete but guess who has a cocaine addiction!?  Butch is soon snorting in the men’s room.  When he has to take a drug test, he uses a groupie’s urine instead.  When the results come back, it’s announced that Butch is pregnant.  Butch is kicked off the team.  Maybe the Sundance Kid can take his place….

The good news is that The Bulls still win their next game, breaking the slump.  And Bob Dorsey earns Diana’s trust by telling her that Butch has a drug problem.  And the Arcola Brothers attempt to keep the Bulls from serving beer at the stadium is thwarted when Diana has a bunch of helicopter fly in the beer.  (That way, no one has to cross the picket line that the Arcolas have set up outside the stadium.)  Finally, Carl Witherspoon gets a new contract and the rest of the team gets jealous because Carl is now a “millionaire” but then Carl points out that he’s a terrible negotiator and he actually got screwed over on the contract.  He then agrees to take the team to Hawaii.  No wonder they won that game!

This episode was actually better than the previous three.  That doesn’t mean it was particularly good but still it wasn’t terrible.  (And that’s what we mean by “damning by faint praise.”)  If nothing else, Michael Toland gave a good performance as the cocky but self-destructive Butch Cassidy.  I also kind of like the chemistry between Geoffrey Scott and Delta Burke.  They’re good together.  As far as episodes of bad shows go, this was a good one.

Late Night Retro Television Review: 1st & Ten 1.3 “All Roads Lead To Dayton”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls are on the road!

Episode 1.3 “All Roads Lead to Dayton”

(Dir by Bruce Seth Green, originally aired on December 9th, 1984)

The Bulls are playing their second game in Dayton!  It’s a road game and Coach Denardo tells all of the players that they are expected to conduct themselves like gentlemen on the road.

“Booooo!” the team replies.

Denardo replies, “I know but the owner’s a broad now….”

Speaking of Dana Barrow, she has a lot to deal with.  The Arcola Brothers are still trying to muscle their way into the team’s business.  Meanwhile, her ex-husband, Paul (now played by Ben Cooper), is determined to get his team back.  At the hotel in Dayton, he and his sleazy lawyer arrange for Dana’s drink to be drugged so that the hotel’s assistant manager can rape Dana while being filmed by a camera hidden behind a two-way mirror.  They plan to leak the tape to the press and claim that Dana is a nymphomaniac who shouldn’t be allowed to own an NFL team.  Fortunately, quarterback Bob Dorsey stops by Dana’s hotel room to discuss an offer he’s gotten to become a sports commentator and he proceeds to beat the hell out of the assistant manager, shatter the mirror, and give the camera the finger.  And he wins the game!

Take that, Dayton!

He even scores an extra touchdown, just so the Mafia won’t make any money on their bets.

Take that, Arcola Brothers!

The episodes of 1st & Ten that are on Tubi are apparently a combination of episodes that were edited for syndication and the original HBO episodes.  The version that I saw of All Roads to Dayton was clearly the HBO original, as there was significant amount of cursing and quite a bit of nudity.  I get the feeling that those were the two main reasons that 1st and Ten found success when it first aired.  It certainly wasn’t for the acting or the storylines, neither of which were especially noteworthy.  That said, I’m from Dallas and I’ve heard all the stories about the Cowboys and Jerry Jones so I imagine that this episode’s depiction of a football team on a road trip was probably fairly tame when compared to the real thing.

As for this episode, Dana was a bit too naive to be believed.  Delta Burke actually gives a good performance as Dana but the scripts continually let her down.  We’re only three episodes in and Roger, the team’s general manager, has planted drugs in her house, caused Bob to get seriously injured during practice, and drugged her so that she could be raped in her hotel room.  I would seriously be looking for a new general manager at this point.  On the plus side, I do like Geoffrey Scott’s performance as Bob Dorsey.  He’s charming without being smarmy about it.

Next week …. more football stuff, I guess.

Late Night Retro Television Review: 1st & 10 1.2 “The Opener”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the football season begins!

Episode 1.2 “The Opener”

(Dir by Bruce Seth Green, originally aired on December 2nd, 1984)

The opening game of the season is approaching.  The Bulls have trader their former quarterback (who was played, briefly, by Robert Logan in the pilot) for a new quarterback, Bob D0rsey (Geoffrey Scott).  Bob Dorsey is a notorious womanizer and a veteran player with a strong arm and a bad knee.  So, basically, he’s just like their former quarterback except he’s played by Geoffrey Scott instead of Robert Logan.

Dana has decided that Bob will start on opening day, instead of the quarterback that they drafted out of BYU, the ultra-religious Bryce Smith (Jeff East).  (Opening Day, quarterback, drafted — look at me using all the football terminology!)  Bryce is fine with not starting because he feels that it is God’s will for Bob to start.

However, the Mafia (represented by Michael V. Gazzo and Robert Miranda) is not happy!  It turns out that general manager Roger Barrow has been doing business with the Arcola Brothers.  He’s been giving them tickets and allowing the Arcolas to scalp them in return for a 20% commission.  Dana puts an end to that, saying that all the tickets will now be sold through the box office as opposed to being held for VIPs.  The Mafia wants Roger to make sure that Bob does not start.  Roger convinces one of the other players to injure Bob during practice so that Bryce will be the starter.

Uh-oh!  Bob injures his knee.  Bryce is going to have to play …. except, right before the team hits the field, the team doctor suddenly says that Bob’s knee is at 80% and he can play if he wants to.  Of course, Bob wants to!  Bob takes the field and, after several minutes of stock footage, we’re told that the Bulls have won the game.

This show feels so strange.  On the one hand, I get the feeling that this episode probably was realistic about the physical toll that playing football takes on a player.  Bob is 35 and can barely walk.  I imagine that the episode’s portrayal of the locker room being a mx of stupidity and testosterone was probably accurate as well.  I’ll even give the episode credit for showing that all of the players resent the team’s owner and that Coach Denardo uses that to his advantage when it comes to motivating them.  Everyone — well, almost everyone — resents their boss.  (Not me!  I love everyone I’ve ever worked with!)

On the other hand, the first two episodes have been so low-budget that it appears there’s only five or six players on the team and the mix of comedy and drama feels rather awkward.  Dana’s friend Mona (Ruta Lee) starts drinking in the morning and tossing out pithy one liners.  Meanwhile, the Mafia is threatening to kill Roger.  It really doesn’t fit together.  The whole thing just looks and feels cheap.

But, hey, the Bulls won!  Good for them!

Late Night Retro Television Review: 1st & Ten 1.1 “By The Bulls”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

For a few years now, first Prime and now Tubi have been recommending that I watch a sitcom called 1st & Ten.

My initial reaction, upon looking the show up online and discovering that it was about a football team that was owned by a woman and coached (from the second season on) by OJ Simpson, was to say, “Why would I want to watch this?”  And, to be honest, that’s still kind of my reaction.  Football is not my thing.  The only thing that is less my thing than football is soccer.

(“But in the rest of the world, soccer is called….”  Yeah, yeah, I know.  I don’t care.)

But then I read on and discovered that this is actually a historically significant show in that it was HBO’s first attempt to produce an original sitcom.  It was later sold into syndication, with all of the cursing and nudity edited out.  (Apparently, most of the episodes that are currently on Tubi are the edited syndication versions.)  That piqued my interest.  I may not care about football but I love historical footnotes.

So, without further ado, let’s get things started.

Episode 1.1 “By The Bulls”

(Dir by Rod Daniel, originally aired on December 2nd, 1984)

The show begins as wealthy Diane Barrow (Delta Burke) comes home to her mansion and discovers her husband, naked in their bedroom with another man.  “This is Ty Tylor,” her husband says, “he’s a tight end.”

“I bet he is!” Diane replies.

Later, while talking to her divorce lawyer (Earl Boen), Diane announces, “I want his Bulls!”

“You want his….?” the lawyer replies, glancing down at his crotch.

No, Diane doesn’t want his balls  She wants the Los Angeles Bulls, the football team that he owns.  When the lawyer replies that Diane’s husband loves the Bulls, Diane announces that if she doesn’t get the football team, she’ll let the world know that her husband’s gay.

(It’s the 1980s, folks.)

Diane gets the Bulls and she also gets a lot of attention due to being apparently the only woman to ever own a football team.  Everyone doubts her but Diane is determined to prove herself.  However, her sniveling general manager (and her husband’s nephew), Roger Barrow (Clayton Landey), tries to end her ownership before the season even begins by planting cocaine in her mansion,  His plan is that, during the pre-season party, one of the players will snort the cocaine and …. I don’t know.  I guess he’s hoping some will call the police or something.  It doesn’t seem like much of a plan, to be honest.

Fortunately, veteran Coach Ernie Denardo (Reid Scott) hears about the plan from a friend of his so he rushes over to the party and gets rid of the cocaine, though not before letting Diane know that she has powerful enemies.  That was nice of him since Diane previously fired him for being incompetent.  Needless to say, Denardo gets his job back.

And that’s it!  We did get to see a few snippets of the players, who all seem to be wild and wacky.  Carl Witherspoon (Sam Scarber) shows up at the party with his lawyer and demands a lot of money.  Another player, Kyle Brody (Robert Logan), tries to hit on Diane.  I checked with the imdb and this is Logan’s only appearance on the show so I’m not really sure what the point of him being at the party was.  It’s a pilot so I imagine that a lot of the background people in this episode will never be seen again.

Overall, my feeling about the pilot was that it …. well, it sucked.  The humor fell flat.  The acting was terrible.  Delta Burke showed some potential as Diane but I didn’t like how, after demanding, “I want his Bulls!,” Diane suddenly became this passive character who needed Denardo to tell her about the cocaine in her mansion.  But you know what?  It’s always unfair to judge a show by it’s pilot.  The Office, for instance, had a terrible pilot.  In the end, this particular pilot did what it was supposed to do — it introduced us to the main character and it set up the premise of the show.

We’ll see if things get better in the weeks to come.

Retro Television Review: Fantasy Island 6.4 “The Angel’s Triangle/Natchez Bound”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, an angel comes to the Island.

Episode 6.4 “The Angel’s Triangle/Natchez Bound”

(Dir by Bob Sweeney, originally aired on November 6th, 1982)

Death takes a holiday!

Well, not literally.  The Angel of Death, Michael Eden (played by Gary Collins), does come to Fantasy Island but he’s working.  Years ago, he was meant to take soul of Catharine Harris (Carol Lynley), a woman who was in a car accident with her husband, Brent Harris (Doug McClure).  Michael could not bring himself to allow Catharine to die.  So, she miraculously survived.  But now, years later, Michael has been sent to collect the soul of Brent.  Brent and Catharine have come to Fantasy Island to have the honeymoon they missed out on due to the car accident.  Michael has come to make sure that the honeymoon is a tragic one.

Michael very much wants to take Brent’s soul.  If Brent’s dead than maybe Michael and Catharine could (somehow) be together.  But when Brent is taken ill and sent to the Fantasy Island hospital, Michael sees how much Catharine loves her husband.  And he allow Brent to live, which seems a bit unfair to …. well, like anyone.  Or at the very least, anyone who has ever died or lost a loved one.

The interesting thing about this fantasy was that it established that Roarke is apparently not an angel.  When Roarke introduces Tattoo to Michael, Roarke says that Michael “is not like us.”  This leads to a funny moment in which Tattoo, upon hearing that Michael is the angel of death, announces that he some work to catch up on.  I always like it when Tattoo gets to do more than just wave at the airplane.  As for the rest of this fantasy, it wasn’t bad.  Carol Lynley did a good job as Catharine.  Gary Collins was a bit stiff but it kind of worked for his character.  Doug McClure was as goofy as ever.

The other fantasy features Jennilee Harrison as Jenny Ryan, a Vegas card dealer who wants to work on a Mississippi steamboat.  She gets her wish and promptly gets involved with helping a writer named Samuel Clemens (Stephen Shortridge, a.k.a. Beau on Welcome Back Kotter) and a kid named Huck Finn (Adam Rich) hide an escaped slave (Sam Scarber) from a dastardly gambler and slave hunter (Roddy McDowall).  Did I mention that Clemens is having trouble coming up with a plot for his new book?  Jenny inspires Mark Twain, helps Jim get to safety, and returns to the present with a pet frog.  Sure, why not?  This storyline was predictable, largely because I read Huckleberry Finn in high school.  However, Stephen Shortridge was, somewhat surprisingly given his work on Kotter, perfectly charming as Mark Twain and Roddy McDowall obviously enjoyed hamming up his villainy.  (To be honest, when I saw Roddy’s name in the opening credits, I was hoping he’d be returning as Satan.)

This was not a bad episode, especially compared to the previous season 6 episodes.  Both fantasies held me attention and apparently, the Angel of Death will leave you alone if he thinks you’re cute.  That’s good to know!