Retro Television Reviews: Welcome Back Kotter 1.20 “The Telethon” and 1.21 “Kotter Makes Good”

Posted on August 12, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!

It’s exam time!

Episode 1.20 “The Telethon”

(Dir by Bob LaHendro, originally aired on February 12th, 1976)

Gabe tells Julie about the time he went to visit “my uncle, Mo Kotter, in the hospital.” Uncle Mo was in an oxygen tent. Gabe accidentally stepped on his air hose. Uh-oh!

At school, Gabe shows up for class and immediately makes the Sweathogs groan by announcing that it’s time to take a test. He passes out the test papers and Freddie announces that this is a test that he can pass. Yay! I’ve always felt that Freddie was actually one of the smarter Sweathogs and I’m glad to see that he is finally making an effort to excel academically and …. oh wait. Freddie is just pointing out that the test papers are blank because the school’s Xerox machine has broken down.

Yes, the school desperately needs money. But how can the Sweathogs raise money for their much-needed supplies? Barbarino volunteers to sell kisses. Freddie suggests stealing hubcaps. Horshack starts shouting, “Let’s put on a show!” Gabe argues that no television station — not even public access channel 52.4 — would agree to air a Sweathog telethon. However, Mr. Woodman stops by the classroom to gloat about how, due to budget cuts, the remedial Sweathog class is going to have to be cut, unless the Sweathogs can come up with $700. Realizing the seriousness of the situation, Gabe and the Sweathogs invite the president of channel 52.4 to the school so that he can see the Sweathogs perform Me and My Shadow. Needless to say, the Sweathogs get their telethon! Will they be able to raise $700?

(Seriously, no one had an extra $700 lying around?)

The telethon is broadcast live from Gabe’s classroom and even Mr. Woodman shows up in a tux. “I sing!” he explains. Once the show goes live, Gabe (of all people) freezes up on camera so Julie has to grab the microphone from him and explain the purpose of the telethon. Julie proceeds to sing a deliberately off-key version of Let Me Entertain You. Juan Epstein sings a version of “Day-O” while playing the bongo drums. Freddie sings a song and turns out to be just as off-key as Julie. Gabe and Horshack do a somewhat disturbing routine where Gabe pretends to be a ventriloquist and Horshack pretends to be the dummy. Barbarino sings his “Ba-Ba-Barbarino song.” And I have to admit that I actually laughed at all this. I’ve seen a lot of “let’s put on a show” episodes from the 70s and this is one of the first where the point is that no one is as talented as they originally claimed. It’s a fun little twist.

As the telethon comes to an end, Gabe realizes that they still need to raise $22 to make their goal. (Can’t Gabe just donate $22 from his next paycheck?) Anyway, Gabe’s mom calls and offers to donate $22 if Gabe sings some silly song from his childhood. Gabe sings something about apple pie and — yay! The Sweathogs are saved. Woodman sings My Way as the telethon comes to a close.

Back the apartment, Gabe asks Julie if he’s ever told her about his Uncle Ben. “Did he make rice?” Julie replies. Gabe explains that Ben didn’t make rice but that he was schizophrenic.

Anyway, the important thing is that the Sweathogs raised $700 without having to contribute any money themselves. New York City really is a generous city.

Episode 1.21 “Kotter Makes Good”

(Dir by Bob LaHendro, originally aired on February 19th, 1976)

Gabe asks Julie if he’s ever told her about the time that his cousin Brucie didn’t want to go to school because all the student made fun of him. Aunt Elsie told Brucie that he had to go to school because, “You’re 37 and you’re the principal.”

At school, the Sweathogs are worried about exam week. Horshack makes out his last will and testament because his father is going to kill him when he sees his grades. (Yikes!) Epstein has a note from “Epstein’s mother,” requesting that he be excused from exams because he’ll be attending the Ecumenical Council in Rome. Gabe attempts to encourage the Sweathogs to just study and take the tests but he is interrupted by Mr. Woodman, who drops by to announce that Gabe never took his senior exams. Horshack says that Gabe should just take the upcoming exams with the Sweathogs.

Back at the apartment, Gabe searches for his old school records while Julie tells him that he needs to study. Suddenly, the Sweathogs show up to help Gabe study. Epstein brings the blackboard from school. (“It just fell off the wall,” Epstein says.) Horshack shows up dressed like Mr. Kotter and asking Julie if she wants to hear a joke about his uncle. Though it takes a while, especially with Gabe deciding to show the Sweathogs what its like to teach them (“Hi there,” Gabe repeatedly says to Freddie), Gabe eventually realizes how much his students care about him and he decides to study with them.

At the school, a chagrined and twitching Woodman tells Gabe that he made a mistake and Gabe actually did take his senior exams while a student at Buchanan High. Gabe, however, takes the makeup exams anyways. He passes every exam, though he does come very close to failing his Algebra test. The Sweathogs celebrate by singing a version of the Mickey Mouse Club song.

Back at the apartment, Gabe tells Julie about his Aunt Selma, who was a lousy driver and parked her car in the kitchen. This is followed by a second joke, in which Gabe tells Julie about two brothers who always went fishing. The jokes probably would have been funnier if Gabe had been able to tell them without Julie interrupting him every few minutes. This was one of those episodes were you could really see that there was some truth behind the stories of Marcia Strassman hating her time on the show.

This was one of those episodes that worked primarily due to the chemistry between the members of the cast. Horshack’s Kotter impersonation was surprisingly effective and John Sylvester White’s unhinged performance as Woodman was, once again, a highlight of the episode.

Next week: Barbarino becomes a priest and the first season ends!

Retro Television Reviews: Welcome Back Kotter 1.15 “The Sit-In”

Posted on July 22, 2023 by Lisa Marie Bowman

This week, Gabe teaches the Sweathogs how to fight the man!

Episode 1.15 “The Sit-In”

(Dir by Bob LaHendro, originally aired on January 13th, 1976)

As this episode begins, Gabe is running late but he still takes the time to tell Julie about his Uncle Bernie. Apparently, Uncle Bernie was always late because he was always fighting with his wife. Aunt Helene always said Bernie was going to be late to his own funeral. Bernie replied that he was going to be buried at sea. I didn’t get it either but at least Gabe got to tell his joke. That seems to be important to him.

You know what isn’t a joke? Food fights at school! Mr. Woodman shows up in Gabe’s classroom, wearing a raincoat and a hat because he says that he’s heard that the Sweathogs are going to start a food fight in the cafeteria. Gabe argues that the Sweathogs would not start a food fight in the cafeteria without protecting themselves, just for the Sweathogs to all show up for class wearing costumes that range from a football helmet to a fireman’s uniform to a doctor’s mask to a garbage bag. (Not surprisingly, Horshack is the one who went with the garbage bag.)

“They’re not people, Kotter, they’re not people!” Woodman announces.

“Why didn’t you tell me today was going to be dress-up day?” Gabe asks, “I could have spray-painted my suit and came as a subway train.”

It turns out that the Sweathogs are planning a food fight as a protest against the cafeteria serving liver for lunch. Kotter encourages the Sweathogs to work through the system and put together a petition. When he tells this to Woodman, Woodman replies, “What system, Kotter? There’s only one system here! You’re free to do as you’re told! …. We all have to eat this swill and if I die, I’m taking all of you with me.”

(Woodman, to my surprise, is quickly becoming my favorite character on this show. John Sylvester White’s portrayal, with its suggestion that Woodman is slowly losing his mind, never fails to make me smile.)

Realizing that the petition isn’t going to do the job, Gabe encourages his students to stage a sit-in. For some reason, they all sit down in the classroom instead of the cafeteria. After several hours, Woodman steps into the classroom and discovers the sit-in. Gabe tells Woodman that they’re committed. “If you’re not committed, you should be,” Woodman says, before madly laughing.

Though the Sweathogs want to go home, Gabe demands that they stay in the room and protest. (One gets the feeling that Gabe is once again forcing the Sweathogs to take part in his own midlife crisis.) The Sweathogs agree to continue to the sit-in.

That night, Gabe and Epstein keep everyone amused by doing their imitations of Groucho and Chico Marx.

Unfortunately, it didn’t occur to anyone to bring food into the classroom and the Sweathogs, suffering from hunger pains, once again start to abandon the protest. Gabe tells them that they can’t leave but the Sweathogs are starving! Suddenly, Julie shows up with a picnic basket and announces that she has brought everyone “my famous tuna casserole.” The Sweathogs decide to starve. Gabe tells Julie that not even famine victims would eat her tuna casserole. Ouch! Honestly, if I was Julie, I would leave at that point and just let everyone starve but Julie announces that she used to organize sit-ins in college and she’s staying and she’s even brought pillows and blankets.

Gabe announces that it’s time for everyone to get some sleep for the night. Barbarino tells Gabe that he always sleeps in the nude. “Go ahead,” Gabe says and the audience goes crazy because seriously, young John Travolta was insanely hot. Barbarino disappoints everyone by saying that it’s too cold for him to sleep in the nude. Boooo!

Gabe turns out of the lights. Horshack starts to cry because he doesn’t have his teddy. “You can’t have your teddy,” Gabe replies. “How about Mrs. Kotter?” Horshack asks. “You can’t have my teddy either,” Gabe replies. Meanwhile, Barbarino says his prayers and Epstein says, “Send my regards.” This leads to the Sweathogs debating what God is like. Epstein thinks he sounds like John Wayne. Washington thinks that God has a jazz band. Julie says that God is love and “that if God was here, he would love my tuna casserole.”

And you know what? This is actually a surprisingly sweet scene but I still have no idea how doing a sleepover in a classroom, something that the Drama Club did on a nearly weekly basis when I was in high school, is going to get the liver out of the cafeteria.

The next morning, Woodman comes by the classroom and discovers that everyone spent the night. Woodman says that it doesn’t make a difference because no one cares if the Sweathogs spent the night in the classroom but then a bunch of regular students show up and say they’re joining the sit-in.

“Down with liver!” everyone starts to chant.

Woodman announces that there will no longer be any liver in the cafeteria because “the real students don’t like it either.” So, basically, the Sweathogs still don’t matter. They got what they wanted but not because they wanted it. That’s kind of sad really.

Back at the apartment, Gabe tells Julie a story about his Uncle Jack and how his wife fell out of an airplane. Does it concern Julie that all of Gabe’s jokes are about husbands killing their wives? I mean, I would be careful about bringing up the tuna casserole around him.

Anyway, this was actually a pretty likable episode and an example of what a talented cast can do with an otherwise middling story. During the firsts season, at least, this show was very good about giving every member of the cast a chance to shine.

Next week, we have a two-part episode in which Vinnie Barbarino drops out of high school!

Retro Television Reviews: Welcome Back, Kotter 1.11 “Barbarino’s Girl” and 1.12 “California Dreamin'”

Posted on July 8, 2023 by Lisa Marie Bowman

This week, Barbarino gets a girlfriend and Gabe nearly gets killed by Julie.

Episode 1.11 “Barbarino’s Girl”

(Dir by Bob LaHendro, originally aired on November 25th, 1975)

At the start of this episode, Gabe tells Julie a joke about his uncle and a monkey. I didn’t get it. Julie didn’t look that amused either.

At school, the Sweathogs are not in a good mood because it’s report card time! Gabe tells the Sweathogs not to panic because apparently, even if they are failing Social Studies, they still have time to raise their grades. (So, I guess Gabe is handing out progress reports as opposed to report cards.) Epstein has a note from his mother’s doctor explaining that any bad grades would be bad for her health. (He actually has several notes, one for each class.) The note is signed “Epstein’s Mother’s Doctor.”

Freddie, meanwhile, tries to bribe Gabe with a half-eaten apple while Horshack falls to his knees and begs for a good grade. Only Barbarino doesn’t beg, probably because he knows that he’s the best-looking guy in the school and when you’ve got a smile like that, who needs brains?

Gabe passes out the report cards. Epstein says, “Thanks for killing my mother.” Freddie takes back his apple. Horshack starts to laugh in his braying way. Gabe asks Horshack what’s so funny about his bad grade. Horshack replies that he’s laughing at Barbarino’s even worse grade. Barbarino, it turns out, actually does care about his grades because his mother is a saint who apparently hits him with rosary beads whenever he brings home a bad grade. Gabe says that he can’t just pass Vinne to be nice. He asks what Vinnie would become if everyone just passed him without checking to make sure that he actually learned something. “A high school graduate,” Vinnie says and he has a point.

Speaking of high school and grades and getting held back, I noticed that Barbarino, Freddie, Epstein, and Horshack appear to be the only regular members of the class. This episode featured a lot of students getting upset over their report card and I think one reason they struggled with Kotter’s class is that none of them had ever attended before. Seriously, who are half these people!? I definitely would have noticed that goony redhead sitting in the corner if he had ever attended class before this episode.

Gabe arranges for Barbarino to get some tutoring from Judy Borden (Helaine Lembeck), the same girl that ran against him for student body president. Though Judy and Barbarino initially don’t get along, they soon bond of their shared love of rhyming insults. Unfortunately, the other Sweathogs give Barbarino a hard time about his new friendship with Judy and Barbarino is stunned when Judy turns down his offer of a date. However, Judy later changes her mind and goes to Coney Island with Barbarino and the Sweathogs. Awwwww!

Back at the apartment, Gabe tells Julie a joke about his cousin, Gorgeous Jerry Kotter. It was short joke and apparently, the point was that Gorgeous Jerry had a lot of back hair.

This episode pretty much existed so that John Travolta could do his dumb but sweet routine and I have no problem with that because he did it very well and he showed off that smile that could light up a room. Plus, Barbarino and Judy Borden were a cute couple. That said, I’ll be surprised if their relationship is ever mentioned again.

Episode 1.12 “California Dreamin'”

(Dir by Bob LaHendro, originally aired on December 2nd, 1975)

At the apartment, Gabe tells Julie a joke about the time that his teacher asked him who signed the Declaration of Independence. Gabe replied, “I didn’t sign it.” Later, Gabe’s father came to the school and backed him up. Good for him.

Back at school….

Hey look! The goony redhead is back!

And the goony redhead gets some company when Mr. Woodman stops by the classroom to introduce a transfer student from California. Her name is Bambi (Susan Lanier) and she tells everyone that she loves the beach. She also requests that everyone call her Sunshine.

All the Sweathogs are smitten but Bambi seems to be more interested in Mr. Kotter, asking him what his sign is. Gabe reveals that he’s an Aquarius. “I knew it!” Bambi shouts. Bambi asks Gabe to show her around. Gabe suggests that she ask one of the Sweathogs. “They’re not groovy like you,” Bambi replies.

After the school day ends, Gabe returns to his apartment. Julie asks him why a girl named Sunshine has been repeatedly calling the apartment and asking whether or not Gabe wants to go skinny dipping. Julie is so annoyed that she even puts on her glasses so that her withering stare can be magnified.

Julie asks Gabe if he has anything to say for himself.

“Yes,” Gabe replies, “Can I go?”

Gabe explains that Sunshine has a crush on him but he also tells Julie that he’ll explain to Sunshine tomorrow that they cannot run off together. He says that he’s sure that he can get Sunshine to understand and, “If she doesn’t, I promise I’ll write.” Julie attacks Gabe with a pillow in a way that suggests that she’s genuinely furious with him. Reportedly, Marcia Strassman and Gabe Kaplan did not get along during the production of Welcome Back, Kotter and, in this episode, Julie really does seem like she’s just looking for an excuse to kill her husband.

Back in the classroom, each Sweathog tries to impress Bambi. Epstenin chants her name. Horshack shows up with a walking stick, an overcoat, and sunglasses and pretends to be a Hollywood producer. Freddie sings a calypso song about how Santa Claus is black. Barbarino rushes into the room and sings, “I’m singing ba-ba-ba-ba-Barbino!” while the audience goes crazy.

Gabe, however, asks to speak to Bambi in the hallway. He reveals that he checked her records and discovered that she’s not from California. She’s from Lubbock and she’s been to 11 different schools, where she has always caused trouble. Bambi decides to show Gabe what type of trouble she can cause by entering the room and announcing that her pencil is on Gabe’s desk. Barbarino, Freddie, Epstein, and Horshack lunge for it.

After Gabe points out how foolish everyone is acting over her, Bambi sees the folly of her ways and tells everyone the truth. The Sweathogs are very forgiving, probably because the last thing they were interested in, as far as Bambi was concerned, was what state she was from.

Back the apartment, Gabe wakes up Julie in the middle of the night to tell her about his Uncle Herbie. Julie rolls her eyes as Gabe talks about how his Aunt Estelle tried to trick Herbie into giving up alcohol and how it didn’t work.

I liked this episode more than I thought I would. My family moved around a lot when I was growing up so I could relate to how Bambi felt about having to always make a big first impression at every new school that she went to. Even if Marcia Strassman seemed to be annoyed by his very existence, Gabe Kaplan gave a good performance in this episode, especially in the scene where he confronted Bambi with the truth about her background. All in all, this was a pretty good episode.

Next week — Horshack gets promoted out of remedial classes!

Retro Television Reviews: Welcome Back, Kotter 1.7 “Classroom Marriage” and 1.8 “One Of Our Sweathogs Is Missing”

Posted on June 24, 2023 by Lisa Marie Bowman

This week, Freddie wants to get married and Epstein loses his confidence.

Episode 1.7 “Classroom Marriage”

(Dir by Bob LoHendro, originally aired on October 21st, 1975)

In their cluttered little apartment, Julie is shocked to discover that Gabe is not only awake at midnight but that he’s also sitting out on the fire escape with a basketball. Gabe explains that he’s depressed. He knows that there’s something going on with the Sweathogs but none of them trust him enough to come to him. In a perfect example of “Be careful what you wish for,” the phone rings.

Julie answers the phone and tells Gabe, “It’s Boom Boom.”

“Boom Boom who?” Gabe replies.

Of course, it’s Freddie “Boom Boom” Washington. Freddie says that he and his girlfriend need Gabe’s advice and that they’re on their way over. No sooner has the call ended then someone knocks on the door. Julie answers it and Vinnie, wearing a trench coat, rushes into the apartment.

After explaining that he can’t afford to be seen talking to a teacher, Vinnie explains that Freddie is planning on getting married. Suddenly, someone else knocks on the door. Vinnie hides in the bathroom.

Rosalie Tosty (Debralee Scott) enters the apartment, wearing a trench coat because she doesn’t want anyone to see her talking to a teacher. She explains that Freddie is getting married. Someone knocks on the door. Rosalie says she’ll hide in the bathroom.

“Vinnie’s in there!” Julie says.

Rosalie smiles and says that’s fine before joining him.

Kotter opens the door and Epstein, wearing a trench coat and a fake mouth on the back of his head, enters the apartment. Epstein says that Freddie is getting married and Vinnie is driving everyone crazy with his attempts to talk Freddie out of it. Someone knocks on the door. Epstein hides in a closet.

Again, Kotter opens the door. Horseshack enters, wearing a gorilla mask. He explains that he’s fine with Freddie getting married because he thinks it’s very romantic. Someone knocks on the door. Horseshack ducks out the window and hides on the fire escape.

Once again, the door is opened. Freddie enters, accompanied by his girlfriend Vernajean (Vernee Watson). Freddie explains that they’re getting married because Vernajean’s father is moving to Staten Island and Freddie can’t stand the thought of her living in a different borough. Gabe attempts to talk them out of getting married by talking about how difficult it would be for them to even find someone in New York City to marry them. “I mean,” Gabe says, “you could lie about your age and go to Maryland but….”

Freddie smiles. “We could lie about our age and go to Maryland!” Freddie thanks Gabe for the advice and then leaves.

This whole sequence is an example of the first season of Welcome Back, Kotter at its best. Yes, it’s very busy and frantic but the entire cast shows off perfect comedic timing, from John Travolta and Debralee Scott to Robert Hegyes and Ron Palillo. Robert Hegyes is especially funny as he captures Epstein’s mix of earnest eccentricity. And, to top it all off, the expression of Gabe’s face when he realizes that he’s accidentally convinced Freddie to get married is simply priceless.

Fear not. The next day in class, Gabe has Freddie and Vernajean do an exercise where they pretend to be married. They’re able to handle having Horseshack as their son but the pretend marriage pretty much falls apart as soon as Gabe shows up and demands that they pay him the rent. In the end, Freddie admits that he only asked Vernajean to marry him because he was afraid that she would forget about him after she moved to Staten Island. Vernajean assures him that could never happen. Awwwwww!

This was a sweet and funny episode. When Gabe ended the episode with a corny joke about his astronaut uncle, Buzz Kotter, you couldn’t help but feel that Gabe had earned the right to make his little joke. He did a good job.

Episode 1.8 “One Of Our Sweathogs Is Missing”

(Dir by Bob LoHendro, originally aired on October 28th, 1975)

Gabe tells Julie a rather macabre joke about his uncle who is marrying his fourth wife. Julie asks about the other three wives. Gabe explains that the first and second wives died from eating poisoned mushrooms and the third died from a fractured skull “because she wouldn’t eat the poisoned mushrooms.” Yikes! It’s hard not to feel that Gabe was warning Julie about rolling her eyes at any more of his jokes.

Meanwhile, at the school, the Sweathogs are excited when Todd Ludlow (Dennis Bowen) challenges Epstein to a fight. However, they are shocked when Epstein — voted most likely to take a life — is easily beaten by Ludlow. After Vinnie, Freddie, and Horseshack have a good laugh over Epstein and his black eye, Epstein runs off and disappears for three days.

Feeling guilty, Barbarino sets up Epstein Central in the classroom:

Mr. Woodman comes by, searching for his red phone. When the phone rings, Woodman insists on answer it himself.

It turns out that Julie is calling for Gabe, in order to tell him that Epstein has shown up at their apartment and locked himself in the bathroom. While Gabe heads home, Julie asks Epstein if he wants anything to drink. Epstein replies that he’s not worthy of anything good to drink but he would happily accept a flat and warm beverage.

Fortunately, Gabe shows up. Epstein agrees to come out of the bathroom as long as Gabe promises not to look at him. While Gabe stares at the lamp, Epstein explains that he only came by the apartment to say goodbye. He feels that his fearsome reputation was the only thing that Epstein had going for him. (Awwwww! Poor Epstein!) Gabe finally looks away from the lamp and tells Epstein that he’s a smart and energetic young man with a lot of potential. Seriously, this scene was so achingly sincere and well-acted by Gabe Kaplan and Robert Hegyes that it was impossible not to be touched by it.

Anyway, it all works out in the end. The other Sweathogs show up on Gabe’s fire escape and they declare their friendship for Epstein. Epstein agrees not to run away. He calls home and tells his mother that he’s okay. His mother tells him to have dinner with the Kotters because his family has already eaten that day. The audience laughs but that’s actually one of the saddest things I’ve ever heard.

With everything resolved, Gabe tells Julie a story about his Uncle Bernie, who never took a bath.

Like the one that preceded it, this was a funny and surprisingly sweet episode. Welcome Back, Kotter is turning out to be a lot better than I was expecting.

Retro Television Reviews: Welcome Back, Kotter 1.5 “The Election” and 1.6 “No More Mr. Nice Guy”

Posted on June 17, 2023 by Lisa Marie Bowman

This week, Vinnie Barbarino runs for president!

Episode 1.5 “The Election”

(Dir by Bob LaHendro, originally aired on October 7th, 1975)

At their apartment, Gabe asks Julie if he ever told her about the time that he thought he was adopted. Julie, looking very concerned, tells Gabe that he has never told her about that. Gabe replies that he was worried until the night of his high school graduation, when his father, Ling Ping, told him that he was not adopted. Julie is very amused, especially when Gabe imitates Ling Ping’s accent. It was 1975.

Speaking of 1975, America was in the early days of the ’76 presidential election when this episode aired. On the Republican side, Richard Nixon had resigned. Gerald Ford was President but was being challenged for the nomination by Ronald Reagan. On the Democrat side, Ted Kennedy’s refusal to say whether or not he was running left the party feeling as if they had been driven off a bridge and left to drown. Dull Henry Jackson and racist George Wallace were the front runners, even though an obscure and not particularly well-regarded governor named James Carter was insisting that people should give him a look. My point is that it was a political time and it’s not surprising that this episode of Welcome Back, Kotter reflected that.

How did the show reflect that? By having Vinnie Barbarino run for student body president!

Epstein is Vinnie’s campaign manager, which means that he spends his time hanging out in the hallway and threatening people until they say they’ll vote for Vinnie.

Washington is Vinnie’s press secretary and happily shows off his ability to avoid taking a definite stand on any issue.

And Vinnie’s slogan? Vote for Vinne and nobody gets hurt.

“I’m a law and order candidate,” Vinnie explains, “I make the laws and I give the orders.”

Running against Vinnie is Scott Phillips, the president of the Debate club and Judy Borden who, according to Horseshack and Epstein, “is so fat that last year, she ran for homecoming queen and was elected the float.” Perhaps realizing that the election is not going to make his remedial class look like the future upstanding citizens that he claims they are, Kotter encourages Barbarino to run a real campaign, one that will make people reconsider the way that they view the Sweathogs.

“If elected,” Barbarino says, “there will be less homework.”

“How are you going to keep that promise?” Kotter asks.

“If I’m president, I’m going to do less homework.”

Unfortunately, Vinnie gets tired of Kotter pressuring him to take the election seriously and he decides to withdraw as a candidate. No sooner has the bell rang and the Sweathogs have left the classroom then Scott and Judy (who is not fat at all) enter the classroom and inform Mr. Kotter that, due to all of the Sweathog bullying, they’re withdrawing as well.

Realizing that the Sweathogs have a chance to win their first ever victory at Buchanan High, Kotter has a meeting with Barbarino and Epstein and attempts to talk Barbarino into running again. Barbarino is not interested until he learns that Scott and Judy have quit. Kotter admits that he made a mistake in pressuring Barbarino to change his image but he does ask Barbarino if he wants to win the presidency just because Scott and Judy were intimidated into quitting.

“Yeah,” Barbarino replies.

Scott and Judy arrive at the office and Kotter leaves them alone with Barbarino and Epstein so they can work out their problems.

Which I guess they do because the episode abruptly jumps to election day. Barbarino and the Sweathogs are convinced that Barbarino is going to win. However, Mr. Woodman stops by the room and announces that Scott won the election. In order to cheer up Barbarino, Kotter points out that Barbarino got 47 votes. (He also mentions that Scott got 322.) Barbarino points out that, if he stays in school long enough, he’ll win an election eventually. That’s the spirit!

Back at the apartment, Kotter tells Julie a story about how his family’s chicken recipe isn’t that good.

As is becoming a recurring theme with these Welcome Back, Kotter reviews, I enjoyed this episode a lot more than I thought I would. From Barbarino’s earnest stupidity to Epstein’s cheerful love of violence, this episode featured the students at their best and, even more importantly, Mr. Kotter really did seem to care about whether or not Barbarino learned something from his experience as a political candidate. Even Mr. Woodman’s barely supressed glee over Barbarino’s defeat made me smile. This was a good episode.

Episode 1.6 “No More Nice Guy”

(Dir by Bob LaHendro, originally aired on October 14th, 1975)

At the apartment, Kotter tells Julie about the time he dated a girl who was just like his mother. “What happened?” Julie asks. “My father hated her,” Kotter says, with a big grin. (In response, Julie smiles politely.)

At the school, Kotter witnesses Mr. Woodman having a nervous breakdown because someone has been stealing the chalk from his classroom. Realizing that Woodman is having an existential crisis, Kotter suggests that Woodman should go out with a friend and have dinner. Woodman interprets this as Kotter inviting him over to his apartment.

That night, after a little awkward conversation, Kotter and Julie both tell Woodman that he should get back into teaching. (Kotter explains that Woodman was the greatest history teacher that he ever had. Woodman says that it was because he has always enjoyed talking about guns and war.) Woodman takes Kotter’s advice and, the next day, he teaches the Sweathogs about the Revolutionary War.

He starts the lesson by dressing up as a redcoat.

He ends it by transforming into George Washington.

The Sweathogs love the lesson and Mr. Woodman is overjoyed to discover that he can still teach. Unfortunately, Woodman is so happy that he stops being a disciplinarian. This means that Mr. Kotter now has to be the disciplinarian. Soon, the Sweathogs are angry at Kotter and chaos is running rampant through the school. Fortunately, Kotter discovers that the Sweathogs have been hiding Woodman’s chalk in his desk. When Kotter shows Woodman all of the stolen chalk, Woodman snaps back into being his usual grouchy self.

Back at the bar, Kotter tells Julie about what happened when a man and a mouse walked into a bar. Julie has the patience of a saint.

This was a good episode, largely because it highlighted John Sylvester White’s wonderfully eccentric performance as Mr. Woodman. White played Woodman as a man who was always on the verge of having a complete breakdown and he got a lot of laughs from the way his facial expressions and his body language with communicate Woodman’s repressed rage. This episode, White showed us another side of Woodman and proved that he could be just as funny while being likable as he was when he was being an obsessive authoritarian. It was hard not to get caught up in Woodman’s joy over getting to teach but it was also hard not to feel a bit of relief when Woodman went back to being his usual self. The high school, like any institution, needed someone who was willing to play the bad guy. Again, this was another episode that was far better than I was expecting.

Next week …. Freddie’s getting married!

Retro Television Reviews: The Love Boat 2.16 “Gopher’s Opportunity / The Switch / Home Sweet Home”

Posted on May 31, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, The Love Boat sets sail for a thoroughly pleasant cruise. Come on board, they’re expecting you!

Episode 2.16 “Gopher’s Opportunity / The Switch / Home Sweet Home”

(Directed by Roger Duchowny and Allen Baron, originally aired on January 20th, 1979)

I’ve been watching these old episodes of The Love Boat for a while now and I have to say that I’m still not totally sure what it is that Gopher actually does on the ship. Merrill Stubing is the captain and is responsible for the safety of all of the passengers. Julie McCoy is the cruise director and is responsible for making sure everyone is entertained. Adam Bricker is the doctor and is probably responsible for the cruise line getting sued by every patient that he hits on. Isaac Washington is the bartender and is responsible for getting everyone so drunk that they’ll go back to their cabin with the first person who asks. But what does Gopher do?

I know that Gopher is the purser but the show has never really made clear what that means. I know I could look it up on Wikipedia but that’s not really the point. The point is that, while Fred Grandy was certainly likable in the role, the show often seemed to be unsure of what to do with Gopher. His cabin was decorated with posters of old movies but Gopher rarely spoke of being a fan. Instead, while the other crew members fell in love with passengers and got involved in each other’s lives, Gopher was often left as a mere observer.

This episode is unique because it actually allows Gopher to do something. When his old friends, Melody (Elayne Joyce) and Phil (Bobby Van), board the ship, they tell Gopher that they need a manager for their hotel and that they’re offering him the job. Normally, Gopher would never think of leaving his friends on the Pacific Princess but this episode finds him getting on Stubing’s nerves by leaving too many suggestions in the suggestion box. (One suggestion, which Stubing finds to be particularly egregious, is that the boat should have a designated “no smoking” area, which today just sounds like common sense, Can you even smoke on a cruise ship anymore?) Gopher, feeling underappreciated by the Captain, takes the hotel job. But, after he realizes that there’s an attraction between him and Melody, Gopher decides to stay on the boat and instead, he encourages Phil to give the position to Melody. It’s a pretty simple story but it does allow Fred Grandy to do something more than just make wisecracks in the corner. To be honest, the main theme of this story seemed to be that Captain Stubing is an insensitive jerk who doesn’t really appreciate his crew until they threaten to quit.

While Gopher is trying to decide whether to pursue a new career, magician Al Breyer (Ron Palillo, co-star of the latest addition to Retro Television Reviews, Welcome Back, Kotter) comes to the ship as a last-minute replacement for his older brother, Ken (Michael Gregory). Ken’s assistant, Maggie (Melinda Naud), is already on the boat and she’s disappointed when Al shows up instead of Ken. It turns out that Maggie was more than just Ken’s assistant. At first, she refuses to work with Al but she comes around when she discovers that Al is sensitive and nice and basically the opposite of Ken. When Ken does finally show up on the ship, he’s such a sleazeball that you have to kind of wonder what Maggie ever saw in him to begin with. Al responds to Ken’s arrival by locking him in a closet and then he and Maggie leave the boat, arm-in-arm. Hopefully, someone found Ken before he suffocated because, otherwise, Al’s magic career might come to an abrupt end.

Meanwhile, Hetty Waterhouse (Nancy Walker) decides that she’s going to live on the ship. She can do this because she’s a wealthy widow. She books her cabin for the next five years. Oddly, even though the audience has never seen or heard about her before, everyone else on the crew seems to know her and treats her like an old friend. That always bothers me a little, when we’re told that a previously unknown character is apparently everyone’s best friend. Anyway, the main reason that Hetty wants to live on the boat is because she’s in love with Charlie (Abe Vigoda), a cabin steward who has apparently been on the boat for years but who, again, the audience has never seen or hear about before. Charlie is retiring but he wants to get an apartment on dry land. He’s tired of the sea. Hetty gives up her cabin so that she can move into Charlie’s apartment. Awwwww!

This was actually a pretty sweet episode. Gopher finally felt appreciated by the captain. Al and Maggie realized that they were both better than Ken. Hetty and ~~Tessio~~ Charlie found late-in-life happiness together. This was a perfectly charming cruise!

Everyone’s Crazy: Committed (1991, directed by William A. Levey)

Posted on October 19, 2018 by Jedadiah Leland

After her lover and employer commits suicide, nurse Susan Manning (Jennifer O’Neill) needs a new job so she applies at an experimental mental hospital that is known as the Institute. The director of the Institute, Dr. Magnus Quilly (William Windom), explains to her that he cures his patients by allowing them to live out their fantasies in a controlled environment. He asks Susan is she’s prepared to “commit” herself to being a nurse. Susan says that she is and signs the papers that Dr. Quilly hands to her.

Too late, Susan discovers that Dr. Quilly didn’t hand her an employment contract. Instead, Susan has just signed her own commitment papers and is now a patient at the Institute! Dr. Quilly tells her that, as he does with all of his patients, he will allow her to live out her fantasy of being a nurse. After discovering than an electrified fence makes it impossible to escape, Susan starts working as a nurse but she soon discovers that she is not the first person to be tricked into working at the Institute and that almost all of her predecessors died under mysterious circumstances.

Committed is one of many films about what happens when the lunatics literally take over the asylum. (This is a plot that was first used by Edgar Allan Poe in The System of Dr. Tarr and Professor Fether.) The film is hurt by its low-budget but veteran B-movie director William A. Levey does a good job playing up the claustrophobia of being trapped in one location and Committed features eccentric performances from actors like Robert Forster, Ron Pallilo, and Sidney Lassick. Committed asks, “Who is actually sane in an insane world?” and answers, “Everyone’s crazy!”

The best thing about Committed is that it stars Jennifer O’Neill, a beautiful model-turned-actress who found brief stardom when she appeared as the war bride in Summer of ’42. Though O’Neill’s career never lived up to the promise of her first film, she was a better-than-average actress and she’s pretty good in Committed. Both she and the film keep it deliberately ambiguous about whether or not Susan is really a nurse or if her whole backstory is just something that she’s fantasized.

Committed is a well-made B-movie from the golden age of straight-to-video thrillers and late night HBO premieres. Despite a low-budget, this movie shows the good work that a cast and a director can do when they’re fully committed.

Back to School Part II #11: Skatetown U.S.A. (dir by William A. Levey)

Posted on August 25, 2016 by Lisa Marie Bowman

Now that I’ve fully recovered from the trauma of writing about Grease, let me tell you about a little movie from 1979. It’s a movie about teenagers, love, and competition. It’s also a movie about disco and some actors who had some extra time on their hands. It has a great soundtrack and the whole movie is pure 70s. It even features the debut performance of a future movie star!

What film am I talking about?

SKATETOWN, USA, of course!

But before I talk about the movie, check out the trailer. This is one of my favorite trailers of all time. It pretty much tells you everything that you need to know about the movie. There’s not a deceptive moment to be found in this preview:

Skatetown, U.S.A. is one of those movies that you watch and think, “This could only have been made in the 70s.” Remember how watching Hollywood High caused me to doubt whether or not the 70s were actually all they were cracked up to be? Well, Skatetown USA has renewed my faith! Skatetown is such a 70s film that I personally think someone should send me an honorary coke spoon to reward me for watching it.

(Maureen McCormick, who is best known for playing Marcia Brady and who had a small role in Skatetown, wrote in her autobiography that the main thing she remembers about Skatetown is all the cocaine on the set.)

Skatetown USA doesn’t really have a traditional plot. Instead, it’s a collection of “comedic” skits mixed in with roller skating performances and a nonstop soundtrack. There is not a second that music is not playing in the background and, for what appears to be a low-budget film, the soundtrack is truly impressive. Basically, almost every great disco song from the 1970s is heard at some point during Skatetown USA. (Even that “Boogie Nights” song that Paul Thomas Anderson was apparently not allowed to actually use in Boogie Nights! Imagine being the copyright holders who said yes to Skatetown but no to Paul Thomas Anderson…)

The film’s main character appears to be an unnamed DJ (Denny Johnston). The DJ wears a big white afro wig and is always dancing in his booth. Occasionally, he shoots a lightning bolt from his middle finger and suddenly, professional roller dancers appear and do a routine. At the end of the movie, he looks at the camera, says that it’s all a fantasy, and winks.

Skatetown is the most popular disco roller rink in town. Clean-cut teenager and all around nice guy Stan Nelson (Greg Bradford) wants to win Skatetown’s roller dancing contest. (The prize is $1,000 and a moped!) His best friend, Richie (Scott Baio), accompanies him and hopes to win a lot of money by betting on the outcome of the contest. Stan angrily reprimands him, “This isn’t the streets! This is Skatetown, U.S.A!”

That’s right — don’t mess with the good name of Skatetown!

Anyway, Stan’s actually a pretty good performer and he does this trick where he rides a skateboard while wearing roller skaters so you would think he would be a sure bet to win.

BUT NO!

The reigning Skatetown champion is Ace Johnson (Patrick Swayze, making his film debut) and we know that Ace is a bad guy because he wears all black and he occasionally snaps a whip while he’s rolling around! Ace isn’t above cheating to win but really he doesn’t have to cheat! Ace may be the bad guy but, seriously, he totally kicks ass while wearing roller skates. As soon as he rolls out there, you understand why he’s the reigning champion.

See, here’s the thing with Skatetown: We’re supposed to be rooting for Stan but Ace really is a hundred times better than him. There’s a reason why Patrick Swayze went on to have a career after Skatetown while Greg Bradford only has 8 credits on the imdb. Swayze, even in this silly role, had movie star charisma whereas Bradford — well, he’s comes across as a nice guy but there’s nothing special about him. Swayze, meanwhile, is dangerous and smoldering.

For instance, when Stan does his routine, his background music is The Village People singing “Macho Man” and you can’t help but snicker a little. Whereas, when Ace performs, his background music is a slightly menacing cover of Under My Thumb. Stan is the Village People. Ace is the Rolling Stones.

Anyway, the film might not be good in the traditional sense but I absolutely loved Skatetown, U.S.A. Why? Because it’s a total time capsule! Watching it is such a totally 70s experience that I was even tempted to get a frizzy perm, start wearing bell bottoms, and stop wearing a bra. Fortunately, the temptation passed but still, I enjoyed getting to use my cinematic time machine.

Add to that, the film itself is just so over-the-top and silly that … well, you can really believe that everyone involved in the movie was snorting mountains of cocaine in between takes. There’s not a subtle moment to be found in Skatetown, U.S.A. Instead, it’s all bright neon, loud music, flamboyant characters, silly melodrama, and corny humor.

(My personal theory is that Skatetown, U.S.A. was taking place in the same cinematic universe of A Clockwork Orange and it was showing what normal teenagers were doing while Alex and his droogs were seeking out the ultraviolence. The over-the-top design of Skatetown reminded me of the similar flamboyance of the Korova Milk Bar and the droogs’s bowlers and oversized codpieces weren’t that different from some of the costumes worn by the cast of Skatetown.)

Anyway, Skatetown is one of those films that everyone should see once. Unfortunately, because of all the music in the film, it’s never been released on DVD or Blu-ray and it probably never will be because life sucks. It is on YouTube, though it was recorded off an old VHS tape so the transfer is not the best.

Here’s Skatetown, USA:

One final note: Skatetown, USA was directed by the same William Levey who also directed Blackenstein, Hellgate, and The Happy Hooker Goes to Washington. It was written Nick Castle, who played Michael Myers in the original Halloween and directed a film that is well-liked by several of the writers here at the Shattered Lens, The Last Starfighter.