Retro Television Review: Money to Burn (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1973’s Money To Burn!  It  can be viewed on YouTube.

For someone who has spent the past few years in prison, Jed Finnegan (E.G. Marshall) sure is a nice old man!  He runs the prison print shop and all of the other prisoners love him.  The guards trust him.  The warden (David Doyle) is really impressed with Jed’s watercolors and is interested in helping Jed launch a career as an artist after he gets out of prison.  Every weekend, Jed’s wife, Emily (Mildred Natwick), comes up to the prison with a picnic basket and she has lunch with her husband.  Jed admits that his wife is not a particularly good cook but it’s obvious that he really looks forward to her visits.

Emily’s sweet nature keeps a lot of people from noticing that she is just as cunning and clever a criminal as Jed ever was.  She knows that Jed had printed up one million dollars in counterfeit bills and she is looking forward to helping him exchange the fake money for real money.  Jed’s plan is to steal the payroll of the local army base and just leave the fake money in place of the real money.  However, Jed’s been in prison for so long that he doesn’t know that the military no longer pays anyone in cash.  Everyone’s paying everyone by check!

(This film is very much from the 70s.  While Jed and Emily were shocked to discover that people were no longer being paid in cash, I was shocked to discover that they were being paid by check.)

Working with two recently released ex-cons (played by Cleavon Little and Alejandro Rey), Emily tries to find a new way to switch out the money.  She discovers that there’s an incinerator nearby where the government burns the currency that it no longer needs.  But it won’t be easy to break in and make sure that the right money get burned….

And that’s not even mentioning the trouble of getting the fake money out of the prison in the first place!

Money to Burn is likable mix of comedy and (very mild) action.  It’s a film about criminals but they’re very likable criminals who go out of their way not to hurt people.  Emily is even happy about the idea of not only stealing a million dollars but also helping the government out by taking the old currency off their hands.  Marshall, Natwick, Little, and Rey all give such warm and cheerful performances that you can’t help but hope that they get away with their scheme.  The film, which deftly balances comedy and drama, clocks in at a brisk 73 minutes and it has an absolutely wonderful twist ending.  This is definitely a heist film that deserves to be better known.

Retro Television Review: Fallen Angel (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1981’s Fallen Angel!  It  can be viewed on Tubi.

Jennifer Phillips (Dana Hill) is 12 years old and struggling to find her place in the world.  Sometimes, she wants to be a gymnast.  Sometimes, she wants to be an actress.  She misses her late father.  She has a difficult time communicating with her mother, an often-exhausted waitress named Sherry (Melinda Dillon).  She is definitely not happy that Sherry is dating the well-meaning but rather dorky Frank Dawson (Ronny Cox).  Jennifer wants to watch an awards show.  Frank changes the channel to a baseball game.  That pretty much sums up their relationship.

One night, Jennifer escapes the unhappiness of her home life by going to an arcade.  That’s where she is approached by Howard Nichols (Richard Masur), a seemingly friendly older man who takes her picture and then tells her that she’s just as beautiful as Farrah Fawcett and Olivia Newton-John.  Jennifer replies that she doesn’t think that she should talk to Howard because he’s a stranger.  Howard tells her that’s very smart of her and then explains that he coaches the local girls softball team and that he thinks Jennifer would make a great shortstop.

You can probably guess where this is going and you’re absolutely right.  Soon, Jennifer is spending all of her time with Howard, who tells her that he understands what she’s going through even if her parents don’t.  Howard’s an amateur photographer and he’s constantly asking Jennifer to pose for him.  He tells Jennifer that she probably shouldn’t tell any adults about their “special friendship” because they just wouldn’t understand.  He even buys Jennifer a puppy, one that he threatens to take back to the pound whenever it appears that Jennifer is trying to step away from him.  

Howard is not only a pedophile but he also works for a pornography ring and, as Jennifer soon finds out, he’s actually got several young people living with him and posing for pictures.  Jennifer’s mother eventually becomes concerned about what Jennifer is doing when she leaves the house and she even comes to suspect that friendly old Howard is not quite as friendly as he pretends to be.  But is it too late?

Yikes!  I watched this film on Tubi and I cringed through the whole thing.  Of course, that’s the reaction that Fallen Angel was going for.  This is a film that was made to encourage parents to maybe be a little concerned about with whom their children are spending their free time.  Jennifer is fortunate that her mom eventually figures out what is going on but, as the film makes clear, a lot of victims are not so lucky.  This film is pure paranoia fuel but in the best way possible.  There are some things that every parent should be paranoid about and the adult who only spends time with people 20 years younger than him is definitely one of those things.  The film is well-made, well-written, and well-acted.  Richard Masur, with his friendly manner and his manipulate tone, will give you nightmares.

Retro Television Review: The Astronaut (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s The Astronaut!  It  can be viewed on YouTube!

NASA has successfully landed a man on Mars!  The entire world watches as Col. Brice Randolph (Monte Markham) makes his way across the Martian surface.  However, suddenly, the signal goes out.  Viewers are assured that this is the sort of thing that happens all the time with interstellar travel.  What they don’t know is that the signal went down because Brice suddenly died.  While the surviving members of the mission return to Earth, NASA tries to figure out how to keep anyone from finding out what happened to Brice.  NASA director Kurt Anderson (Jackie Cooper) knows that the President wants to cut the budget and the death of an astronaut would probably provide the perfect excuse for taking money away from NASA and canceling the Mars program.

Anderson’s solution is to recruit a substitute.  Eddie Reese (Monte Markham) has a slight resemblance to Brice, one that can be perfected through plastic surgery.  While the mission returns from Mars, Eddie goes through a crash course to teach him how to talk, walk, and think like Col. Brice Randolph.  Eddie is told that he’ll have to be Brice until the NASA scientists can figure out what led to Brice’s death.  Once they do know what went wrong with the mission, Eddie will have to go into NASA’s version of the witness protection.

Eddie proves to be a quick learner and it helps that he, like so many others, looked up to Brice.  However, while Eddie can fool almost everyone else, he cannot fool Brice’s wife, Gail (Susan Clark).  When Eddie actually treats Gail with kindness and shows sympathy for her nervous condition, she realizes that there’s no way that Eddie is actually her husband.  Apparently, Brice was not quite the saintly figure that the public believed him to be.  Eddie and Gail soon fall in love for real but when NASA finally discovers what led to Brice’s death, it looks like their new life together might be over as abruptly as it begun.

The Astronaut is a low-key conspiracy …. well, I hesitate to call it a thriller.  There’s little of the things that one typically associated with a conspiracy thriller.  There’s no black helicopters.  There’s no shadowy assassins.  There’s no army of men walking around in black suits.  Instead, there’s just a bunch of nervous bureaucrats who are desperate to keep the rest of the world from discovering just how much they screwed up.  As played by Jackie Cooper, the head of NASA isn’t so much evil as he’s just way too devoted-to-his-job for his own good.  In many ways, this is probably one of the most realistic conspiracies ever portrayed on film.

In the end, The Astronaut is a portrait of two lonely people who find love in the strangest of circumstances.  Susan Clark and Monte Markham make for a likable couple and the viewer really does hope that things will work out for them.  What this film lack in conspiracy thrills, it makes up for in human drama.  It appealed to both my romantic and my rabid anti-government sides.  What more could one ask?

Retro Television Reviews: The Alpha Caper (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1973’s The Alpha Caper!  It  can be viewed on YouTube!

After years of faithful service and hard work, parole officer Mark Forbes (Henry Fonda) is on the verge of mandatory retirement.  He’s spent his entire career playing by the rules and taking orders and helping recently released criminals go straight.  For all of his service, all he’s gets is a small party and a cheap retirement gift.

Still, Mark is on the job when he gets a call that one of his parolees, Harry (Noah Beery, Jr.), is currently in the middle of a stand-off with the cops.  Mark goes to the crime scene, where he discovers that Harry was trying to rob a warehouse full of weapons.  He also discovers that Harry is dying, as the result of being shot by the police.  Before Harry passes, he tells Mark that he and three other ex-cons were plotting to steal a shipment of gold bars.

Mark decides to carry out Harry’s plan.  Working with Mitch (Leonard Nimoy), Tudor (Larry Hagman), and Scat (James McEachin), Mark comes up with a plan to rob the armored cars that are going to be transporting the gold.  While Tudor and Scat are quick to join up with Mark, Mitch is a bit more hesitant.  In the end, though, they all decide to work together.  The plan they come up with is a clever one but its main strength is that it’s being spearheaded by Mark, a man who no one would ever expect to commit a crime.  No one but his colleague and friend, Lee (John Marley), that is.

I watched The Alpha Caper last night, with my friend Phil, Janeen, and Spiro.  To be honest, I selected the film because the title led me to suspect that it would be a science fiction film of some sort.  I was a little surprised when it turned out to be a crime thriller but I was even more surprised by just how good the film itself turned out to be.  Cleverly plotted and well-acted by the entire cast (and featuring a scruffy Leonard Nimoy playing a role that’s about as far from the coldly logical Mr. Spock as one can get), The Alpha Caper is an entertaining crime film but it’s also surprisingly poignant.  Mark is someone who feels that he’s lived his entire life without taking a single risk and, as a result, he has nothing to show for it.  He compares his situation to the mythical Kilroy of “Kilroy was Here” graffiti fame.  Kilroy will always be remembered, even though no one is really sure who he was.  Mark fears that he’s destined to be forgotten.  The robbery is Mark’s way of announcing that “Mark Forbes was here.”  The film ends on a surprisingly touching, if rather bittersweet, note.

The Alpha Caper originally aired on ABC on October 6th, 1973.  It was apparently meant to be a pilot for an anthology show that would be called Crime.  The series wasn’t picked up but, two years later, The Alpha Caper was theatrically released in Italy.  Today, it can be seen on YouTube.  Like Mark Forbes and Kilroy, the film has not been forgotten.

Retro Television Reviews: The Day The Earth Moved (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s The Day The Earth Moved!  It  can be viewed on YouTube!

Sitting in the middle of the Nevada desert, there’s a town called Bates.

Bates was once a thriving community but the years and the hot Nevada winds have not been kind to it.  Now, it consists of only a  few buildings and a speed trap.  Judge Tom Backsler (William Windom) is the most powerful man in this tiny community and he’s determined to return Bates to its former glory.  His plan is to open up a Christmas park and to remake Bates as “Santa Claus’s home away from the North Pole.”  In order to raise the money for that project, he and the police run an aggressive speed trap.  When pilot and photographer Steve Barker (Jackie Cooper) is caught in the speed trap, it turns out that he doesn’t have enough money to pay his fine.  So, his car is impounded and he’s put to work, sweeping up the dust and helping to get the Christmas park ready to open.

With the help of friendly little townsgirl, Steve is finally able to escape from Bates and return to his job.  He works with his wife, Kate (Stella Stevens), and his best friend, Harley (Cleavon Little), as surveyors.  When someone wants to buy a stretch of the Nevada desert, Steve and Harley fly over the land and take pictures.  Looking over the latest batch of pictures, Steve deduces that not only is there going to be an earthquake but it’s going to destroy the town of Bates!  Can Steve return to the town that once held him prisoner and convince the townspeople to leave with him before disaster hits!?

In many ways, The Day The Earth Moved is a standard made-for-TV disaster flick.  Only Steve and Kate realize what’s about to happen and they struggle to get anyone else to believe them.  Indeed, it seems like the world is almost conspiring to keep them from warning everyone about the incoming earthquake.  The film’s story checks off all of the expected disaster movie plot points.  That said, the town of Bates itself — with its gigantic Santa Claus standing in the middle of the desert — is a nicely surreal location and the repeated shots of a deserted farm being gradually destroyed by minor tremors achieve a certain ominous grandeur.  Jackie Cooper and Stella Stevens are believable as a husband and wife who love each other despite the fact that they’re often very annoyed with each other.  To the film’s credit, William Windom’s character is not portrayed as being a cardboard villain but instead as someone who simply wants to give his neighbors some place decent to live.  The Day The Earth Moved is predictable but well-done.

Of course, the main reason anyone will have to watch this film will be for the earthquake.  Unfortunately, this is where viewers will run into a common problem that has afflicted many made-for-TV movies.  The low-budget earthquake is just not that impressive.  For all the scenes of people yelling, it’s always pretty obvious that the camera is doing most of the shaking.  But you know what?  It’s a made-for-TV movie from 1974.  Cut it some slack and just go with it.

Retro Television Review: City Killer (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1984’s City Killer.  It  can be viewed on YouTube!

Leo Kalb (Terrence Knox) has come to Chicago.  In many ways, Leo would appear to have a lot going for him.  He’s intelligent.  He’s reasonably good looking.  He served honorably in the military.  Despite his intelligence, he comes across as being a bit of an innocent in the big city.  He’s got a good job, working as an electrician.  It might not be glamorous work but there’s always something appealing about a man who knows how to work with his hands.

Unfortunately, all of those appealing qualities are negated by the fact that Leo’s a loon.  The main reason he’s come to Chicago is to stalk Andrea McKnight (Heather Locklear).  The main reason that Andrea moved to Chicago was to get away from Leo.  Like Leo, Andrea has found some success in Chicago but that’s all turned upside down when Leo calls her and says that he wants to get back together.  Andrea doesn’t want anything to do with Leo so Leo starts blowing up buildings.

That’s right, he starts blowing up buildings.  He also announces that he wants the city of Chicago to pay him an exorbitant amount of money.  He wants a helicopter to fly him to the airport.  He wants to take an airplane to South America, where his bomb-building skills will presumably be put to good use by the The Shining Path.  And he wants Andrea to come with him.  As become clear, the money and the plane are really just red herrings.  Mostly, he just wants Andrea.  The press calls him the Love Bomber.

Lt. Eckford (Gerald McRaney) is assigned to try to negotiate with Leo and also to keep an eye on Andrea.  Needless to say, Andrea takes one look at Lt. Eckford’s powerful mustache and she starts to fall in love with him.  Eckford, meanwhile, starts to fall Andrea, even though he’s a bit older than her and there’s a paternal element to the way that he talks to her that just makes the whole thing feel kind of icky.  (That said, if a mad bomber is blowing up the city just because you won’t date him, it’s perhaps understandable that you would fall for the first person who could not only provide protection but who also didn’t try to make you feel guilty about what was going on.)  Leo senses that Andrea and Eckford are falling in love and he becomes determined to blow up even more stuff.

City Killer is a bit of ridiculous film.  The main problem is that the viewer is asked to believe that, even though Leo is the most wanted man in Chicago and is dominating all the headlines, he could still safely wander around the city and wire building to explode without anyone noticing.  The film presents itself as being a police procedural but one gets the feeling that police must be incredibly incompetent for Leo to successfully blow up so many buildings.  That said, Gerald McRaney is a properly sturdy hero and Terrence Knox is convincingly unhinged as Leo, begging Andrea to love him even while threatening to blow up the very building on which she’s standing.  Heather Locklear doesn’t got to do much, other than answer the phone and look upset whenever a building explodes, but she does it well.  As a veteran TV actress, she knew how to embrace the melodrama and, when you’re appearing in a film like City Killer, that’s the best thing you can do.

Captain Kirk vs. Sheriff Taylor: Pray For The Wildcats (1974, directed by Robert Michael Lewis)


The year is 1974 and there’s nothing more dangerous than being a hippie in Baja California.  That’s because psychotic business Sam Farragutt (played by Andy Griffith!) is on the loose.  Sam likes to describe himself as being a hippie himself.  “A hippie with money,” Sam puts it as he waves a hundred dollar bill in the face of a hippie without money,

Actually, there is one thing more dangerous than being a hippie in Baja California and that’s being an ad executive.  Once again, Sam Farragutt is to blame.  He’s willing to give his business to three ad execs but first they have to agree to go down to Baja and ride around with him on their motorcycles.  The three ad execs are Terry Maxon (former child evangelist Marjoe Gortner!), Paul McIllvain (former Brady Bunch star Robert Reed!), and suicidal burn-out Warren Summerfield (William Shatner!).  Warren is having an affair with Paul’s wife (Angie Dickinson!) but he’s still planning on committing suicide in Mexico.

However, going to Mexico gives Warren a new lease on life.  After Warren discovers that Farragutt is responsible for the death of two hippies, he becomes determined to make sure that justice is served.  Soon, Andy Griffith (!) is chasing William Shatner (!) across the Mexican desert.  Someone’s going to die.  Is it going to be Sheriff Taylor or Captain Kirk?

Pray For The Wildcats was a made-for-TV movie that aired the same year as Savages.  Both movies were a part of Andy Griffith’s attempt to change his image after playing the folksy Sheriff Taylor on The Andy Griffith Show.  Griffith is a good villain but the main appeal of Pray for the Wildcats is the chance to see William Shatner doing his thing.  Shatner has a juicy role here, playing a man who is at first suicidal and then righteously indignant.  He overemotes with the self-serious intensity that was Shatner’s trademark in the years before he finally developed a sense of humor about himself.  The movie itself gets bogged down with unnecessary flashbacks and dated dialogue but the spectacle of Griffith vs. Shatner makes it all worth it.

Embracing the Melodrama Part II #66: Desperate Lives (dir by Robert Michael Lewis)


DL-cov2YouTube, my old friend, you have failed me.

For the longest time, the 1982 anti-drug melodrama Desperate Lives has been available for viewing on YouTube.  I first watched it two years ago, after I read an online article about a scene in which a teenage Helen Hunt takes PCP and jumps through a window.  And, when I watched it, I was stunned.  I knew that the film was going to be over-the-top and silly, largely because it’s hard to imagine how a film featuring a teenage Helen Hunt taking PCP could be anything other than that.  But, even with my experience of watching over the top message movies, nothing could have quite prepared me for Desperate Lives.

So, I figured, for this review, that I’d say a few snarky words about Desperate Lives and then I’d just add something like, “And you can watch it below!”  And then I would embed the entire movie and all of y’all could just click on play and watch a movie on the Lens.

Unfortunately, Desperate Lives has been taken off of YouTube.  I assume the upload violated some sort of copyright thing.  And really, it’s kinda stupid because seriously, Desperate Lives is one of those films that really deserves to be seen for free on YouTube.

Oh well.  You can still watch a video of Helen Hunt jumping through that window.  The video below also features some additional elements from Desperate Lives.

For instance, you get to see Diana Scarwid playing the angriest high school guidance counselor in the world.  Scarwid knows that students like Helen Hunt are using drugs and that her fellow faculty members are turning a blind eye to everything’s that’s happening.  From the minute she first appears on screen, Scarwid is shouting at someone and she doesn’t stop screaming until the film ends.

And you also get to see Doug McKeon, playing Helen Hunt’s brother.  McKeon goes for a drive with his girlfriend, who has just taken PCP herself.  As their car goes flying off a mountain, she says, “Wheeee!”

In the video below, you also get to see that the only reason Helen Hunt used drugs was because her boyfriend begged her to.  That’s a scenario that seems to show up in a lot of high school drug films and it’s strange because it’s something that I’ve never actually seen happen or heard about happening in real life.  In fact, in real life, most users of hard drugs are actually very happy to not share their supply.

Unfortunately, the video below does not feature any scenes of Sam Bottoms as the world’s most charming drug dealer and that’s a shame because he gives the only good performance in the entire film (sorry, Helen!).

Even worse, the video doesn’t include any scenes from the film’s memorably insane conclusion, in which Scarwid searches every single locker in the school and then interrupts a pep rally so she can set everyone’s stash on fire in the middle of the gym.  Making it even better is that all the students are so moved by Scarwid’s final speech that they start tossing all of the drugs that they have on them into the fire.

Which means that the film essentially ends with the entire school getting high off of a huge marijuana bonfire.

No, that scene cannot be found in the video below.  But you can find Helen Hunt jumping through a window so enjoy.

http://www.youtube.com/watch?v=rEpyLzHeozY