Retro Television Review: Shattered Innocence (dir by Sandor Stern)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1988’s Shattered Innocence!  It  can be viewed on YouTube.

Shattered Innocence starts with a young woman shooting herself in a nice bedroom, while someone on the outside bangs on the door.

The rest of the movie shows the events the led up to the suicide of Pauleen Anderson (Jonna Lee).  On the one hand, starting a film with a literal bang is definitely a way to capture the audience’s attention.  On the other hand, letting us know that the story is going to end with a suicide pretty much robs the story of the element of surprise or the ability to take the viewer by surprise.  We know how the story is going to end and it doesn’t take long for us to figure out why it’s going to end that way.

From the minute we see Pauleen as a naive cheerleader with an overprotective family, we know that she’s going to end up hooking up with Cory (Kris Kamm), the local bad boy.  As soon as she graduates from high school and gets a job as a waitress, we know that Pauleen is not going to be staying in Kansas.  As soon as she and Cory end up in California and Cory suggests that Pauleen is pretty enough to be a model, we know that she’s going to end up modeling topless and that she’s going to deal with her nerves and her weight by snorting cocaine.  We also know that she’s going to end up appearing in adult films and that her concerned mother (Melinda Dillon) is constantly going to be begging her to come back home and forget about Los Angeles and its sinful ways.

Apparently based on a true story, there’s not really anything surprising about Shattered Innocence.  It tells a sordid story but, because it was made-for-TV, the scene usually ends right before anything really explicit happens.  (Ironically, by keeping the sordid stuff off-camera, the film invites the audience to imagine scenarios that are probably a hundred times more trashy than anything that could be recreated on film.)  Shattered Innocence gets by on innuendo, with frequent scenes of people saying stuff like, “Did you see the pictures?” or “You may recognize her from her centerfold.”  Nerdy Mel Erman (John Pleshette), who becomes Pauleen’s business partner, first meets her when he asks her to autograph the cover of Penthouse.  Otherwise, this film is actually pretty tame.

In fact, the one scene that really jumped out and made me go “Agck!” was a scene in which Pauleen’s nose suddenly started bleeding as a result of all the cocaine that she had recently done.  That was frightening, just because I’ve always had to deal with nosebleeds due to my allergies.  I hate them and the taste of blood in the back of my throat.  In that scene, I could relate to Pauleen’s shock and embarrassment.

Shattered Innocence tells a story that’s as old as Hollywood itself, which is a bit of a problem.  Too often, the movie just seems to be going through the expected motions.  Jonna Lee was a bit dull in the lead role but Melinda Dillion and John Pleshette both did well as the only two people who seemed to really care about Pauleen.  For the most part, though, Shattered Innocence was sordid without being memorable.

Retro Television Review: Fallen Angel (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1981’s Fallen Angel!  It  can be viewed on Tubi.

Jennifer Phillips (Dana Hill) is 12 years old and struggling to find her place in the world.  Sometimes, she wants to be a gymnast.  Sometimes, she wants to be an actress.  She misses her late father.  She has a difficult time communicating with her mother, an often-exhausted waitress named Sherry (Melinda Dillon).  She is definitely not happy that Sherry is dating the well-meaning but rather dorky Frank Dawson (Ronny Cox).  Jennifer wants to watch an awards show.  Frank changes the channel to a baseball game.  That pretty much sums up their relationship.

One night, Jennifer escapes the unhappiness of her home life by going to an arcade.  That’s where she is approached by Howard Nichols (Richard Masur), a seemingly friendly older man who takes her picture and then tells her that she’s just as beautiful as Farrah Fawcett and Olivia Newton-John.  Jennifer replies that she doesn’t think that she should talk to Howard because he’s a stranger.  Howard tells her that’s very smart of her and then explains that he coaches the local girls softball team and that he thinks Jennifer would make a great shortstop.

You can probably guess where this is going and you’re absolutely right.  Soon, Jennifer is spending all of her time with Howard, who tells her that he understands what she’s going through even if her parents don’t.  Howard’s an amateur photographer and he’s constantly asking Jennifer to pose for him.  He tells Jennifer that she probably shouldn’t tell any adults about their “special friendship” because they just wouldn’t understand.  He even buys Jennifer a puppy, one that he threatens to take back to the pound whenever it appears that Jennifer is trying to step away from him.  

Howard is not only a pedophile but he also works for a pornography ring and, as Jennifer soon finds out, he’s actually got several young people living with him and posing for pictures.  Jennifer’s mother eventually becomes concerned about what Jennifer is doing when she leaves the house and she even comes to suspect that friendly old Howard is not quite as friendly as he pretends to be.  But is it too late?

Yikes!  I watched this film on Tubi and I cringed through the whole thing.  Of course, that’s the reaction that Fallen Angel was going for.  This is a film that was made to encourage parents to maybe be a little concerned about with whom their children are spending their free time.  Jennifer is fortunate that her mom eventually figures out what is going on but, as the film makes clear, a lot of victims are not so lucky.  This film is pure paranoia fuel but in the best way possible.  There are some things that every parent should be paranoid about and the adult who only spends time with people 20 years younger than him is definitely one of those things.  The film is well-made, well-written, and well-acted.  Richard Masur, with his friendly manner and his manipulate tone, will give you nightmares.

October True Crime: Judgment Day: The John List Story (dir by Bobby Roth)


In 1971, a 46 year-old account named John List committed a shocking crime.

To the outside world, John List was a normal suburbanite.  He was perhaps a little bit strict but then again, it was 1971 and all of the traditional morals that John List had grown up with were being challenged in the streets and in the movies.  Neither he nor his family were particularly sociable but again, it was assumed that they just liked the privacy that was afford to them by the mansion in which they lived.  List was married to Helen.  They lived with their three teenage children and List’s 84 year-old mother.  John List was a hard worker, he taught Sunday School, and, again, he was seen as being perfectly normal.

On November 9th, 1971, John List methodically murdered his wife, his children, and his mother.  He left his mother in her upstairs apartment while the rest of his family was laid out, in sleeping bags, in the ballroom.  (Detectives later surmised that List stopped in the middle of his murder spree to have lunch and then attended his son’s soccer game before taking him home and killing him.)  List left behind several notes, explaining that he was in a bad financial situation and that he feared that his family was heading down an immoral path that would have condemned their souls to Hell if he hadn’t killed them first.  And then, John List vanished.

For the rest of the 70s and the 80s, John List was phantom.  Some speculated that he had committed suicide while others thought that he had changed his identity and had probably remarried.  In 1987, the classic thriller The Stepfather was released in theaters.  Inspired by List’s crimes, The Stepfather starred Terry O’Quinn as Jerry Blake, a real estate agent who was obsessed with creating the perfect family.  The Stepfather imagined its killer as a friendly but rigid man who snapped whenever his illusion of perfection was threatened.  It also imagine him as someone who moved from town to town, searching for a new family that wouldn’t let him down.

As for the real John List, it turned out that those who suspected him of having changed his identity were correct.  And, just as The Stepfather suggested, he had remarried and was actually now a real stepfather.  List remained free until his story was included in a 1989 episode of America’s Most Wanted.  A forensic scientist included a bust of what John List might have looked like in 1989 and a viewer realized that the bust looked a lot like an accountant named Bob Clark.  “Bob Clark” was arrested and eventually, he confessed that he was actually John List.  Despite his attorney’s attempt to argue that he was not guilty by reason of insanity, John List was eventually convicted of five counts of murder.  He spent the rest of this life in prison, dying of natural causes in 2008.

The 1993 film Judgement Day: The Story of John List tells the story of List’s crimes and his subsequent attempt to build a new life for himself.  John List is played by Robert Blake, which turns out to be a bit of a problem as Blake gives such a twitchy and obviously unstable performance that it’s hard to believe that he could have successfully gone into hiding for 18 years.  Carroll Baker and Beverly D’Angelo are not given much to do as, respectively, List’s mother and List’s first wife while David Caruso appears as the detective who is determined to catch List.  Though this film was made long before CSI: Miami, I still found myself expecting Caruso to say something quippy and put on his sunglasses.

Judgment Day doesn’t add much to the story of John List.  It certainly doesn’t offer up any new insight into what led to List becoming a murderer, beyond the fact that List himself was just kind of a jerk.  It’s pretty much a by-the-numbers production that’s only interesting today because of Blake’s subsequent legal problems.  (For the record, I’ve always felt Robert Blake was innocent.)  When it comes to John List films, stick with The Stepfather.

A Movie A Day #355: F.I.S.T. (1978, directed by Norman Jewison)


Sylvester Stallone is Jimmy Hoffa!

Actually, Stallone plays Johnny Kovak, a laborer who becomes a union organizer in 1939.  Working with him is his best friend, Abe Belkin (David Huffman).  In the fight for the working man, Abe refuses to compromise to either the bosses or the gangsters who want a piece of union.  Johnny is more pragmatic and willing to make deals with ruthless mobsters like Vince Doyle (Kevin Conway) and Babe Milano (Tony Lo Bianco).  Over thirty years, both Johnny and Abe marry and start families.  Both become powerful in the union.  When Johnny discovers that union official Max Graham (Peter Boyle) is embezzling funds, Johnny challenges him for the presidency.  When a powerful U.S. senator (Rod Steiger) launches an investigation into F.I.S.T. corruption, both Johnny and Abe end up marked for death.

Obviously based on the life and mysterious disappearance of Jimmy Hoffa, F.I.S.T. was one of two films that Stallone made immediately after the surprise success of Rocky.  (The other was Paradise Alley.)  F.I.S.T. features Stallone in one of his most serious roles and the results are mixed.  In the film’s quieter scenes, especially during the first half, Stallone is surprisingly convincing as the idealistic and morally conflicted Kovak.  Stallone is less convincing when Kovak has to give speeches.  If F.I.S.T. were made today, Stallone could probably pull off the scenes of the aged, compromised Johnny but in 1978, he was not yet strong enough as an actor.  Far better is the rest of the cast, especially Conway, Lo Bianco, and Boyle.  If you do see F.I.S.T., keep an eye on the actor playing Johnny’s son.  Though he was credited as Cole Dammett, he grew up to be Anthony Keidis of the Red Hot Chili Peppers.

The box office failures of both F.I.S.T. and Paradise Alley led Stallone back to his most famous role with Rocky II.  And the rest is history.